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#dunno how to funny
maiagaru · 2 years
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Live Wives Reactions · Gentleman Jack s02e02
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thewhizzyhead · 5 months
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looking at the npmd tumblr posts I'm kinda glad that we seem to be all on the same page when it comes to npmd's portrayal of bullying and that putting a stop to it isn't as easy as simply having the victims stand up to them - examples being Max still beating the shit up out of Pete, Richie, and Ruth even when they make a stand in their own way. Standing up to them directly and telling them "i'm not a loser" or "you're just a bully" or something along those lines in order to take away their power is simply a disproven cliche because bullies don't care if their victims retaliate. They only care about the power they hold and when such power is taken away from them by force - so kudos to Starkid for having bullying portrayed as not just a regular schoolboy nuisance but as genuinely life-threatening shit that needs to be taken seriously because if it isn't nipped in the bud, once that bully gains more power, they will grow crazy with it.
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do-rey-me · 4 months
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if murderbot learned what autism was i truly believe itd go "wow humans are so ridiculous they cant even agree on their own stupid human social rules" and then never think about that or its possible relation to its own behaviors ever again
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suja-janee · 2 months
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(Mostly) Harumi centric doodle page for a friend
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yellowocaballero · 10 months
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Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)
Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.
Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.
Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.
But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?
Because he's Spider-Man.
Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.
That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.
That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.
Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.
I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.
Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.
TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.
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chiricat · 8 months
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souyo shenanigans. how are akty gonna surpass rad weekend now
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shopcat · 10 months
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i think in the hamster wheel of my mind a big part of where people go wrong with eddie and his shitty garage band as an extension is that they for some bizarre reason think he's gene simmons metal when he's jack black metal. heavy metal. he's tenacious d metal. he's school of rock. he's stoner lord of the rings metal he nearly wore blue jeans and plaid. jack black literally in real life once said eddie was the best character bc he's heavy metal like him. LOOK AT THIS
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#🍦#answer it's bc people think he's some mishmash of all alternative scenes without any actual knowledge of where the mashing occurs 😭#eddie is . a heavy metal guy. A cool one. a nice one even. he likes rock and roll#it's so funny when ppl try and describe it and they've never heard the stuff he actually listens to in their lives for some reason#literally so much of the appeal of eddie's character within his subculture is that its theatrical and dramatic but its still grounded#he's very alternative and Out There but he's still just some guy. he's not wearing spiked leather jackets#in fact he's not wearing any of the other kinds of leather jackets i've seen people say he would ... TO ME#sts#if u haven't seen the clip he then proceeds to air guitar the MoP melody then shouts heavy metal is everywhere#i don't even know how to explain this bc it's like ... okay#the general .. VIBE? aestheticsm? is kind of similar to what people sometimes portray but they're missing thst it's tongue in cheek#like it's like that buff poster of him being this anachronistic homage to heavy metal album covers#fire and satanic imagery and skulls and lightning and big drama and ROCK AND ROLL#it's rock and ROLL man...#and people r making him this weird sanitised dork LOL 😭 when he's a dork in a different more fun way.. imo#and it's not that those types of people don't exist and that they're not cool in their own way cuz they are sure but that's not THIS GUY#he is an 80S METALHEAD... and yeah i try and ground him in thinfs and poke and prod at it until it fits my own understanding of alternative#scenes better but that's bc i've had a hand in the punk scene for years and years#i dunno sometimes i feel like ppl r just not doing the full potential and then going way too hard in this super specific direction#and he ends up first of all usually just a massive douchebag not sure what that's about. But a guy who he would in canon HATE 😭#YOU ARE MAKING HIM A POSER. is what i'm saying#he is alwyas some guy before he's anything else and before he's that he's a 20 year old loser#you need to reflect this... You need to bottle it. ugh. ugh#so much of this reminds me of the time someone was like he would never wear PLAID#like are you kidding me. are you actually kidding me rn#ppl have this weird arstheticised mostly modern and mostly literallt just eboy Idea of what he'd wear it's crazy to me sorry#also it's ugly#i also think. this is so long lol . anyway . i also think going too ''authentic'' in the 80s metalhead direction also lands u w different#problems. my advice to people trying to write or draw alternative characters is they are People. before they are anything else#🍏
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greatestjubilee · 4 months
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bleh
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*Birbs your demons*
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siflshonen · 2 months
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“If Bakugo and Midoriya don’t end up together by the end I’m gonna be disappointed not because I want it but since the fanbase and show hyped them up so much,” says my husband, who only watches the anime
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blamemma · 6 months
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Daniel Ricciardo | via enchanté sponsored social media adverts
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telesodalite · 10 months
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[Some fading memories belonging to Ritemaster Iachesis. Cherished, but not to be spoken of.]
#took forever. but i finished it lol. got distracted from playing eso by playing skyrim and promptly forgot this lmao#I can't think of a good title for this. so what's written will have to do ig. it was intedended to be ''old memory''-like.#eso#eso fanart#elder scrolls online#psijic order#ritemaster iachesis#mannimarco#vanus galerion#tesblr#elder scrolls#Again. this whole thing was sorta inspired by the concept of both of them having been somewhat raised on artaeum??-#-(which. ik lore is iffy on mannimarco's childhood. as i've seen multiple things. but eh. it's not meant to be lore accurate)-#-so like. its Iachesis's memeories of them. the good memories and such. They were like psijic poster boys yeah? He had to have been proud.#Of course it didn't last lmao. but Iachesis seems somewhat of an unbothered kinda guy. wasn't his problem once they were gone ig.#So perhaps he'd focus on the positive or something. and at least vanus went on to do great things. ignoring a few poor choices ofc.#-and I mean. mannimarco became a god. so. dunno if you'd wanna claim having raised and taught a ''worm king''. but a ''god''? aye.#Also. how does the age/time thing work with children on artaeum??? would it extend childhood as well???#Also also. even though I drew him as a kid. I honestly can't imagine manni as a child lol. like. a dramatic teen? yeah. a baby? impossible.#Although. it would be funny if he was a bug kid. just a little thing trying to look prim and proper in front of the psijics-#-while hiding dirt stained hands behind his back. with beetles and worms falling out of his little pockets. lmao
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cubedmango · 7 months
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「30歳の童貞に片想いすると魔法使いになれるらしい」 (from cherry magic volume 11 special edition) — english translation
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tunastime · 3 days
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A Minute in the Morning
so I started playing pokemon legends arceus. crumples to the ground. (2762 words)
In a hazy, rusty morning light, Ingo wakes up.
It’s a slow start—like his office computer, taking a whole ten minutes to finish booting, enough to stir sugar into his morning coffee and dissect his breakfast sandwich into parts. It feels like it takes just about that much time for Ingo to become aware of where he’s lying, which is in bed. Which is not where he fell asleep to begin with, which means that someone lifted him to bed and tucked him in. Which was rather sweet. Because he’s burrowed into the covers like a happy drilbur, keeping the cold from his fingers and toes and nose. He finally blinks his eyes open, and it’s sunrise that fills his room. Not his room. Scratch that. Emmet’s room. No wonder the blankets are so much lighter than he remembers them being. Nevertheless. Happy drilbur. He weasels a little more into the pillow. From either side of him, something moves. It’s slight, if there, but as he cranes his neck, slow and careful, he can see a dark head of hair on one side, and silver-white on the other. 
Ingo’s heart swells a fraction too big and too warm for his chest as he sighs out.
Elesa and Emmet haven’t woken up yet, which is a plus. If he were to move too much and move them he might lose the warmth from either side. Elesa’s shoulder rests against the crest of his back, and Emmet’s holding onto his elbow with one hand. The grip is loose at best, but the warmth, both from shoulder to spine and hand to elbow, seeps through him.
It’s blurry. Just everything. It kind of mushes together in his brain, like jam. Or maybe jelly. It doesn’t really matter. If he thinks too hard, his stomach starts to twist in knots, and he’d rather not feel sick while he’s trying to enjoy his morning. He remembers falling asleep while the television played the night prior—nighttime skits and commercials he filtered out until Emmet’s shoulder became the comfiest thing. He supposes that sometime between that point, and the point which he’s just woken up, Elesa came in, and at some other point, he was carted off to bed. It’s nice, though. The blankets make just enough weight over him to soothe ache and anxiety, and it’s warm, and he’s mostly thinking about how nice a cup of coffee sounds right now. Maybe a latte. Something warm. He shuts his eyes again.
The light is surprisingly yellower when he wakes up again. There’s still a warm weight on both sides of him, but it feels different than before. It stretches over him, too, more than just the weighted blanket that’s been added on top of him. He peeks an eye open to find Eelektross slumped over him, his large head curled near Ingo’s shoulder and his similarly large eyes shut as he snores. Ingo snorts, trying to shift to his back with the weight over him, without waking Eelektross. He does after a moment, settling once again, only for Eelektross to huff and fix one, tired eye on his face. Ingo smiles, just a little.
Wriggling a hand free, he pats Eelektross’ forehead, a path well pet and well loved.
“Good morning, you gigantic eel.”
Eelektross trills, nuzzling into Ingo’s hand.
“Mm, yes,” Ingo says. “I’m sure that definitely did not alert Emmet that I am awake, meaning I can’t fake any more sleep. Thank you Eelektross.”
The eel gives a happy sniff.
Ingo snorts.
Typical.
The door cracks open a moment later, the wide eyes of his brother peeking through. He raises his eyebrows, looking over Ingo and Eelektross still in bed. It comes with a little head tilt, something Ingo knows is indicative of an Emmet with a question.
“Sleep well?” he asks. Ingo nods.
“I think so,” he says. “I didn’t realize I’d be carried to bed when I fell asleep.”
“Ah!” Emmet says, eyebrows raising. “I made sure you stayed asleep when we carried you in. You’re a very deep sleeper when you want to be.”
It’s getting better, the gaps in his memory. It’s not enough to trust himself to start his duties as a Subway Boss again, but it's enough to have a few doctor’s appointments and to speak with police and his boss and their coworkers. He’s remembered their pokemon, which is why Eelektross didn’t startle him. And he’s remembered enough for him to fall asleep on Emmet’s shoulder with no care in the world. Enough for life to begin to settle from the chaos. Today is Tuesday, which means Emmet has the day off, and Ingo can tell, even as he reaches to wipe sleep from his eyes, that Emmet is still in his pajamas. He opens the door a little wider, leaning against the doorframe. 
“Ah,” Ingo echoes. “Was it Elesa’s idea to sleep in your room rather than my own?”
“It was,” Emmet concedes, smiling. “But I am Emmet, and I make a very good pillow.”
“You are Emmet and you are a very clingy sleeper,” Ingo says, letting his eyes shut again. Emmet makes a startled noise.
“Go-Go, don’t fall asleep again,” he yaps. “Your breakfast will get cold.”
Slowly, Ingo opens one eye, looking at his brother in the doorway. Eelektross snuffs into his shoulder, wriggling off of him. He grunts as the eel’s weight shifts off, leaving him free, but cooler.
“What’s for breakfast?” he says, watching Eelektross wriggle off the bed and toward Emmet. Emmet opens the door a bit further, takes a step back, and hefts the eel into his arms, knees bending with the weight. Ingo watches Emmet giggle to himself, shifting Eelektross in his arms to better wrap around his neck and arms, weight heavy against him. Clearly.
“Pancakes,” Emmet huffs. He’s still smiling, something almost infectious.
“Alright,” Ingo sighs.
“I also cut some fruit.”
“I’m getting up,” Ingo grumbles, rolling onto his side before he peels himself up and into a sit.
“I think Elesa left her nice coffee creamer, also.”
“I’m already up, Em,” Ingo snorts, trying not to laugh. “You don’t have to convince me.”
Emmet laughs again.
“Just adding!” he says cheerily, wobbling off toward the living room. In the open doorway, Ingo can see the sprawl of their living room and kitchen, lit by yellow daylight. Ingo sighs, stretching his arms above his head, twisting around. When the room settles, he stands, and he realizes that the room is warm around him. Emmet must’ve turned the heat on, and it must actually be working. He hums as he combs his hair back, wandering into the bathroom to wash his face.
When he finally makes it to the kitchen table, Emmet is sitting at the table, scrolling on his x-transceiver. He’s changed into a cream-colored, high collared sweater, his hair held back with a small headband. Eelektross is lying across the couch, head resting on the arm. There’s a plate of pancakes sitting in front of Ingo’s seat at the table, and a half-eaten plate in front of Emmet. He looks up as Ingo sits, raising his eyebrows.
“Good morning,” Emmet says. He nudges a cup of coffee toward Ingo. It’s a light brown color—likely the way that Ingo likes it. It helps they like their plain coffee the same way. If it were any other type of coffee, Ingo’s certain there would be some big disagreement—type of milk and way of prep and iced versus hot. But Ingo takes a long sip of hot coffee and nearly sighs in relief. Whatever fancy creamer Elesa buys really does make a plain cup of coffee so much better. He sits, nudging Emmet with his foot under the table.
“What are you reading?” he asks, gesturing with his fork to Emmet’s phone. Emmet holds it up.
“Article on a new electric rail system in Galar.” 
Ingo tilts his head, nodding along.
“Interesting. Any good?”
“Very efficient,” Emmet says, nodding along. He eventually pulls back, setting his phone face down on the table and returning to his pancakes. He takes a large bite, and through it, says:
“Maybe Gear Station should get some upgrades.”
Ingo snorts.
“We’re already quite efficient,” he says. “Do you think our trains could be quicker? Easier to board?”
Emmet shrugs.
“Wishful thinking. They’re already automatically driven, so there isn’t much more, but maybe longer cars to hold more passengers. Our trains are quite small.”
“Sounds expensive,” Ingo says, drinking his coffee. He pulls apart his stack of pancakes, poking at them with his fork.
“Maybe they’ve already got an upgrade in the works,” Emmet says. “It’s been a while since we’ve had an all-staff meeting. Perhaps we should inform the director.”
“Especially since I’ve returned and have about three years to catch up on, mm?”
Emmet smiles. It’s a bit tight, though. Ingo glances away, biting into his tongue. Should’ve kept that thought to himself.
“Maybe you’re right,” he says. “Though I promise you that not much has changed in the last three years.”
Ingo hums. He believes it, that nothing much has shifted. It’s hard to say, obviously, considering he wasn’t there to see it for himself, but his brother was never the type to lie without a reason, and this certainly didn’t have a good one. He takes a large bite of pancake and finds them still warm. It’s a quiet breakfast, between pancakes and coffee and Galvantula sleeping underneath the table. Emmet eventually finishes his food, shoveling large bites of pancake into his mouth as quickly as he can. Ingo watches him swallow with surprising difficulty, reaching for his cup of coffee. It takes a moment for Ingo to stomach the rest of his pancakes. Having this much food is a luxury he had not often afforded a month prior. His stomach still wasn’t used to it.
“Where is Elesa?” Ingo asks after a beat. Emmet talks through a mouthful of pancake and strawberry and maple syrup. 
“Mm, she had four battle appointments today, but she’ll be back around. Probably before two.”
Emmet is the first to finish, setting all his dishes together as he stands. He moves around Ingo as Ingo finishes, collecting dishes and setting everything in the sink. As Ingo stands to pass him his plate, he asks:
“Did you have a plan today?
“Mm?” Emmet hums. “No, not particularly. Why? Is there something you wanted to do?”
Ingo frowns, face pulling.
“Well,” he starts. “I was thinking—���
“Ah,” Emmet interjects. “Your first mistake—”
“I was thinking,” Ingo continues, narrowing his eyes. “That it might be a good idea for us to visit Elesa. I need to ask her for a new coat.”
“Mm!” Emmet startles, turning toward him. His face brightens. “That’s right! You do need a new coat. Good thing she’ll be over later, mm?”
Ingo nods. He fetches his coffee mug, pouring another cup of black coffee to balance the sweetened dregs. He leans back against the counter right as Emmet goes to hand him a dish to put away. They work in tandem for a moment, pausing as Ingo works to finish his coffee.
It’s a slow morning, 8:45am, and Ingo gazes back at his bed with longing.
It’s just. When’s the last time he had such a good sleep, right? On a bed that soft? He’d gotten so used to tatami mats and the grass and canvas laid out on the ground and here was a bed, with thick fluffy blankets and several large pillows and another person taking up space. It was very—stop it, Ingo—it’s comfortable. He hands Emmet his coffee mug.
“Ingo,” Emmet says.
Ingo hums. His eyes have drifted to the couch. Maybe standing is a little hard today. He should sit, shouldn’t he?
“Is my brother still up there?” Emmet asks, tapping Ingo’s head. Ingo startles as he does, turning to him.
“I would hope so,” he says. “Otherwise I don’t know where I’d be.”
“Not here, obviously” Emmet says. He finishes rinsing Ingo’s mug, setting it top down on the drying mat. “Though I’m not entirely sure you’re all there right now, are you?”
“Trying,” Ingo hums. “Too much going on.”
Emmet hums, a bit of a laugh showing through.
“You look like you’re about to fall over.”
“I won’t,” Ingo promises.
“I don’t believe you,” Emmet says, shutting off the sink. The clean dishes sit on the rack, dripping water. Emmet wipes his hands with a dish towel. “You know, you should be resting if your engine isn’t working at full capacity. Rest is very important”
“Can’t be a well oiled machine with nowhere to go,” Ingo says, folding his arms. “I don’t understand why I don’t have the energy to move anymore.”
“Does the why matter?” Emmet asks. He’s leaning against the counter now, a mirror to Ingo, like he often was to Emmet. It was a natural progression—one following after the other, a mirror, a shadow, a doppleganger.
“It matters a little,” Ingo shrugs. “It matters to me. It gives me a reason.”
“Your reason is that you’ve gone through a lot,” Emmet says, pushing away from the counter. He scoops up his x-transceiver from the table, moving around it and through the apartment as he talks. “Your reason is that your body is playing catch-up with the world around you.”
“Maybe,” Ingo huffs.
“I am Emmet,” says his brother. “I am tired. I don’t sleep well. Do you think it’s my fault that I’m tired and don’t sleep well?”
Ingo grits his teeth. He hates this part—ever since they were little, Emmet would flip this hypocritical card, showing Ingo exactly how stupid he was sounding. It was good, for the most part, because Emmet was right and next time Emmet did the same thing, Ingo could follow suit with that card. But it was so annoying watching it now, watching Emmet throw open the blinds and shimmy open the window for the fire escape. A tinged-cool spring breeze filters in through the open window, tossing the curtains aside. Emmet keeps moving as Ingo thinks, the gears in his head turning slowly, still dulled with sleep. 
“No,” Ingo says shortly, watching Emmet rearrange coasters on the coffee table, setting game controllers back into their docks. “I don’t think anything is your fault.”
“Well now you are just flattering me, Go-Go.”
“Don’t say that flattery never got anyone anywhere,” Ingo says, pointing at him, waving his finger. Emmet laughs.
“My point is,” he says, gesturing to the couch. “You’re allowed to rest. We can figure out the steps from there, right? Even if we’re sitting on the couch to do it.”
Ingo sighs, chewing on the inside of his cheek.
“Even if I fall asleep?”
Emmet nods, still smiling a little.
“I will wake you if you do.”
Ingo huffs out a laugh, feeling the edges of his mouth quirk up. As Emmet sits on the soft, corduroy couch, Ingo feels himself pulled forward, as if recalled, to sit beside him. He brings his knees up as he settles into his familiar spot between the back and arm of the couch. 
“Do you promise you’ll shake me awake?” Ingo says, leaning his head against the back of the couch. Emmet scrunches his nose.
“Yes,” he says, knocking his knuckles into Ingo’s knee. “I do. But I’m going to watch Alakazam! so you can think without my talking.”
Ingo nods. The television hums to life quietly in the background.
Emmet always watches Alakazam! at 9am. At least, when he can catch it. Ingo watches the last few minutes of the previous game show, something quiet and low despite the flash of colors and excited spread of energy. As the show starts, he watches Emmet’s face shift, that serious pull to his mouth and the furrow of his eyebrows that Ingo only sees when they’re battling. To see that spark again, not knowing how long it’s been gone, turns a question in Ingo’s mind.
“Emmet,” he says.
“Yes, I am Emmet,” Emmet says. “You are Ingo. What do you need?”
“I think I've got an idea of what I want to do today.”
Emmet turns his head a bit, looking at Ingo mostly out of the corner of his eye. His eyes flick back and forth between Ingo’s face and the television, waiting for his program to start.
“Mm?” Emmet asks. Ingo smiles a bit, a laugh stuck behind his teeth.
He sees the glint in Emmet’s eye before he even asks his question.
“What about a pokemon battle?”
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sentientsky · 4 months
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+ a bonus! (post-season 2)
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part 5 (because i have to write a paper and i’m procrastinating). welcome back to “wren makes shitty gomens posts using her real-life actual text messages”
(Part 1)
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sysig · 6 months
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whoops i asked in the wrong place. would you be willing to do a request of the vargas boys in a SAW trap? thank you in advance <3
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Day 2 - Was it not obvious enough
#My art#Requestober#Vargas#Edgar#Scriabin#Blood#SAW#So fun fact about me: I have never seen any of the SAW movies and I have exactly zero interest in changing that lol#I'm actually a huge wimp when it comes to live action horror - I can handle just about any other kind of horror!#I love horror video games and animation and comics and stories but I just get really super uncomfortable by live action horror#Especially slashers - I top out around ''Get Out'' as far as on-screen blood and injuries and the like :(#Which sucks because as I said! I love horror! I want to watch Nightmare on Elm Street so badly but I can't! ;o;#And there's something funny about just how violent JtHM and Vargas and everything is but I'm just like#''SAW :( No I can't :('' lol#So I actually had to outsource from a friend lol she's a big slasher buff and knows I can't handle this stuff#So she briefly described a trap from SAW II and I extrapolated from there#Do I have context for you? No#Do I have blood for you? Yes >:)#Poor Edgar D: I dunno if I read correct from glancing around all the scary imagery but there was something about this trap?#About how like if they didn't put both hands they might've been able to get out? :0 I don't actually know#And anyway he has Scriabin there with him! Help!#He's no help at all lol he's just jostling the trap that'll just hurt him more!#I just like to imagine there's a semi-happy ending :') Still a lot of bloodloss tho haha#Anyway I probably wouldn't do one of these live action horror crossovers again :'D Once is more than enough for me
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