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#ended up writing this
inkskinned · 9 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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It's good and cool to give your characters a single simple, straightforward, non-urgent, super-achievable goal that shouldn't really cost anything or hurt anyone, make that the driving factor for most of their decisions, and then have the Plot do everything in its power to stop them.
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just-a-sewer-goblin · 4 months
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The way Soap would use military talk to get a reaction from you. He knows you're into it. So you're standing in the kitchen, maybe cooking something and you can hear his raspy voice from behind the corner "Got visuals on the target" and you're already grinning, wisely putting down anything that could make a mess. You hear slight shuffling and a whispered "Nice and stealthy boys", the next thing you know is him tackling you and immediately catching you in his arms, carefully lowering you to the floor. He crawls over you rasping: "Hostage secured", and presses his lips to yours but you both have to laugh. And it ends up being a messy kiss because you both can't stop giggling and grinning into the kiss. And when he breaks away because you're both smiling so wide it's just impossible to properly kiss, you put your hand on his chest and tell him: "You're a goof MacTavish". His smile softens and he replies: "Aye, your goof, that is."
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Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.
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tapakah0 · 4 days
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fairydrowning · 9 months
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– Via "twinnedpeaks" on Tumblr
[TEXT ID: / july didn't even say goodbye. the years don't kiss you goodnight anymore. they just leave behind this empty space, a phantom pain. and still i ache, i ache, i ache! / END ID]
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katabay · 3 months
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ONCE UPON A TIME, THERE WAS A KNIGHT...
the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin
this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.
you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.
also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.
⭐ I have a tip jar (ko-fi)!
⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
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time-slink · 3 months
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(my two interests flying around my skull and crashing into each other) wgere am i
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wacuoms · 8 months
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silly teenage boy in love writing a song for his crush
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bluerosefox · 2 days
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It's shenanigans time guys
So have this DpxDc idea.
So, the Justice League and the Light (OR villains in general) have two newish members, they've both been around for about a year and they're from the same plane of existence (a place called the Infinite Realms according to those who dabble in the occult)
And the two seem to have some serious beef with each other.
Wisp and Wrath are basicly feral cats hissing and hekles raised when they spot the other and their fights normally ends in draws. They're evenly matched and sometimes the two even fight to the point they are out of steam and just fist fight.
Needless to say everyone believes they totally hate each other and might one day kill (or end?) One of them.
So everything gets turned upside down when suddenly both factions of heros and villains are suddenly summoned to the Infinite Realms.
In a throne room.
In front of the Infinite King (or most commonly known as the Ghost King)
A King who looks very, very much like Wisp and Wrath (like yeah the two do sometimes look alike, like when they grin with sharp teeth and their hair color, but one has blue skin and red eyes for crying out loud!)
He's staring at them, glowing green eyes that seemed to just... know.
"Welcome to the Infinite Realms. I am King Phantom." His voice echoing in the throne room and seemed to rattle them deeply, like a sudden chill in the early morning.
"I have summoned you all here for a single reason." He continued to say "Tell me..."
Here he paused, closed his eyes before leaning back on the chair then he smiled big and cheerfully asked.
"How are my kids doing in your world? Dan and Ellie arent causing too much chaos in their wake are they? They tend to go a tiny bit overboard sometimes but what siblings don't when they rough house you know. Tell me everything."
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occudo · 1 month
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More Magus Sketches
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cracklewink · 2 months
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Harmony Syndrome Part 5/5
The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )
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In one misfortunate year I ended up getting into several car accidents. It cemented my general fear and anxiety in cars, because in each case I was either in the car but not driving or driving safely when suddenly something hit me.
One was my ex driving in an unfamiliar city and cutting someone off on accident that resulted in a sideswipe. Another was getting rear ended when I came to a required stop.
The last was when I had a green arrow at an intersection. I turned and was smashed into by someone running a red light, T-boning my little car.
Dazed and in shock I tottered out of the car to behold a crusty older man eating a donut step out of the offending vehicle. A fire truck arrived to block us off from traffic since my car could no longer move under its own power.
“Were you on your way home from work?” The firemen asked me.
I shook my head, struggling to focus on them, “No,” I said vaguely, “I was on my way home from volunteering at the animal shelter.”
In an instant they were closing ranks around me, glaring at the ambivalent donut man who would dare to hit a tiny frail angel who volunteered at the animal shelter. They asked if I needed to get anything out of my car. I did.
“It’s… uh. It’s a little weird though.”
They gestured for me to proceed. I grabbed a bag with snacks and books and filled it with things I couldn’t just leave in my car. Last out I pulled my cutlass.
“Is that a sword?!”
It was. They were instantly like giant puppy dogs, excited and delighted but trying to mind their manners. The bravest said, “Can we…?” I held out the sword. They whooped with delight, unsheathing and marveling at it.
“Why do you have that in your car?”
“I honestly don’t remember, it’s just a fun thing to have at a party now.”
“Is your wrist okay?”
My shock was wearing off and I realized I was cradling my wrist to my chest. “Oh.” I rummaged into my bag and pulled out a wrist brace.
“Wh….why do you already have that?” I was starting to confuse the firemen. I volunteered with cats, had a sword offhand, and kept a wrist brace in my car bag.
“Sometimes I try to hold books in a way that sprains my wrist? So I have this in my car just in case.”
They stared at me. Maybe, like my wife, they assumed it was for masturbation induced injuries. They handed my sword back as the tow truck arrived and thanked me for letting them play with it. They gave donut man one last glare and drove their big truck away.
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help-itrappedmyself · 2 months
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Dead on Main AU
Masterpost
Guys, I'm so sorry. But here's this!
~~~~
Danny blinks and he is somewhere else. He’s sitting at a dining room table, surrounded. There are so many people here. They’re all talking over each other, some yelling, some laughing. This scene comes as a great surprise to him, who -one blink ago- was trying and failing to do his homework at home in his room. Danny shoots up, his chair making a horrible noise as he pushes it away so fast it tumbles over. Everyone in the room turns to look over at him like he’s insane. 
“Oh my god, who are you people?” Danny did not mean to say this out loud, but at the sound of his voice he startles. Danny takes a moment to assess, and then, “Oh my god who am I?”  He is tall, and big, and this is certainly not his body, what is he wearing.
The boy sitting to the right of Danny, a little shorter than he is, with black hair and blue eyes (though now that he’s paying attention that does describe most people in the room),  starts chuckling lightly. “Uh, Jason? Are you good?” 
Danny turns to stare him right in the eyes. “What day is it?”
And he can tell the concern around the table is just ratcheting up every time he opens his stupid mouth.
“Did you hit your head on patrol?” The voice comes from the only blond and one of the only girls in the room, who's to the left of the person across from him. The person across from him is another boy with black hair and blue eyes who is studying Danny in a way that makes him uncomfortable, that under-a-microscope look that makes you feel like you’re failing at something.
“I have no idea if Jason hit his head.” Danny says. “I was just trying to remember if it was my birthday.”
And if he thought the room was busy when he first arrived here it is absolute pandemonium now. Everyone starts shouting and asking questions that he can’t even hear over the shouting. Someone with white hair in a suit just came through a door he didn’t even see earlier to stand by the only person not shouting, who -Danny would guess- is the only other adult in this room, witting at the head of the table. He also has black hair and blue eyes, and where almost everyone else’s reaction was panic, he froze instead. The person across from Danny also isn’t shouting, but the person next to Danny on his right has now fully stood up and looks like he might actually jump across the table to win the argument he ended up in. 
“Are you Jason’s soulmate?” is the main gist of the shouting that Danny can interpret but he’s more concerned with actual Jason at the moment. If they switched bodies... Then Jason might be in trouble…
“Hey, I forget, how long is this body swap supposed to last again?” Danny asks.
“Until you and Jason have physical contact. You have to actually meet.” The boy sitting across from him explains. He seems like one of the only ones that heard Danny talk, everyone else was still shouting. 
“Oh, that just seems terrible. What if we’re in different countries or something?” Danny complained. “Everyone in the world is just supposed to be able to drop everything and afford to fly across the world. The universe is really trying to screw people over now. Honestly, am I in a different country? Where even are we right now?”
“You’re in Gotham.” This voice was new, coming from the head of the table to Danny’s right. 
“Oh no. Nope.” Danny started backing away from the table, almost tripping on his overturned chair. “Absolutely not, no, how do I get out of here?” He starts earnestly looking for a door to get out of this place, but there are three doors he can see and he has no idea where any of them go, and doesn’t this room have any windows? What kind of a room doesn’t have any windows? Do they like to eat in a basement?
“Jason- not Jason. Uh, you need to calm down, everything will be fine alright, We’ll get you and Jason introduced no problem.” Danny swivels to track the voice and it’s the one who was sitting next to him, he’s walking towards him with his hands up and out in front of him. 
“I have to get home.” Danny breathes. 
“We can get you there, promise. Now, I’m Dick, can you tell me your name?”
“Your name is Dick? Who named you Dick?” Danny is so confused he’s stopped panicking. “How old are you for you to go by the name Dick?”
“Okay, rude.” Dick sounds like a petulant child so Danny’s estimations for his age are continuously dropping. “I’m 24.”
Danny snorts. “Okay.” The blond girl starts laughing over at the table. “I’m uh, I’m Danny.”
“Nice to meet you. Sort of. I’m Tim.” The guy from across from him had made it over to stand next to Dick. “There’s a lot of us here today so the one laughing like a hyena is Steph. That one there is Duke.” African-American, still with black hair but he has brown eyes and waves once introduced. “Damian is the short one next to him, and Cass was sitting across from Dick earlier. Our dad, Jason’s dad-” 
“Not my dad!” Steph interrupted. Tim waves her off.
“Everyone but Steph's dad, is over there, Bruce. Alfred, our butler is the one next to him.” Alfred gives a slight nod to his head. Bruce is just staring at him.
“So, names out of the way. You said you wanted to go home, where do you live?”
“Amity Park.”
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its-shells · 4 months
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“So,” Grian says, “this is awkward.”
Scar says nothing. Scar had said nothing for quite a while, honestly, sitting cross-legged in the void and playing with the hem of his cloak. Or with the flower stems woven through the hem of his cloak, as it were. Lilacs and poppies. Grian had thought it painfully ironic the first time he saw them. Scar hadn’t. Not until now.
“So,” Grian says, again, “I can explain? I think?”
He can hear stifled giggles behind him, Scott and Pearl discussing the last moments of the fight. He feels Martyn’s heated glare between his shoulder blades too, knows that he’ll be getting an earful about taking his final life whenever the fourth winner can get his hands on him, but at least Martyn’s been kind enough to leave him at the mercy of the fifth for now. Or not kind enough, as it were. Whether or not Scar has any mercy for him is an open question.
“Explain what,” Scar says. It’s not a question, which is just as well, since Grian doesn’t really have an answer.
Can he explain?
“Well,” he says, “there’s these death games.”
The death games he technically started, and then technically couldn’t stop. The death games that weren’t meant to be blood sacrifices, but probably count as happening on somebody’s altar. The death games that no one ever wins, but technically–
“Technically, the people who win them get to keep their memories.” He scrunches up his nose. “Or, uh, recover their memories of the previous ones, I suppose. Which is what’s happening to you. And Martyn, and Pearl, and Scott, and I was the first, so–”
“One heck of a headache, right?” Pearl yells behind them. “Was even for me, and you’ve got four whole timelines to deal with!” She flops backwards onto the floor, which is the void, pressing the back of the palm to her forehead theatrically even as she peers up at Scar through parted fingers. Scott rolls his eyes and grabs her hand.
“Give them a moment, Pearl,” Grian hears him whisper. “I know you weren’t there for Third Life, but I’ve explained it to you a dozen times, so–“
“So,” Scar says. “Third Life was real.”
It’s a strange way of putting it for someone who hadn’t remembered it at all until now.
“That’s a strange way of putting it for someone who hadn’t remembered it at all until now,” Grian says, because he’s always loose-tongued after dying. Scar stares at him, unblinking.
“That’s a strange way of thinking for someone who declared the first ever game a double victory,” he says. His head is tilted to the side.
Grian stares back.
“That didn’t count.”
“It didn’t not.”
“You didn’t remember until now.”
“I didn’t not.”
“That makes no sense.”
“Doesn’t it?” Scar shrugs. He plucks a flower from between the dark threads. It’s a poppy. “No less than the rest of it. No less sense than me waking up with sand between my toes, or burns on my arms, or bamboo in my pockets. No less than the dreams. Those didn’t make sense either.”
“It’s not like you ever asked me to explain.”
“Would you have?”
“Not the point.”
“Isn’t it?”
Pearl is still giggling. Martyn is still staring. Scott is quiet.
“Maybe it is,” Grian admits, quietly. It’s not an apology. It never will be.
Nor is it forgiveness, when Scar leans forward to tuck the poppy behind his ear. Nor will it ever be.
Sure feels like it sometimes though.
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anony-mouse-writer · 2 months
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grian as the strange man who appears suddenly on gem’s dock with no explanation. no one knows who he is.
no one saw him arrive and he has no car.
he’s never bought anything from the store, and a few locals said they saw him simply cooking and eating the fish he catches on the spot.
the only belongings he seems to own are his fishing gear.
when asked where he lives, he points to the cliff. there is a tiny blue house there, balancing precariously on wooden stilts. the house has never been there and no one’s seen it before, but the local gas attendant pulled up a 40 year old photo of her grandma on the beach, and sure enough, the tiny house is there, a wee speck of color hanging like a barnacle on the cold, wet bluff.
the age of his mysterious little home aside, no one’s sure when he visits it. he’s at his little dock before the earliest ships cast out, and the sickly glow of his lantern can be seen long into the coldest of nights.
the man has pulled the strangest things from the ocean. fish, to be sure, but other, stranger things. lily pads, far from their native biomes. fishing poles, tattered and worn, of various makes and styles- some look positively ancient. boots. giant shells with twisted patterns to match no living thing. a genuine horse saddle once. bowls. a bone that looked just a bit like a human femur.
and books. perfect, unblemished books, nearly glowing with some kind of energy and filled with a script both unfamiliar and unsettling to see.
he opens them each with a breathless anticipation that tastes like brine or maybe tears.
but whatever he sees in them is not what he wants, and each book is tossed aside with resigned disgust and something like despair, before the weathered pole is taken up to cast a line to sea once more.
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