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chic-a-gigot · 1 month
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Les Modes : revue mensuelle illustrée des arts décoratifs appliqués à la femme, no. 3, vol. 1, 1 mars 1901, Paris. La Parure de la Femme: éventails. Bibliothèque nationale de France
Éventail : Les chardons. En dentelle, point à l'aiguille. Modèle Duvelleroy.
Fan: Thistles. Lace, needlepoint. By Duvelleroy.
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Éventail en dentelle, point à l'aiguille. Monture en nacre sculptée, forme nouvelle (Modèle Duvelleroy).
Lace fan, needlepoint. Sculpted mother-of-pearl frame, in the new shape (by Duvelleroy).
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Éventail dentelle et médaillon peint fantaisie, monture écaille blonde sculptée. Modèle Duvelleroy.
Lace fan and fancy painted medallion, sculpted blond tortoiseshell frame. By Duvelleroy.
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Éventail en broderie pailletée d'or (Forme nouvelle). Monture ècaille. — Modèle Duvelleroy.
Fan in gold sequin embroidery (in the new shape). Tortoiseshell frame. — Duvelleroy.
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10 best royal exhibitions to continue the Coronation celebrations, from Buckingham Palace to Blenheim
The day of the Coronation is over but these remarkable royal exhibitions across the UK means the excitement doesn’t need to be
By Natasha Leake
18 May 2023
The glow from King Charles III’s Coronation is starting to fade, but there is plenty more pomp and ceremony to be discovered at these extraordinary royal exhibitions currently being staged across the country.
Stately homes and royal palaces have transformed their sumptuous rooms into backdrops for stunning showcases of royal regalia, period costumes and mementos of past Coronations.
From Blair Castle to Castle Howard; Blenheim to Buckingham Palace, book a date at one of these must-see royal exhibitions to keep the celebrations going.
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Through a carefully curated selection of more than 200 pieces, the Kensington Palace fashion exhibition draws parallels between the pomp, ceremony and performance of the contemporary red carpet and the pressure to ‘see and be seen’ at Georgian court.
One-of-a-kind creations worn by Lizzo, Katy Perry and Lady Gaga et al. are juxtaposed with outfits worn by 18th century movers and shakers in the State Apartments, which, handily, is where the showcase is staged.
Pictured: A row of magnificent outfits in the King’s Gallery at the Crown to Couture
5 April - 31 October 2023
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Blenheim Palace is using the occasion of the Coronation to celebrate its historic connection with the Royal Family.
With a collection of previously unseen artefacts, crowns, coronets, robes, and photo albums, take a trip into the world of royal fashion with an impeccably restored Norman Hartnell silk gown, worn by the then Rosemary Spencer-Churchill to the Queen’s Coronation in 1953.
Also on display are costumes from Bridgerton and The Crown, and a page from a Blenheim visitor’s book, which includes the elegant inked signatures of Wallis Simpson (the future Duchess of Windsor) and her second husband, Ernest A. Simpson.
Pictured: The restored Maid of Honour Coronation dress worn by Rosemary Spencer-Churchill to the Coronation of Queen Elizabeth II in 1953.
19 March - 30 July 2023
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Originally launched in 2022, the award-winning Castle Couture exhibition returns this summer to Blair Castle, the ancestral home of the Atholl family, with an extended edition that showcases statement designs, intricate embroidery, innovative textiles, and style influences from the 18th century through to the 20th century.
Among the highlights are delightfully delicate ostrich feather and Brussels lace fans by the renowned Parisienne craftsman Duvelleroy, the appointed supplier to Queen Victoria.
There are also pieces from the personal collection of the late Katharine Stewart-Murray, Duchess of Atholl, Scotland’s first Scottish female Member of Parliament.
Pictured: This ballgown would have been worn by Lady Glenlyon (later Anne, Duchess of Atholl) during the visit as they dined with the royal couple.
1st April – 28th October 2023
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In a homage to the Regency period, visitors are invited to take a step back into the world of the Georgians with an exhibition that looks at how fashion trends reflected the significant trade, travel and technological advances of the period.
A highlight of the exhibition is a rarely displayed, full-length portrait of Queen Charlotte (of Bridgerton fame) by Thomas Gainsborough, dated from around 1781, which usually hangs in the White Drawing Room at Windsor Castle.
The showcase also features one of the earliest surviving British royal wedding dresses: a stunning gown worn by Princess Charlotte of Wales in 1816.
Pictured: A painting of King George III by Allan Ramsay, c.1761–2.
21 April – 8 October 2023
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The late Queen Elizabeth II’s beloved corgis captured the hearts of the nation the late monarch’s funeral.
Now they are being celebrated as part of a free exhibition at the Wallace Collection, in central London.
The one-room display features touching imagery of the Queen with her corgis.
It coincides with the museum’s exhibition, ‘Portraits of Dogs: From Gainsborough to Hockney,’ which celebrates human devotion to dogs over the centuries through a carefully curated selection of 50 paintings, sculptures, drawings and taxidermy.
Pictured: Queen Elizabeth II sitting on rocks on the Garbh-allt Burn with two corgis on the Estate at Balmoral Castle, Scotland, September 1971
8 March – 25 June 2023
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Situated in a pair of beautifully restored early Georgian townhouses, the exhibition showcases centuries of royal fans from across the globe, including a special, printed, English fan marking the restoration of Charles II and the contemporary fans made by The Fan Museum in honour of the late Queen Elizabeth II’s Diamond Jubilee.
The exhibition promises to be ‘not merely a look back on what has been but a rally of hope for what is to come.’
King Charles III has also taken an avid interest in the Fan Museum’s work.
Pictured: A Belgian folding fan dating from 1881
1 February - 24 June 2023
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The Long Gallery at Castle Howard, home to the Howard family for more than 300 years, is hosting an incredible exhibition featuring an exact replica of the Crown Jewels and peers’ robes worn to coronations gone by.
Set in 10,000 glorious acres on the edge of the Yorkshire moors, Castle Howard was commissioned in 1699 by the 3rd Earl of Carlisle from Sir John Vanbrugh, who later conceived Blenheim Palace.
The 1st Earl of Carlisle was descended from Lord William Howard, the youngest son of Thomas Howard, 4th Duke of Norfolk (the current Duke of Norfolk organised the King and Queen’s Coronation).
Pictured: Castle Howard’s replica of the Crown Jewels
From April 1
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During the last Coronation, the hotel had to secure extra flagpoles in order to fly banners for the many different royals and dignitaries staying there.
The archive overflows with Coronation material, which is why Claridge’s unveiled a space showcasing the hotel’s status as ‘the Royal Hostelry.’
Mementos on display include pages from Queen Victoria’s diary, fans created for the coronation of King George V and Queen Mary, and Claridge’s menus and cocktail cards created for the coronations of King George VI in 1937 and Queen Elizabeth II in 1953.
Pictured: A collection of royal mementos including featuring a book of 53 photographs of the then Prince of Wales, and an order of service from the Coronation of Queen Elizabeth II
Until May 31
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The world watched in awe as the newly crowned King Charles III and Queen Camilla processed from Westminster Abbey back to Buckingham Palace in the Gold State Coach.
This extraordinary regal treasure is available to view at the Royal Mews at Buckingham Palace, alongside the Diamond Jubilee State Coach, which transported Their Majesties to the Abbey ahead of the service.
Also housed in the mews? The famous Windsor Grey horses, which drew the magnificent carriages on the day.
Pictured: The Gold State Coach
2 March - 30 October 2023
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At the epicentre of the Coronation was Westminster Abbey. So where better to delve into the gilded history of the captivating service?
A new exhibition in the Chapter House reveals the key elements of the royal ceremony, which has taken place at the Abbey for nearly a thousand years.
Featuring historic illustrations and archive photography, it promises to unpack and explain the Coronation’s magnificent ceremonial regalia and objects.
8 April - 30 September 2023
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alyandajstyle · 2 years
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AJ in front of Eleonora Duse’s old apartment | Venice, Italy | 26 June 2022
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Julia Heuer 'Thelma Floral Print Plissé Pleated Top,' $365 now $219 [available at Nordstrom and SSENSE]
Bottega Veneta 'Intrecciato Weave Crossbody' in Red [available secondhand at TheRealReal]
Duvelleroy 'Ivory and Gold Point de Hongrie Hand-fan,' $49 [available at Aly & AJ’s merch store and Duvelleroy]
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Follow me on Instagram!
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shortace · 1 year
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It's widely believed that the ladies of the 1800s communicated with gentlemen via their handheld fans. The language of fans was first published in English by Paris fan-maker Duvelleroy in 1827, and although the instructions were replicated in various publications, there is little evidence that the language was ever actually used in reality. The language was a creation intended to spur flagging fan sales as they fell out of fashion (and it worked).
The fact that it was widely published enough that we, 200 years later, believe it to have commonly in use, makes me wonder if people in 200 years will be looking at the Shut Up and Take My Money meme and presuming that we all did our shopping by brandishing fists full of cash and shouting that phrase.
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Organza fan by Duvelleroy for Chanel, 1928.
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alyandajsource · 2 years
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iamaly: The most special visit today @duvelleroy 🦚
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de-chair-et-d-os · 7 months
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Si le cœur (battant) vous en dit, Camille Duvelleroy et moi-même partageront une lecture et un temps d’échange autour du carnet de bord de Quand ça commence ce vendredi 13 octobre à 16h à l'iddac (Bègles). Ce carnet de bord raconte les étapes, les étonnements, les apprentissages des chassés-croisés du monde du spectacle vivant à celui de l'audiovisuel. C'est aussi l'histoire d'une collaboration et d'une amitié, de la douceur de leur genèse jusqu'au crash final.
Au plaisir de vous y voir !
@duvelleking
Le carnet de bord est téléchargeable gratuitement sur notre site.
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arch-quaintrelle · 8 months
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louduvelleroy · 1 year
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// Traditions of remembrance
Keeping the memories of the past alive is probably the principal purpose of photography, among some others. In order to pin down pieces of life, photography is the best way to make an instant eternal. It is not only moments that are susceptible to be caught but also objects. The essence of things, without any function or background related to them, is what is at stake. This is exactly what I observed when I discovered the Katami sensitive series by Japanese photographer Naohiro Ninomiya. 
Born in Nagoya, a coastal town in Japan, in 1969, Ninomiya is now living in Strasbourg, where he came to study in the Higher National school of decorative arts. After graduating from Aichi University with a degree in management, he decided to move to France in 1988 and changed his direction to art. Since his graduation in 2005, the artist has won multiple awards. For example, he was the winner of the UPC Discovery Award (Union des Photographes Créateurs) and received the Rotary Award in 2006 for his Sonomama series. He participated in several exhibitions as well and his work is displayed in a Parisian gallery. Even if he no longer lives in Japan, Ninomiya takes most of his photographs in his native region of Gifu, and prints and finishes them by himself in his studio in France.
The care given to the technical aspect of the photographic process is what is particularly remarkable in his way of working. He is always looking for the appropriate medium and technique for each project and that is the kind of detail that creates a particular sensitivity. What is more, Naohiro Ninomiya is not interested in simply printing his negatives images in his studio. He wants to emphasize the potential materiality of an image, and make his work more tangible in an increasingly flat world. His wish is to create sensations from his images : the visitor must be able to feel the roughness of the picture and be able to understand all the stages which the image went through in the atelier. As the Japanese tradition requires, the handcrafted dimension is essential to him. 
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For the Katami series, the artist has chosen to anchor his project in his family history, assigning it to a powerful and personal affect. In fact, almost two years after his mother passed away, and during a trip to Japan, he found her kimonos, which she kept after she was married. According to Japanese family traditions, these keepsakes are shared by the family, but the artist decided to claim the kimonos temporarily to make photograms. For this purpose, he realised a series of photographic prints. This simple process involves placing an object on photo-sensitive paper and exposing it to light to capture its shadow. Using this technique, Ninomiya was able to capture the shape of the shadow cast by his  mother’s clothing but also all the details of the fabric through transparency. 
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The photogram technique is a genre in its own right just like monotypes or cyanotypes but these methods generally involve only photographic prints composed with solid objects without any transparency. But Ninomiya’s work shows the interest of composing with soft material such as textile fabrics, and in this case fabrics of great rarity and fineness. The details of embroideries are revealed by the power of the contrast created by the photographic technique. And just as watermarks on a piece of paper, there are almost invisible to the naked eye. In some parts, the image looks diluted, the sharpness and the blur are interconnected and give the picture a force of serenity. The natural overexposure is not only a way to let appear the warp and weft directions of the fabric but it also brings a sacred or maybe divin aspect to these traditional pieces of clothing. This photographic technique is a poetic way to archive objects and capture emotional memories, giving to these particular kimonos that will never be worn again, an eternal character.  
Lou Duvelleroy. 
Publié le 8 janvier (3936 caractères). 
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daniela--anna · 1 year
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#SapeviChe
Il linguaggio segreto dei ventagli, utilizzato durante l'epoca vittoriana, era in realtà una strategia di marketing.
Il cosiddetto "galateo del ventaglio", utilizzato dalle donne per inviare messaggi in codice alla persona amata a distanza, nacque in realtà come strategia di marketing del diciannovesimo secolo per vendere più ventagli.
Fu infatti il produttore di ventagli francese Duvelleroy a sdoganare questo tipo di comunicazione, spiegando tutti i vari gesti in un volantino. Ad esempio, spostare il ventaglio sopra la guancia significava "ti amo", farlo cadere invece voleva dire "restiamo amici".
📚 Fonte
🧠Sapiens³
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hmjf23 · 2 years
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butterfly fans, right: duvelleroy - eventail 'ailes de papillon' 1905-1910
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gemville · 2 years
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Duvelleroy Mother Of Pearl and Feather Fan
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Éventail "Palmettes Nacre" de Tamiya Raden pour la Maison Duvelleroy.
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camerondecades · 5 years
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Let’s keep the peace. ⁣⁣⁣ ⁣⁣⁣ ⁣⁣⁣ ⁣⁣⁣ “Friendship is the only cement that will ever hold the world together.” ⁣⁣⁣ - Woodrow Wilson ⁣⁣⁣ ⁣⁣⁣ Friday night at the Palace of Versailles for the Centennial of the signing of the Treaty of Versailles. ⁣⁣ ⁣⁣ ⁣⁣ ....⁣⁣ ....⁣⁣ ....⁣⁣ ....⁣⁣ ⁣⁣ #fashion @halstonstyle #hbyhalston #halstonstyle #style #fashionista #cameronsilver #QVC #Fashionhistory #mensstyle #menswear #fashion #vintage #vintagefashion #vintagecouture #decadesinc #halston #halstonette @decadesinc ⁣⁣@karenmarieroth #versailles #treatyofversailles #dolcegabbana #duvelleroy ⁣⁣ ⁣⁣ (at Palace of Versailles) https://www.instagram.com/p/BzRNPanBecl/?igshid=1r5ixqcp0b6b7
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alyandajsource · 2 years
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iamaj: An afternoon with @duvelleroy captured by @auhasardspr
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jessiesjaded · 5 years
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Fan (c. 1900) DUVELLEROY, Paris.
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