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savethegrishaverse · 5 months

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While the impact might not be instant, your engagement is fueling the fire🔥 Behind-the-scenes convos are buzzing, & our efforts to Save Shadow And Bone and Six Of Crows Spinoff ripple through each one! Our show crew is putting in the work—let's match that energy. Keep it up, team!

This is what Leigh's recent message says written out, with alt text. Credit to lunarthecorvus on our discord server for transcribing the voice message

#leigh bardugo #grishaverse #shadow and bone #save shadow and bone #sab cast #sab crew #sab season 3 #six of crows #six of crows fandom #six of crows spinoff #six of crows spin-off #six of crows spin off #grishaverse fandom #the grisha trilogy #shadow and bone netflix #netflix #netflix shadow and bone #eric heisserer

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furiousfinnstan · 5 months

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vimeo

crows sizzle reel posted by Eric on reddit

#**mine #videos #shadow and bone #sab #six of crows #soc #eric heisserer #Vimeo #leigh bardugo #grishaverse #jesper fahey #kaz brekker #inej ghafa #sigh....

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renegadesstuff · 5 months

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I NEED THE SIX OF CROWS SPIN OFF, PLZZZZZZ 🥺🥺

#shadow and bone #shadow and bone the crows #save shadow and bone #six of crows #save six of crows #six of crows spin off #six of crows cast #six of crows book #sab #soc #soc spinoff #leigh bardugo #eric heisserer #freddy carter #amita suman #kit young #jack wolfe #calahan skogman #danielle galligan

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alexzalben · 1 year

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Shadow and Bone Season 2 premieres March 16, 2023 on Netflix

First look images, followed by quotes from Eric Heisserer, Daegan Fryklind, and Leigh Bardugo, as well as a synopsis and more info on Season 2, which I cannot frickin' wait for.

Eric Heisserer and Daegan Fryklind (Co-Showrunners / Executive Producers / Writers) & Leigh Bardugo (Author / Executive Producer) on what fans can expect this season:

HEISSERER: The most wonderful thing about Season Two is that we get to advance the story of these characters that we'd left in precarious positions at the end of Season One. There's a lot of potential for them this season. They have to face the consequences for their actions, and then they get to meet new people along the way. The Grishaverse also expands in this season, both in mythology and in characters. In doing so, we expand the world, we go to new locations, we visit Novyi Zem and Shu Han, and those are all integral to the narrative.

FRYKLIND: We've also really dug into more of the mythology this season in terms of the amplifiers, but also the creator of the amplifiers, Morozova, who he was, what his backstory is, and how he ties into this world. We go out and we go deeper.

BARDUGO: I think the readers now trust our writers the way that I do. This season I was able to step back and put the show more firmly in their hands. I think when we approached Season One, a lot of people were like, "It's impossible. It can't be done. Why would you bring SHADOW AND BONE and SIX OF CROWS together?" And I think now, we have that trust. And I think it's going to be very, very exciting for them to see the way that trust pays off in Season Two. Every part of the Grishaverse is coming into play. We are going to get to see some incredible new characters. We're going to see characters interacting with each other, questing with each other, fighting and laughing with each other, who we never got to see together in the books. And I think that's a unique thing about this show. Readers are not only going to be surprised by the way that these storylines crash into each other, they're never going to know where the next move is coming from—and that actually was a pleasure for me because I got to be surprised by my own stories.

ABOUT THE SERIES

Co-Showrunners / Executive Producers / Writers: Eric Heisserer (Chronology) and Daegan Fryklind

Author and Executive Producer: Leigh Bardugo

Executive Producers: Shawn Levy, Josh Barry, Dan Levine, and Dan Cohen for 21 Laps Entertainment, Pouya Shahbazian (Loom Studios) and Shelley Meals

Directors: Bola Ogun (Episodes 1 & 2), Laura Belsey (Episodes 3 & 4), Karen Gaviola (Episodes 5 & 6) and Mairzee Almas (Episodes 7 & 8)

Season 2 Format: 8 x 1 Hour Episodes

Cast: Jessie Mei Li (Alina Starkov), Archie Renaux (Malyen Oretsev), Freddy Carter (Kaz Brekker), Amita Suman (Inej Ghafa), Kit Young (Jesper Fahey), Danielle Galligan (Nina Zenik), Daisy Head (Genya Safin), Calahan Skogman (Matthias Helvar), Lewis Tan (Tolya Yul-Bataar), Anna Leong Brophy (Tamar Kir-Bataar), Jack Wolfe (Wylan Hendriks), Patrick Gibson (Nikolai Lantsov) and Ben Barnes (General Kirigan)

Synopsis: Alina Starkov is on the run. A beacon of hope to some and a suspected traitor to others, she's determined to bring down the Shadow Fold and save Ravka from ruin. But General Kirigan has returned to finish what he started. Backed by a terrifying new army of seemingly indestructible shadow monsters and fearsome new Grisha recruits, Kirigan is more dangerous than ever. To stand a fighting chance against him, Alina and Mal rally their own powerful new allies and begin a continent-spanning journey to find two mythical creatures that will amplify her powers. Back in Ketterdam, the Crows must forge new alliances as they contend with old rivals and even older grudges that threaten not only their place in the Barrel, but their very lives. When a chance at a deadly heist comes their way, the Crows will once again find themselves on a collision course with the legendary Sun Summoner. Based on Leigh Bardugo's worldwide bestselling Grishaverse novels, SHADOW AND BONE returns for a second season of new friendships, new romance, bigger battles, epic adventures — and a shocking family secret that could shatter everything.

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aquitainequeen · 13 days

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Aside from news on how things possibly stand for a Shadow and Bone/Six Of Crows renewal (basically no news is good news, keep going with the campaign!) there's also a short interview with Eric Heisserer, which sheds some interesting light indeed on the writing and making of Season Two, and it explains a lot of things:

Here are the questions posed for Eric's interview:

"I'd like to know if there's a way to liberate the pre-written scripts if Netflix doesn't plan on using them" - Christian Thalmann (creator of the Fjerdan language)

"In my view, 'The Crows' have the potential to revitalize the Grishaverse. Unlike "Shadow and Bone", this new show could rely less on elaborate visual effects and offer a fresh narrative angle. Heist-themed shows are currently in high demand, adding to its appeal. Am I mistaken in thinking that our focus should primarily be on 'The Crows'? The likelihood of 'Shadow and Bone' returning seems slim, but I've always believed that 'The Crows' had a greater change of success." - Joleen

"If/when the spinoff is back (finger crossed) was there anything he had planned that would completely surprised, for good reasons obviously, the audience? And we should hold our breath for that twist/turn??" - Rti

"What are the difficulties you mentioned about filming S2 in that Reddit comment? Don't want to sound negative, but what went wrong?!" - Mitra

"How long was the sizzle reel ready to go but he had to keep it secret?" - Discord Team

"I would love to know his perspective on the impact of streaming on storytelling. Would we have had to launch a campaign like this 10-15 years ago for a show like this? What are the main points when it comes to streaming models and telling unique, diverse stories?" - Acorn_Bri

Eric's Responses:

1) "There is a way to liberate the Crows scripts from Netflix, yes, and in fact that would be part of the buyout for another streamer when acquiring the rights to Leigh's novels. It would be a package deal."

2) "The focus on the Crows is helpful in two ways -- first, those scripts were written, which lets us get a running start at production, and second, just from casual analysis of book sales, it's far more popular worldwide than other Grishaverse titles. So it will be a bigger draw for viewers. The trap though is the cost. It's more grounded than S&B, sure, but the Ice Court is a unique location that either requires a really costly set build, or set extensions and VFX work to make it look authentic, which means nearly every shot of the heist once our crew gets there could be a VFX shot. My guess is the budget would be on par with S2 of S&B.

3) "Yes, there is a surprise or two in the Crows spinoff season, but overall it's as close to the novel as we could make it. And Leigh's novel is such an amazing story with natural cliffhangers that work as episode "out" moments, etc. I think the biggest move we made was to feature every single Crow's backstory to go with their episode. So that was fun/sad/exciting."

4) S2 kept throwing challenges at us, and it started long before we got to production. Like months earlier, when we learned the location we needed for the Little Palace in S1 was closed to us due to the pandemic. So right there we lost out on a ton of S&S scenes, because it wouldn't be a match. But we also had written a compelling side arc for Ivan and Fedyor in S2, these two Grisha trapped on either side of the civil war. Each of them played a big role in the story, but Simon (Ivan) had a feature film that overlapped with our schedule and couldn't move, which meant we lost him. So Daegan worked to revise the season keeping Fedyor and leaving Ivan like dead from the end of S1. He was Kirigan's right-hand man for the season. But poor Julian caught COVID just when we were to shoot out most of his scenes, and after tyring to ake the schedule work, we had to come to the brutal truth that there wasn't a way to keep Fedyor in the story. Our only option was to bring him in at like episode 8, which would've been too little, too late.

COVID continued to be a monster all through production, requiring us to juggle schedules and miss out on days, and it was madness for the cast, who had to pivot with almost no notice whenever someone was ill and quarantined. This isn't unique to our show of course---it happened with everyone. It's just the challenge.

Beyond that, we had been given the go to write a special standalone story: The Demon in the Wood. This would have been released on its own around Christmas, like a BBC special but for Netflix, and would help bridge seasons 1 and 2 by showing a little of what Kirigan was doing before we seem him in S2, and also provide more character context, etc. Christina Strain wrote that and did great work adapting Leigh's short story. But it never went the distance.

There was a lot more to S2 as well, scenes and side stories and little interactions that were lost due to budget or time restrictions. Again, not unique to our show, but agonizing all the same, since what you get is not what we had written, or in some cases even shot. I'm incredibly proud of the cast and the team, and Daegan did the heaviest lifting while I was off finishing the Crows writing room. But we had a lot more thrown at us."

5) That sizzle reel was put together four months before the second season dropped.

6) Streaming is a challenge to serialized storytelling in that it looks at 'content' often with a different agenda and uses metrics that can take a creative issue and exacerbate it. Like in broadcast, if viewership and thus ad revenue has slightly declined, the show will ned to find a way to make their 22 or 13 episodes on a proportionally smaller budget. What is not done is reduce episode order. But if a streaming series underperforms or doesn't meet expectations, an the streamer doesn't cancel it outright, the go-to budget reduction idea is to reduce episode order for the next season. When you just have 8 episodes and continue to deal with notes to compress, pace up, or omit for what you'd scripted for a longer season, reducing further to six or four episodes is exhausting.

This happens due to a slide in autonomy from what the showrunner position has been. What the chatter on the picket lines revealed to us is that most showrunners today don't get to see their own show's budget, and thus don't get the freedom to make budgetary decisions that could better protect the story they're telling. More and more, showrunners not at a legacy network aren't the final say or at times even involved in hiring key roles. I don't have any ideas that aren't already in contract language, I just see how the job on this side has gotten harder and there isn't much of a way for us to make it easier for each other like we could with having writers on set or in post production, because the streaming model has made that impossible."

#shadow and bone #six of crows #sab #shadow and bone netflix #netflix shadow and bone #Eric Heisserer #I really feel sorry for the writers and creators now #There was so much they wanted to do but couldn't because of EVERYTHING

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addictivecontradiction · 11 months

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Arrival, 2016

#drama #mystery #sci-fi #arrival #denis villeneuve #eric heisserer #ted chiang #story of your life #amy adams #abigail pniowsky #strenght

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boardchairman-blog · 1 year

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**Shots of the Episode**

Shadow and Bone (2021)

Season 2, Episode 6: “Ni Weh Sesh (I Have No Heart)” (2023) Director: Karen Gaviola Cinematographer: Petra Korner

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brokehorrorfan · 1 year

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The Thing (2011) will be released on Steelbook Blu-ray exclusively at Walmart ($19.96) on April 18 via Mill Creek Entertainment. The sci-fi horror film serves as a prequel to John Carpenter’s 1982 classic, itself based on John W. Campbell’s 1938 novella Who Goes There?

Matthijs van Heijningen Jr. directs from a script by Eric Heisserer (Arrival, Lights Out). Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Adewale Akinnuoye-Agbaje, and Eric Christian Olsen star.

A semi-transparent slipcover is included. Special features are listed below, where you can also see the full Steelbook layout.

Special features:

Audio commentary with director Matthijs van Heijningen and producer Eric Newman

Who Goes There? Cast & Crew featurette (new)

What Goes There? Behind-the-Scenes featurette (new)

The Thing Evolves - Making-of featurette

Fire & Ice - Stunts featurette

Theatrical trailer

When paleontologist Kate Lloyd (Mary Elizabeth Winstead) travels to an isolated outpost in Antarctica for the expedition of a lifetime, she joins an international team that unearths a remarkable discovery. Their elation quickly turns to fear as they realize that their experiment has freed a mysterious being from its frozen prison. Paranoia spreads like an epidemic as a creature that can mimic anything it touches will pit human against human as it tries to survive and flourish in this spine-tingling thriller.

#the thing #mary elizabeth winstead #joel edgerton #john carpenter #horror #adewale akinnuoye agbaje #eric christian olsen #steelbook #dvd #gift #eric heisserer #walmart #sci fi horror #remake

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bitchthefuck1 · 1 year

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Okay maybe I'm being a hater but this quote from Eric Heisserer about the changes they made to Wesper feels low-key homophobic to me

#like. 'we wanted to represent them in a way that was honest to the LGBTQ community so we had them fucking before the show started' why do #you think making characters have one night stands with strangers is more 'honest' to LGBTQ people 🤨#sus as all hell #shadow and bone #wesper #eric heisserer #wylan van eck #jesper fahey

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dat-is-chill-ghafa · 1 year

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thinking about how because Eric Heisserer woke up one day feeling silly and goofy he decided to combine effectively all of the Grishaverse’s books into one, and now we ended up with the hellfire SHITSHOW that was season 2 of shadow and bone

#shadow and bone season 2 #shadow and bone #shadow and bone season two spoilers #shadow and bone spoilers #kanej #eric heisserer #sab #sab season 2 #sab2

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savethegrishaverse · 22 days

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Here is the Transcript to the Questions Answered by Eric Heisserer!

Recently, we were very fortunate that Shadow and Bone showrunner Eric Heisserer agreed to answer some fan questions! Below is the transcript of the screenshots that have been previously shared—not an entirely new interview. The transcript in this format should be much more accessible and convenient, particularly for anyone using a screen reader.

To make it easier to read through Eric’s responses, we’ve nested his answers below coordinating questions.

Okay, taking these one at a time -- because some of these will have very long answers, and I may have to return at later intervals to answer them: (note: questions will be in bold)

"I'd like to know if there's a way to liberate the pre-written scripts if Netflix doesn't plan on using them" - Asked by Christian Thalmann, the creator of the Fjerdan language.

"There is a way to liberate the Crows scripts from Netflix, yes, and in fact that would be part of the buyout for another streamer when acquiring the rights to Leigh's novels. It would be a package deal."

"In my view, "The Crows" have the potential to revitalize the Grishaverse. Unlike "Shadow And Bone," this new show could rely less on elaborate visual effects and offer a fresh narrative angle. Heist-themed shows are currently in high demand, adding to its appeal. Am I mistaken in thinking that our focus should primarily be on "The Crows"? The likelihood of "Shadow And Bone" returning seems slim, but l've always believed that "The Crows" had a greater chance of success." - asked by fellow fan Joleen

The focus on the Crows is helpful in two ways -- first, those scripts are written, which lets us get a running start at production, and second, just from casual analysis of book sales, it's far more popular worldwide than other Grishaverse titles. So it will be a bigger draw for viewers.

The trap though is the cost. It's more grounded than S&B, sure, but the Ice Court is a unique location that either requires a really costly set build, or set extensions and VFX work to make it look authentic, which means nearly every shot of the heist once our crew gets there could be a VFX shot.

My guess is the budget would be on par with S2 of S&B.

"If/when the spinoff is back (finger crossed) was there anything he had planned that would completely surprised, for good reasons obviously, the audience. And we should hold our breath for that twist/turn?" - asked by fellow fan Rti

Yes, there is a surprise or two in the Crows spinoff season, but overall it's as close to the novel as we could make it. And Leigh's novel is such an amazing story with natural cliffhangers that work as episode "out" moments, etc. I think the biggest move we made was to feature every single Crow's backstory to go with their episode. So that was fun/sad/exciting.

"What was the difficulties you mentioned about filming Season 2 in that Reddit comment? Don't want to sound negative but what went wrong?!" - asked by fellow fan Mitra

S2 kept throwing challenges at us, and it started long before we got to production. Like months earlier, when we learned the location we used for the Little Palace in S1 was closed to us due to the pandemic. So right there we lost out on a ton of S&S scenes, because it wouldn't be a match. But we also had written a compelling side arc for Ivan and Fedyor in S2, these two Grisha trapped on either side of the civil war. Each of them played a big role in the story, but Simon (Ivan) had a feature film that overlapped with our schedule and couldn't move, which meant we lost him. So Daegan worked to revise the season keeping Fedyor and leaving Ivan as most likely dead from the end of S1. He was Kirigan's right-hand man for the season. But poor Julian caught COVID just when we were to shoot out most of his scenes, and after trying to make the schedule work, we had to come to the brutal truth that there wasn't a way to keep Fedyor in the story. Our only option was to bring him in at like episode 8, which would've been too little, too late.

COVID continued to be a monster all through production, requiring us to juggle schedules and miss out on days, and it was madness for the cast, who had to pivot with almost no notice whenever someone was ill and quarantined. This isn't unique to our show of course -- it happened with everyone. It's just a challenge.

Beyond that, we had been given the go to write a special standalone story, The Demon in the Wood. This would have been released on its own around Christmas, like a BBC special but for Netflix, and would help bridge seasons 1 and 2 by showing a little of what Kirigan was doing before we see him in 52, and also provide more character context, etc. Christina Strain wrote that and did great work adapting Leigh's short story. But it never went the distance.

There was a lot more to 52 as well, scenes and side stories and little interactions that were lost due to budget or time restrictions. Again, not unique to our show, but agonizing all the same, since what you get is not what we had written, or in some cases even shot.

I'm incredibly proud of the cast and the team, and Daegan did the heaviest lifting while I was off finishing the Crows writing room. But we had a lot more thrown at us.

"How long was the sizzle reel ready to go but he had to keep it secret?" - Asked by members of the Discord Team

That sizzle reel was put together about four months before the second season dropped.

"I would love to know his perspective on the impact of streaming on storytelling. Would we have had to launch a campaign like this 10-15 years ago for a show like this? What are the main pain points when it comes to streaming models & telling unique, diverse stories?" - asked by fellow fan Acorn_Bri

Streaming is a challenge to serialized storytelling in that it looks at 'content often with a different agenda and uses metrics that can take a creative issue and exacerbate it. Like in broadcast, if viewership and thus ad revenue has slightly declined, the show will need to find a way to make their 22 or 13 episodes on a proportionally smaller budget. What is not done is reduce episode order. But if a streaming series underperforms or doesn't meet expectations, and the streamer doesn't cancel it outright, the go-to budget reduction idea is to reduce episode order for the next season.

When you just have 8 episodes and continue to deal with notes to compress, pace up, or omit for what you'd scripted for a longer season, reducing further to six or four episodes is exhausting.

This happens due to a slide in autonomy from what the showrunner position had been. What the chatter on the picket lines revealed to us is that most showrunners today don't get to see their own show's budget, and thus don't get the freedom to make budgetary decisions that could better protect the story they're telling. More and more, showrunners not at a legacy network aren't the final say or at times even involved in hiring key roles. I don't have any ideas that aren't already in a contract language, I just see how the job on this side has gotten harder and there isn't much of a way for us to make it easier for each other like we could with having writers on set or in post production, because the streaming model has made that impossible.

—

Once again, we would like to give a big thank you to everyone who asked their questions, and an even BIGGER thank you to Eric Heisserer for answering them!

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cultfaction · 2 years

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Shadow and Bone Season 2 sneak peak and more released

Welcome back to the Grishaverse! Shadow and Bone in back for Season 2…

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#Amita Suman #Archie Renaux #Ben Barnes #Eric Heisserer #Freddy Carter #Grisha #Jessie Mei Li #Kit Young #Leigh Bardugo #Shadow and Bone #Six of Crows #the Grisha trilogy #Youtube

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adamwatchesmovies · 1 year

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Arrival (2016)

Watching Arrival a second time takes away its surprises but gives you a new appreciation for its storytelling. It’s a wholly different experience. You pick up on certain character beats and structural points that were impossible to spot the first time around. It’s a brainy sci-fi film so make sure you block off at least a half hour after it’s over to discuss it with your friends.

Twelve mysterious alien spacecraft have appeared across the globe. The U.S. government selects Linguist Louise Banks (Amy Adams) to help communicate with the extra-terrestrials. She begins deciphering the way these visitors communicate but progress is slow. While Louise and theoretical physicist Ian Donnelly (Jeremy Renner) desperately try to convey critical human ideas and concepts to the visitors, the rest of the world becomes increasingly wary.

Residing in the same neighbourhood as Close Encounters of the Third Kind and Interstellar, Arrival is about aliens but really, it’s about communication. Think about how many ways we communicate and how so many things are assumed when two people are face-to-face. You don’t have to speak the same language to know what barred teeth means. Smiles are universal. Even with all these things in common, we still misunderstand each other constantly. Now imagine communicating with a creature that (as far as we can tell) doesn’t even have a face. You wouldn’t know where to begin. At least you know they’re intelligent and willing to communicate. They haven’t blown us up yet. That’s promising.

Much of the joy of Arrival comes in the procedural bits. When Louise has an “aha!” Moment and makes a breakthrough, it’s the most exciting thing you’ve seen. The more her work comes together, the more eager you are for her and Donnelly to share what they’ve found with their superior (Forest Whitaker as Colonel G. T. Weber) and then get right back to teaching new words to the Heptapods.

The whole movie could’ve been just about learning to communicate with the visitors but unfortunately, mankind is never as open-minded as it should be. You can see the progress they're making but when Louise tries to explain it to others, they just don’t understand. Tiny, seemingly insignificant decisions snowball into avalanches which threaten not only this operation but the entire human-heptapod encounter and possibly, the world. There’s a sense of wonder and excitement blended with suspense and nerve-eroding fear that something will go horribly wrong any minute.

Now that we know the ending, aspects of the story change completely. Initially, you assume the images of Louise and her daughter Hannah are flashbacks. These "explain" why, she is now alone and isolated. Actually, those are not memories; they're glimpses of her future. Deciphering the alien language and immersing herself in it allows Louise to perceive time as they do: non-linearly. It’s an example of time travel done right. Louise can suddenly look into her future and find crucial information from conversations that haven’t happened yet, bring them “back” and make them happen. How did she know what words General Shang shared with his wife before she passed? In a way, she always knew. That’s how time loops work and if you don’t understand it, this is where that half hour you set aside will come in handy. The problem is that you’re still thinking of time as a line when it isn’t; not anymore.

Arrival has an airtight screenplay. Re-evaluating its story and themes further emphasizes how much time and effort was spent polishing it. It’s complex, which makes the moment where it finally clicks immensely satisfying. As a bonus, it’s wonderfully acted, extremely moody, gorgeous to watch and masterfully directed. This is the best sci-fi film we’ve seen in a long time. (On Blu-ray, March 15, 2019)

#Arrival #movies #films #movie reviews #film reviews #Denis Villeneuve #Story of Your Life #Ted Chiang #Eric Heisserer #Amy Adams #Jeremy Renner #Forest Whitaker #Michael Stuhlbarg #Tzi Ma #2019 movies #2019 films

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stuff-diary · 1 year

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Shadow and Bone (Season 2)

TV Shows/Dramas watched in 2023

Shadow and Bone (Season 2, 2023, USA)

Creator: Eric Heisserer (based on the books by Leigh Bardugo)

Directors: Bola Ogun, Laura Belsey, Karen Gaviola & Mairzee Almas

Mini-review:

This season was f**king epic. That's the first word that came to mind once the credits rolled after the last episode. It's been a long time coming, but it was more than worth the wait. I've read some reviews criticizing this season for including too many plots and storylines, but I don't get it. Sure, there's a lot of stuff in just 8 episodes, but I think they mostly pulled it off. Pretty much nothing felt rushed. Also, there wasn't a single boring moment in any of the episodes. The whole thing just left me breathless in the best of ways.

As in the first season, I felt like the Crows stole the show a bit, but the S&B storyline was still very strong and entertaining. In fact, it left me wanting to read the trilogy right away (since I've only read the Crows duology). I must admit that I'm a bit worried about the Crows spin-off, since they already used some key plots and reveals in this season. But, at the same time, this sort of plot... remix worked amazingly. It's almost like a really fun piece of fanfiction. Anyway, despite my worries, I'm still very excited about the spin-off and a possible 3rd season of S&B. Netflix, please, renew/greenlight everything. Do not disappoint me any further.

Lastly, I want to commend some specific aspects of the show. The costumes, the sets and the CGI are as gorgeous as they were in the first season, or more. And the acting is... WOW. What a perfect cast. The casting director deserves the world, seriously. While everyone is great, the standouts this season were no doubt Freddy Carter (especially in episode 4, he gave me chills), Daisy Head and Patrick Gibson. So, overall, this was an amazing season of fantasy TV and I can't wait to see more.

P.S. Please, stop making TV shows so dark. There were scenes where I was just staring at my reflection in the screen, I couldn't see anything else until I turned off all the lights in the room.

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thedoorsofmyheart · 1 year

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I CANNOT WAIT FOR TODAY!!!

Happy Shadow & Bone Fan Fest (Hopefully Announcement & Trailer drop day) Y’all!!!

I’m about to go full blown screaming volcra fangirl!!!

… not me already freaking out over the symbolism in this poster; THE S Y M B O L I S M ! ! ! — the stag antlers from Season 1, the sunlight intermixed with shadows in the background & fold, the Darklings Scars (not to mention that Villaintine’s Day gift clip!!!) Alinas new wardrobe (which first off the costume department has already blown me away and deserves all the awards!!! But also the way it perfectly encapsulates so much storytelling: from the Ravkan army style but slightly more fancy and grown still, to the golden highlights of her power, the blue kefta underneath, and the rust color like Keramzin!!!) the new addition of what I presume to be THE SEA WHIP scales in the symbols, THE FIRE BIRD WINGS WITH MAL!!! Also the way this highlights so many amazing fam art concepts!!!

Everything about this Season seems so amazing already, and the artistry of this show continuously amazes me!!! I can’t wait to fangirl with all my favs!!!

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showtiming · 1 year

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Shadow and Bone, season 2 (2023) Developed by Eric Heisserer.

#shadow and bone #fantasy shows #Eric Heisserer

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