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#emerick architects
vulpixhoney · 3 months
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I'm definitely just yelling into the void but I'm sharing my Luke Castellan playlist (again) and analyzing some of my songs choices because I have. brain worms. about these books. so character study with music
I have like 8+ hours of song in this playlist bc I've been adding to it for years so here are some highlights I'm thinking about rn
1. would've could've should've - Taylor Swift
but like. it's for him and Kronos you know. "And I damn sure never would've danced with the devil. At nineteen" literally dancing with the devil at 19. Kronos has been manipulating Luke since he was 17, taking his anger at the gods and twisting it into something that Kronos could use and abuse. And I think (imo) that even before TLO when Luke sacrifices himself he starts to regret joining Kronos but is so far in it now he can't turn back. Like he was a kid, he was seventeen. And even after that he's still young. He dies at 23/24, I'm 23 right now and I can't imagine getting literally possessed and having to kill yourself bc you got manipulated at a young age and made terrible choices. also "If you never touched me, I would’ve. Gone along with the righteous" if Kronos didn't reach out to him and one of his worst moments this wouldn't have happened. Yes Luke was angry and vengeful and burning with rage for the gods but he wouldn't have gotten that far without Kronos
2. sanity - paramore
him and his descent/fall from grace, but also his relationship with Hermes and the rest of the gods. "If I fall on my knees, I hear you laughing. If I call out your name, you don't come" taking this for his relationship with the gods/Hermes: the first line is like, when he fails his quest and has to go confront them and feels like they're looking at him with pity. And they gave him a nothing quest too, it was something that had already been done by Heracles, he's being given this quest just for the sake of quest-giving, it's nothing. And then he fails, and feels like he's being mocked, mocked by the people he just wants to notice him. And then the second line shows how absent the gods are in their children's lives. When Luke confronts Hermes at 14/15 when on the run he gets mad because he would pray and call for Hermes to help him during his mom's episodes. He was a little boy calling out for help, for the something the gods caused. And it was crickets. Hermes never came, never showed, never helped him. He was just left there alone. And then also at camp, Luke was counselor of the Hermes cabin, where all the unclaimed children are shoved, to be forgotten about by the gods. "No one home, but the void is loud.Echoes around my empty house... This must be the void they always talk about" honestly I see this when he's possessed by Kronos. Like he has another being inside him, taking over, piloting his body over him. His consciousness was obviously still there bc Annabeth and Percy were able to help him break free and stop Kronos. So what was he doing, could he feel anything? Could he feel everything and not be able to do anything? It must have been terrifying, and again he would've only been like maybe 22? when Kronos possessed him
3. sidewalk chalk - Annalise Emerick
this one for me is like quintessential my feeling about Luke, Thalia, and Annabeth. In the song she sings about a childhood friend she no longer talks too but thinks about often thinks about and wishes well. I see this mostly with like Annabeth. "I'm living my dreams right now The ones we used to talk about" She grew up with him, and is now going to continue growing up without him. She probably blabbed about her dreams of being an architect the way that kids always do, and now she's the architect of Olympus and is doing really well for herself. And probably thinks back to when she was a kid with Luke and Thalia.
4. I don't like my mind - mitski
I think that his anger at the gods was driving him mad, but Kronos' influence really pushed over the edge. Also going back to before, his living in his body that another being has control over, "Inside the walls of my skull waiting for its turn to talk". Ethan tells Percy that he thinks Luke is still in there, fighting back, trying to regain control over his body and his mind. And since he definitely was, he was probably in there spiraling about how he got to that point and all that he'd done and who'd hr become. Because once Annabeth helps him break through he is obviously regretful and wants to atone. "so please don’t take, Take this job from me" job/life. but also, him working for Kronos at that point was all he had. Literally. His job for Kronos was his lite He had given everything up at that point, and Kronos would routinely threaten Luke if/when he fails. Punishing Luke with nightmares and then forcing Luke to take him as a host bc he failed during the Atlas plan.
rapid fire songs I put in the playlist that I think about a lot:
eat your young - Hozier (obviously. I mean the gods ya know)
day after tomorrow - Phoebe bridgers (he's a soldier)
save me - Noah kahan (even after everything he's done Annabeth still tries to save him)
used to be young - Miley Cyrus (he was seventeen)
bad believer - st. Vincent (he's blasphemous what can I say)
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citiesandtowns · 9 months
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Les Bases [Saint-Denis-sur-Richelieu] par Écorce architecture écologique
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« La conception architecturale des volumes s’inspire des anciennes maisons environnantes, en privilégiant la sobriété par la symétrie et la séparation fonctionnelle. Un volume bas et délicat accueille les espaces de nuit, tandis qu’un volume plus haut et prédominant démarque les espaces de vie.
Nous avons également incorporé et réinterprété des éléments singuliers et représentatifs de ce contexte, tels que les cheminées au toit et les jeux de volumes.
Le projet a été conceptualisé selon les principes de passivhaus, atteignant un taux de changement d’air à l’heure de 0.27 CAH@50Pa et en tirant parti des avantages bioclimatiques tels que l’orientation solaire et la ventilation naturelle. Les ouvertures ont été soigneusement conçues pour optimiser la luminosité naturelle sans provoquer de surchauffe.
L’aspect écologique a été mis de l’avant par la construction d’une enveloppe hautement performante, avec une isolation supérieure de 30 % par rapport au code de construction, ce qui permet d’atteindre un score de 47 sur l’échelle du Home Energy Rating System. Cela signifie que Les Bases est 53 % plus efficace sur le plan énergétique qu’une habitation standard neuve. De plus, des principes tels que la charpente avancée, qui réduit la quantité de structure nécessaire à la construction tout en maximisant l’isolation, et l’utilisation d’une dalle monolithique sur le sol, permettent de réduire l’empreinte carbone du projet, son impact environnemental et de garantir sa durabilité et sa résilience pour les années à venir. La résidence est en voie de certification LEED de niveau platine. »
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Architecte : Emerick Duquette
Photographe : Maxime Brouillet
Constructeur : Noveco Entrepreneur Général
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ichayalovesyou · 2 years
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Service, Sacrifice, Compassion, and Love (Pike Fan Playlist)
This Is Why We Fight by The Decemberists • We’ll Make It Through by Ray LaMontagne • One Last Time from Hamilton • Our World/Brothers from Emmet Otter’s Jugband Christmas • The Ballad of Bobby and June by Mitch & Mickey • Sons & Daughters by The Decemberists • Marked Man by Mieka Pauley • Safe & Sound by Taylor Swift & The Civil Wars • 1,000 Light Years Away from Slime Rancher • Bird by Puta Volcano • Fight As One from Avengers: Earth’s Mightiest Heroes • Hero by Chad Kroeger & Josey Scott • It’s Hard to Be Human by Kina Grannis • After The Storm by Mumford & Sons by Mumford & Sons • This Island Earth by The Nylons • Barking at the Moon by Jenny Lewis • The Light of Hope from Sonic Forces • I Wish You Peace by Eagles • The Book of Love by The Magnetic Fields • Mars by Sleeping At Last • I Am Here by P!nk • The Truest Stars We Know by Iron & Wine • Ghosts That We Knew by Mumford & Sons • Call It Dreaming by Iron & Wine • Irish Hour by Saint Sister • Dance with Me by Orleans • Caught in the Briars by Iron & Wine • Hopeless Wanderer by Mumford & Sons • The Old Churchyard by Offa Rex • Fall On Me by Andrea & Matteo Bocelli • Resurrection Fern by Iron & Wine • Trampoline by The Unlikely Candidates • Medicine for Melancholy by Rivers Cuomo • Glad Man Singing by Iron & Wine • Home to Me by Devil & the Deep Blue Sea • The Spiritual by Jukebox The Ghost • Walking Far from Home by Iron & Wine • Savannah by Relient K • Blackbird by Sarah McLachlan • The Trapeze Swinger by Iron & Wine • Superman (It’s Not Easy) by Five For Fighting •
Falling Slowly by Peter Hollens & Alex G • The Traveler by Star Hopper • Right for Sky by Iron & Wine • Corners Of The Earth by ODESZA & RY X • Dead Butterflies by Architects • Don’t Carry It All by The Decemberists • Carried Home by Iron & Wine • Someone New by Hozier • Boy With a Coin by Iron & Wine • Smiley Faces by Gnarls Barkley • The Woods by Cosmo Sheldrake & Erin Robinsong • Godless Brother in Love by Iron & Wine • Twinkling Lights by Annalise Emerick • A Little Better by Gnarls Barkley • The Sound of Silence by Disturbed • Dear Doubt by Michael Schulte • Towards The Sun by Rihanna • L’esprit De L’escalier by Red Handed Denial • Scarborough Fair by Dan Avidan & Super Guitar Bros • Helsinki by The National Parks • Pet a Cat When You Encounter One by Akira The Don & Jordan Peterson • The Big Electron by Melodysheep • Drive by Incubus • Solace by Red Handed Denial • Flaws by Bastille • Blame by Air Traffic Controller • Warrior by Anilah • Fields and Pier by Avriel & The Sequoias • Three Little Birds by Branches • It’s All Too Much by The Beatles • Quarter Past Four by Avriel & The Sequoias • In Our Bedroom After The War by Stars • Heaven’s Eyes by Caleb Hyles & Johnathan Young • Just Breathe by Pearl Jam • A Beautiful Thing by Terra Lumina • The Call by Regina Spektor • The Parting Glass by Hozier • For Good from Wicked • Traveling Song by Ryn Weaver •
Across the Seven Realms from The Bard’s Tale IV • Glorious by Stephanie Mabey • Good Grief by Dessa • Alba II by Faun • History Read by The Altogether • Unsteady by X Ambassadors • Hey Brother by Avicii • Sometime Around Midnight by The Airborne Toxic Event • Brother by Kodaline • 21 Guns by Green Day • Stand Up by All That Remains • Castle of Glass by Linkin Park • The Peacock by Beirut • Defend Atlantis by Flobots • Nocturne by Blanco White • The Devil & The Huntsman by Sam Lee • Poor Atlas by Dessa • Speak For The Dead by Daniel Pemberton • Nature Girl by Cryoshell • Dare You to Move by Switchfoot • Ghost Stories by The Narcissist Cookbook • Mushaboom by Feist • Onward to the Edge by Symphony of Science • Follow the Sun by Xavier Rudd • Time In A Bottle by Jim Croce • For What It’s Worth by Buffalo Springfield • Your Bones by Of Monsters & Men • Dark Days by Punch Brothers • Seize the Day by Melodysheep • Mountains by Message To Bears • These Streets by Bastille • Vissel by José González • Oh St Johns by The Saint Johns • A Glorious Dawn by Carl Sagan • Ends of the Earth by Lord Huron • Agoraphobia by Autoheart • Dearest Sarah by Goodnight, Texas • Another New World by Punch Brothers • After All by The Altogether • Hell or High Water by The Rescues
Song list in plain text below the cut
This Is Why We Fight by The Decemberists • We’ll Make It Through by Ray LaMontagne • One Last Time from Hamilton • Our World/Brothers from Emmet Otter’s Jugband Christmas • The Ballad of Bobby and June by Mitch & Mickey • Sons & Daughters by The Decemberists • Marked Man by Mieka Pauley • Safe & Sound by Taylor Swift & The Civil Wars • 1,000 Light Years Away from Slime Rancher • Bird by Puta Volcano • Fight As One from Avengers: Earth’s Mightiest Heroes • Hero by Chad Kroeger & Josey Scott • It’s Hard to Be Human by Kina Grannis • After The Storm by Mumford & Sons by Mumford & Sons • This Island Earth by The Nylons • Barking at the Moon by Jenny Lewis • The Light of Hope from Sonic Forces • I Wish You Peace by Eagles • The Book of Love by The Magnetic Fields • Mars by Sleeping At Last • I Am Here by P!nk • The Truest Stars We Know by Iron & Wine • Fighting Onward from Sonic Forces • Ghosts That We Knew by Mumford & Sons • Call It Dreaming by Iron & Wine • Irish Hour by Saint Sister • Dance with Me by Orleans • Caught in the Briars by Iron & Wine • Hopeless Wanderer by Mumford & Sons • The Old Churchyard by Offa Rex • Fall On Me by Andrea & Matteo Bocelli • Resurrection Fern by Iron & Wine • Trampoline by The Unlikely Candidates • Medicine for Melancholy by Rivers Cuomo • Glad Man Singing by Iron & Wine • Home to Me by Devil & the Deep Blue Sea • The Spiritual by Jukebox The Ghost • Walking Far from Home by Iron & Wine • Savannah by Relient K • Blackbird by Sarah McLachlan • The Trapeze Swinger by Iron & Wine • Superman (It’s Not Easy) by Five For Fighting
Falling Slowly by Peter Hollens & Alex G • The Traveler by Star Hopper • Right for Sky by Iron & Wine • Corners Of The Earth by ODESZA & RY X • Dead Butterflies by Architects • Don’t Carry It All by The Decemberists • Carried Home by Iron & Wine • Someone New by Hozier • Boy With a Coin by Iron & Wine • Smiley Faces by Gnarls Barkley • The Woods by Cosmo Sheldrake & Erin Robinsong • Godless Brother in Love by Iron & Wine • Twinkling Lights by Annalise Emerick • A Little Better by Gnarls Barkley • The Sound of Silence by Disturbed • Dear Doubt by Michael Schulte • Towards The Sun by Rihanna • L’esprit De L’escalier by Red Handed Denial • Scarborough Fair by Dan Avidan & Super Guitar Bros • Helsinki by The National Parks • Pet a Cat When You Encounter One by Akira The Don & Jordan Peterson • The Big Electron by Melodysheep • Drive by Incubus • Solace by Red Handed Denial • Flaws by Bastille • Blame by Air Traffic Controller • Warrior by Anilah • Fields and Pier by Avriel & The Sequoias • Three Little Birds by Branches • It’s All Too Much by The Beatles • Quarter Past Four by Avriel & The Sequoias • In Our Bedroom After The War by Stars • Heaven’s Eyes by Caleb Hyles & Johnathan Young • Just Breathe by Pearl Jam • A Beautiful Thing by Terra Lumina • The Call by Regina Spektor • The Parting Glass by Hozier • For Good from Wicked • Traveling Song by Ryn Weaver
Across the Seven Realms from The Bard’s Tale IV • Glorious by Stephanie Mabey • Good Grief by Dessa • Alba II by Faun • History Read by The Altogether • Unsteady by X Ambassadors • Hey Brother by Avicii • Sometime Around Midnight by The Airborne Toxic Event • Brother by Kodaline • 21 Guns by Green Day • Stand Up by All That Remains • Castle of Glass by Linkin Park • The Peacock by Beirut • Defend Atlantis by Flobots • Nocturne by Blanco White • The Devil & The Huntsman by Sam Lee • Poor Atlas by Dessa • Speak For The Dead by Daniel Pemberton • Nature Girl by Cryoshell • Dare You to Move by Switchfoot • Ghost Stories by The Narcissist Cookbook • Mushaboom by Feist • Onward to the Edge by Symphony of Science • Follow the Sun by Xavier Rudd • Time In A Bottle by Jim Croce • For What It’s Worth by Buffalo Springfield • Your Bones by Of Monsters & Men • Dark Days by Punch Brothers • Seize the Day by Melodysheep • Mountains by Message To Bears • These Streets by Bastille • Vissel by José González • Oh St Johns by The Saint Johns • A Glorious Dawn by Carl Sagan • Ends of the Earth by Lord Huron • Agoraphobia by Autoheart • Dearest Sarah by Goodnight, Texas • Another New World by Punch Brothers • After All by The Altogether • Hell or High Water by The Rescues
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ultraheydudemestuff · 10 months
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East Liverpool Carnegie Public Library
219 E. 4th St.
East Liverpool, OH
The Carnegie Public Library in East Liverpool, Ohio is a public library located at 219 East Fourth Street. The construction of the library, which opened in 1902, was funded by industrialist and philanthropist Andrew Carnegie, whose uncle lived in East Liverpool, and who spent a large part of his childhood in East Liverpool. Along with the Steubenville, Ohio, library, it was the first library in Ohio funded by Carnegie. In 1899 T.Y. Travis and M.E. Miskall contacted Andrew Carnegie asking him for a donation of a library for East Liverpool. Carnegie pledged $50,000 for the building of the library on the stipulation that the city would provide land and $3,000 a year for maintenance. In August 1899 the Bradshaw Farm property was purchased by a group of citizens of East Liverpool and held in trust until the city could purchase it. Construction of the library began in 1900. It was built with Roman mottled buff-brown brick trimmed with white tile. The lobby is of ceramic mosaic, the wainscoting of Italian marble and the solid brass hardware. Charles Henry Owsley, a British architect who had immigrated to Youngstown, Ohio, designed the building.
As the library neared completion donations of good, worthwhile books were requested. The first librarian hired to run the library was Gertrude A. Baker of Mt. Vernon, Ohio. On May 8, 1902, the library was dedicated and officially opened to the public. At this time the 2,505 volumes from the other city library were transferred to the Carnegie Library. A year after the opening, the librarian reported that there were 5,992 volumes and 2,081 members. In the first year, according to the librarian, the library was so popular with patrons that it loaned more books each month than were actually in the library. In 1907 the local historical society established a museum in the West Room of the second floor and then later expanded to include pottery displays in the East Room displaying works from over 50 local potteries. The museum and pottery displays remained in the library until the Museum of Ceramics was opened in the 1970s. The upper East Room of the library was used by the Red Cross for project work such as rolling bandages during World War I. Until 1931, the library experienced financial difficulties. In that year, however, the library became eligible for county funds. Since then the library has operated through state and county funds.
The library possessed 25,000 volumes by 1940, but none were catalogued. The library took part in the Ohio Victory Book Campaign during World War II. The goal of the campaign was to provide good reading material to the servicemen. In six weeks more than 3,000 books were collected. In 1946 a summer reading program for children was initiated. Kenneth Emerick was hired in 1950 to perform the cataloguing duties when the library holdings had reached 36,000 volumes. He worked until 1955 when the work was taken over by Beatrice Davidson. In 1956 the library received a donation of 250 microfilms of the local newspaper dating back to 1885. The library collection was increasing at a rate of approximately 4,000 volumes per year. By the mid-1960s there were 75,000 volumes, all catalogued. A number of renovation projects took place during the 1950s and early 1960s. Over 12 years the cost was approximately $75,000. As part of the renovations, the custodian's home was removed and replaced by a Trustee Meeting Room (the Board Room), and a historical display area. A stack room was created in an excavated portion of the basement. New shelving was installed for the growing collection and furniture for the reading room was purchased. A new circulation desk and circulation system were also installed. In 1961 the rear entrance was remodeled. The administrative offices were moved to the basement replacing the area previously occupied by the historical displays. A teen area was created on the main floor where the offices had been.
By 1975, the library held 120,000 volumes. It was listed the National Register of Historic Places on March 11, 1980. The library also underwent renovations in the 1990s. In order to comply with the Americans with Disabilities Act an elevator and handicap accessibility were installed. Shelving was replaced and the nonfiction and Reference collections were moved to vacant rooms on the second floor. All the furniture from the renovations of the 1950s was replaced. Oak tables were refinished and new lighting was installed throughout the library. Additionally, a new circulation desk and computerized circulation and catalogue system were installed. Approximately $1,300,000 were spent over a three-year span for renovations.
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int0design · 1 year
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georgianadesign: Division St. conversion. Emerick Architects,... https://georgianadesign.tumblr.com/post/705704553865199616
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moodboardmix · 3 years
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Lake Oswego Retreat, Oregon, United States,
Designed by Kenneth G. Walter of Edmundson, Kochendoerfer, and Kennedy Architects and Engineers of Portland in 1963,
Emerick Architects Renovation,
Jeremy Bittermann Photography
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lifestyleofluxe · 4 years
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eppysboys · 3 years
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Your second point just proves what I'm saying tbh. If his relationship with George and Ringo had the same level of depth we would hear about it but obviously there isn't anything particularly compelling there. There's a difference in his dynamic with them and that does matter.
Complexity and tension between Brian, John and Paul does not necessarily mean he was less close or less inclined to treat George and Ringo with respect? Yeah, it might not sell books that they shared a friendship that was rather pleasant and uncomplicated.... but why would that detract from how important those friendships were? 
There’s endless quotes about how he viewed The Beatles as a team, as his sons, all of whom he loved. 
“They [The Beatles and Brian] are the greatest friends. He buys them presents when he goes abroad; they invite him to come on holiday with them. He is touchingly fond of their wives. “I envy so much their married lives,” he said “I could not adapt myself to it particularly, but I do envy it in a way. Just being with Ringo at home makes me feel secure.”  Maureen Cleave's 1966 article about Brian.
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“George was talking about how wonderful the whole thing was going to be, trying to convince Harry to join the company,” Mr. McLean recalled. “It was all great until Harry said, “The only thing is, I don’t think I could be managed by a gay man.” (Mr. Epstein’s sexuality was known by many in the industry at the time.) Incensed, Mr. Harrison gave his assistant a nod.
‘In a heartbeat, Harry was out of the house,” Mr. McLean said. ‘George, like all the Beatles, was extremely supportive of Brian. To them, Brain was the man.”  The Gay Architects of Classic Rock’ - Jim Farber, The New York Times, Oct 17, 2017 -
“They were his whole life and he loved them like he’d love his own sons.”  Joanne Petersen
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“Brian loved the way the Beatles were so completely unconventional ... They were four different, highly-talented people who would probably have done perfectly well as individuals. But as a team they were absolutely unbeatable. It never was John’s group and it never became Paul’s group. The last thing Brian wanted the Beatles to do was to have any leader other than himself.” Alistair Taylor (With the Beatles by Alistair Taylor) -
“A couple of months later I went to court; Brian came with me for moral support. (He did stand by his lads.).” - George Harrison, The Beatles Anthology
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“Occasionally Brian would interrupt to say that one of the other Beatles could add something to a scene. He was very concerned that they all had an equal part of the action - ‘We must find more for Ringo to do,’ 'George could do a song here’...”-  Paul McCartney: Many Years From Now, Barry Miles (on the initial planning stages of the Magical Mystery Tour film)
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“Yes. And when Brian (Epstein) was alive I said, 'Well, let's make a film with something,' you know, and he had a few scripts then. We decided that 'Candy' was the best one.” Ringo Starr (on he and Brian planning Ringo’s film career),  Late Night Line-up 12/10/1969
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“Brian Epstein was there, too, surveying the room worriedly; he was always so protective of ‘his boys’“  - Geoff Emerick, Here, There and Everywhere: My Life Recording the Music of The Beatles
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“I love them all equally.”  Brian Epstein (The Beatles: The Authorised Biography by Hunter Davies
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hande-g · 3 years
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home-deco-ideas · 4 years
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Lake Oswego Retreat, Oregon, by Emerick Architects [2500x1667]
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onekindesign · 4 years
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Converted commercial building into exceptional industrial loft in Portland
Converted commercial building into exceptional industrial loft in Portland
Emerick Architectsrenovated this exceptional industrial loft that combines three structures from varying periods over the past century, located in Portland, Oregon. The building had once been a corner grocery store, a printing press, and a mechanic’s shop. The design was inspired by the homeowner’s prior New York apartment. This 8,000 square foot building had great bones but was in need of an…
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fineinteriors · 7 years
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Loft in Portland by Emerick Architects
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int0design · 3 years
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georgianadesign: Alameda Ridge residence. Emerick Architects,... https://georgianadesign.tumblr.com/post/638672910232535040
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optimisticwolffury · 3 years
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Pin on Architecture: Homes
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Division Street Residence, This unique home is the poster child of adaptive reuse. Starting with a property, Emerick Architects
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herbyonline · 4 years
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Division Street Residence designed by Emerick Architects, located in portland oregon and photographed by Lincoln Barbour. Follow @officialherbyonline Our focus is to feature outstanding examples of architecture that consider materiality and are connected with nature and interesting landscapes. Stay tuned for unique examples that will inspire you! 🌐Enter the community . www.herbyonline.com . Like and share our content. . [tag someone who loves architecture] https://www.instagram.com/p/CBsSy3Ul6dO/?igshid=1r5hssf9w15p8
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