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#elegy
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Latin Literature Tournament - Round 1
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Propaganda under the cut!
Sulpicia Propaganda:
Sulpicia does more in 40 lines than most poets do in thousands
If you don't vote for the only female poet of whom we have any significant chunks, you're sexist. I don't make the rules
She is so fucking funny, you guys. I laugh out loud every time I read her
Terence Propaganda
Terence's Latin is really conversational and pleasant, giving a really cool look into everyday speech
He was a really important school author for centuries, up there with Vergil and Cicero
Surprisingly influential on Christian writing, including Augustine, Hrosvitha, and Erasmus, which is a testament to his style and his discussions of human behavior
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woundgallery · 10 months
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Francis Bacon, In memory of George Dyer, 1971
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blacksalander · 6 months
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Elegy
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asoftepiloguemylove · 10 months
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on humanity and love
Chen Chen Elegy / Dead Poets Society (1989) dir. Peter Weir / Sheila Heti Pure Colour / unknown (via @morepeachyogurt) / Ocean Vuong Night Sky with Exit Wounds / As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000) dir. Jonas Mekas / Berlot Brecht Motto / Fleabag (2016-2019); Episode #2.3 dir. Harry Bradbeer / Everything Everywhere All at Once (2022) dir. Daniel Kwan & Daniel Scheinert / pinterest / Louise Glück Vita Nova
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bakedbakermom · 2 months
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txf + text posts (10/?)
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William Adolphe Bouguereau (French, 1825-1905) Elegy, 1899
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derangedrhythms · 1 year
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Look at her—It’s as if / The windows of night have been sewn to her eyes.
Mary Jo Bang, Elegy; from ‘Ode to History’
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cristinaricci · 1 year
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THE X-FILES | Elegy (4.22)
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bisexualfbiagents · 9 months
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You can believe what you want to believe, Scully, but you can’t hide the truth from me. Because if you do then you’re working against me. And yourself.
THE X FILES | Elegy (4.22)
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sictransitgloriamvndi · 2 months
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Stop All the Clocks Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum Bring out the coffin, let the mourners come. Let aeroplanes circle moaning overhead Scribbling on the sky the message: He Is Dead. Put crepe bows round the white necks of the public doves, Let the traffic policemen wear white cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last for ever: I was wrong. The stars are not wanted now: put out every one; Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood; For nothing now can ever come to any good. - W.H. Auden
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deathsbestgirl · 6 months
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okay. writing about why never again should come before leonard betts is actually hard. because it's really just a few small moments in leonard betts make more sense if they're after never again, and it's so much better to go to memento mori right after the reveal at the end of leonard betts.
never again ends with silence. mulder cutting off his sentence. if it were going to happen, it would be then. but it doesn't, and so the silence persists.
leonard betts has a similar feel to arcadia, where they're trying to get on the same page, slip back into their roles. mulder uses humor at crazy moments, and scully pretends not to think it's funny and stays focused on the case.
in the end, she sits alone in the car in silence. waiting for mulder. he tells her she did a good job, she should proud. a verbal validation he doesn't often give, something she craves & loves, a little taste of something she wanted from him in never again. and she can't enjoy it because she's terrified. scully believes leonard betts and she just wants to go home.
it really strikes me the way there's no physical comfort. in paper hearts, scully was fierce. she tried so hard for mulder and failed. but in the end, he leans into her, they hug, she pets his head. in never again there was no comfort either. mulder was petty and he didn't understand. this time he's kinder when she was attacked, but there's a physical distance that isn't typical.
then in memento mori, she calls only mulder. scully tells him so tenderly. she has no idea what to do, and she know what this will do to mulder. he's with her when they go to skinner so they can officially open a case on it & investigate. when she doesn't explain it to skinner, mulder steps in for her. he tries so hard to be strong when they both know he isn't. but scully is being forced to face something she's left buried. now she can't.
in the hospital, she calls mulder to ask him to bring her stuff & call her mom. she writes letter after letter to mulder. begging forgiveness, telling him she'll only get through this because she knows he's out there, following his own path.
but their path is the same. he will follow her to her death.
they have never been as physically affectionate as they are in memento mori and the reduxes.
in elegy, she sees the ghosts, an omen of her impending death. when she finally tells mulder, he's hurt. he wants to be there for her. in demons, he believes she's dying and that he can't save her, and they both deserve answers. he doesn't want to live without her, he can't keep on his search for the truth without her. but he also won't ask her to follow him into this and he only calls her when he can't remember what happened, there's blood & he's in shock. she knows his suicidal tendencies, it's exactly what has her so worried. who will be there for him when she's gone?
mulder + scully know exactly what they have. scully will give him everything she has, even when it's only her dignity so that he won't rot in prison for something he had to do. mulder will follow her to end of the earth, to the grace without any hesitation.
small potatoes is so painful because of the unspoken agreement not to address their feelings. "mulder" shows up at scully's apartment, and she gives in. she's soaking up the attention she's always wanted from him. they don't kiss, she doesn't move to bridge the gap, she just waits. and then the real mulder comes crashing in and the pain is face is clearly visible. he knew exactly where van blundht was going. it wasn't even a question.
mulder isn't heartbroken that van blundht had a chance with scully and he doesn't, he's heartbroken because they chose silence and now she has a deadly cancer.
in detour, scully makes an attempt to open the door and mulder flees. he knew what was on her mind, but he still can't take it from her. she can't even be mad, but the silence persists and the gap grows.
there's nothing they won't do for each other, but leaving their feelings unsaid hurts them. to the point scully thinks all she's done is hold him back. and in fight the future, he finally says so many of the things she has desperately needed to hear. and she clings to her skeptic role because it still wasn't quite enough. their kiss was interrupted and they don't bring it up and fowley is present, driving another wedge.
from scully's perspective, mulder didn't trust her in never again, and then she lives it all over again because of diana. he doesn't trust her judgment, reduces it to jealousy because they both know her feelings. and she's still unsure of mulder's because of this, and the ever persistent silence. even after one son, he doesn't accept it. only after amor fati, when he was able to hear diana's thoughts and she consequently dies for helping scully save him, does he understand that scully's right. and once again, gives a beautiful speech. between all of this there's been "you're my one in five billion" and "i love you" and "you saved the world scully" and the hallway/bee scene and they play baseball & flirt. until he says to her, looking into her eyes, that she was his friend, his constant, his touchstone.
scully never hears what he says to diana about her. which could have helped her. but she only saw him holding her hand, clinging to diana's shared beliefs, because he knows her. and like in never again, she feels invisible. she feels useless. she's holding him back.
it isn't until the end of amor fati that the tension breaks. things become lighter when scully feels more secure. when he starts giving her the attention she has always wanted, when he lets her take the lead on cases, when she's allowed to believe sometimes without it turning their world upside down.
it's just a better progression. never again shouldn't be about scully's cancer diagnosis & impending death. it's about her, her patterns, mulder. it's about her struggles with what's expected of her, what she should want and the reality of what she wants & chose. her fear that mulder is an authority, and that she gives him that authority.
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woundgallery · 11 months
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Anne Carson, Nox 
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turianosauruswrex · 7 months
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playing Durge is fun
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bakedbakermom · 6 months
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txf + text posts (2/?)
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willknightauthor · 1 year
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THE BEGGAR
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aemperatrix · 1 year
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Mariana Marin (tr. Claudiu Komartin and Stephen Watts)
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