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#emily harris
withivysfilms · 6 months
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Carmilla dir. by Emily Harris (2019)
Emily Harris’ Carmilla may be a vampire ..
» Full Letterboxd review
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vlij · 1 year
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Carmilla (2019) dir. by Emily Harris
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quigsilver · 9 months
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Aaand... we're back with St. Julien Island! (only took a short hiatus of a year lol)
The last thing I posted about was Emily and Eric moving out of the Ex-Townie household and into their own home... and I lost motivation while building it so I stopped playing :D
Anyway, I randomly got my motivation back so here we are! It's still not fully furnished inside, but so far so good ^^
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carharttme · 1 year
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Artist in overalls!
http://voyageatl.com/interview/meet-emily-harris-emily-harris-art-cumming/
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gebo4482 · 2 years
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The Sandman by Aaron McBride / Emily Harris
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and I'm sorry I left, but it was for the best my little dove...
absolute solitude: selected poems, dulce maria loynaz (tr. james o'connor) // the glass essay, anne carson // boyish, japanese breakfast // @uglyfruit // yves olade // hunger, harry styles // a not admitting of the wound, emily dickinson // no surprises, radiohead // fourth of july, sufjan stevens
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schsas · 8 months
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peacock gabe design by lovely @wormzandgutz and butterfly dress bullshit by me 😔👍
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hermionewrites · 2 months
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Enrichment time !!! (maladaptive daydreaming whole listening to music and pretending fictional characters are in love with me)
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shortmexicangirl · 9 months
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adrien’s miraculous conception has me thinking
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dcookechild · 1 year
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I miss my family
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n0oble · 6 months
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Call your reps and demand a ceasefire now
Free Palestine 🇵🇸
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quigsilver · 9 months
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Mr. and Mrs. Mendoza, the first married couple on St. Julien Island!
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carharttme · 1 year
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Art in overalls!
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denimbex1986 · 3 months
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'When Cillian Murphy took to the podium during Sunday night’s Golden Globes, his nose smudged in his wife’s lipstick, it was as if a door had opened on this Hollywood Neverland and an ambassador for the real world had stepped through.
Accepting the Best Actor in a Drama award for Oppenheimer, Murphy wasn’t so much un-starry as stonkingly everyday. Here was a normal person who had somehow beamed into peak Tinseltown and, if pleased, was also clearly a bit perplexed by it all.
The Oppenheimer win has made Murphy a frontrunner for the Oscars. In all likelihood, he will be up against a creepy Barry Keoghan in Saltburn, an overblown Bradley Cooper in Maestro, and a fervent Leonard DiCaprio in Killers of the Flower Moon. With the arguable exception of the grandstanding Cooper, all would be worthy winners. And yet, underdogs everywhere will be cheering for Murphy. He’s spent the past 20 years negotiating Hollywood on his own terms and has rejected Tinseltown’s showiness in favour of staying grounded and playing the long game.
Murphy always wanted to be an actor rather than a star. Such a choice could easily have condemned him to a lifetime of supporting roles. Or a hiatus in TV, to which he seemed exiled when he settled in for a long run as Tommy Shelby in Birmingham noir Peaky Blinders.
But his decision to turn away from flashy parts has proved inspired. He is that rarest of things: an experienced A-list actor who comes to the Oscars without baggage. Unlike DiCaprio, he hasn’t had to overcome a past life as a teen pin-up. Nor does he have to justify a lucrative stint in comic book films, as Cooper has with his time as Rocket Racoon in Guardians of the Galaxy.
Above all, Murphy goes into Oscar season as an antidote to the “look at me!” culture of the social media era. In an age when fame is regarded as the ultimate commodity – more important than awards or critical acclaim – Murphy would rather let his work speak for itself. He lives humbly in suburban Dublin with his wife and two children – and his great passion outside of acting is music, as demonstrated by his semi-regular presenting slot on BBC 6 Music.
That’s lifetimes removed from Hollywood, with its self-mythologising and turbo-charged fakeness. It is also of a piece with his career since he broke through playing a survivor of the zombie apocalypse in Danny Boyle’s 28 Days Later. Ever since, he has chosen his jobs thoughtfully. In so doing, he has assembled a body of work of which he can be proud.
He hasn’t been above popcorn. He was a memorable villain in Christopher Nolan’s Batman Begins, where he played the Scarecrow as a trippy nightmare. But even when shooting for the box office, Murphy has been studiedly un-starry. Careful to keep his ego in check, he’s often happy in an ensemble – hugging the background in A Quiet Place II and settling for an extended cameo in Nolan’s Dunkirk, where he was content to let Harry Styles and Tom Hardy hog the spotlight.
Hog it they did – yet it was Murphy who proved to be in it for the long road. Because he could go into Oppenheimer without a Hollywood aura, he disappeared into the role. If hardly obscure, he nonetheless assimilated fully into the part. Throughout that film, you were aware of its stars. Florence Pugh and Emily Blunt doing their best with under-written female characters. Robert Downey Jr trying to pretend he hadn’t spent a decade as Iron Man.
Murphy, by contrast, split the acting atom. He vanished into Oppenheimer with a performance that exuded humility and sincerity. Bookies have now installed him as a favourite for the Best Actor Oscar. If he wins, it would be a victory for knowing who you are and what you stand for and believing good work has value beyond short-term acclaim. Above all, his success shows that it is possible to stay grounded while scaling Hollywood’s giddiest heights.'
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wear-network · 7 days
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