Friendly (or unfriendly if you're against this) reminder that this blog is supportive of ALL disorders. This blog does not think ANY disorder inherently makes someone a bad person, and is against any disorder being demonized. This blog wholeheartedly believes that a bad person having a disorder, yes, even if things that are also symptoms of their disorder are part of what caused harm, does not make the disorder a "bad" or "evil" disorder or excuse ableism and demonization directed towards the disorder.
Yes this includes personality disorders
Including npd and aspd
Yes this includes all psychotic disorders & disorders that cause psychotic symptoms
Yes this includes paraphilic disorders. All of them.
Yes this includes disorders that cause, or are even characterized by, attention seeking
Yes this includes disorders that directly have lying as a common symptom
Yes this includes dissociative disorders
Yes this includes any disorder with "gross" symptoms
Yes this includes physical disorders too
Yes this includes disorders that can cause loss of control of any kind- control of speech, control of body movement, etc.
Yes tis includes disorders that make someone "look scary"
This goes for literally any fucking disorder. There are not exceptions.
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Do you ever think about how Alisaie's biggest fear is losing the people she cares about? How the very first conversation you have with her alone, a deeply personal one, is about her confiding in you about those fears? Telling you that she hated the state of the world Louisoix died for because, to her, it wasn't worth the sacrifice? She tells you about all the allies she made and lost, who she watched die and could do nothing to save them.
Do you ever think about how Alisaie was consistently one of the first to act, to recklessly throw herself at danger throughout stb? She didn't care (as much) about herself getting hurt, but she'd be damned if she let her friends suffer without doing anything. She has to be fast and proactive, because if she can't protect them even when striking first, how would she be able to when acting after the fact?
Do you ever think about how every time her loved ones are in peril/are in risk of being in peril her heart just breaks? How whenever someone's safety is unsure she panics and immediately tries to contact them/rush to their aid? When Castrum Abania's cannon shot the tower that, for all she knew, Alphinaud was still in, she immediately stops what she's doing and runs to it in panic because her brother was in there and he might be dead.
Do you ever think about how when the Scions start getting their souls yanked to the First, Alisaie reacts the strongest? How, when Urianger and Y'shtola got taken, she fell to her knees shaking Uriangers body, screaming for him to wake up? And when Gaius appears with Alphinaud in the Burn, she immediately goes to fight him (before being stopped by Hien) because this man, who has been her enemy, is holding her brother's lifeless body. She doesn't care that she can't possibily beat him, he has her brother and she's already lost so much in such a short amount of time. She's lost Thancred, Y'shtola and Urianger already, she can't lose Alphinaud too.
Do you ever think about how you are the only one she can fully rely on at that time, but who is also at risk of being taken away? Of how she's so desperate for you to stay, to not be taken away, that Alisaie, who, for all her bluntness, prefers to rely on herself first and foremost, begs you not to leave her? She begs you. Alisaie does not beg. She yells at you to not do something, and she'll scold you to hell and back if you do it anyway, but she does not beg. But this time she did.
And then she ends up being taken away right in front of you. She cries out for help and uses her very last energy to reach out for you. And then she falls limp.
Do you ever think about how, when Alphinaud turns to tell her his plans at the end of Ultima Thule, she immediately rejects it without even letting him say it? She's lost so much and experienced so much grief, not only overall but also just in Ultima Thule. And she loathes to bring that grief onto another. Especially to one who has already lost so much, like you. She hates it. She ends up doing it, yes, but she hates it still.
DO YOU EVER THINK ABOUT-
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somepony help i need to find a sound effect for the instrument that sounds a bit like a bird honk but i can't remember what it's called and the only name that comes to mind of all things is cloaca
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I believe that it is thematically necessary for griddlehark full lyctorhood, or on Harrowhark Christ
Together, Harrow and Gideon complete the symbolism of Christ. You have the obvious Christographic imagery in the start and end of Gideon's life: she is a "virgin" birth, a genetic product of God without any sexual interaction between her mother and father; she was concieved in order to die, specifically to be sacrificed to save the souls - in a literal and metaphorical sense - of the innocent, i.e. non-necros; and she died ultimately by her own choice, dying with the use of pentrative weapons.
But Harrow is literally the "child of man" - she is the cumulation of a generation, not one but many, the many made one. Harrow resembles young Jesus debating and educating the priests of the Temple, already knowing more about the arts of the spirit, of life and death, than his teachers as an infant. Both are prodigies of their craft. And Harrow, in her soup making era, pulled off the Eucharist, transforming Mithraeum family dinner night into sacrifical, (not metaphysical) cannibalism night. Though both G & H have lain entombed and miraculously resurected, it was Harrow that descended into Hell to interact with the dead (more on this when ATN reveals what she did in Hell).
In one way, this creates friction, a literary rivalry, between the two characters. Who is more Jesus-like? Who is more central to the narrative? I argue that its in merging them that we see a clearer narrative reflection of the scriptural material of both the physical book series and the religio-imperalist model Jod based his empire on. This meta-textual symbolism HAS to be incorporated within the narrative itself given the device of lyctohood, wherein two souls literally meld to become inseperable and indistinguishable. By becoming full lyctors (and seperately i suspect that theyll become perfect lyctor numero dos), the Christographic symbolism embodied by both Gideon and Harrow will become literal and plot relevant, and solidify their lyctorhood not just as a narrative goalpost, a "hell yea" moment for the reader, or a completion of the main narrative conflict of their constant division. Their merging via the Eightfold Path will be semi-prophetic and imbued with religious significance as they both represent a halved Christ.
Gideon and Harrow HAVE to become full/perfect lyctors not just to release the symphonic tension of their constant coming togethers and going aparts, but to complete the image of a divided messiah.
Tldr: yes gideon is jesus, but harrow is jesus too and together they make Double Jesus. Jesus pt. 2 WILL become canon via full or perfect lyctorization!!!
Edit: I do NOT think ATN will /end/ with lyctor!griddlehark; thats just not in character for either of them, nor would that provide a morally satisfying end that is in contrast to Jod's ethos. I believe they will uncover the process and either temporarily inhabit full/perfect lyctorhood, find a way to balance their soul melange equally, or sever their soul bond completely (worst option!) Them uncovering the truth to lyctorhood, however, is necessary to resolve (meta)narrative tension.
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literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
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