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#ebook writer
webdeveloperexpert · 2 years
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It is found that stories have a strong influence on children's understanding of cultural and gender roles. It just does not develop children's literacy; they convey values, beliefs, attitudes, and social norms which, in turn, shape children's perceptions of reality.
Let's covey your Ideas into an EBOOK💡 to create a USEFUL IMPACT IN KID'S LIFE
https://www.fiverr.com/share/94zprj?utm_source=CopyLink_Mobile
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valenshawke · 6 months
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"'think of the children' always gets support unless what you're thinking about is leaving them with a better world. Somehow, we never need to think of the children when we're talking about climate change, or preventing pandemic diseases, or anything else that costs money. But here we are." - Unbreakable by Mira Grant.
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clemsphoenix · 1 year
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Self help book,ghostwriting service
Are you in need of a professional and skilled self help book,eBooks writer,ghostwriter?
We're professional ghostbook writer,book writer and eBook ghostwriter with a wide knowledge about ghostwriting service.
We will ghost write your books,eBooks and articles clearly so that your readers will understand the message you are passing across.
Contact us on the link below
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rockwriter01 · 2 years
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I will be your ghostwriter, ebook writing and ebook writer on any ebook topic
Do you know what turns a book into a book that people want to read?
It comes down to two things: promise and personal connection. Promise is what inspires people to keep reading your book; personal connection is what makes them happy that they have done so. You can put all the wisdom in the world into your book, and unless you put promise and personal connection in there too, all you have is a stack of pages.
MY SERVICES ARE:
self-help
cryptocurrency
technology health-fitness and dieting
cookbooks
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dduane · 4 months
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While I lie here in my sickbed coughing my lungs out (and producing copious amounts of cold-related by-products I’m not going to discuss much further), please feel free to distract me by running over to Ebooks Direct and purchasing things. In particular, not all prices have been adjusted-for-2024 as yet, and the one above is still holding at its old rate. Every time somebody buys one, it’s another vote for me to keep the price there…
*Except to say that while “dyspareunia” is probably an uglier word, “phlegm” is right behind it. Coughing wetly.
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malcolmschmitz · 5 months
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please help a disabled author?
I was just on hold with the government for ten hours trying to get (some of) my benefits renewed.
I did not get my benefits renewed.
If people buy my (incredibly queer, weird, fantasy/SF/horror) short stories, I can get off benefits, and then I will not have to be on the phone with the government for ten hours.
And you get cool short stories.
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zoestormwriting · 5 months
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Cover reveal and release details!
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[Image description: The cover of the book THE ENCHANTED FOREST AND OTHER STORIES: FIVE TALES OF GENDER MAGIC by Zoe Storm. The cover depicts a person seen from behind walking on a forest path. The person has brown hair, is wearing a beige beanie and an orange jacket, and has a blue backpack on their shoulder; the forest is dark and foreboding. The title of the book is written in white capital letters on the top part of the cover, and the author's name, also in white capital letters, is at the bottom. End ID.]
Presenting: the cover of my new book, The Enchanted Forest and Other Stories: Five Tales of Gender Magic!
Look at it! It's super good!
The book is also super good, I promise! (Though I may be biased, since I'm the author and all, lol.) And, what would you know, the ebook version of my latest offering can be preordered NOW from various websites!
You can pick the online store of your choosing by following this here link. And, if you prefer your online store to be of the itch.io flavour, I've got you covered: you can find the book right here.
The e-book version of this book will be released on all storefronts on December 24th, 2023, just in time for Christmas!
But wait, there's more! There's also a paperback version coming from Amazon, which cannot unfortunately be pre-ordered but which will be released on December 17th! Watch this space, I will post here when it's released.
But wait, there's more! For the first time ever, one of my books will be released in a language other than English, in this case Italian! The release dates for the e-book and the paperback will be the same, and the e-book can be pre-ordered from these links: itch.io, and other storefronts.
I've given it my all to bring this book to y'all, and I hope you like it! ❤️
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I've just released my first novel and the first in a trilogy! The Bonds That Bind Us is a story of trauma, healing, found family, and growth. It is a literary fiction with a gay romance plot, and is currently FREE ON KINDLE FOR EVERYONE!
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schuylerpeck · 16 days
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your next favorite read is here ❤️ The Ghosts’ Share of Rent is a photo/poetry book, based on antique photos from my collection. the book explores what connects people over time; that, whether in 1839 or 2007, humans have always felt curious, rebellious, lost, gentle, and in love. order from Party Trick Press for their choose what you pay system and enjoy a few bonus materials. <3
instagram: hiitssky
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em-dashes · 19 days
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you are now entering suddence -> fake netflix screenshots
netflix template by @seungnm!
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yvesdot · 8 months
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Something's Not Right 5th Anniversary Cover Reveal & ARC Call
In a world of creatures with four eyes and seventy tongues, someone’s still bound to get the shaft.
Today I am so proud to reveal the reworked cover for Something's Not Right's 5th anniversary edition, and to start taking applications for ARCs! These are free ebook copies for review, so if you want to read this short story collection about a diverse cast of monsters & humans struggling with what society thinks is right, keep reading!
Without further ado, the GORGEOUS new cover by designer Rachel A. Rosen:
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goodreads | storygraph | excerpts
If you'd like an ARC, just fill out this Google Form; you'll also be able to request through BookSirens when the formatted version is complete. Nobody will be rejected! Whether you have a large or small platform, regardless of the platforms you use, whether you review it tomorrow or in six months, all reviews are extremely helpful for both author and readers. The form is just to give me a bird's eye view of our situation.
Stay tuned for more updates, including a blog tour, preorders, and a giveaway, closer to release!
Follow updates: all writing & updates | something's not right | anniversary edition only
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pandoras-blog · 1 month
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i will always come back to you♥️
*find my poetry on Amazon and Kindle Unlimited, or check out my website, angelscroggins.com, for more info*
📚Two Halves of the Whole https://a.co/d/9fZ8Kcw
📚When I Look at You: a love letter
https://a.co/d/87OYYaE
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Linkty Dumpty
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I was supposed to be on vacation, and while I didn’t do any blogging for a month, that didn’t mean that I stopped looking at my distraction rectangle and making a list of things I wanted to write about. Consequentially, the link backlog is massive, so it’s time to declare bankruptcy with another linkdump:
https://pluralistic.net/tag/linkdump/
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[Image ID: John Holbo’s ‘trolley problem’ art, a repeating pattern of trolleys, tracks, people on tracks, and people standing at track switches]++
Let’s kick things off with a little graphic whimsy. You’ve doubtless seen the endless Trolley Problem memes, working from the same crude line drawings? Well, philosopher John Holbo got tired of that artwork, and he whomped up a fantastic alternative, which you can get as a poster, duvet, sticker, tee, etc:
https://www.redbubble.com/shop/ap/145078097
The trolley problem has been with us since 1967, but it’s enjoying a renaissance thanks to the insistence of “AI” weirdos that it is very relevant to our AI debate. A few years back, you could impress uninformed people by dropping the Trolley Problem into a discussion:
https://memex.craphound.com/2016/10/25/mercedes-weird-trolley-problem-announcement-continues-dumb-debate-about-self-driving-cars/
Amazingly, the “AI” debate has only gotten more tedious since the middle of the past decade. But every now and again, someone gets a stochastic parrot to do something genuinely delightful, like the Jolly Roger Telephone Company, who sell chatbots that will pretend to be tantalyzingly confused marks in order to tie up telemarketers and waste their time:
https://jollyrogertelephone.com/
Jolly Roger sells different personas: “Whitebeard” is a confused senior who keeps asking the caller’s name, drops nonsequiturs into the conversation, and can’t remember how many credit-cards he has. “Salty Sally” is a single mom with a houseful of screaming, demanding children who keep distracting her every time the con artist is on the verge of getting her to give up compromising data. “Whiskey Jack” is drunk:
https://www.wsj.com/articles/people-hire-phone-bots-to-torture-telemarketers-2dbb8457
The bots take a couple minutes to get the sense of the conversation going. During that initial lag, they have a bunch of stock responses like “there’s a bee on my arm, but keep going,” or grunts like “huh,” and “uh-huh.” The bots can keep telemarketers and scammers on the line for quite a long time. Scambaiting is an old and honorable vocation, and it’s good that it has received a massive productivity gain from automation. This is the AI Dividend I dream of.
The less-fun AI debate is the one over artists’ rights and tech. I am foresquare for the artists here, but I think that the preferred solutions (like creating a new copyright over the right to train a model with your work) will not lead to the hoped-for outcome. As with other copyright expansions — 40 years’ worth of them now — this right will be immediately transferred to the highly concentrated media sector, who will simply amend their standard, non-negotiable contracting terms to require that “training rights” be irrevocably assigned to them as a condition of working.
The real solution isn’t to treat artists as atomic individuals — LLCs with an MFA — who bargain, business-to-business, with corporations. Rather, the solutions are in collective power, like unions. You’ve probably heard about the SAG-AFTRA actors’ strike, in which creative workers are bargaining as a group to demand fair treatment in an age of generative models. SAG-AFTRA president Fran Drescher’s speech announcing the strike made me want to stand up and salute:
https://www.youtube.com/watch?v=J4SAPOX7R5M
The actors’ strike is historic: it marks the first time actors have struck since 2000, and it’s the first time actors and writers have co-struck since 1960. Of course, writers in the Writers Guild of America (West and East) have been picketing since since April, and one of their best spokespeople has been Adam Conover, a WGA board member who serves on the negotiating committee. Conover is best known for his stellar Adam Ruins Everything comedy-explainer TV show, which pioneered a technique for breaking down complex forms of corporate fuckery and making you laugh while he does it. Small wonder that he’s been so effective at conveying the strike issues while he pickets.
Writing for Jacobin, Alex N Press profiles Conover and interviews him about the strike, under the excellent headline, “Adam Pickets Everything.” Conover is characteristically funny, smart, and incisive — do read:
https://jacobin.com/2023/07/adam-conover-wga-strike
Of course, not everyone in Hollywood is striking. In late June, the DGA accepted a studio deal with an anemic 41% vote turnout:
https://www.theverge.com/2023/6/26/23773926/dga-amptp-new-deal-strike
They probably shouldn’t have. In this interview with The American Prospect’s Peter Hong, the brilliant documentary director Amy Ziering breaks down how Netflix and the other streamers have rugged documentarians in a classic enshittification ploy that lured in filmmakers, extracted everything they had, and then discarded the husks:
https://prospect.org/culture/2023-06-21-drowned-in-the-stream/
Now, the streaming cartel stands poised to all but kill off documentary filmmaking. Pressured by Wall Street to drive high returns, they’ve become ultraconservative in their editorial decisions, making programs and films that are as similar as possible to existing successes, that are unchallenging, and that are cheap. We’ve gone directly from a golden age of docs to a dark age.
In a time of monopolies, it’s tempting to form countermonopolies to keep them in check. Yesterday, I wrote about why the FTC and Lina Khan were right to try to block the Microsoft/Activision merger, and I heard from a lot of people saying this merger was the only way to check Sony’s reign of terror over video games:
https://pluralistic.net/2023/07/14/making-good-trouble/#the-peoples-champion
But replacing one monopolist with another isn’t good for anyone (except the monopolists’ shareholders). If we want audiences and workers — and society — to benefit, we have to de-monopolize the sector. Last month, I published a series with EFF about how we should save the news from Big Tech:
https://www.eff.org/deeplinks/2023/04/saving-news-big-tech
After that came out, the EU Observer asked me to write up version of it with direct reference to the EU, where there are a lot of (in my opinion, ill-conceived but well-intentioned) efforts to pry Big Tech’s boot off the news media’s face. I’m really happy with how it came out, and the header graphic is awesome:
https://euobserver.com/opinion/157187
De-monopolizing tech has become my life’s work, both because tech is foundational (tech is how we organize to fight over labor, gender and race equality, and climate justice), and because tech has all of these technical aspects, which open up new avenues for shrinking Big Tech, without waiting decades for traditional antitrust breakups to run their course (we need these too, though!).
I’ve written a book laying out a shovel-ready plan to give tech back to its users through interoperability, explaining how to make new regulations (and reform old ones), what they should say, how to enforce them, and how to detect and stop cheating. It’s called “The Internet Con: How To Seize the Means of Computation” and it’s coming from Verso Books this September:
https://www.versobooks.com/products/3035-the-internet-con
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[Image ID: The cover of the Verso Books hardcover of ‘The Internet Con: How to Seize the Means of Computation]
I just got my first copy in the mail yesterday, and it’s a gorgeous little package. The timing was great, because I spent the whole week in the studio at Skyboat Media recording the audiobook — the first audiobook of mine that I’ve narrated. It was a fantastic experience, and I’ll be launching a Kickstarter to presell the DRM-free audio and ebooks as well as hardcovers, in a couple weeks.
Though I like doing these crowdfunders, I do them because I have to. Amazon’s Audible division, the monopolist that controls >90% of the audiobook market, refuses to carry my work because it is DRM-free. When you buy a DRM-free audiobook, that means that you can play it on anyone’s app, not just Amazon’s. Every audiobook you’ve ever bought from Audible will disappear the moment you decide to break up with Amazon, which means that Amazon can absolutely screw authors and audiobook publishers because they’ve taken our customers hostage.
If you are unwise enough to pursue an MBA, you will learn a term of art for this kind of market structure: it’s a “moat,” that is, an element of the market that makes it hard for new firms to enter the market and compete with you. Warren Buffett pioneered the use of this term, and now it’s all but mandatory for anyone launching a business or new product to explain where their moat will come from.
As Dan Davies writes, these “moats” aren’t really moats in the Buffett sense. With Coke and Disney, he says, a “moat” was “the fact that nobody else could make such a great product that everyone wanted.” In other words, “making a good product,” is a great moat:
https://backofmind.substack.com/p/stuck-in-the-moat
But making a good product is a lot of work and not everyone is capable of it. Instead, “moat” now just means some form of lock in. Davies counsels us to replace “moat” with:
our subscription system and proprietary interface mean that our return on capital is protected by a strong Berlin Wall, preventing our customers from getting out to a freer society and forcing them to consume our inferior products for lack of alternative.
I really like this. It pairs well with my 2020 observation that the fight over whether “IP” is a meaningful term can be settled by recognizing that IP has a precise meaning in business: “Any policy that lets me reach beyond the walls of my firm to control the conduct of my competitors, critics and customers”:
https://locusmag.com/2020/09/cory-doctorow-ip/
To see how that works in the real world, check out “The Anti-Ownership Ebook Economy,” a magisterial piece of scholarship from Sarah Lamdan, Jason M. Schultz, Michael Weinberg and Claire Woodcock:
https://www.nyuengelberg.org/outputs/the-anti-ownership-ebook-economy/
Something happened when we shifted to digital formats that created a loss of rights for readers. Pulling back the curtain on the evolution of ebooks offers some clarity to how the shift to digital left ownership behind in the analog world.
The research methodology combines both anonymous and named sources in publishing, bookselling and librarianship, as well as expert legal and economic analysis. This is an eminently readable, extremely smart, and really useful contribution to the scholarship on how “IP” (in the modern sense) has transformed books from something you own to something that you can never own.
The truth is, capitalists hate capitalism. Inevitably, the kind of person who presides over a giant corporation and wields power over millions of lives — workers, suppliers and customers — believes themselves to be uniquely and supremely qualified to be a wise dictator. For this kind of person, competition is “wasteful” and distracts them from the important business of making everyone’s life better by handing down unilateral — but wise and clever — edits. Think of Peter Thiel’s maxim, “competition is for losers.”
That’s why giant companies love to merge with each other, and buy out nascent competitors. By rolling up the power to decide how you and I and everyone else live our lives, these executives ensure that they can help us little people live the best lives possible. The traditional role of antitrust enforcement is to prevent this from happening, countering the delusions of would-be life-tenured autocrats of trade with public accountability and enforcement:
https://marker.medium.com/we-should-not-endure-a-king-dfef34628153
Of course, for 40 years, we’ve had neoliberal, Reaganomics-poisoned antitrust, where monopolies are celebrated as “efficient” and their leaders exalted as geniuses whose commercial empires are evidence of merit, not savagery. That era is, thankfully, coming to an end, and not a moment too soon.
Leading the fight is the aforementioned FTC chair Lina Khan, who is taking huge swings at even bigger mergers. But the EU is no slouch in this department: they’re challenging the Adobe/Figma merger, a $20b transaction that is obviously and solely designed to recapture customers who left Adobe because they didn’t want to struggle under its yoke any longer:
https://gizmodo.com/adobe-figma-acquisition-likely-to-face-eu-investigation-1850555562
For autocrats of trade, this is an intolerable act of disloyalty. We owe them our fealty and subservience, because they are self-evidently better at understanding what we need than we could ever be. This unwarranted self-confidence from the ordinary mediocrities who end up running giant tech companies gets them into a whole lot of hot water.
One keen observer of the mind-palaces that tech leaders trap themselves in is Anil Dash, who describes the conspiratorial, far-right turn of the most powerful men (almost all men!) in Silicon Valley in a piece called “‘VC Qanon’ and the radicalization of the tech tycoons”:
https://www.anildash.com/2023/07/07/vc-qanon/
Dash builds on an editorial he published in Feb, “The tech tycoon martyrdom charade,” which explores the sense of victimhood the most powerful, wealthiest people in the Valley project:
https://www.anildash.com/2023/02/27/tycoon-martyrdom-charade/
These dudes are prisoners of their Great Man myth, and leads them badly astray. And while all of us are prone to lapses in judgment and discernment, Dash makes the case that tech leaders are especially prone to it:
Nobody becomes a billionaire by accident. You have to have wanted that level of power, control and wealth more than you wanted anything else in your life. They all sacrifice family, relationships, stability, community, connection, and belonging in service of keeping score on a scale that actually yields no additional real-world benefits on the path from that first $100 million to the tens of billions.
This makes billionaires “a cohort that is, counterintutively, very easily manipulated.” What’s more, they’re all master manipulators, and they all hang out with each other, which means that when a conspiratorial belief takes root in one billionaire’s brain, it spreads to the rest of them like wildfire.
Then, billionaires “push each other further and further into extreme ideas because their entire careers have been predicated on the idea that they’re genius outliers who can see things others can’t, and that their wealth is a reward for that imagined merit.”
They live in privileged bubbles, which insulates them from disconfirming evidence — ironic, given how many of these bros think they are wise senators in the agora.
There are examples of billionaires’ folly all around us today, of course. Take privacy: the idea that we can — we should — we must — spy on everyone, all the time, in every way, to eke out tiny gains in ad performance is objectively batshit. And yet, wealthy people decreed this should be so, and it was, and made them far richer.
Leaked data from Microsoft’s Xandr ad-targeting database reveals how the commercial surveillance delusion led us to a bizarre and terrible place, as reported on by The Markup:
https://themarkup.org/privacy/2023/06/08/from-heavy-purchasers-of-pregnancy-tests-to-the-depression-prone-we-found-650000-ways-advertisers-label-you
The Markup’s report lets you plumb 650,000 targeting categories, searching by keyword or loading random sets, 20 at a time. Do you want to target gambling addicts, people taking depression meds or Jews? Xandr’s got you covered. What could possibly go wrong?
The Xandr files come from German security researcher Wolfie Christl from Cracked Labs. Christi is a European, and he’s working with the German digital rights group Netzpolitik to get the EU to scrutinize all the ways that Xandr is flouting EU privacy laws.
Billionaires’ big ideas lead us astray in more tangible ways, of course. Writing in The Conversation, John Quiggin asks us to take a hard look at the much ballyhooed (and expensively ballyhooed) “nuclear renaissance”:
https://theconversation.com/dutton-wants-australia-to-join-the-nuclear-renaissance-but-this-dream-has-failed-before-209584
Despite the rhetoric, nukes aren’t cheap, and they aren’t coming back. Georgia’s new nuclear power is behind schedule and over budget, but it’s still better off than South Carolina’s nukes, which were so over budget that they were abandoned in 2017. France’s nuke is a decade behind schedule. Finland’s opened this year — 14 years late. The UK’s Hinkley Point C reactor is massively behind schedule and over budget (and when it’s done, it will be owned by the French government!).
China’s nuclear success story also doesn’t hold up to scrutiny — they’ve brought 50GW of nukes online, sure, but they’re building 95–120GW of solar every year.
Solar is the clear winner here, along with other renewables, which are plummeting in cost (while nukes soar) and are accelerating in deployments (while nukes are plagued with ever-worsening delays).
This is the second nuclear renaissance — the last one, 20 years ago, was a bust, and that was before renewables got cheap, reliable and easy to manufacture and deploy. You’ll hear fairy-tales about how the early 2000s bust was caused by political headwinds, but that’s simply untrue: there were almost no anti-nuke marches then, and governments were scrambling to figure out low-carbon alternatives to fossil fuels (this was before the latest round of fossil fuel sabotage).
The current renaissance is also doomed. Yes, new reactors are smaller and safer and won’t have the problems intrinsic to all megaprojects, but designs like VOYGR have virtually no signed deals. Even if they do get built, their capacity will be dwarfed by renewables — a Gen III nuke will generate 710MW of power. Globally, we add that much solar every single day.
And solar power is cheap. Even after US subsidies, a Gen III reactor would charge A$132/MWh — current prices are as low as A$64-$114/MWh.
Nukes are getting a charm offensive because wealthy people are investing in hype as a way of reaping profits — not as a way of generating safe, cheap, reliable energy.
Here in the latest stage of capitalism, value and profit are fully decoupled. Monopolists are shifting more and more value from suppliers and customers to their shareholders every day. And when the customer is the government, the depravity knows no bounds. In Responsible Statecraft, Connor Echols describes how military contractors like Boeing are able to bill the Pentagon $52,000 for a trash can:
https://responsiblestatecraft.org/2023/06/20/the-pentagons-52000-trash-can/
Military Beltway Bandits are nothing new, of course, but they’ve gotten far more virulent since the Obama era, when Obama’s DoD demanded that the primary contractors merge to a bare handful of giant firms, in the name of “efficiency.” As David Dayen writes in his must-read 2020 book Monopolized, this opened the door to a new kind of predator:
https://pluralistic.net/2021/01/29/fractal-bullshit/#dayenu
The Obama defense rollups were quickly followed by another wave of rollups, these ones driven by Private Equity firms who cataloged which subcontractors were “sole suppliers” of components used by the big guys. These companies were all acquired by PE funds, who then lowered the price of their products, selling them below cost.
This maximized the use of those parts in weapons and aircraft sold by primary contractors like Boeing, which created a durable, long-lasting demand for fresh parts for DoD maintenance of its materiel. PE-owned suppliers hits Uncle Sucker with multi-thousand-percent markups for these parts, which have now wormed their way into every corner of the US arsenal.
Yes, this is infuriating as hell, but it’s also so grotesquely wrong that it’s impossible to defend, as we see in this hilarious clip of Rep Katie Porter grilling witnesses on US military waste:
https://www.youtube.com/watch?v=TJhf6l1nB9A
Porter pulls out the best version yet of her infamous white-board and makes her witnesses play defense ripoff Jepoardy!, providing answers to a series of indefensible practices.
It’s sure nice when our government does something for us, isn’t it? We absolutely can have nice things, and we’re about to get them. The Infrastructure Bill contains $42B in subsidies for fiber rollouts across the country, which will be given to states to spend. Ars Technica’s Jon Brodkin breaks down the state-by-state spending:
https://arstechnica.com/tech-policy/2023/06/us-allocates-42b-in-broadband-funding-find-out-how-much-your-state-will-get/
Texas will get $3.31B, California will get $1.86B, and 17 other states will get $1B or more. As the White House announcement put it, “High-speed Internet is no longer a luxury.”
To understand how radical this is, you need to know that for decades, the cable and telco sector has grabbed billions in subsidies for rural and underserved communities, and then either stole the money outright, or wasted it building copper networks that run at a fraction of a percent of fiber speeds.
This is how America — the birthplace of the internet — ended up with some of the world’s slowest, most expensive broadband, even after handing out tens of billions of dollars in subsidies. Those subsidies were gobbled up by greedy, awful phone companies — these ones must be spent wisely, on long-lasting, long-overdue fiber infrastructure.
That’s a good note to end on, but I’ve got an even better one: birds in the Netherlands are tearing apart anti-bird strips and using them to build their nests. Wonderful creatures 1, hostile architecture, 0. Nature is healing:
https://www.theguardian.com/science/2023/jul/11/crows-and-magpies-show-their-metal-by-using-anti-bird-spikes-to-build-nests
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If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/07/15/in-the-dumps/#what-vacation
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Next Tues, Jul 18, I'm hosting the first Clarion Summer Write-In Series, an hour-long, free drop-in group writing and discussion session. It's in support of the Clarion SF/F writing workshop's fundraiser to offer tuition support to students:
https://mailchi.mp/theclarionfoundation/clarion-write-ins
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[Image iD: A dump-truck, dumping out a load of gravel. A caricature of Humpty Dumpty clings to its lip, restrained by a group of straining, Lilliputian men.]
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novlr · 2 months
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I've just finished my first novel and am looking for ways to market it. A friend of mine mentioned NetGalley, but I've only ever used it as a reader. Do you know anything about how writers use it?
Thanks!
Ooh, we love NetGalley! I (Pamela) have been a long-time NetGalley user on the reader side, but it definitely has a lot to offer indie authors, too, not just trad published ones.
Check out this post in the Reading Room for the Pros and Cons of NetGalley if you're a self-published author.
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ebookporn · 5 months
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I found some old Terror Tracks CD ROMs (audio choose your own adventures) from my days at TSR in the 90s. These were quaint attempts at innovating new storytelling formats. I soon realized for all its new technological innovation in the day, I had no device to play the damned discs in my home and that the only way to listen to them was in the old car. Today the challenges faced by libraries and archives to collect and preserve our digital-only culture are real and ever growing. Many digital formats are already inaccessible – webpages, floppy disks, even smartphone apps that are no longer supported. Can libraries and archives store a WebToon as a PDF? Should they? So many questions... but this is a great interview to get a sense of the issues.
"There are a lot of digital publications that are published in a more standardised format that we know we can collect at scale. But there are a lot more publications, which sometimes can be interpreted as games or sometimes are defined as electronic literature, that are all part of the current UK publishing landscape. They’re very much things that we want to preserve for future generations." ~ Giulia Carla Rossi, Digital curator and British Library’s head of digital publications
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passionsofthegods · 1 year
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"The gods may be dismissive of your abilities, but they are not lost on me. It takes a great deal of skill and forethought for warfare. I see you on the throne commanding troops to battle, ruling over the gods while tending to your future children. I see this all for you. I see you. You are more than you know." -Aphrodite to Ares
Passions of the Gods Available NOW on Amazon & KU!
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