The Renunciations, Donika Kelly
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I wanna be roadkill
Find me a mile up ahead
Lying there on the roadside
Say, don’t worry now, it’s already dead
series 1: roadkill/longing
roadkill, searows // cyanotypes, emilio hernandez martin // hard times, ethel cain // child wearing a red scarf, eduoard vuillard // empty stomach, rachel sabini // thirstiness is not equal division, kaveh akbar // salvage, hedgie choi // ‘deer at night’, george shiras III // kinder than man, athea davis // best barbarian, roger reeves // ‘johannes land, suite no.2’, simon bang // my photograph // postcolonial love poem, natalie diaz // the dislocated room, richard siken // the moon rose over the bay. I had a lot of feelings, donika kelly // abstract (psychopomp), hozier // miniatures, cassandra de alba // from collected poems; between aging and old, jack gilbert // the favourite (2018), dir. yorgos lanthimos // unidad (oneness), pablo neruda // least of all, natalie wee
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— "Sanctuary," Donika Kelly
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In the beginning, there was your mouth, / a sky full of stars,
Donika Kelly, from "In the Beginning"
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The moon rose over the bay. I had a lot of feelings.
I am taken with the hot animal
of my skin, grateful to swing my limbs
and have them move as I intend, though
my knee, though my shoulder, though something
is torn or tearing. Today, a dozen squid, dead
on the harbor beach: one mostly buried,
one with skin empty as a shell and hollow
feeling, and, though the tentacles look soft,
I do not touch them. I imagine they
were startled to find themselves in the sun.
I imagine the tide simply went out
without them. I imagine they cannot
feel the black flies charting the raised hills
of their eyes. I write my name in the sand:
Donika Kelly. I watch eighteen seagulls
skim the sandbar and lift low in the sky.
I pick up a pebble that looks like a green egg.
To the ditch lily I say I am in love.
To the Jeep parked haphazardly on the narrow
street I am in love. To the roses, white
petals rimmed brown, to the yellow lined
pavement, to the house trimmed in gold I am
in love. I shout with the rough calculus
of walking. Just let me find my way back,
let me move like a tide come in.
Donika Kelly
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let me move like a tide come in.....
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Tuesday Poem
TUESDAY, FEB 6, 2024
BY JIM CULLENY
The moon rose over the bay. I had a lot of feelings
I am taken with the hot animal
of my skin, grateful to swing my limbs
and have them move as I intend, though
my knee, though my shoulder, though something
is torn or tearing. Today, a dozen squid, dead
on the harbor beach: one mostly buried,
one with skin empty as a shell and hollow
feeling, and, though the tentacles look soft,
I do not touch them. I imagine they
were startled to find themselves in the sun.
I imagine the tide simply went out
without them. I imagine they cannot
feel the black flies charting the raised hills
of their eyes. I write my name in the sand:
Donika Kelly. I watch eighteen seagulls
skim the sandbar and lift low in the sky.
I pick up a pebble that looks like a green egg.
To the ditch lily I say I am in love.
To the Jeep parked haphazardly on the narrow
street I am in love. To the roses, white
petals rimmed brown, to the yellow lined
pavement, to the house trimmed in gold I am
in love. I shout with the rough calculus
of walking. Just let me find my way back,
let me move like a tide come in.
by Donika Kelly
from Academy of American Poets, 11/20/17
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How finally there was no whale
or breath or sound or woman;
how, finally, there was only the body,
rising through the water toward the sun.
Whale by Donika Kelly
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The Renunciations, Donika Kelly
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— "Sanctuary," Donika Kelly
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When did one season begin and another end?
What branched like a nerve? What burrowed
like a heart? Can we say love?
What will the yellowing tree bear?
Between each rib, cartilage and blood.
Beneath this cage of bone, four chambers.
Inside each chamber, you, throbbing,
compelling the blood and air.
There is a body I hold like a sound,
a name my mind cradles like a pit
on the tongue. But where is the flesh?
And how will it weigh my palm?
If we can say love, here is the ocean.
Here the white bird of your heart.
Here the hard sun and sand. Here a town
closed for the season, a man wearing
all his clothes, asleep on the beach.
We say mountain. We say nothing.
We make a cross on the sand. We discover
the wonder of perpendicularity.
Sonnet in which only one bird appears by Donika Kelly
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"A Dead Thing That, in Dying, Feeds the Living" by Donika Kelly
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