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#doomdada

These words might mean the world to many people, maybe you’re one of them.

Get yourself these cool eco bags for your daily activities and keep loving the one and only, T.O.P


🔝 DOOM DADA ECO BAG🔝

Design: 3 styles
Material: Canvas
Print: Polyflex
Size: 33 x 37 cm
Price: 75,000 IDR / 7.5 USD
Order: thrusitta@gmail.com

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The cutest & great moment to share 💙Painting that @choi_seung_hyun_tttop shared today 170427 🎨✨Caption - “this paint is giving me a feeling of seeing stars in the universe.” ➡️
#TTTOPart #TTTOPsart #TTTOPsartcollection #TTTOPsartists new collection & family ➡️#KimWhanki #김환기 2- T.O.P bought the lot 43, Artist:
Kim Whanki (Korean, 1913–1974)
Title:
22-VII-70 #184, 1970
Medium:
Oil on canvas
Size:
84.5 x 59.5 cm. (33.3 x 23.4 in.)
Sale:
20th Hong Kong Auction, Sunday, November 27, 2016,
Lot 43
Estimate:
Est. 6,200,000–9,000,000 HKD ? (799,402–1,160,422 USD)
Description:
캔버스에 유채
Oil on canvas
84.5☓59.5cm, 33.3☓23.4in
Sold for 8 million HKD, 1207179267.12 Korean Won (1, 031, 393 USD). - Three posts show this, including his video of the cute “Yay ! ” He had Flight in the #TTTOPxSothebys auction as well as the deer painting in the #DoomDada video. #WhankiKim is 🔝’s maternal great uncle. 🎶 An English art historian praised Kim Whanki as ‘possibly Korea’s most famous 20th century painter’. He is regarded as having inherited the tradition of Korea’s conventional painting, and has made unequaled achievements in the aspect of modern western art – anti-abstract, abstract and dot abstract painting.

He left behind the well-known phrase that ‘the most Korean style is the most international style’. Many artists and painters still regard this as a golden rule in their creations.
As he said, Kim embraced mainstream culture while constantly striving to re-interpret it from the perspective of subjectivity. His paintings are somewhat like visual evidence with the intention of re-setting his ‘otherness’ as a subject. Such ‘subjectification of the other’ was neither simply going along with the atmosphere of the mainstream nor emphasizing the features of ‘otherness’. It is apparent that his subject matters and styles expose and reveal his attempts to combine the two cultures by raising the western mainstream culture within his own culture, the peripheral eastern art world. —- #탑 #たぷのIG#Topinstagram #TOPstagram #TOP #たぷさん #たぷ #TOPsart#TOPisart #최승현 #choiseunghyun #TTTOP #TTTOPArt #Bigbang #TTTOPsart #TTTOPsartcollection

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@Regrann from @choiseunghnngh - 🍞🥖🥐 #BIGBANG #TOP #ChoiSeungHyun #T_O_P #bigbangtop #Tabi #DoomDada #FromTOP #choi_seung_hyun_tttop #GDragon #Taeyang #Daesung #Seungri #choitop #Kpop #VIP #YGFamily #빅뱅 #최승현 #탑 #崔勝鉉 #tttop #권지용 #untilwhenever @choi_seung_hyun_tttop @__youngbae__ #kwonjiyong #DongYoungbae #KangDaesung - #regrann

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#TTTOPart #TTTOPsart #KimWhanki as posted before on 161128 ➡@choi_seung_hyun_tttop ’s new collection & family ✔️➕🎶🎨 ➡️#KimWhanki #김환기 2- T.O.P bought the lot 43, Artist:
Kim Whanki (Korean, 1913–1974)
Title:
22-VII-70 #184, 1970
Medium:
Oil on canvas
Size:
84.5 x 59.5 cm. (33.3 x 23.4 in.)
Sale:
20th Hong Kong Auction, Sunday, November 27, 2016,
Lot 43
Estimate:
Est. 6,200,000–9,000,000 HKD ? (799,402–1,160,422 USD)
Description:
캔버스에 유채
Oil on canvas
84.5☓59.5cm, 33.3☓23.4in
Sold for 8 million HKD, 1207179267.12 Korean Won (1, 031, 393 USD). - Three posts show this, including his video of the cute “Yay ! ” He had Flight in the #TTTOPxSothebys auction as well as the deer painting in the #DoomDada video. #WhankiKim is 🔝’s maternal great uncle. 🎶 An English art historian praised Kim Whanki as ‘possibly Korea’s most famous 20th century painter’. He is regarded as having inherited the tradition of Korea’s conventional painting, and has made unequaled achievements in the aspect of modern western art – anti-abstract, abstract and dot abstract painting.

He left behind the well-known phrase that ‘the most Korean style is the most international style’. Many artists and painters still regard this as a golden rule in their creations.
As he said, Kim embraced mainstream culture while constantly striving to re-interpret it from the perspective of subjectivity. His paintings are somewhat like visual evidence with the intention of re-setting his ‘otherness’ as a subject. Such ‘subjectification of the other’ was neither simply going along with the atmosphere of the mainstream nor emphasizing the features of ‘otherness’. It is apparent that his subject matters and styles expose and reveal his attempts to combine the two cultures by raising the western mainstream culture within his own culture, the peripheral eastern art world.

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