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#don’t be selfish
slutfortheeclaymore · 24 days
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I love his big, well sculpted petty AF ass, your honor!! Lock me up & throw away the key!!!
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olasketches · 3 months
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two sides of the same coin
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burnorgetburned · 7 months
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EVEN MORE CLARA DOLL DETAILS:
So you know how the Dolls have their own distinctive clothes?
Guess who else has their own distinctive clothes!
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That’s right. The multiple Homuras are actually Clara Dolls.
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And that’s why ‘Homura’ is smiling.
Here they are! The one with the striped hat is Nekura (Gloominess or Pessimism) and the one with the flower is Mie (Vanity).
Here’s their descriptions from the art book.
[The second one to come was Gloominess. Walking out with a tapping sound, she sneered at Good-for-Nothing. “This is Good-for-Nothing! How very unbecoming.” These dolls are only disciples of Freedom, and are devoted to their lust for it.]
[The tenth to come running is Vanity. She exaggeratedly avoids Good-for-Nothing's head and says a few words. “I wouldn't be able to bear dirtying my cape with that sticky blood!” These dolls make fun of the witch's self-mutilation.]
Good-for-Nothing is Homura, by the way, but the Clara Dolls seem to consider Good-for-Nothing to be good for something after all after she splits Madoka. She turns into the Devil, and the Clara Dolls are stated to be “okay” with the Devil. If the young voices in the trailer belong to the Clara Dolls, then they also call her “Akuma-sama” now. Something like Mistress Devil, implying a sense of respect.
[… if they are not summoned, they will simmer. There are orders they will comply with, and also orders they will disobey. What they are and the witch herself's own magic are not well understood.]
At the end of Rebellion, Homura gave Madoka her ribbon back. She declared that they might become enemies in the end. Honestly, I thought that Homura would try her best to avoid Madoka entirely. The trailer suggested that Homura was meeting Madoka, though. Here’s the answer: it wasn’t Homura herself, but Gloominess, who wants freedom.
Now, I’m not sure how this situation works out. Do Clara Dolls have free will? Are they obeying Homura’s orders? Acting out Homura’s true emotions? Is Homura perhaps directly puppeteering them in order to fulfill her goals, or do they act on their own?
I find it likely that it’s a mix of both: some of them obey her, and some of them will try and fulfill her (probably very conflicting) desires, as familiars usually do. Gloominess is likely part of Homura who wants the freedom to talk to Madoka, for example, but Vanity seems to me like a Clara Doll who is obeying Homura. After all, she still needs magical girls to fight wraiths, at least until she finds a way to wipe them out.
[I'm Vanity (Mie). I'm pushing myself to the limit for someone.] And she is, of course. All of the theatrics, the calls, the organization of magical girls. These are things that Vanity is shown to engage in. All of this is for Madoka.
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We see with Gloominess, at least, that she seems to be fulfilling a specific desire: in the background are white spider lilies. Instead of the red spider lilies that mean death, final goodbyes, and lost love, white spider lilies mean a hope for the future and a fresh start. Maybe this really is the first meeting for these two in a while, and she wants to be friends again?
Or maybe, being Gloominess, she wants to warn her about something.
[I'm Gloominess (Nekura). Forcing smiles tires me out.]
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Then there’s this Homura.
Nothing about her clothes is very different. She is wearing ribbons as Homura in the wraith universe does, but look closely: the ribbons are different. They have some wavy stripes on them, while Madoka’s ribbons are plain. She does not correspond to any known Clara Doll.
However, there’s mentioned to be a fifteenth Clara Doll that is not yet born: Ai, representing love. This could be her. Is it love for others? Or love for herself? I’m hoping it’s the latter, but very likely it’s love for Madoka and her friends. This would explain why she’s trying to fight Homucifer in the poster, as Homura believes that she’s a danger to everyone else.
How can this be? Well, here’s a few options:
- The Clara Dolls are grown-up familiars. They ate souls, and they became a copy of their witch. This is a process that was explained to us in the original series, where some magical girls are stated to farm familiars by letting them eat people so that they would grow souls/grief seeds.
- The Clara Dolls are not familiars, or wraiths, but instead a secret third thing. “What they are and the witch’s own magic are not well understood”, as said in the Rebellion art book. They could be magical constructs of a different kind, but I do think that this would get into overcomplicated explanations quickly, so I favor the familiar explanation.
- The Clara Dolls could be familiars, but instead of eating souls they’re simply powerful enough to change their shape. Their strength is equal to the strength of a magical girl…. when Homura was a witch, before Homura became something more. It could also be energy from the contracts making them stronger. Maybe it’s me being sentimental, but I don’t like the idea of Homura letting anyone’s soul be nommed on.
Now, before there’s a panic about how they’ll juggle fifteen extra characters, here’s a few thoughts:
- Just because they seem different doesn’t mean they’re actually different. It might be that the Clara Dolls are a way for Homura to present herself. As Vanity, she might show off more, or have dramatic flourishes like her throne and her dress. As Gloominess, it might be that she doesn’t believe that her plans will work, so she tries to do what makes her happy. It’s likely that the Clara Dolls are just extra ways to explore Homura’s character. They’re parts of her soul, after all, and right now she is extremely powerful. She might simply want to keep her true self away from humans.
- They could work like projections. Homura wants more bodies to work with, but she has to filter herself through the Dolls’ personalities. This could result in a lot of juicy character interactions, as the things she tries to keep hidden are closer to the surface.
- Will ‘Ai/Mystery Homura’ fight against Devil Homura? Very likely! How can this be when they’re the same person? Well, who hates Homura more than Homura? That’s right. Nobody. Anyone can fight and argue with their self, it’s just usually not on the level that a reality-warper like Homura can manage.
If this is true, there’s plenty of interesting directions they can take it.
- Because the Clara Dolls have a degree of separation from Homura, they can show other characters things that Homura herself has ignored or locked away. Bad memories, affection for her friends, the resentment she must feel - everything from concern to a cry for help can be plausibly shown through them as the actors.
- Manuke (Stupidity) is specifically more naive/sincere than the others. Maybe interacting with this Doll would show the Quintet that there’s something more going on than a Devil who wants to hurt other people.
- If Ai represents a love for other people, Ai can have a strange character arc where she learns to value Homura/herself, and become self-love.
- On the other hand, Ai can represent self-love from the start, and because Homura looks very fucking unhealthy in the trailer, she only wants to stop her because she’s hurting herself. This option plays into the themes of self-sacrifice and happiness, which I believe to be some of the major themes that they’re going for.
- The poster could be misleading and Ai ends up fighting everyone but Homura. I find this the funniest option.
- Homura can hug herself. It’s possible. In fact, every character can hug Homura 15 different times.
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Smiles are a Clara Doll’s default expression. We have yet to see Homura smile for real.
Is this going to get very ambiguous and confusing? Probably. But rewatching for details was the fun part in Rebellion, so I’m looking forward to it!
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utterdrip · 4 months
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i have so many feelings about this conversation. the grief and guilt for the lives he took. how he’s able to sympathize with the gur and acknowledge what he’s done to them as well as what they did to him.
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Fanfic Thieves on YouTube: A New Grift
So one of the content farm channels stealing fics has an ao3 now and last night they commented on Butterfly asking to make money off it while paying me in exposure.
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I confronted them on discord and asked how they had the audacity to ask the people they stole from to use their hard work to line his pockets without even apologizing. Long story short, I gave them an ultimatum to post a public apology on their youtube channel to prove they actually care about doing the right thing and aren’t just a grifter telling me what I want to hear for money. And they asked me to write the apology, TO ME, for them.
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I should have asked if their mommy still wipes their ass for them too.
Anyway, DNWhatif is a lazy grifter who has not changed their ways, the only reason they’re asking permission now is because all the DMCA strikes on stolen content have started eating into their revenue. Don’t let them profit off of your work as a writer. And if you have to interact with them, tell them to go fuck themselves.
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sharpened-kris · 1 month
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Mark constantly taking responsibility for the shit Nolan did is so heartbreaking to watch.
Saying it was “our fault” that the Viltrumites came when they were explicitly only following Nolan. He saved the lives of many Thraxans and helped them rebuild their kingdom but he still didn’t see it as enough recompense. They had to force him to go back home.
Saying that Nolan keeps leaving behind messes for other people to clean up, whilst immediately offering himself up to be that other person. To be the one who suffers through the consequences of his dad’s actions and takes care of Ollie. He never thinks about himself and his own well-being.
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buck-yyyy · 11 months
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an introductory description of the greek club except it’s narrated like the meet the plastics scene in mean girls
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sebbyisland · 6 months
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when The Apothecary Diaries anime comes out everyone better clap and cheer for my beloved weird girl as she uncovers all the courtesan drama (read: murder attempts) at the palace. she’s soooooo neurodivergent-coded (her hyperfixation is poisons and medicinal plants/animal organs, she’s highly analytical about social dynamics to survive but has poor social awareness) and soooo catgirl (in a stray street cat way)!!!! She has a family of sex workers who she loves and who taught her the life lessons + skills she needs combined with the medical knowledge and unconditional love from her father. When she finds out she has personal ties to politicians nothing changes because she doesn’t care. She is even aroace.
Like idk maybe give it a watch maybe you’ll find something you like.
youtube
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plenaurum · 1 year
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the thing about this z library thing is that I see small authors rejoicing in the fact that ppl can’t steal their books anymore bc they were “losing out on sales” and. this may be immoral to say? but I kinda don’t care
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00fairylights00 · 4 months
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I Guess You Just Don’t Love Me Anymore
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GIF from @glowing-starlight on Tumblr
I was so taken by @ash-arts-but-sinful's post which mentions P being jealous of the cat and @oldworldghost’s post which contains the idea of him becoming more mischievous and sassy as he becomes human that I just had to write a little something, I hope it’s alright that I drew on your thoughts for some inspiration!
As a disclaimer, I haven’t finished my first play-through yet so this is more of a character study based off of what I’ve experienced in-game and what I’ve been seeing on Tumblr instead of delving heavily into the world-building and established story that exists within the game. So hopefully no spoilers and it’s very likely that this won’t at all line up with the in-game timeline.
Big thanks to @cupidsredcollar beloved for proofreading <3 
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For as long you had known Pinocchio you had never known him to be a jealous individual, in fact, when you’d first met that bleak, overcast morning in Hotel Krat you had been almost unsettled by his uncanny nature. 
His features were perfectly human, aside from the metal prosthetic he’d been fitted with. He had freckles and soft hair, a face that looked fashioned from a real person instead of the smiling caricatures Krat’s puppets were usually fitted with. 
But despite his boyish features, his face barely moved, he nodded along to Sophia as she gave him the task of locating his father, Mr. Geppetto, and tilted his head in question as Lady Antonia explained the concept of lying but his brows didn’t so much as pinch, his lips didn’t quirk and his eyes looked straight through you as you had wished him safety on his travels.
So watching in real time as he came into his own was something you cherished greatly, you continued to watch him grow and change, become something new. Pinocchio chose to spend a lot of his down time with you, he said he found you interesting, that you had a way of explaining humanity that made sense to him and over the last couple of weeks something had started to shift in him.
No, Pinocchio had never been a jealous individual, for as long as you’d known him.
Until today.
Your morning had started normally, woken up by the cool feeling of P’s lips against your forehead, human hand smoothing back your hair. He mumbled something about needing to go out, you tried to convince him to come back to bed, he tried to convince you to get up (he always wins).
P drags you down to the kitchen, you eat and he watches, something that was initially a little awkward but you’ve come to really look forward to, then you farewell each other at the rear entrance of the hotel. 
He holds you close to his chest, resting his lips to your hairline and making you promise to look after yourself and your companions while he’s away, you make him promise to be careful though you know he’s not always able to, often catching glimpses of Sophia muttering blessings and incantations under her breath in the foyer.
“It’s just Ergo hunting today, I’ll be more than careful.” He whispers, human arm winding around your shoulder. You breathe him in, hands to his chest feeling the odd sensation of his heart, not quite a tick but not quite a beat. 
You lean up to kiss against the slant of his jaw, his mechanical pulse jumping in response. He looks down at you, you catch the fondness in his blue eyes without mistake, he captures your lips in his, holding on for a second longer than he knows is necessary (it’s not like you mind though).
Lounging against the doorway, watching him walk towards the entrance of Elysion Boulevard, he turns and gives a last longing look over his shoulder before stepping through the wrought iron gates and disappearing from view.
You sigh, making your way back inside to start on your usual round of chores, helping where you could to take the load off of Polendina who needed more time to focus on Lady Antonia and her illness. You had just returned to the puppet butler for more tasks when you noticed movement on the top of the shelf behind the front desk. 
Sitting tall and proud was Hotel Krat’s resident sweetheart, Spring, tail swishing steadily as she kept watch of the foyer from her perch. The white and orange cat jumped down to the desk as she noticed you, laying down across the dark wood and turning over in gesture for belly rubs; which you gave happily. 
“She’s been very noisy today,” Polendina explained, stroking the cat, “I wonder what she’s trying to tell us?”
“Probably trying to manipulate us into giving her more treats, isn’t that right?” You accused lightly, you were sure that if he could, Polendina would be smiling. 
“There is another load of laundry that needs folding, could I have a hand?” He asked politely.
“Of course Polendina.”
And it seemed you had found yourself a shadow, Spring making an unreasonable amount of noise as she followed you and Polendina around the hotel. She wound between your legs, chirruped in response to your voices and bumped her head against whatever part of your bodies were within her reach. 
It was no surprise that Spring was loved by the inhabitants of the hotel, and it was very apparent that she loved them back, well everyone except for P. Not for lack of trying of course, he followed your advice of trying to build trust between him and the animal but she wouldn’t so much as let P touch her, hissing her disapproval for all to hear.
You’d often watch as P would recoil from Spring, the feline swiping and spitting at the puppet. You couldn’t tell from his expressions if the cat’s dislike for him bummed him out but sometimes as he lay next to you in bed he would lament quietly that Spring hated him, which would award him a sound of humoured pity and a kiss for the cheek.
It wasn’t clear what it was about P that set Spring off so aggressively. In all the time you had spent at Hotel Krat she’d never behaved in such an unfriendly way, even complete strangers who would seek refuge for short periods of time were welcome to interact with Spring freely. 
She would bask in the attention. You hoped that she would eventually come around to the puppet, given it looked like he would be around for the long haul and you just knew the two would be the best of friends if she would stop being so nasty.
But P was patient, far more patient than you were and it showed as you folded and unfolded the same piece of linen for the third time without realising, Polendina placed a gloved hand over your own, silently relieving you of duty.
“Apologies, my mind seems to be elsewhere Polendina.”
“You worry for the boy, it’s only natural that your mind wanders.” You sometimes forget how long Polendina has been around, having been a close companion of Lady Antonia’s for decades. You had a feeling he knew more about human emotions than he let on, somehow he always knew what to say when it came to your thoughts surrounding Geppetto’s Puppet. 
“I just can’t help it, and with him figuring out who he is, I fear he’ll get himself hurt by being too kind.” You wring your hands in your lap, focusing hard on the lines in your skin as you try to keep yourself from thinking of anything too awful.
“He has met humans who have given him trouble before and he has a good head on his shoulders. I would wager that you have nothing to worry about, but I understand that may not put your mind at ease.” 
“It doesn’t but thank you.” Your hand went to Polendina’s shoulder with a smile. “I think I’m going to find something else to do, try and get my mind off of things.”
Polendina nodded once, going back to folding the linens, “I’ll send the boy your way when he returns.”
You smiled in earnest, appreciative of Polendina’s knowing kindness. 
Spring, who had been lounging between you and Polendina, got up, stretching herself out and scampering over to your side. She meowed frantically to grasp your attention. 
Her interruptions continued as you made your way around the kitchen. It wasn’t particularly dirty given how little it was being used now, however, the repetitive action of wiping down the countertops and sweeping the floor were just the distraction you were looking for. 
Your ears perked up at the heavy steps of boots on marble floors, the jingle of P’s belt was something you could identify in your sleep. He stood tall in the doorway, all sweet smiles and fidgeting hands. Happy to see you, always happy to see you.
He was shockingly clean as he approached, resting his forehead to yours as his hands found their place on your waist, all the scolding about tracking oil and muck through the hotel was finally paying off.
You ran your hands over the intricate designs embossed onto the lapel of his coat, smoothing the fabric down before hooking your hands behind his neck.
“Welcome home, pretty boy.” You cooed, brushing your nose against his. 
He liked the small intimacies you shared, bunny kisses you’d come to find were a favourite of his.
“You can go and relax if you want, I’m just cleaning.” You offered, but he shook his head. 
Spring had also gotten bored of waiting on you, brushing up against your legs. So there you stood, sandwiched between your two favourite beings. 
And two shadows wouldn’t be so bad if they would stop getting under foot, you laughed as Spring and P fought for your attention while you made your way around the kitchen.
P hovered close, slinging his arm around your waist as you tried to pass him. You stopped short as he pressed his face into your neck, leaning back against his chest and resting your hands over his wrist. You could feel him smile against your skin, a careful, small smile that only he could manage.
At that moment Spring took it upon herself to jump up onto the counter in front of you, hissing and swiping at P, he scowled and pulled you closer.
“Beast,” he scowled, you gaped at P, smacking the back of your hand at his chest.
“Don’t be horrible, she’s just protecting her territory,” you chided, 
“I haven’t done anything to her, yet she spits at me.” He complained, you thought your ears might be playing tricks on you at the distinct sound of a whine in his tone.
“You love her.” You reminded smugly, a truth he was unable to escape.
“Yeah, unfortunately,” he mumbled, you pushed against his hold, trying to signal your want to move and he hesitantly loosened his grip. Hand ghosting over your waist as he watched you go, you threw a smile over your shoulder which he returned in kind.
You gave Spring a kiss on the head, letting her nuzzle her face against yours before scooping her up and putting her down on the floor where she went back to curling around your legs.
“Ah, so the cat gets a kiss but I don’t?” P asked. You snorted, flinging the rag you’d been using to polish the countertops over your shoulder.
You lent your hip against the counter and crossed your arms over your chest, “you never asked for a kiss, how was I supposed to know that’s what you wanted?”
“I feel like it was obvious.” He placed both of his hands on the counter, stretching his arms out straight as he pushed against the granite. 
You rolled your eyes in jest, unable to keep the fond smile from creeping onto your face, playfully exasperated you closed the short distance between the two of you. Lifting up on your tip-toes to press a kiss to the corner of his mouth, he was quick to move his head once you’d pulled back. Hands to your waist and pulling you against him, sealing his lips to yours so quickly it pulled a sound of shock from your throat.
“What’s up with you today, you’ve been awfully touchy.” You teased, twisting the ends of his hair between your fingers. “Not that I’m complaining of course.”
“Missed you,” he murmured, pressing his lips to your forehead tenderly. 
“I missed you too, always miss you when you’re gone.” You placed a hand on his cheek, thumb rubbing gently under his eye.
He pulled the rag from your shoulder and threw it behind you unceremoniously, taking your hand from his cheek to drag you out of the kitchen, a laugh bubbled out of your throat that P was happy to mischievously return.
He led you to the library, seating you at the piano and turning away to rifle through the sheet music stacked in a crate on the floor. He’d been getting better day by day. 
His body wasn’t exactly built to do delicate actions but that never seemed to stop him, in fact, he was inexplicably drawn to all the soft parts of being human even if initially he was afraid to get it wrong. The last thing he’d ever want to do is hurt anyone close to him and for that reason he was acutely aware of the raw strength he possessed.
Though his conscious effort to be gentle made all the difference.
Spring decided she’d had enough of being ignored, jumping up onto the piano bench and brushing up against you, pressing close and then curling down next to you. P turned around, the particular book of sheet music he was searching for held up in his hand, his expression dropped almost comically as he noticed Spring’s position next to you, taking up what was going to be his spot.
“Move her,” he says simply, you throw your head back with a hearty laugh but P’s serious expression doesn’t change.
“No,” you start with a laugh, “Spring got here first, you’ll have to pull up a chair.”
P continued to stand his ground, you wondered if he hoped his very presence would annoy Spring enough that she’d disappear of her own accord, but the cat only opened one eye. She regarded P from her curled up position before nestling her chin back down into her tail. 
It was like Spring knew she was in his spot and was smugly showing off to him, purring loudly.
“P, I’m not moving the cat. Just come and sit on the other side of me.” You insisted, watching as his unappreciated love for the animal won out and he stalked off to get a chair. You chuckled under your breath and passed your fingers through Spring’s soft fur.
“You are so mean to him, you know? He’s quite fond of you and I think you two would be very good friends if you gave him the chance.” You whispered to the cat who ignored you, continuing to purr unabashedly.
Unbeknownst to you, P watched your interaction with the feline from the doorway, his chest feeling warm in a way he wasn’t quite used to yet. Touched by your words that you thought were falling on deaf ears.
He gave in to your fondness for the cat, pulling his chair up next to you, fingers gently flitting across the keys as you hummed softly, head resting comfortably on his shoulder. He decided he didn’t mind this so much.
Late in the evening, however, he decided he did mind. 
You were curled up in your bed a book in hand and Spring dozing lazily in your lap, he entered the room and his shoulders physically dropped.
“What’s the matter?” You asked, thumb placed between the pages of your book as a makeshift bookmark. 
“Nothing,” he mumbled, sitting down unceremoniously on the edge of your bed to take off his shoes.
You placed the now forgotten book on your bedside cabinet, the act of sitting up a little difficult with the cat in your lap. You reached for his shoulder but he shrugged off your hand, trying to hide the action by stripping off his coat.
He stood and draped the coat over the back of your desk chair and moved to unbutton his waistcoat, all while staring down Spring with a scowl.
It clicked.
“Are you jealous of the cat?” You wanted deeply to believe that your Pinocchio was not jealous of a cat, but you couldn’t come up with a more sound explanation.
“I don’t know what that word means.” He lied, avoiding your gaze entirely, unbuckling his belt and dumping it on the desk, Gemini didn’t say anything so you assumed he mustn’t be awake.
“Yes you do,” you rolled your eyes, “I remember very clearly the conversation we had about it.” 
He didn’t respond, turning his back to you and focusing his attention on rifling through the dresser drawer full of his clothes. The sleep clothes he was looking for were folded at the end of the bed.
“It’s okay that you’re jealous of-”
“I am not jealous.” Quick, concise and with no room for argument, he spun back on you. His snapping didn’t phase you.
“Uh huh,” you teased with a smirk, turning all your attention back to Spring who’d been ignoring your exchange.
Perhaps what you were doing was a little mean, given that before you hadn’t been ignoring him on purpose, but it was too fun an opportunity to pass up. P let out a disgruntled huff, shuffling around in your peripheral.
“I guess you just don’t love me anymore.” He offered with his arms crossed over his chest, your jaw dropped and a shocked laugh fell out of your open mouth.
“You take that back, immediately!” You snapped playfully, sitting up fully and annoying the cat enough for her to get up and move.
“Make me.” The challenge he’d levied would mean conceding to his childish behaviour but after all he’d been through, you thought it only fair. 
You pulled the sheets back and stood from the bed, crossing the room to him. He tried to act as though he was uninterested, tried to pretend that your hands on his chest didn’t affect him, tried to ignore the speed of his heart as it hammered under your palm.
Your hands travelled the beaten path they always did, from his chest to his collarbone, then hooking behind his neck. Trying to pull him down was useless, like trying to topple a brick wall with bare hands, but you caught him staring out of the corner of his eye.
“Look at me.” Your whisper was a command, and he had always been faithful to a fault. “I love you.”
He tried to hide the oncoming smile, dropping his chin to his chest, but you were quick to guide his gaze back to yours. There was no way you’d be missing that careful grin. His eyes were soft and gentle when they met your own, there was hesitance in them that you didn’t want to see, so you kissed him.
He melted against you, arms winding around your back and pulling you against his chest, you hummed and he couldn’t stop the full blown grin from forming on his lips; breaking away to look at you like a giddy school boy.
“Are you going to take it back?” You asked, brushing your nose against his in a bunny kiss. 
“Will I still get to kiss you if I do?” He joked, you rolled your eyes albeit in good nature, hands cradling his cheeks as he continued to smile.
“I think that can be arranged,” you mused, leaning in to kiss him again, the two of you falling into familiar rhythm with one another.
Spring slinked out of the partially open door, tail held high, she had seen more than enough.
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faithinlouisfuture · 5 months
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walk walk fashion baby 📸
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shorthaltsjester · 10 months
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sometimes people will say “going dark” and then what they’re actually talking about is just people no longer presenting a carefully constructed version of their emotions and experiences.
like. emotional turmoil is not the same as darkness. laudna in this Fictional Universe that has tangibly different stakes wrt to death and killing than our own, is at best like . morally neutral for what she just did like. man has been secretly trying to kill you, and then just tried to do so again, killing him back is a fair choice. and even if i was someone who is excited by delilah’s inability to escape from the narrative, this shit isn’t about delilah. laudna made a choice. if delilah is back or whatever it’s a choice that laudna made because something in that grants her more control than her existing conditions did. this isn’t some Delilah Takes Over, it’s Laudna Expressly Makes The Choice To Call Forth Something within Herself to remedy the lack of control that’s been thrust upon her. if y’all want to Continue to limit Laudna’s agency (as the cr fandom is so, so want to do when a female character makes a choice that isn’t Good according to some weird system of virtue ethics) go ahead.
likewise with orym. little guy is not “going dark” because he has finally made direct action about his emotional turmoil in dealing with a situation which has similarly left him without control and has also placed him in a position where his stalwart conviction towards protecting and honouring those he loves and has lost alike is constantly met with other people he cares for going well.. what if they had a point/we are killing other peoples loved ones/etc. which like . yeah that might be frustrating and in fact might lead him to go, actually, i can’t afford to try and maintain some abject morality where I carry a locket that will literally only provide guilt. orym is completely committed to his beliefs, the locket and what it represents has never been a limit to what he will do, only a reminder of the consequences of what he might cause in those actions. but they Are at war and orym has a billion things on his plate. he can put down the locket. especially when bor’dor is the explicit manifestation of that locket’s symbolism. the subtext rapidly became the text and orym doesn’t need a reminder. it’s there in the fact that team issylra is walking away with two friends, not three.
these are character who have at every turn denied their own emotions in various forms while still being acutely aware of what they deny, whether that awareness was/is fully realized or not. many of laudna’s early convos with ashton show us that there is some awareness to the lighthearted spooky goth girl and how that persona fades when she thinks too much about what has led her and maintained that reality. likewise the entirety of orym’s story thus far is defined by his grief in a very literal sense, it Has extended from that grief to also the commitment he had to the purpose of figuring out the assassination attempt on keyleth but as we have seen, that purpose has fallen apart. paired with the quasi-reopening of his grief that was getting to see will again only to have to turn away, i don’t think there’s a lack of awareness in orym of how much he hurts. but between his actions and 4SD, that hurt tends to get buried under guilt or Responsibility.
and now, finally, both of them have admitted to that Not in the safety of small introspection or one-on-one conversations but with actions that they cannot shy away from or deny. laudna killed bor’dor and orym encouraged her to. and it Is a complex situation but truly I don’t really think it’s a “going dark” one. because they’re not giving into some overhanging Darkness of Morality™, they’re admitting that they are hurt and have long been hurting.
or, y’know, tldr for those who continue to deny laudna and orym agency or fully villainise them for whatever weird reasons . you could listen to laudna and ashton’s conversation that pretty much lays it out explicitly. laudna claims she’s weak for having chosen to kill bor’dor. ashton denies that and affirms instead that, no, she’s hurt.
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cowlovely · 4 months
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i truly do think that clara oswald is one of the characters of all time i’m sorry.
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bookinit02 · 2 months
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genuinely i think if i have to see taylor swift’s name one more time i’m going to start breaking things.
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runnerfivestillalive · 8 months
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We don’t know what Aziraphale did during the war. But we know everyone remembers him, on sight, as the angel with the flaming sword.
We don’t know what Aziraphale did with his flaming sword, in the war. But we know as soon as he got a chance, he gave it away.
We know Aziraphale turns soft on Earth.
But I don’t think it’s the softness of neglect and ease. It’s the softness of choosing. It’s the softness of knowing exactly what it is to be hard. It’s the softness of never wanting to be that again. It’s a softness he’ll defend, because he knows softness is worth protecting. It’s a softness he built, and he built it to share.
We know Aziraphale will defy Heaven to defend Earth.
But we don’t know if he can do it while soft.
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nogooddeetz · 5 months
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so i just rewatched honey queen and in it, roman explains how linda is “the sweetest woman in hatchetfield” (the title that comes with winning the title of honey queen) because what she was willing to do in order to win (kill zoey, among other less than nice things) makes her taste the sweetest to nibbly.
now, in nerdy prudes must die, during the summoning, while blinky speaks to grace and tinky taunts pete, nibbly immediately looks to steph and says “stephanie, yum yum!” steph is nothing like linda of course, she’s not callous or selfish. but. she was, in the end, willing to kill pete to save the rest of the town. she would have done it with a heavy heart, but she would have done it nonetheless. so, is the reason nibbly expresses interest in steph above the others that she is capable of things the others aren’t? like linda, she’s willing to go to extreme lengths to achieve her goal (even though her goal is much more selfless than linda’s).
grace is certainly capable of doing crazy shit too but her deal is a whole separate issue of its own
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