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#ed explorers
lyoneve · 1 year
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The new crew member on Hornigold’s ship gets real flirty when he drinks and Izzy has finally stopped pretending to be annoyed by it
Young!edizzy anyone? 👀
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king-k-ripple · 1 year
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I feel like I'm one of the few people who believes that Izzy's love for Ed is not romantic or sexual in any way. No matter how many 'heartbroken Izzy' pictures I see, no one convince me that Izzy wants to kiss or have sex with Ed.
Because I think their relationship is more complicated than that. It's a mix of fucked up loyalty, co-dependency, brotherhood, respect, admiration and insecurity. Yes, Izzy cares about Ed, but his identity is also tied so deeply into Blackbeard that he can't see himself without him. He looks into the mirror and it's Ed looking back. It's a denial of himself. So, yes, he is panicked and seething when he begins to lose Ed to Stede but it's not because he wants to be in a romantic relationship with Ed. He's losing his constant to someone he has no respect for. The foundation of his very identity is evolving without him for the first time, which only makes Izzy's perception of his own self worth plummet further. When he asks Ed what he is to him, he's not asking because he expects Ed to say boyfriend, he's asking to see if Ed values him in anyway because if he doesn't then Izzy has no reason to see value in himself and in the decisions that led him to that particular moment.
It's not romantic love. It's a co-dependent affection born from and used to fuel self-loathing.
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gentlemanjuniper · 6 months
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ed: "let's go slow"
fandom, probably right: the boys are being healthy and communicating well
me, lover of drama: nah Ed's just fucked up by what Mary said that once the mystery and spark is gone all that's left is resentment and fury so he's trying to draw it out bc some part of him still believes stede will leave again and prove once and for all that he is eternally unloveable
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torra-and-the-toons · 6 months
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I had a stunning revelation today that I can't believe I didn't piece together sooner.
The best things really do come in 3's.
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erinsintra · 6 months
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why do human genital names sound like fantasy spells. i mean. clitoris. testicles. cervix. scrotum. i feel like if i say these on the right order my furniture will start floating or some shit
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teacuppigdog · 2 years
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Reasons not to be a lighthouse
So, I want to talk about the lighthouse, and what it means for Stede to be the lighthouse.
I’ve seen fanart that frames the lighthouse/kraken imagery in a light vs dark, oppositional way. Like Stede is a light that needs to rescue Ed from the dark. And jarring with that use of the imagery made me realise that I see these symbols completely differently, not in opposition but in parallel. To me it follows that if the kraken is Ed at his worst, then the lighthouse is Stede at his worst.
It’s easy to see the negative attributes of a kraken (frightening, violent), but the negative attributes of a lighthouse are less straightforward (yes, you can get smashed on the rocks, but what exactly does that tell us about Stede?).
When I considered it, it brought to mind the apocryphal tale where two nations are in contact by radio at sea. They each demand the other divert to avoid collision, going back and forth until one country says “This is the biggest, most heavily armed warship in our country’s big and heavily armed fleet. We demand that you divert course or we will fire upon you,” at which point the other country says “This is a lighthouse. Your call.”
A lighthouse is not going to divert course to avoid a collision. It’s going to stay exactly where it is, and if you don’t divert course to accommodate for it, you’re fucked. A lighthouse is a perfect metaphor for obstinance, for inflexibility. Stede can be bad at taking other people’s perspectives into account and adjusting accordingly. At his worst, he can’t even take in that other people’s perspectives may differ from his in the first place.
We see this with his family. He wants to uproot their lives and go to sea. He presents his dream as a present to Mary, and assumes she will be just as thrilled as he is, because he’s too wrapped up in his own excitement to connect with Mary as a separate individual. The dialogue then explicitly tells us how Stede is unwilling/unable to hear Mary expressing her perspective/experience:
Mary: "You know I hate the ocean. I said so just the other day." Stede: "What? When?" Mary: "When we were standing by the fucking ocean."
Mary isn’t upset that Stede has an interest in sailing, she is upset that Stede has no interest in actually knowing her, merely trying to fit her into his own interests. The scene where Mary repeatedly tries to get Stede’s attention and he ‘Mmm’s without looking up from his book also show us how he does not respond to her attempts to communicate. It’s telling that when she presents her anniversary present to him, Stede does not know Mary paints. (Honestly, I would find it completely in character for Stede if she had mentioned her painting to him several times in the past, but he just hadn’t taken it in because it’s not what he’s interested in.)
Which takes us to the consequence of this inflexibility: the lighthouse is isolated. Stede is so inflexible at times that he cannot forge the back-and-forth communication required to actually connect with other humans.
We also see this at the start of the show with his crew. I think the underlying reason that the crew wants to mutiny is how Stede cannot see things from their perspectives or accomodate for them.
Stede went into piracy with no experience, and decided to impose his own views on how to do things on his crew, without seeking to first learn from them about an area in which he has no experience. Throughout the first few episodes we see Stede trying to push his crew into being the people he expects and wants them to be, rather than trying to get to know them.
In the first episode, in the ‘talk it through as crew’ call and response, we see Stede (frankly, quite patronisingly) trying to push the crew into adopting his perspective and participate the way he wants them to. We hear Stede narrate "I pay my crew a salary. Same wage, every week, no matter what. Course, it took them a while to come 'round to the idea", and while Stede probably thinks he’s doing what’s best for them and they just can’t understand that, consider what difference it makes to the power dynamics if the results of everyone’s work are shared versus if they are completely dependant on Stede. Consider how Stede is disbelieving when Lucius says he’s the only crew member who can read ("That's not. Is that true?"), dismissing this input to the point that a couple of episodes later, when he tries to replace Lucius with Frenchie, he is surprised to discover Frenchie cannot write.
When Stede decides that the crew should vacation in episode two, he says explicitly "Your time is yours to do with as you please" and "There's literally no way to mess this up." He then almost immediately starts telling the crew what they can and can’t do, responding to their methods of unwinding with "That is NOT what I was talking about!". You’re not allowed to spend your downtime roughhousing, becasue Stede does not enjoy roughhousing. Stede’s preconception of himself as a captain is that he is accepting and he listens, but the actuality of his captaining style is that he tries to push his crew into complying with his preferences.
In the third episode, Stede is completely unwilling to learn from his crew – most of whom have visited the Pirate Republic before – about how things work there. When Lucius tries to advise him (repeatedly) he dismisses it (repeatedly).
If the kraken represents a toxic masculinity aligned with aggressive and threatening behaviour, then the lighthouse represents a toxic masculinity aligned with is mansplaining, blind confidence and the assumption of authority.
In episode four, their meeting starts Stede and Ed’s arc of mutual character development. I think it’s a crucial moment in Stede’s development when he excitedly presents Ed with Stede’s preconception of who Ed is – a picture of Blackbeard from one of his pirate books – and Stede actually sees and takes in Ed’s response. Stede listens to Ed. And after having listened, Stede adjusts his course. While Stede’s perspective is firmly that being Blackbeard would be great (he says that he’d give up everything for just a day of being Blackbeard), what he says to Ed isn’t encouragement to keep going, insisting that surely Ed’s life is amazing. Instead, it’s: "Look. I can't believe I'm saying this, but have you ever considered retirement?" This might be the first moment in the show where Stede is considering things from someone else’s perspective. And that’s the start of him being able to reach past his previous isolation and actually connect.
Stede still struggles at times with seeing past himself for the rest of the show, but episode four is a turning point. It introduces his capacity to change and a new willingness to learn.
For the rest of the show, we see Stede succeed when he stops trying to be the isolated beacon that gives detached direction, when he can see past his preconceptions, connect and adjust, and we see him fail when he can’t. In episode five his moment of triumph is rooted in a moment of connecting with and listening to Frenchie. When Frenchie expresses his experience – “I was in service for a minute so I now the lay of the land and trust me, servants, they see everything. This lot, they're not so fancy” – Stede actually takes it in, and that gives him the idea to ask Abshir for the information that Stede builds into his passive aggression bomb. In episode six Stede comes pretty close to explicitly naming the problem and solution himself: "I'd like to apologise for my behaviour earlier. As total as my theatrical knowledge may be, I did forget the most important thing: company!"
I think what takes the crew from where they started at the brink of mutiny, to the intense loyalty they have by the end, is not a change of heart on their part, but Stede changing. Stede softening his dismissive streak, starting to genuinely rather than superficially listen to his crew and to respect their input.
When Stede feels he needs to be the lighthouse, he feels he must be the guiding light all on his own. He can’t have his guidance questioned, because then he’s failing in his role.
I think this sense that ‘knowing best’ is supposed to fall entirely to him is one of the reasons why he feels so guilty about leaving Mary: he is supposed to be her guiding light, so surely without him she must be lost? Surely, without his light, his family have been smashed up against the rocks? It is his sense that he has failed in his duties at being his family’s lighthouse that makes him falter at the crucial moment when he leaves Ed. Stede seeing that actually, his family are just fine at finding their own direction (and Stede finally, finally, listening to and allowing himself to be changed by Mary) is what shows him that he doesn’t have to be the lighthouse.
I don’t think he returns to his crew as a guiding light. I think he returns ready to adjust course as he goes, with his crew’s support and collaboration.
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carnivalcarrion · 7 months
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Please tell me more about your human welcome home au 👀
!! gladly!!
i don't remember what i said in the first - and like... only lmao - post about it so if i restate some things! fuckign oopsie! (a lot of this is just Barnaby &/or Wally asbdjasj im sorry) also this got! so fucking long!
~ (im gonna talk about their middle/highschool years a lot so keep in mind the time frame is late 90s / early 2000s. they graduate high in either 2006/2007. so. yk. obvious warning for homophobia, transphobia, etc)
fun lil thing no.1)
so Barnaby & Wally briefly meet for the first time in the summer before 7th grade. the town Barnaby grows up & goes to school in isn't tiny, but it's not huge either. - i don't have a very good frame of reference for how many students are typically in a school, bc in both my middle/high there was at least nearly 2k of us. - so we'll just say it's smaller than that - a respectable, normal size, however many students that is. but Barnaby's school rarely, if ever, got any new kids.
so Wally randomly appeared on the edge of the Beagle farm one day, staring directly at Barnaby from across the fields. before Barnaby could go say hi, Wally vanished - but! on the first day of 7th grade, they wound up sharing a class. ofc within the day Wally was known as not only the new kid, but a weird kid at that. for the first week he sat next to a kid who had zeroed in on that and was an ass about it. Barnaby - already having an established rep as class clown & also widely well-liked by his peers - would try to stand up for Wally (from across the room) whenever that kid was being a dick to Walls in front of the class
by the end of that first week, seating arrangements were shifted, and Barnaby was seated next to Wally for the first semester instead. ofc the moment Barnaby sat down, he tried to strike up conversation and cracked a killer joke. and Wally, as we all know, doesn't laugh. he doesn't even blink! it rattles Barnaby to his core - not everyone laughs at his jokes, but there's always some kind of reaction!
class begins before Barnaby can be like "hey that. that was a joke. you're supposed to laugh". the whole hour all he can think about is the strange new kid next to him Who Didn't React To Barnaby's Joke. when the bell rings, Barnaby lingers as Wally (very slowly) packs up to go to his next class and walks him there. on the way he explains the joke, and Wally does the whole "oh. ha ha." thing. this all makes Barnaby very late to his next class (he's usually very punctual and never late - he doesn't want to disappoint his mama!) but for once he does not care.
Barnaby has been struck with this soul-deep need to get a genuine reaction out of Wally. he needs to make that guy actually laugh. it's all he can think about. he seeks Wally out for lunch, tries to find him after school (can't), looks for him in the halls. and to be clear! this is all very platonic! well, ok, these two kinda muddle the line BUT they have no romantic interest in each other. Barnaby just... really wants to be the new kid's friend. he wants to make him laugh. it's a friendship crush! platonic yearning! an inescapable desire to please & be accepted! he wants Wally's approval so so badly!
basically, Barnaby says "you're the weirdest person i've ever met (affectionate, intrigued, entranced)" and Wally replies "thank you (proud)"
fun lil thing no.2)
in my mind, Barnaby was a small kid. he was one of those kids who seemed like they were either gonna stay short, or just barely reach average height. he got his main growth spurt when he was like.... 16. it was very sudden. he lived the classic trope of "teen gets way taller over the summer and startles everyone on the first day of school". im talkin he goes from around 5'7 to 6'3. shoots right up like bamboo! and he's still not full height yet! mf is gonna cap out at 6'6!
on the flip side, Howdy was always just. so tall. he was that kid who towered over his peers from the start! ofc he got teased relentlessly for it (along with the transatlantic accent he started talking w/ at a young age and refuses to stop - among other eccentricities), but yk. he already got constant comments from his huge family about it, so he grew a thick skin pretty early on.
Poppy, on the other hand - the last of the three giants - had it worse than both of them! she wasn't outright taller than Howdy, and didn't have a sudden growth spurt like Barnaby, but steadily grew over the years until she was the tallest teen in town. this hit her hard bc not only did it draw unwanted attention to her & make her a target, but it made her dysphoria way worse (Poppy doesn't realize she's trans until highschool, and then doesnt medically transition until her early 20s)
but! once she started getting super tall, Howdy essentially glued himself to her a la "we tall guys gotta stick together!" a classic 'extrovert adopts introvert' thing. Poppy had no say in the matter.
fun lil thing no.3)
everyone's family sucks - except for Barnaby's, Howdy's, and Eddie's. well, mostly Eddie's. in my head they meant well but just... didn't really see the harm they were doing to him. he never spoke up, and they never saw him deeper than surface level.
but Frank's family? horrible. eugh. he was the school's "out gay kid" - not of his own choice! his peers picked up on it because it was very obvious. then the teachers heard, and let his parents know because of course they did, etc etc. Frank's home life was already shitty, and then getting outed (without any real proof or confirmation) made it a hundred times worse. he was a pretty depressed teen (emo Frank lets go) with mild anger issues & a habit for picking fights. but anyway on his eighteenth birthday he packed up his essentials into a backpack, escaped out the back, and never returned.
and Julie's siblings were alright, but their parents and grandparents were all very ~traditional~. it wasn't as rough as Frank's - it was more of a neglectful, passive-aggressive "you're all disappointments' household. ex: Jonesy was known as the local pothead & dealer, and his parents essentially pretend he's not part of the family despite him living in their basement. Bea had a bad (untrue) reputation, Franny was the goth weirdo who people blamed for their problems, etc. and then Julie was always different from "normal girls", and so her parents chalked her up as a mistake as well. but hey! at least the sibs were in it together! and the parents didn't care if Frank stayed over!
Poppy's family was great up until her parents caught her trying on a skirt Sally had made for her. it was a horrible, terrible downhill slide from there. they forced her to join the basketball team, made her keep her door open at all times, etc. for a while she couldn't even see her friends, though eventually they started sneaking in through her window & passing her notes in class. messaging in a 'secret' chatroom yk how it is. Poppy never directly stood up to her parents (very understandable & valid) but she rebelled in small ways. lying about having an after-school thing so that she could be with her friends, convincing her parents to let her go to a study group when in reality she'd be having a girls' night with Sally & Julie & Julie's sisters @ the Beagle farm.
Sally's family was similar to Julie's in that they were more lukewarm towards her than outright abusive. they thought she was too loud, too flamboyant, too expensive, too obvious, pretty much too everything. they wanted her to be normal - Sally wanted to stand on the roof and wax (loud) poetic about damsels. she wasn't outright bullied for being gay like Frank was, but it was certainly a common rumor that she was a lesbian. as a result, most of the girls at school wanted nothing to do with her, and the guys loved to provide commentary on the subject. her parents tried their best to ignore that truth and acted like she was totally straight. sure. still, Sally always refused to compromise on who she was, and treated it all like a mild annoyance. totally didn't hurt her at all. yep. (sarcasm)
there isn't anything known about Wally's family. not even Barnaby knows about them. the group tossed theories around (amongst themselves) over the years - was he an orphan? foster kid? was his family / home life so horrific that he doesn't want anyone to know? all they know is that he became an emancipated minor as young as legally possible and started living in Home, his (admittedly very spacious & high quality) RV. and they didn't even know about that until their junior year except for Frank
on the other side of the coin!
Ms. Beagle was the friend group's favorite adult growing up. the Beagle Farm was a common refuge & hangout spot for them, and Ms. Beagle let all of Barnaby's strange & delightful little friends know that there's always a guest room open for them, should they ever need it. and as a respected member of the community (and provider for the best chicken eggs in town), anyone who tried to speak up against the kids was Immediately shut the fuck down. Ms. Beagle took no shit. if people were talking ill about that "group of depraved teenage fuckups" and Ms. Beagle turned the corner, all conversation would cease until she was well out of earshot. she likes to say that she has 6 kids, all of whom she loves dearly and is very proud of <3
Howdy's family is too damn big to care. not in a neglectful way, just in a "oh, you're friends with... who was it again? Franz? invite him over to dinner someti- STOP PUNCHING YOUR BROTHER-" there's too much chaos, too many things to keep track of to care if Howdy's friends are gay, or trans, or absolutely fucking bizarre. they'll blend right in! Howdy could bring them over for dinner without telling his family and none of them would blink twice! Howdy mentioned that his friends have bad home lives Once and his parents immediately insisted that he bring them over for next week's thanksgiving so that they don't have to deal with that during what should be a holiday. thus began the All Six Of Us + Ms. Beagle + Franny/Bea/Jonesy Attend The Pillar Family Thanksgiving. its incredibly chaotic every time. there's so many fucking people. they're too busy fighting for survival (bread rolls) to bother with manners or awkwardness. every time they leave feeling like they fought a war. none of the friend group has missed a single year.
fun thing no.idontremember!
Wally & Barnaby have had three fights. each are catastrophic and threatened to tear the friend group apart. because those two are closer than anyone - they are each others person. they would both rather chug rat poison than willingly hurt each other. and while Barnaby - a pretty easygoing guy - can get riled up, Wally... really can't. he's never angry. even things that Should make him angry only make him confused or sad. he's too kind, too earnest, a bit of a pushover. he'll just take it with a smile.
so when Wally stands his ground, they all know shit is going tf down. code red, everyone brace. and if he stands his ground against Barnaby? pack a fucking go-bag and ditch town until the storm blows over.
the first time was when Barnaby found out that Wally lives in a damn RV. Wally got weirdly defensive about it, Barnaby was upset that Wally never even told him but somehow Frank knew (he had a bad night & couldn't go home, Julie was unavailable, and Wally found him and took him to the RV for the night) & that Wally is living alone in an RV at all, etc etc - it was a huge fight. & it just kept getting worse. when Barnaby tried to get Wally to move to the farm - that was the first time he's ever heard Wally snap at anyone, let alone him. and since the friend group is fully established at this point, and they're all hopelessly entangled in each others' lives, it affects all of them. sides have to be chosen - there is no neutral party on this. Wally ended up vanishing for a week without a word, and his RV vanished from where it had been parked thus far. the group was in shambles. when Wally turned back up, he actively avoided them all. it took Barnaby tracking down the rv and not leaving until Wally talked to him to have a conversation and fix things. but hey! the disaster actually helped them get even closer!
the second fight was when Barnaby had to go back to the Beagle Farm for their second year of community (Ms. Beagle had a minor accident and needed his help running the farm). Wally wanted to drop out too & go with him, and it turned into a big deal of Barnaby trying to get him to stay while Wally gets unusually pushy & upset about it. the fight wasn't nearly as bad as the RV one, and was more just sad/distressing, but it was still a fight. they parted on less than stellar terms, which they both felt horrible about. Wally has to go through the last year of community alone - he hasn't been alone in many years at this point, and since they met he's never been without Barnaby.
the third fight comes many years later, and this one is the worst. the friend group has all graduated university(those that attended), they're living in the same town, Barnaby & Wally (technically) share a house, Eddie is part of the group now. once again, its over everyone's favorite RV, Home. Home is very old at this point - Wally has had it for around 15 years, and he didn't get it new, and it's been through a lot. Wally is still half living in it, even though it's starting to fall apart. Barnaby brings up the notion that maybe it's time to send the old thing off to a dump, or find a way to put it in storage. they can't keep up the upkeep. it's time to say goodbye to it. Wally flips his fucking lid - or his version of it, anyway. because, uh. no. absolutely fucking not. it's already a very touchy subject, and emotions rise fast. Wally initially shuts down the conversation immediately. over the next week or so, few weeks maybe, tension between Barnaby & Wally simmers. the entire friend group is holding their breath. Barnaby wants the RV gone, as sad as he is about it. Wally won't allow it. of course they reach a breaking point - Barnaby pulls the "i own the property its parked on" card, Wally threatens to leave. of course that scares Barnaby, but that fear mixes with the anger and he fully yells at Wally for the first time. and then Wally shoves him. or tries to - it does nothing physically, but emotionally? it immediately drains all anger from the situation. Wally has never purposefully raised a hand against anyone ever, for any reason. and yet he tried to shove Barnaby. Wally immediately turns tail and runs - he locks himself in the RV, and Barnaby goes to Howdy's.
at Howdy's, Wally calls Barnaby. at first Barnaby jumps at the chance to apologize and try to work something out, but then he recognizes the background noise - Wally is driving Home somewhere. that RV is absolutely not fucking safe to drive anymore. the conversation immediately derails and goes from 0 to 100 within a second. Howdy is off to the side nervously sipping at his beer as Barnaby argues w/ Wally. the phone call abruptly cuts off, Barnaby says "the little bastard hung up on me" and starts Ranting. he says things he doesn't mean, obviously, and Howdy is trying to get him to chill tf out. he's just too angry/scared/hurt/worried yk?
but don't worry Barnaby! Wally didn't hang up on you! yeah so a while later (a little over an hour i think), Barnaby gets a call! it's from the town hospital! yeah so he's Wally's emergency contact, and apparently Wally "hanging up on him" was actually Wally getting into a horrendous accident. it wasn't his fault! there was a drunk driver! but it's... bad. the drunk driver had died in the crash, and since it was night and no one was around, help was a long time coming for Wally. its a miracle that someone found him & called an ambulance in time! so Barnaby realizes that the whole time he was talking shit & being angry, his best friend was slowly dying in a ditch somewhere, alone and in pain. and that's a whole thing!
time for some fun "facts"!
the first time Eddie went over to Frank's place, he immediately fainted when Frank turned the lights on & Eddie saw that he was surrounded by pet tanks filled with Very Large Bugs. then he fainted again when Frank removed the tarantula from its tank to clean said tank.
Wally & Barnaby's cat is named Welcome! she's usually small & pitch black with a permanently bristled tail! she's actually Barnaby's - he found her in a park as a kitten, and her unnerving stare reminded him of Wally so he took her home. Wally would like a dog! Barnaby would not! the cat is their only pet and will remain their only pet, no compromise. Wally retaliated by gluing googly eyes & dog ears onto a rock he found, then painting it. its name is Barnaby. Barnaby has beef w/ it a la Elmo & Rocco when Wally isn't looking
one time, during a group trip to the annual Pillar Family Thanksgiving, the gang stopped at a cabin-themed diner. Sally gasped at stopped Barnaby at the door "We must leave - you can't eat here". when everyone asked why, she pointed at a decorative sign on the wall: Don't Feed The Bears. it instantly became a smash hit inside joke that sometimes backfires (like that one time they go camping and Barnaby acts like he can't open the bear-proof dumpsters & locks & coolers). Howdy once got a "dont feed the bears" sign to put up in the store's diner section as a joke, but as soon as Barnaby saw it he left and refused to come back until Howdy took it down. he'd stand outside the store window and gaze at Howdy from afar w/ the biggest, saddest puppy eyes. it was incredibly effective
speaking of Howdy's store! they all built it together! Howdy managed to get his hands on an abandoned shell of an old building, and they all refurbished/renovated it! they all had the collective skills to get it done. Wally helped draw up blueprints & directed the color-scheme / painting portion, Sally and Barnaby used their carpentry skills, etc.
when Eddie "reconnects" with everyone, he feels like he's going insane. 'cause he keeps running into people who are familiar enough that it bothers him, but he just can't place where they're from (most if not all of them look very different from the last time he saw them in highschool). it drives him nuts! and then he meets Wally and Wally's like "oh! Eddie! it's you!" and Eddie's all "uh... how did you know myna- OH MY GOD IT'S YOU". he has a small crisis because he's over that time in his life, he's in a much better place, he's grown as a person. then he realizes that it's not just Wally but the entire fucking friend group he agonized over wanting to befriend for years and years. the group that (unintentionally) made him feel completely alone and like he was living a lie. and he keeps. running. into them. so Eddie, who just moved to this town, starts looking at mail carrier opportunities elsewhere bc he is Not doing this again - only for Julie to show up and drag him to a friend group function. because they all got together and went "oh, you caught up w/ Eddie too?? so we're in agreement? great! he's ours now! Julie, go get him". and then they accidentally break Eddie's wrist in a zealous game of soccer-baseball-corntoss & from then on won't leave him alone <3
Wally keeps his hair consistently dyed a rich royal blue - even his eyebrows! he continuously touches it up so his roots are never showing! Barnaby keeps his hair dyed blue in solidarity, but to a lesser extent - his roots show, and he doesn't dye his eyebrows or his sideburns/beard
on that vein, Wally has a very extensive hair-care routine he does every morning. he straightens his natural curls out, manipulates his hair into that absurd swirl, and hairsprays it to death. & gels down everything else. shit's Airtight. then at night he has an equally elaborate routine of washing the hairspray/gel out, treating his hair with high quality shampoos/conditioner/oils, and blowdrying it with impeccable technique to keep it Healthy
continuing on that vein - one time Barnaby was makin' breakfast when he heard a crash from upstairs. he sprinted to go see if Wally was alright, but Wally had locked the bathroom door and refused to open up. after Barnaby convinced him to, the door opened to reveal a very miserable Wally still in his towel. his hair was green. "the bottle said dye-safe', he said. the bottle lied. he wore hats for a while.
ok im gonna stop here! this is an absurd amount! i got carried away!
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Once more, I am asking that edizzy/stizzy/steddyhands be kept very far from me.
Like, other side of the planet far. Like…another galaxy far far away far.
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areyoudoingthis · 6 months
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it's the scene with stede when they're finally on the revenge that does it for me. it's when he tries to shift the blame for what he did onto stede "you and me did this to him" because he can't accept that he did it, not stede, and he needs stede to absolve him (which he won't, not in a million years. it'd be antithetical to stede's nature to do that.) it's the contrast between "you know me better than anyone has ever known me, and I daresay the same is true for me about you", an assumption that has had the most fucked up consequences we've seen on this show so far, and stede's calm and assured "he was going to watch the world burn or die trying (and I love him and I don't care and I just want him to be fine)". it's the echo between "I'm here. I'm here. you're safe" and "I should've let the English kill you. This, whatever you've become, is a fate worse than death"
it's the way the show set up izzy and stede and their relationships with ed as narrative foils from the beginning and then said "watch what happens when each of them leads the dance." and then fed us a banquet
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wntrsnat · 11 months
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Look at my boy taking care of himself even while being conditioned and manipulated into being the Winter Soldier
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mysticpeanutmoon · 6 months
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My love
You grew up idealizing a perfect father figure in your head, even if you didn't want to, and when a supposed mother figure appears
Don't let things get to me...
As much as I don't care what people say, I still look for someone's approval and that was painful to hear.
This "me" is not okay
She never knows what she wants, she always goes with what people think and not what she really wants, there's no way of knowing what she wants because she doesn't even know.
She knows what she wants, but she doesn't know how to achieve that idea, because at the same time she wants to be someone
You need to be someone for people.
Not for her anyway
That the things I want will work out, my parents, instead of supporting my plans as parents should, just keep pointing out what's wrong, and when I'm really listening and still wanting to choose this, they keep implying more and more. ..
And that's annoying, it gets to the point where I don't want to talk about it anymore, it's easier to live in secret than to simply ask for support, because I won't get it...
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darkfire359 · 9 months
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I do think it’s actually pretty interesting to think about how OFMD would read differently if Ed were a woman. But I don’t think Izzy is the one who would come out looking worse—if anything, his overprotectiveness and concerns about Ed looking weak on a ship full of pirates might come off as MORE justified. And with Blackbeard’s legacy then being something more unique, Izzy’s fear of Ed giving that up to play housewife might at least be more understandable.
But *Stede* would look like a total asshole. Abandoning his wife and kids because he’s gay and he never wanted that kind of life is sympathetic. Just going off to cheat with a newer, more exciting woman absolutely is NOT. And Stede’s pattern of ignoring his partners’ preferences and doing what he thinks is best would come off as misogyny instead of general obliviousness.
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lumiilys · 1 month
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One thing about me is that I will always put flowers in Ed’s hair
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whathellandfuck · 2 years
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grinding my teeth into dust ben hornigold ed’s pirate mentor who treated him like trash showing up in season two and seeing ed rule his crew with fear and fear alone and praising him saying some shit like “I taught you well, boy” and ed’s just like. fuck.
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mwagneto · 6 months
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the fact that almost every character in ofmd is specifically a gay man is seriously so fucking special like usually a show will have 1 character from a minority group and then that character has to be every single thing - a person the straight/homophobic audience can accept and even like, someone that deals with their issues the way they "should" be dealt with, someone who's not too much of anything but simultaneously everything because every expected trait has to be displayed at some point or another.... versus this show with its massive cast of characters who are all able to embody specific (and extremely varying) ways to be a gay man where all of their journeys and personalities and approaches to their sexualities are so unique to them but so true to people that exist in real life........ i wish i could express this better coz it's such an incredible thing to see it genuinely makes my chest hurt with how much it means to me
#I'm literally forever thinking about that interview lauren faust gave abt how cartoons will#usually only have 1 girl and then that 1 girl has to be every single thing#like she has to be smart and kind and athletic and loud and pretty and cool and funny and every other trait ever#so when she got to make MLP she finally got a chance to have an all girl main cast and that#gave her the chance to make them really feel like unique people because they finally#had the space to just exist as girls without having to be The Girl. so they could have like. specific personalities#LIKE IT'S LITERALLY THAT BUT W GAY MEN IT MAKES ME SO ILL...... IM GATHERING ALL OF THEM IN MY ARMSSS#i really really wish i could explain this better#like omg when izzy is telling lucius how to deal w his issues they're both gay. when ed is reminiscing w fang they're both gay.#literally clawing at the walls they all mean so much to meeeeeeeee#ofmd#our flag means death#ofmd s2#ofmd season 2#ofmd spoilers#ofmd meta#i guess ????????#also YES i know there's characters that arent gay men but that's kinda part of my point too#like even in media where there's more than 1 token lgbt person they're always#different identities coz the writer needs 2 different things to explore#instead of exploring how 2 people with the same identity might differ in a thousand little ways#and they also always lose that sense of belonging together that's so essential here#like ohhhmy gof oh mygod they're literally all gay in some way. massive found family of gay ppl....#it's just that i think this show is mostly abt exploring themes of masculinity and mlm so most of the cast being gay men makes cents
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