"Might I have this dance, Master Jetii?"
"As you wish, Cyar'ika."
OR AN AU WHERE THEY CALL EACH OTHER MANDALORIAN NICKNAMES AND THE SKYWALKER FAM ISN'T AT ALL SURPRISED
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god you're so fucking unhinged about friendlocke i love it. any good mykyie headcanons? i'm not over his death yet
First of all: thank you this actually made my day-
Second of all: MIKU BINDER MYKYIE MIKU BINDER MYKYIE MIKU-
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neil writing the last 10 minutes 💀
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If bbc merlin wasn't gay then tell me why my middle aged, agressively heterosexual father that thought neil and todd were straight just turned to me and told me magic was an allegory for queerness. fucking riddle me that
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How Ian and Anthony are in the sketches:
How Ian and Anthony are in the BTS (and according to the cast and crew too):
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Fuck the timeline, everyone please consider an au where the Knight of Dawn narrowly escapes from a fight that almost kills him and as he's limping through a forest to find somewhere to hide and recover, the woodland creatures find him and lead him somewhere. He follows, assuming they're leading him somewhere safe, but before he can reach it he collapses from his injuries. As his consciousness begins to fade, he sees Princess Meleanor looking down at him and he isn't surprised that she'd been waiting for his end, waiting for him to join her in the Underworld where he'd sent her.
Later in the evening, Lilia Vanrouge is startled by the door to his quiet little cottage bursting open. His prince and pupils have returned... and they have dragged the injured Knight of Dawn back with them. Silver runs up to Lilia and begs "Papa" to help the poor injured man they'd found in the woods, completely oblivious to how Lilia's blood chills and his mouth goes dry because his son this human child had so cluelessly brought an old enemy into their home who also happens to be his father.
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boat boys coded
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I'm going to preface this by saying that I have really complex feelings about this, and much of it is inspired by my personal experiences and a bit of learning about what other trans people experience. If I come across as messy, it is because of these reasons.
There's this unshakable feeling I have that when allies and even other trans people talk about trans people, transition and motivation for transition, and anything related to such, that there's only certain things that x type of trans person can (and should) experience and talk about.
Like, when people talk about FtMs/trans men/transmasc people, a common idea is that we're motivated to transition to game the system, to manipulate people into treating us better because we're now seen as men. A huge reason I never even bought into that idea is because, since transition (especially medical), I have been treated worse than I ever have been. Since transitioning and being on testosterone, I've been catcalled, had people insist I hand my number over, and I have to emphasize that I've never experienced these things until a couple of years ago (to clarify, this was in my real, corporeal life). I honestly can say that, while transition has saved my life and soul, I am treated worse by others than I ever had been pre-transition. However, because the idea of transmascs is that "they were victims of misogyny and they only want to escape it through transition" is popular even among some trans people, I feel like it's almost... taking something away by acknowledging that. Add to this that I'm white and that TPoC have so many experiences that intertwine with race, and that race absolutely goes into how trans people are treated.
I am not saying that my experience is the only valid or true one. I am very aware that I'm probably an outlier. However, I just notice that, time and time again, people hear what they want to hear about transness, and if people have even slightly different points of view from their experiences, it doesn't matter, or worse, those people are duplicitous and conniving.
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The Girlfriend Montage
I can't shake this moment from my mind and some interpretations of moments like this in this season have gotten me mad, so here's what I've got to say about the girlfriend montage. Carmy telling Richie he's gotta call his girlfriend, then we get splices of scenes containing Carmy making food for Claire, Claire working in the hospital, and for reasons that are highly debated by some but seem completely obvious to others including myself there are scenes of Sydney interjected into the couple's montage.
I have my thoughts as to why Sydney is in the montage but that's not the point I want to linger on, not now at least.
I am going to focus on this part in particular: the one where Sydney is undressing and we see the Three of Swords tattoo.
To me, nothing is unintentional in this show. Nothing is inconsequential. And this small, two second shot of Sydney proves that in more ways than I can think of.
What I can't shake is how freaking similar it is to a scene we will later see in ep. 9. The sex scene with Carmy and Claire. It's an intimate moment. The room is cast in blue hues. It's all close up shots, quick cuts, and we can barely make out who is who and what is where. The moment is completely intimate and sensual in all the ways a romantic sex scene typically is conveyed.
And it matches the picture above nearly identically.
The choice to show the audience Sydney's tattoo bathed in this blue light that they will later use for Carmy and Claire's sex scene, the choice to capture this extreme close up, the choice to include the strap of her bra and a tattoo with an image that symbolizes heartbreak and betrayal, the choice to put one of the most intimate and vulnerable shots of Sydney in this montage meant for a couple is.... pretty indicative of the romantic undertones hidden in Carmy and Sydney's connection. The first time I saw it, I was blown away by how intimate of a shot that was of Sydney. We've never seen her like that - undressing, her skin that is always covered exposed, seeing for the first time that she has a tattoo. Just like we never saw Carmy like that in his sex scene with Claire, him being so intimately exposed.
I don't know how else to interpret it. Because all of what's stated above is not coincidence. The creators of this show didn't coincidentally put scenes of Sydney into the couple's montage and they definitely didn't mirror the imagery from the picture above to the sex scene in ep. 9 on accident. Just like how they didn't coincidentally have Carmy think of Sydney to calm him down during his panic attack.
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@ the person who said Machete wouldn't have a cutie mark, I definitely see where you're coming from, but I disagree! Machete, against all the odds of his birth and existence, survived and excelled. His determination to continue would have earned him his mark.
In g4, at least, they're more than just a representation of a task you're good at. It's a reminder of who you are as a person, of a truth you hold.
I think Machete might have a fang or claw, a representation of the phrases 'with gritted teeth' or 'clawing your way up' or maybe a hoof reaching toward the sun
I also think a mark like that would seem strange and off-putting, and may have been a source of strife for him while in school. In MLP, it's not terribly uncommon for ponies with no cutie mark or a cutie mark they're ashamed of to cover it up with clothing, in the way canon Machete wears his outfit.
Idk just my two cents
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'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
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people who think will byers hates himself for being gay when will byers is one of the very few characters on the show that has refused to change himself to fit anyone else's idea of what he should be despite the fact that people, including his own father, have been harassing, bullying, and abusing him for it literally his entire fucking life are just...... so weird.
will's entire POINT is that he will survive and brave whatever you throw his way against all odds and come out on the other side of it still clutching on to his sense of self and hope that tomorrow will be a better day. the entire point of his character is that he loves what he loves without apology or shame.
he sings "that weird song he loves" in the middle of hell because it reminds him of his brother and offers him comfort in a place where there is none. he creates art because he loves it and doesn't care if it isn't something boys do, then he gifts it to his friends because he loves them and wants them to know it, too. he loves dnd and writes campaigns and dresses up for them because they bring him joy and he just wants to spend time with his friends even if they think they're "too cool" for it now.
he knows that sometimes it's harder than it should be to be gay in a homophobic society and has been harassed for that literally his entire fucking life it's LITERALLY how they introduce him to us not even twenty minutes into this fucking show and YET !!!!!!! he doesn't back away from that. ever.
he gets picked on for his clothes, but he doesn't change them. he gets called names, but he doesn't make any attempt to conform. his best friend, the boy that he's in love with and his very first friend ever, tells him it isn't his fault that he doesn't like girls and shamefully asks him if he really thought they were going to play games together in his basement for the rest of their lives and never get girlfriends, and what does will do?
he says yeah. i guess i did. i really did.
will faces all of that and goes to a new place where he has the golden opportunity of a clean slate, and what does he do? when assigned to do a presentation on his hero... he picks alan turing of all people. and when his brother later on tells him that he loves him no matter what, essentially giving him the It's Okay To Be Gay I Love You So Much And Always Will talk, still there is no denial on will's part here either.
will has NEVER, EVER denied being gay. he has NEVER tried to change that part of himself. he has ALWAYS stood tall and braved another day even when it was scary and hard. he has ALWAYS remained true to himself even though that has only ever made his life that much harder.
he said that sometimes he feels like a mistake for being so different from other people, but that being loved and accepted makes him feel like he isn't one at all and like he's better for being different and that gives him the courage to fight on.
literally what the fuck are you guys on about when you talk about will being self-hating for being gay. where is the canonical evidence for that? and more than that, why are you so keen on throwing away all of his acts of bravery and the sheer fucking strength of character that he's had since the very beginning? it would've been so much easier for him to conform, to be the "man" that everyone has always pushed him to be, but he doesn't ever do that. he stays true to himself no matter what. so, again, where the hell are these self-hating receipts?!
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Thinking about Armand's relationship with food and sustenance.
Much of his trauma relates to hunger--watching monks slowly starve in the monastery knowing that would be his fate one day, then being starved by his captors as a human AND as a vampire. Finally he inflicts this suffering on weaker vampires.
The first thing Marius does is feed him. Marius later becomes a literal source of nourishment by feeding Armand his blood, which he compares to honey. Armand often describes the lavish, abundant food at the palazzo. It's easy to see how he would grow to associate food and love.
That's especially interesting in light of his treatment of Daniel. When they first meet, he pulls his go-to coven master move (lock up+starve). A major turning point in the relationship happens when Armand orders everything on the menu for Daniel at the Copley. An abundance of food reflects emotion. It's how Armand expresses care.
On the night of the first blood exchange, Armand declares his love by feeding and feeding from Daniel. (Feeding is also an act of ownership: "you are mine, beautiful boy.")
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On the rare occasions when Hob is actually mad at Dream— he refuses to sleep. Coffee, energy drinks and the God forsaken awakeness pills? All fair game. If he has to inject caffeine directly into his vein, he would. Hob doesn't often get mad, but when he does, he likes to make a point. Dream and Hob match in more than one ways, really, they do. And so it is that the Dream Lord must come out of his realm personally to sprinkle sand into his lover's eyes because he'd be damned if Hob refuses his gift for more than two nights in a row. Not speaking for 100 years? Easy. Hob refusing sleep? Unacceptable.
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Creature. (The rendered ones are referenced from manga panels)
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