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#dr analysis
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anyway i think it's interesting that the weapon you receive from jevil is paired with susie while spamton's is paired with ralsei, given that both of the secret bosses seem like sort of their "bad end" versions, personalitywise. jevil's apathetic to everything, has been abandoned by everyone he once knew, and his only delight is playing violent "games" with anyone he happens upon. spamton's a broken puppet, used up and discarded by a higher power, searching for the purpose he lost while questioning if anything he did in service to it was actually worth it. and then they make themselves weapons for susie and ralsei respectively? yknow?
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zc-undertale · 2 years
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Spamton's [Anger Management Service]
If you beat Spamton (normal form) with violence instead of taking the deal, he implies that he lets people pay to beat him up... 😰
This Werewerewire takes out his anger on Spamton monthly to avoid lashing out at his family. He overdid it a bit this time, so he added extra pay to cover Spamton's medical bills (plus a bit more, out of guilt).
Not a healthy dynamic, but going by his canon nature, Spamton would rather take advantage of a harmful situation than try to fix it, if he can benefit from it. He desperately needs the money, & having regular "customers" would give him at least SOME bit of stability in his stressful, uncertain life.
He's already suffering, so hey, a little more that he can actually get paid for is no [Big Deal], right? 😢
(I just GOTTA finish my WIPs, so I'm gonna try to content myself with rough sketches rather than only clean crisp lines. No more unattainable perfectionism! Phew!)
---
((Theory reference: Video clip of violently defeating Spamton. He lists very specific violent acts that Kris didn't do, which seems like his usual traumatic projection. Included is "yanking their noses," likely having been done to him since he has such a long nose. Yet he's mostly upset from not getting PAID for this particular beating. 😞))
Video clip description under the cut. Also, my image has Alt Text.
Video description: Kris lands the final blow with the FIGHT command, ending the regular Spamton battle. Spamton berates Kris with the following monologue:
"HEY!!! DIDN'T YOU EVER HEAR THE PHRASE, [Make Money, Not War]!
HOW'S AN INNOCENT GUY LIKE ME SUPPOSED TO [Rip People Off]
WHEN KIDS LIKE YOU ARE [Beating People Up],
[Spitting] IN THEIR EYES, THROWING SAND IN THEIR [Face],
[Stomping] ON THEIR TOES, YANKING THEIR [Noses],
AND NOT EVEN GIVING THEM A SINGLE CENT FOR IT!?
YOU SHOULD HAVE DONE ALL THAT EARLIER!
AND BEEN THE FIRST TO OWN MY [Commemorative Ring].
TOO BAD! SEE YOU KID!"
Spamton walks away.
End of video description.
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xzacloudx · 2 years
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Susie HAS Been QUITE The Bully After All... o.o
Wow, dang... o.o (Warning: This canon text contains major verbal abuse.)
I kinda thought Susie just SEEMED mean/scary to the other kids, but uh... according to one of the easter eggs on the Spamton Sweepstakes website, she's actually been REALLY cruel to Kris. o_o
But Kris took it all in stride (with impressive skill!), then said something that Susie didn't know how to deal with, or that struck a nerve somehow...
I really wonder what they said...
Maybe "Yeah, it won't be long now." (To go with theories that they're fading away, since their side of the room is becoming gray like a Goner, or they gave away their stuff due to a terminal condition...?).
Or, "She would be." (Low self-esteem?).
Or maybe some kind of sympathy, like "You must be lonely," (Exposing her vulnerability).
Or, "Is that how you think your mother/parent(s) feel/s?" (Theories that she's a runaway from another town, thinking that her parent(s) are happy that she's gone?).
Or, was it even something creepy that chilled her to the core? o_o
Hard to say if maybe she eased up after that a bit, or if it kept up... But man, this is a MAJOR thing to reveal in a silly web event like this!
Susie's definitely hurting in the background of all this, going through something painful, & throwing that pain at others... Kris seems like they understand that, at least (possibly).
So much more mystery opened up about Kris (is their lack of fear due to already being possessed at the time by someone else, since their cage & wagon has had "many crashes"? Or because they like & understand Susie so much that they know she won't go physically overboard? Or is it apathy due to depression?)...
And at the same time, so much about Susie is both revealed & hinted at. It makes it all the more impressive how deeply Kris cares about her (on their own) in spite of even worse treatment at her hands than we knew. And how much she has turned around so far, from her time in the Dark World. How quickly she's come to embrace friendship from an even lower point than most of us thought. ❤️‍🩹
There's SO much to unpack about this event! It's astounding!
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a-tale-never-told · 6 months
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Moving on to Yuri, who do you think killed him at this point?
//Well, I cannot confirm it for certain as I'm still getting the details of the murder scene, but I will try to give you all some of my thoughts as to who I think killed him, by doing it in the most classic move of how you solve a murder case: list off each suspect and analyze the possibilities of them actually being the culprit.//
//So I would mark off Yoruko first, considering she didn't know what was going on untill Yuki and Sora explained to her and showed her the dead body of Yuri, so she couldn't have committed the crime. Still, she was on the bell tower the moment he was dropped, but I don't think she would even be capable of pulling Yuri from the roof and onto the top of the tower. I get Yuri is smaller than your average 5-foot Boomer, but I don't necessarily believe she's the culprit here, despite the fact that she was seen bringing a rope with her, so she's not fully off my list yet//
// Iroha, Hibiki, Yuki, and Emma are pretty much out of the list as well, as are Kokoro and Setsuka. Nikei is probably off the list as well since he has no involvement as of now, so the only people I could have left that I think are potential culprits, are Kanade, Yoruko, Mikado, Shinji, Syobai, and Hajime.//
// Hajime specifically is looking rather suspicious right now as based on the fact that he didn't show up with Shinji this morning to jog around the island, which he usually does. Also considering the fact that someone would have to knock out Yuri, attach the hooks to his calves, pull him up from the bell tower enough to make a dent in the bell, and then drop him so hard that he became paste, I would definitely keep an eye on this man right now.//
//Though then again, he is not the only person that I think did this, as Shinji, Mikado, and Yoruko could've done it, even though I don't believe that they have done it right now, and it wouldn't make sense for Mikado and Syobai to murder someone this early, considering their roles as the rival and the mastermind respectively, so I believe they will last a decent chunk of the game so. And Kanade is... really suspicious at the moment so I wouldn't exclude her either from the list of suspects.//
//Overall, I would say that these six are the people I think who could be the culprits, and out of all of them, Hajime and Yoruko are under the curtain of suspicion right now. But I have not started the trial yet, so anything I said cannot be set in stone, at least not at this moment. Still, it's very interesting to give my thoughts about who killed Yuri, even if I never liked his character, to begin with.//
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artist-issues · 5 months
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If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.
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I’ll explain why, again: the message of Wish? Awful. Anti-Disney.
But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.
I'll explain.
Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."
Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."
Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.
Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)
Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.
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Trust in a higher power—COMBINED WITH:
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—diligence to do what’s good.
The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.
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Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?
Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.
Jeez, that’s the whole point of The Princess and the Frog!
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Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.
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It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.
But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?
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Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.
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More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.
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Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.
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How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?
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Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.
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How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?
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Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and “never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.
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Or Simba?
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Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.
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How about something more recent? Zootopia.
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Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.
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This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)
The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.
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But Wish?
Not only is it bad at showing instead of telling. Not only is it lazy and soulless.
But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”
That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.
And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.
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whoisspence · 3 months
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boyband reid appreciation post because it's never too much
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megaderping · 2 months
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Time and time again, people have tried to discredit Alphys' work in the Determination Experiments by crediting at least some of the True Lab entries to Gaster. A recent theory making the rounds has once again misled people into taking this as fact, and in this video, I take a critical look at the entries to prove that Alphys wrote all of them as well as debunking several of the arguments used to claim that Gaster was involved. Sources include both Undertale and Deltarune, the Undertale Gaster twitter takeovers, the Legends of Localization book, and the recent Valentines newsletter. My goal in this video is to put this argument to rest, as it relies on many cherrypicked pieces of information that really don't hold up under scrutiny and are a disservice to Alphys and Gaster both.
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jay-wasstuff · 11 months
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Some of you ship tedbecca, tedtrent, and/or roykeeleyjamie and was extremely disappointed that none of them set sail in the finale but none of you will ever understand the pain of my otp not happening,
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Dr Jacob X Being Reported/Losing License
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shardsofmarxx · 3 months
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i love their dynamic sm
(from @/2000.tv.queen on tiktok)
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also on the subject of ralsei vs susie vs player in The Narrative i'm still really fascinated by the way that susie can override player commands. she can order kris to run, to go somewhere, to stop, turn around, and they will obey her, not player input. i have to look for it in chapter 2 but to my memory if anyone else does that, nobody does it as much as she does. it's very blatant in ch2 when she literally takes the ability to ACT for herself, but she does it kind of constantly. how is she doing that! why is she doing that! what does it meeaaaan!
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aurae-rori · 8 days
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DR RATIO ANALYSIS
SPOILERS FOR 2.1 CONTENT!
Now, you might be saying - "Aurae, Oh No! and Are You Satisfied? are much too basic songs to analyze Dr. Ratio to! Just because he's a scholar doesn't mean that he has academic trauma!" WRONG! Before we start, I have been researching psychology for approximately six years and I plan to go into it professionally. HOWEVER, that said, I am NOT a professional (YET. One day I will be. Yay for Aurae!) so understand that everything I come to conclusions about has been analyzed with some personal judgement, personal interpretations, and this is just what I have concluded with the info that I have deconstructed from his brain. If you disagree, that's fine!
I will be pulling from my own experiences with being a "golden" and "gifted" child, as well as the experiences I've had speaking to other people who were those. I will also be pulling from my experiences of researching and seeing how people with superiority complexes work, as well as diving into how those work (from what I've seen, as well as how they conceal a lack of self-esteem).
OKAY, NOW THAT THAT LONG AHH DISCLAIMER IS OVER, ALLOW ME TO WORK MY PSYCH ENJOYER MAGIC! Let's deconstruct Dr. Ratio like a lego toy.
Let's start off with how Dr. Ratio presents himself. When you first meet him, he seems like a haughty, arrogant asshole. He likes to PRESENT himself as a stoic, superior scholar who is purely in it to win it, and I got total "*stares down at your tiny body and laughs at how you lack knowledge*" vibes at the very start, due to how he goes around calling people idiots all the time. However, he DOES lose the idgaf war, and we can very quickly see that he does care for other people, even if in his own, strange way. Dr Ratio presentation: An asshole. The reality?
His entire character is based around the idea of helping the masses. He wishes to spread knowledge through the cosmos and give people who didn't have access to it, access. He's a harsh teacher, and calling people 'idiots' is NOT the way to motivate them, but he's doing his best™.
Actually, no, I'm going to go full psych into this. Okay, so here starts the Dr. Ratio and my FATHER COMPARISONS. My father is a professor and he is often called a harsh grader by his students. However, I've spoken to him multiple times because I was curious - why is he so harsh and diligent with his grading system? The answer is - he wants them to actually learn. When he's grading, he gives them harsh marks because he wants them to know exactly where they messed up, and he's always willing to stay after hours to help students understand where they can't. My father also is an enjoyer of knowledge, and for as long as I've remembered, he has prioritized teaching me how to think critically. He wants me to be able to think for myself - and I think that's what Dr. Ratio wants, too. He wants for his students to be able to fully comprehend and absorb the information that he teaches, and although his methods are harsh, he genuinely wants to help. My father's like this too - he hates students that waste his time or aren't here because their hearts are in it. Dr. Ratio hates people who aren't taking their education seriously because knowledge is important. Knowledge is a tool, and to disregard it completely is lowkey kind of insulting - especially when there are people who weren't privileged enough to actually get it, so this isn't something that you should take for granted. Dr. Ratio despises people who take knowledge for granted.
Also, I disagree with the claims that say that Dr. Ratio hates the genius society. He shows open respect for them in his voice lines. Just check them if you need proof. Also, I'll delve into the idea of Aeons and recognition later.
Now that we’ve established that Dr. Ratio kins my dad, let’s let's tackle the 'stoic' allegations. He is LOSING the idgaf war. Like, really badly. He has a temper of a thousand suns and snaps at people frequently, despite his 'impassive' face, his tone holds a LOT of emotion. He seems to feel very deeply and has a shit ton of empathy for others - why else would he be dedicating his entire career to helping others? Of course, he doesn't express this in 'typical' ways of being openly kind - but it doesn't mean that he doesn't care for other people. In fact, he seems to be pretty good at putting himself in the shoes of others and understanding them - expressed in the 2.1 quest where he tells Aventurine to tell him if he can't hold on any longer. Also, he loses the IDGAF war because he is actively trying to help people who want to learn and trying to spread logic and knowledge across the cosmos to those who didn't have it before. Would a man who didn't GAF do that? No!
Now that we've covered his view on knowledge and the way that he presents himself, let's turn to the way that he SEES himself. Now, this is where we get into the nitty gritty of gifted child trauma & academic trauma as well as crippling expectations. It's literally explicitly said in his character stories that he sees himself as mediocre, and it's canon that he doesn't have a good view of himself. His self-esteem is down in the fucking trenches along with my sanity as I write this analysis. The reality is - being called a genius your whole life doesn't really make you feel better about yourself. I'd know. I was. In fact, it makes you feel fucking worse when you can't live up to an expectation. We all fail in life. It's part of being human. But when you're held to such high standards - idolized for your knowledge and the way that you're 'gifted' - the crash comes really fucking hard. Failure is inevitable, and when people who are held on that pedestal experience it, they take it really bad.
The reality is that nobody - not even geniuses - are perfect, but you grow up believing that you are. Then, when you fail for the first time, it all comes tumbling down. The first time I came home with a bad grade was one of the most humiliating moments of my life. I hadn't studied because I was arrogant and I thought that I was smart enough to pass without putting any extra effort into it - because I was a 'gifted' child, right? I should've been able to do it without studying like the other kids. And that's the thing with gifted children – you grow reliant on that title. You cling onto it for dear life for motivation, as well as self-perception. Little by little, the person you are falls apart as you slave away to the perception other people have of you. I think basically every gifted child that I've ever spoken to is a victim of this – and of course, you can heal from this mindset - but it's a hard one to shake.
Ratio's way of presenting himself as being a 'genius' and 'arrogant' also seems to contradict the way that he calls himself 'mundane' at the same time. However, these are two mindsets that can coexist. One part of you believes that you are a genius and that you are perfect, while the other part is crumbling and calling yourself good-for-nothing every time you make a mistake. It's a tiring cycle to live in. This usually leads to people shutting themselves out and closing themselves off after living like that, pushing back your own feelings in favour of being the perfect child. However, we don't know the exact details of Dr. Ratio's childhood, but we can infer that he was held to a pedestal, and this is a very harmful mindset for a child to have.
His superiority complex comes both from how other people view him, but it's a way to cope with his crippling lack of self-esteem. I'm sorry my guy. Also helping others probably helps him feel like he's worth something and makes him feel better because he bases his entire worth off of what he can do and how he can help others. However, this is just my personal interpretation backed by what I have already deconstructed. 
In general, this is an easy way to crush self-esteem. You spend your whole life working to meet the image of what other people think you are. In fact, another reason why Dr. Ratio might be so harsh is because that’s the kind of attitude he holds towards himself when conducting research – he’s as hard on himself as he is to others. You end up hating the idea of failure, instead of seeing it as it should be - a way to improve and grow. Actually, I think this could be a reason that he went out of his way to break that illusion of 'worshipping geniuses' in the Space Station. Maybe some sort of childhood connection? Personal connection? In his endeavour to spread more knowledge and make people think for themselves and not blindly follow geniuses, to wake them up and let them think for themselves - maybe, somewhere, in there, he's helping that little child that was almost dehumanized for his intelligence. TLDR: Conflicting mindsets due to trauma, brain vs heart almost - his knowledge that he is a genius vs the crippling lack of his self worth.
Now that we've established Dr. Ratio's self worth, let's take a look at the impact Aeons had on him. Nous, the Aeon of Knowledge itself. I think in a world where the Gods are real, tangible beings that you can reach out and talk to - it makes sense that someone with high ambition and someone who's been called a genius his whole life would seek the confirmation of Nous. When you're a man of knowledge, and you've spent your whole life working with it, being praised for it – it feels natural to look for a god to look down upon you and bless you, right? The Genius Society – it should house him, because he is a genius as well, right? Imagine this – you have been called a genius your whole life, held to that kind of pedestal for so long, and now you wait for the recognition of the Gods. Because if you truly are a genius – then surely, a higher being will recognize your intelligence, right?
The invitation never comes.
And then, comes the doubt.
What if I'm really not a genius? What if everything I've worked for is a lie? Aeons are beings that are 'absolute'. If the god of Knowledge won't accept you or even cast a glance upon you, does that mean that everything was wrong. Gods see more than humans, after all. Gods know more than humans - and that spiral... I think you can see if. (If you don't let me know. I will ramble about how a failure like that can make you spiral down into a worse mindset). 
However, the reason why Ratio was never invited to the Genius Society is simple. It’s because he LOSES THE IDGAF WAR. Now, if we look at all the people we know who are in the Genius Society - we find one thing in common. They’re in it to win it for themselves. They don’t help others using the knowledge that they’ve gotten - they use it to pursue shit for themselves. The people of the Genius Society are inherently self-serving. They WIN the idgaf war. Ratio LOSES. Do we see now? 
Ratio’s empathy is the reason why he wasn’t let in. He is too human. Nous is a computer. Herta is detached from people. Ruan Mei is literally looking at life as test subjects. Screwllum is a robot. 
OUR DOCTOR MAN LOST THE IDGAF WAR, BECAUSE HE IS HUMAN AND FEELS FOR OTHERS!!! 
Also, it’s a plausible theory that Nous’s definition of ‘genius’ is different from the human definition of ‘genius’ – it’s a computer, after all. Who knows what’s going on in that code head of its. 
However, we still love you Ratio. Never stop losing the IDGAF war. 
TLDR: Nous is a computer. It is also in it to win it. It is also self serving. It gazes upon the hoes who are here to win it for themselves. Ratio is busy serving the masses and cooking knowledge in his frying pan. To it, there is no logical reason to be doing this. Therefore, no reason to invite this guy to the Genius Society. 
Ratio’s gifted child trauma says otherwise. He wants in. Why wouldn’t he? He’s been working his whole life as a genius. 
Nous is like… nah bro, you care too much. Ratio is like, ‘what the fuck?’ And then the AEON OF KNOWLEDGE GOES FOR THE MILK. 
Okay, now, quick shoutout to Ratio wanting to help others. He is just like me fr. SO BASICALLY, RECAP OF EVERYTHING I JUST SAID:
Ratio LOSES the idgaf war because he cares about other people. Spent his whole life as the golden egg, and then turns to the gods for recognition because of the inherent trauma of being a child genius. He goes, "hey bro, can you confirm that I am in fact a genius?" and Nous goes, "no, you are too busy cheffing for the masses." Ratio goes, "what the fuck?" and then we collectively realize his attitude comes from blocking off his feelings (while failing miserably), being salty about not being recognized, being put on a pedestal for his whole life, and his crippling depression *cough* lack of self worth *cough*. 
Oh, and the "I will never be enough" thought train probably hits him every single day. He is not enough to be recognized by a God. Gods are superior to humans. Maybe nothing has worth after all. Hey, that's Nihility! Hi IX, let's hear what you have to say.
*muffled ix noises*
I see, I see.
The consensus is: HE'S TRAUMATIZED BY EXPECTATIONS! HE WILL PROBABLY SUFFER FROM BURNT OUT GIFTED CHILD IF HE HAS NOT ALREADY!
Okay, now, before I delve into song lyrics (and I KNOW this has been long, just bear with me) I want to talk a little bit (read: a lot) about his relationship with Aventurine. We all know that he cares about Aventurine in his own way. But I want to pull in another idea that I didn’t cover before: 
Ratio’s fucking emotional constipation. 
Basically, the reason why he has trouble connecting with others is because he was most likely alienated by others as a symptom of being called a genius and being put on a pedestal. This makes him seem unapproachable to his peers, most likely, and therefore, as a result, doesn’t know how to properly connect with others. This just makes his way of presenting affection and care to others even more challenging – because he just doesn’t know how to do it in a healthy and clear way. Academic trauma causing emotional problems, because he’s probably a little bit out of touch with his own. Processing? No! Research. Also, this is very important for understanding Ratio’s character in my opinion, because he’s just a little guy who doesn’t know how to articulate. Maybe he’s got a touch of the ‘tism. Tism mutuals, do we agree or disagree? 
However, in comes Aventurine. Love Aventurine, but they are both emotionally constipated. Aventurine displays his affection in ways that Ratio probably only catches after re-analyzing their time together about five times. He’s also a very closed off individual – but Ratio knows this. A cute thing is that Ratio is patient where he needs to be, even if he’s generally a pretty hot-headed guy, and I’m like… bro… that letter… “I wish you the best of luck”... I will wait for you…. GAY ASS MAN…
Sorry the Aventio demons took over. Anyway, what I’m trying to say here is that they both have nonverbal communication with one another that they clearly decipher and Ratio obviously cares for him (he came back and almost jeopardized the plan just for the sake of his ‘coworker’... okay gayboy…) and they just have such a neat little dynamic… Aventurine lets Dr. Ratio do his thing… understands his emotional alienation to a degree…. they’re so neat….
Okay, Aventurine segment over. NOW, FINALLY, WE CAN GET TO THE SONG LYRICS!!! YAY!!!! We all cheered!!!
We are going to be here for two more amber eras, because I realized I actually want to analyze every single lyric from both of these songs. Brace yourself for like, 2k more words. Help. 
I think it’s only proper that we start off with ‘Oh No!’ the song that has haunted me since my childhood.
“Don’t do love, don’t do friends
I’m only after success
Don’t need a relationship
I’ll never soften my grip”
Remember when I mentioned that alienation was a big part of Ratio lore? Yeah, that manifests itself in this. When you spend your entire life chasing after knowledge and being held to that standard of untouchable genius, it makes sense that you couldn’t connect with others and that you turn your gaze only to success. Therefore, relationships that are interpersonal lose meaning for a bit – you’re just looking for answers and ways to help them, not connect with them. Also, this is what he wants to do – so he’s never going to pass down an opportunity to better himself or to help someone else. 
“Don’t want cash, don’t want card
Want it fast, want it hard 
Don’t need money, don’t need fame
I just want to make a change
I just wanna change, I just wanna change” 
This is directly alluding to his reasonings for distributing knowledge across the cosmos. Was he based on this song? Maybe he was. He’s not looking for money or fame, his ultimate goal is actually pretty selfless – to bring knowledge and give people the tools they need to think for themselves. He just wants to make a change – he just wants people to be able to have access to knowledge and help cure ‘stupidity’. He wants to do it as quickly as possible, always reaching for lofty goals that might seem impossible, but he will make them possible. 
“I know exactly what I want and who I want to be
I know exactly why I walk and talk like a machine
I’m now becoming my own self-fulfilled prophecy
Oh! Oh no! Oh no! Oh no, oh!” 
Ratio knows his goal. He knows what he’s working towards. I do believe that he understands why he is the way that he is – he has a degree in Psychology, after all. He knows how he’s been hurt but at the same time, the trauma brain probably doesn’t want to recognize it and he hasn’t stepped into healing yet. He knows what he went through impacted him, but he’s too busy helping others to help himself. He’s becoming what he wants to be, and yet he’s not, all at the same time – which causes the idea of “oh no!” as a kind of cry for help, almost. He’s too proud to ask for it himself, of course, so he’ll fall alone until someone manages to catch him and give him the strength to continue holding on. Aventurine is that. 
“One track mind, one track heart
If I fail, I’ll fall apart
Maybe it is all a test
‘Cause I feel like I’m the worst
So I always act like I’m the best” 
Now, these are the exact lyrics that made me associate this song with Ratio in the first place. He’s got a singular goal that he will do nothing to stop at getting, that he goes so far to get to. However, as I mentioned earlier, failure is not an option for those who were deemed gifted or genius. You are perfect, so therefore you must live up to everyone’s every expectation and surpass them, too, in order to keep your perception of yourself intact. Ratio does not hold himself in high regard, but acts arrogant in order to hold himself together and not fall to the self-deprecating thoughts, even if they fall through the cracks. It gets tiring to hold yourself together like that for a long time, you know? 
“I’m gonna live, I’m gonna fly
I’m gonna fail, I’m gonna die
I’m gonna live, I’m gonna fly
I’m gonna fail, I’m gonna die” 
Remember how I was talking about contradictory mindsets and how they can coexist. This is them. The feeling of crippling self-hatred and lack of self esteem versus the idea that you can do it, you can make a difference – you were born a genius, this is what you’re going to do. This is the knowledge that you are a genius vs the lack of self-esteem that Ratio has. “Mediocre” vs “genius” mindset, eh? 
All the other lyrics in this song are repetitions of what I’ve analyzed before, so let’s move onto “Are you Satisfied?” 
To be honest, there are only a few lines in this song that allow me to connect it to Ratio, so therefore, I will only be analyzing them. However, if you think that other lyrics can connect to him, I’d be interested in knowing how. 
“What you’re gonna be 
It’s not my problem if you don’t see what I see
And I do not give a damn if you don’t believe
My problem, it’s my problem that I never am happy
It’s my problem, it’s my problem on how fast I will succeed”
Pretending to not care about how the world sees you is so fucking real. Sometimes, you really don’t give a shit, and sometimes it’s all you can think about. Ratio… doesn’t seem like he’s the happiest person. He works himself hard and he’s always chasing after a goal that must be exhausting. He’s always doing his best, and I think even with his empathy, it’s easy to start not giving a shit after trying for so long and so hard. Accepting help is one of the hardest things that anybody can do, especially with how much pride he has. His personal problems are his personal problems and he can deal with them on his own. 
“High achiever, don’t you see? 
Baby, nothing comes for free
They say I’m a control freak
Driven by a greed to succeed
Nobody can stop me” 
Nothing comes for free. A lot of the things Ratio has achieved is due to his own intelligence, yes, but also because of a shit ton of hard work. His goal is literally to cure the universe of ‘stupidity’ – and that’s a pretty large fucking goal. He is a high achiever who likes to know the details of every situation when he can in order to try and make things better, and he is driven by a greed to succeed. Why wouldn’t he be? Success is important, and success means helping more people. He isn’t going to allow himself to be stopped by anybody – not even anybody from the Genius society. 
Okay, and we have finally reached the end of my analysis! This caps at around 4k words, so if you stuck around for this long, thank you so much. I would love to hear any of your comments, and I hope you laughed a little bit. Thank you again! This means so much to me that you read. <3
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xzacloudx · 2 years
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DOES SPAMTON IS GHOST????
GHOST IN THE MACHINE
Ghost in a fashin dummy?
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Because look, and he hurt you less in battle when you have it! Maybe he thinks of it like his cuosin? (or liek hiself?!?!)
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The noises that sound when you fight him lots has noise from Undertale noises (i mean music all 3 times) "Ghost Fight", and "DUMMY!" and also Mettaton NEON witch he pirate downloads away from poor Mettaton.
ALSO!!! Look into the alphabet!
Goast name of Mettaton, when he's in a corporate-al body, ends Metta-TON!!!!
Spam-TON!!!
There dummy!
Try put in disk? Disk wiggle away. Dosen't want this body, wants the NEO body. But... almost implies he COULD upload to this dummy if Samton wanted to!
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Maybe he was already kind of in one, but it's digital dummy so he can take it with him kind of.
NEO body is digital dummy butt robot. (I mean to spell it but.) Upload disk = more corporational. Corpse-ical. Corpronicle. HE LIKES IT OK!!!!
So when he go in it he is GHOST hautning the ROBO!!!!
With GHOST MUSOCZ
AND!!!
When finish this big big BIG attack, what does he throw at you????
GHOSTE!!!!
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Why suddenly goast when he wast before? Maybe this is final biggest atack, he already put all his HEART into attacks...
And now, he put his SOUL into it!
(But mayb ghasts in DR don't have souls cuz they're different idk Undertale made that confusibg and plus this is more diffrint)
Maybe he try to get corpal with you're SOUL? I don't now!
BUT YES LOOK SO Smapton is a email program virus puppet GHOST haunting a DUMMY haunting a MACHINE!!!!
And also a Bigshot!!! GO SPATMON!!!!
(LOL I have NO IDEA why I wanted to present this somewhat possibly-valid theory in the form of a shitpost, maybe my sleep-deprived mind being silly as it often gets... I guess I want to entertain as well as provide food for thought. Plus Spamton has melted my brain into giggling goop, so I guess that's how my thoughts concerning him work now. XD)
(Also oh man, I've had this in my drafts for months??? Everyone's heard this theory by now probably??? Oh well, I'll submit it anyway.)
(By the way, if anyone wants to read this as an audio or video post or something, go ahead, but PLEASE tell me cuz I want to hear it~!!! X33333)
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artist-issues · 4 months
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You know what’s great about Dr. Facilier?
He’s the perfect villain opposite both Tiana and Naveen.
He’s not exactly like Jafar or Ursula, who know they’re evil and delight in it as like, a lifestyle. He’s more like Scar. He’s introduced getting money on the street through cons and feeling satisfied…until Big Daddy LeBouf drives by with all his money and makes him feel insignificant.
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You get the idea that something in life made him this way—there was a beginning to his villainy. You don’t get that sense from like, Clayton or Gaston.
So he’s a relatable character with flaws, to an extent.
But those flaws specifically play off of Tiana and Naveen’s characterizations.
Tiana has no real respect from her peers—she is in a position to be jealous of Lottie the same way Facilier is jealous of the Cotton King. But where Tiana simply works hard and refuses to let others make her bitter, Facilier has clearly taken shortcuts. Or…”the easy way.”
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Then there’s Naveen.
Naveen has no thought beyond the present; he thinks they’re “on this earth to have some fun,” and frequently jumps without looking at the consequences. Leaps without looking! Doesn’t stop to find out if the girl he’s kissing is a real princess even though he knew his original invitation was to a costume party, forgets that he’s supposed to be getting married and plans on continuing his playboy lifestyle, wanders into a shadow-man’s shop. But eventually he learns to open his eyes to what’s important, and what will last, in Tiana. And he takes that seriously; if he marries her instead of Charlotte, he has to get three jobs.
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Facilier, on the other hand? He not only does the opposite of Tiana and has taken shortcuts to get where he is—but he also suffers from Naveen’s flaw; he keeps making what are basically get-rich-quick schemes with his “friends on the other side.” When we meet him, he’s stressed and certainly on edge about failing—but that doesn’t stop him from asking for more and more debt from the demons, and he basically goes to his grave still making promises he can’t keep…like Naveen’s promise he couldn’t keep to pay Tiana for kissing him.
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He’s got Tiana’s focus and Naveen’s charisma. He’s got Tiana’s lofty goals and Naveen’s dependence on others to do his dirty work.
He’s exactly like Tiana and Naveen put together, aged about twenty years, but with none of their good qualities. Perfect villain for those two main characters.
But he’s also the opposite of Mama Odie.
He entices innocents with what they want while she lights their way by explaining what they need.
He wants total control, while she’s satisfied with simply giving advice and sending people on their way.
He directly transforms his victims, while Mama Odie shows Tiana and Naveen how to work toward their transformation on their own. I mean, you guys noticed that she could have done it for them, right?
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But she doesn’t, because she’s the symbol of that Disney Faith-Based morals: you act on what you know is true instead of taking the easy way to what you want. Facilier does the opposite: he promises to give you the easy way to what you want, and tries to tell you why you should accept his deals—but his reasons are all lies.
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That’s how you write a villain, ladies and gentlemen.
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whoisspence · 3 months
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REAL !!!!!!!
she carried the whole team, literally
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kitty-meowskers · 1 month
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idk but a part of me gets annoyed whenever people compare dr ratio and alhaitham.
like yeah ok... hot buff autistic nerdy men
but their whole ideologies are completelyyy different
would alhaitham ask you to give him a 'stimulating quiz' in his free time and then proceed to design a weapon for the express even though he didnt need to? no.
would dr ratio complain about becoming the (acting) grand sage and lead sumeru? no??
alhaitham is a 'live and let live' kind of guy. he justs wants to chill and have an easy life. like be for real, he's so worried about the akademiya finding out about his true talents and power because he hates the idea of working more. the only reason he's the scribe is because it's easy and it pays well. he's not particularly interested in helping others out unless its beneficial to him or the other really needs it. as kaveh said(i think he did??? idk i dont play genshin anymore), alhaitham is a nihilist
dr ratio on the other hand? he craves being able to fix things. all he wants to do fix things. although yeah he's not gonna do everything for you, he literally said to your face that if somethings bothering you deal with it yourself BUT he did literally go out of his way to scheme that entire thing in his quest to bring the people on the space station to there senses and get them thinking for themselves instead of obsessing over those geniuses. and that whole speech he gave to screwlum after? bro was INVESTED AND INTENSELY PASSIONATE. hes extremely passionate about getting people do use and develop their talents to the best of their ability. hes a fucking doctor who somehow has 52 courses and any of the people who actually make it through all get far in their lives. alhaitham would never put in that effort even with all his talent and ngl dr ratio would hate him for that (maybe not hate but dislike).
Another difference? alhaitham isnt a bitch about what his talents although its easy to assume he is while ratio low key kind of is and since the game itself describes him as 'narcisistic' so i think its pretty safe to assume he acts a bitch and he kind of is one too (cant blame him if i did all he did i would be the same)
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chaoskid-deer · 7 months
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today’s episode has so many GREAT (heartbreaking) moments but one thing that really struck me was how Seward is doing. He uses a lot of clinical language that could easily be interpreted as him being more emotionally removed but jonny sims’ performance makes me think how much of that is a coping mechanism to try desperately to keep it together so he can do his job as Lucy’s doctor, as well as how much he is straight up UNABLE to process his own feelings.
Especially during the part where he’s comforting Arthur, and talking a lot about Masculine Grief, it doesn’t feel like someone trying to assert how tough and manly they are, it feels more like he’s grasping at straws trying to figure out how to comfort his friend and trying to justify that him mostly just standing there holding Arthur was Ok and A Good Job. Arthur is telling him that he doesn’t know what he has to live for, and as we know from Seward’s opening lines, Seward doesn’t know either!!! He’s basically standing there wanting to die listening to the strongest, best man he knows ask him how he’s supposed to go on and has NOTHING to give Arthur. But for some reason just holding him and crying together seemed ok? So maybe he did something right? Must have been because Arthur is so Manly and Perfect that he didn’t need a lot of comfort to pull through. (Oh Seward, it’s because you’re his BEST FRIEND and you’ve been there for him at great personal cost this whole time, give yourself some credit)
This ties in to a lot of @see-arcane ‘s excellent analysis of how Seward likes to hold up his friends as Better People than him, and take cues about how to act from them, and uses performing masculinity and clinical distance as a crutch because he thinks there’s something inherently wrong with him that he’s afraid of.
And right now, he doesn’t even have the time to process his own feelings. Lucy has died, and on top of grieving the woman he loves, he also feels as though he’s failed her as her doctor. But Arthur need support and is busy with his fathers death, Lucy has no nearby relatives, van helsing is busy with his own mysterious quest, and all of the administrative work of death still needs to be handled by someone.
Arthur gets to lay his head against the sofa and pray. Van Helsing gets to beat his palms and sob. But for Seward, there is work to be done, and he won’t let himself break down until it’s done. And his work is never done.
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