What a lot of people don’t realize is that Neung and Chopper are in the same boat here. Opposite spectrums of course, but both are on the cusp of loosing a parent. Their ONLY parent. The only difference being Chopper’s dad is the perpetrator whilst Neung and his mom (whose in a coma) are the victims in this situation. It would be hard for anyone to turn against their parent especially knowing how dangerous they are. I can understand Ben’s frustration, but he needs to put himself in Chopper’s shoes. Although we know Chopper is going to do the right thing, his hesitation is VALID given the situation. You have to be VERY careful and stealthy, which is exactly what it seems like Chopper is trying to do.
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brother crab's winter 2024 parting thoughts: high card s2
WHAT THE HELL
HIGH CARD IS GOOD?!
tl;dr very flashy and aesthetic, consistently good in that regard, but the story was not always gripping to me. however, with the ultimate payoff in the last three eps, totally worth it imo
full review:
wow wow wow i'm kind of glad i fell way behind on anime and had the last three eps of s2 to binge all at once because hoooly shit i enjoyed that immensely
at no point did i think high card was bad, but it definitely had moments where it didn't fully grab me. there were times when it felt like all flash, no substance
and it's definitely not perfect, i have some serious and fairly significant gripes with it. mainly i'm really bummed that leo, wendy, and vijay never really got fully fleshed out. i mean i get it, finn's the main character and chris is the thinly veiled love interest also important so obviously they're going to take up most of the time, but i really feel like the other members of the crew had so much unexplored potential (especially wendy and vijay, because leo did sort of get his moment as a factor in the old man yaoi situation)
speaking of which THE OLD MAN YAOI!! man there were a lot of moving pieces in this show, and sometimes they came together in messy ways (or didn't really come together at all... some bits do still feel pretty disjointed and jumpy to me, tbh)
but overall the payoff of the s2 finale was absolutely worth it to me, particularly since it dealt with my favorites of those moving pieces: the old man yaoi and the sudden YANDERE ONIISAN ARC
i find myself really wishing the show had gone harder on both of those threads sooner, but like... honestly i'm not disappointed with how they played out. the whole theodore and ban thing could not have been more tropey (YEARS of loathing only for a "the one i wanted to protect all along was... you" and then dying for each other like HELLO yes an absolute tropefest BUT TROPES THAT I LOVE. GOOD FOR THOSE TOXIC DOOMED YAOI MFERS)
tilt has always been fascinating to me right from the character design and i am more or less satisfied with how things played out for him too, though i kind of wish we'd had more of this development spread throughout the series. i guess it was there, but... i dunno. in some ways feels like there could have been More (but i may be biased)
like you gotta feel bad for him, it's a sad story, but also that extreeemely creepy unhinged yandere oniisan "i have been stalking you i literally have a wall with giant blown up photos of you i hate the other guy who is calling himself your brother" sequence was SO FUCKING DELICIOUS LIKE WTF??? stunned and absolutely blown away by how hard they went on that, what a delight
(ironically it makes me think about how unhinged matakara in bucchigiri?! just doesn't work while unhinged tilt in high card works super well, but this is not about bucchigiri?! so i won't get too into that)
i am still admittedly just. kind of like. idk. i go back and forth on finn and chris, as characters and as partners. i don't dislike them but they aren't always all that compelling to me. sometimes they definitely are, but sometimes they just fall a bit flat to me. this probably isn't an issue with them as characters, though, just a matter of taste. i occasionally found the chemistry between them lacking as well, but sometimes it was really on point
same feeling about the crew dynamics in general. i looove a good like heist crew or spy agency crew, whatever it is, when the dynamics just click. and sometimes they didn't, here. i am too sleepy to articulate it properly right now but it just felt like there was something missing, some pieces not really fitting together. i didn't dislike any of the characters, but just... i guess wanted more team shenanigans? maybe there was no time for that but it would have been nice (like this is one show that could have done with a few filler and/or fluff episodes, imo!)
anyway. christ. my eye emoji-ing at tilt based solely on his character design finally paid off after two gay ass seasons lmao. good night
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idk what kind of crack pond and phuwin laced their performances for this show with, but every week it has me foaming at the mouth and somehow this ep was even more. like... pond has just absolutely nailed the art of facial expressions. i cannot help but stare at him in every scene and try to catch every tiny alteration that show the smallest changes in how he’s feeling. bc neung is right, palm is so fucking easy to read, he wears his feelings on his sleeves not bc he shares them vocally but bc he just cannot keep them from showing on his face. meanwhile phuwin is a masterclass in facial expressions in a whole other way, bc neung has mastered the art of keeping his feelings hidden and not letting them show and putting up an act, so you can see the moment he decides the path he’s gonna take in a conversation of situation, the second hes chosen how to deal with something. and his face will shift, even his body language, its like you can physically see him entering a different mode before he even speaks a word, and thats when he becomes sassy neung or playful neung or rude neung, or any number of his alter egos. and you can see in his moments of truth and vulnerability that he doesnt do this, its less that he enters a mode and more that you can see a moment or someone elses words actually hitting him and affecting him, he doesnt put up the front first, instead he responds. you see it in the music room with ben or in moments when palm says something meaningful or romantic and he actually lets himself feel it instead of guarding against it. and thats why he cant seem to get through to palm, even though he has some sort of feeling for him that he may or may not be able to identify, he cant show it even when he wants to, instead it comes through in layers and contradictions that palm cant make sense of, cant gauge his feelings just like we cant read his face. bc neung needs to express those feelings honestly for them to get through to palm, but it feels like neung has never been honest with his own feelings in his life, not when it really matters and not when its for himself.
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