#ernest haas

[gh0st-dust]

snapshots of nyc by ernest haas, 1952-1962

#u #nyc #ernest haas

[barsata]

Ernest. Haas

[touchn2btouched]

“It’s you and your camera. “The limitations that exist in your photographs are the same as those you can have as a person, because what we see is what we are.” Ernest Haas

[amalgameheteroclite]

Ernest Haas, 1953.

[byneddiedingo]

In This Our Life (John Huston, 1942) Cast: Bette Davis, Olivia de Havilland, George Brent, Dennis Morgan, Charles Coburn, Frank Craven, Billie Burke, Ernest Anderson, Hattie McDaniel, Lee Patrick, Mary Servoss. Screenplay: Howard Koch, based on a novel by Ellen Glasgow. Cinematography: Ernest Haller. Art direction: Robert M. Haas. Film editing: William Holmes. Music: Max Steiner. Bette Davis and Olivia de Havilland play sisters named Stanley and Roy, which should be enough to suggest what sort of movie In This Our Life is. And yes, it's a good sister (de Havilland/Roy) versus bad sister (Davis/Stanley) plot, with George Brent and Dennis Morgan as the men in the middle. As the movie starts, Stanley is on the brink of marrying Craig (Brent) but instead runs off with Roy's husband, Peter (Morgan), after which Roy gets divorced and falls in love with Craig, but Stanley's marriage to Peter goes sour and he commits suicide. So then she sets her eye on Craig again, and so on, accompanied by an almost nonstop score by Max Steiner to make sure you're feeling what you're supposed to feel. But this adaptation of a Pulitzer Prize-winning novel by Ellen Glasgow wants to be more. The crux of the plot hangs on Stanley's attempt to frame a young black man named Parry (Ernest Anderson) for a hit-and-run accident that she committed. Unfortunately, the sensitivity of Hollywood studios about offending Southern audiences waters down this part of the narrative, even though Anderson has a good scene in which Parry despairs of receiving justice. Censorship also weakens the incest motif in Stanley's relationship with her uncle William (Charles Coburn), which was stronger and clearer in Glasgow's novel. Davis didn't want the role of the bad sister, and made things difficult for director John Huston (and for uncredited director Raoul Walsh, who filled in after Pearl Harbor when Huston was called into service as a documentarian/propagandist for the Department of War). The result is some of Davis's more flamboyantly mannered acting. De Havilland, however, gives a solid performance as the tough and thoughtful Roy. It would have been a more entertaining movie if it had had the courage to be trashier and less tepidly social-conscious.

#In This Our Life #John Huston #Bette Davis #Olivia de Havilland #Ernest Anderson #Hattie McDaniel #Charles Coburn

[unevaguedeprintemps]

Ernst Haas

.

Un'immagine è l'espressione di un'impressione. Se il bello non fosse in noi, come potremmo mai riconoscerlo?

Ernest Haas

.

.

.

lesdoucheslagalerie.com

azquotes

#ernst haas #art photography #art #photography

[brookstonalmanac]

Beer Events 11.7

Events

F.D. Radeke arrived in U.S. (1858)

Charles Stoll patented an Improvement in Refrigerating Buildings (1876) 

Emil Koch patented a Beer Plate (1893)

William J. Lemp, Jr. elected president of Lemp's Brewery (St. Louis, Missouri; 1904)

Weber's Old Fashioned Beer trademarked (Wisconsin; 1912)

Alaskan Territory voted in Prohibition (1916)

Kentucky, Ohio & Pennsylvania approved the 21st Amendment, but they were still 1 state short (1933)

Stroudsburg Brewing 1st released their beer in cans (1935)

Ernest Brogden patented a Package, Container and Blank Therefor (1944)

Harold Austin patented a Holder for Beer Foam Scrapers (1961)

Staton Page patented a Keg Table (1961)

Anchor Porter 1st brewed in modern times (1972)

Thomas Wharton patented a Molded Pallet (1972)

Samuel Adams Winter Lager 1st released (1989)

Stone 1st released Arrogant Bastard (1997)

Gene Probasco and John Haas patented a Hop Plant Named “H900325-5” (2000)

Jerry Hammond patented a Portable Beer Keg Tap and Dispenser (2006)

Breweries Opened

Neuweiler Brewing (Pennsylvania; 1991)

Rockslide Brewpub (Colorado; 1994)

Whitetail Brewing (Pennsylvania; 1994)

Liberty Steakhouse & Brewery (South Carolina; 1995)

Shinano Brewery (Japan; 1996)

Three Magnets Brewing (Washington; 2014)

#Events

[oskarmcc604]

2/10: Ernest Haas

Another great Creative who was creating amazing works before Joakim Möller and actually inspired him to do the work he does is Ernest Haas. Ernest was famous for photographing New York during the 50's-60's where his images invoked the imagination within the viewer. Here are a few of my favorite's of his:

[annassillyworld]

George Balanchine, New York City Ballet - Ernest Haas (1960s)

National Youth Ballet - Jo Metson Scott (2010)

#ballet #photografy

[docrotten]

LADY IN WHITE (1988) – Episode 217 – Decades Of Horror 1980s

“I really liked your story, Frankie. I wish I was as weird as you.” You are. Trust us. Join your faithful Grue-Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr  – as they travel to upstate New York on Halloween for this quirky independent ghost story, Lady in White (1988).

Decades of Horror 1980s Episode 217 – Lady in White (1988)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

An author tells the story of how, as a young boy growing up in a 1960s small town, he was haunted after witnessing the murder of a little girl.

Writer/Director: Frank LaLoggia

Cinematographer: Russell Carpenter (director of photography)

Visual effects supervisor/Second unit director: Ernest Farino

Selected Cast:

Lukas Haas as Franklin J. “Frankie” Scarlatti

Len Cariou as Michael Phillip “Phil” Terragrossa

Alex Rocco as Angelo Rodolfo Scarlatti

Katherine Helmond as Amanda Harper

Jason Presson as Geno Scarlatti

Rose Weaver as Matty Williams

Henry Harris as Harold “Willy” Williams

Rita Zohar as Mrs. Agnes Cilak

Renata Vanni as Mama Assunta

Angelo Bertolini as Papa Charlie

Joelle Jacobi as Melissa Anne Montgomery

Jared Rushton as Donald

Gregory Levinson as Louie

Karen Powell as Anne Montgomery (Melissa’s mother/”Lady in White”)

Bruce Kirby as Cabbie

Lady in White is Jeff’s pick and he loves the family dynamics depicted in the film coupled with a ghost story that includes racism and a serial killer. Crystal sees traces of A Christmas Story (1983) in the use of a narrator and a young boy who sends away for a prized possession, this time a typewriter instead of a decoder ring. She also lauds future Oscar winner Russell Carpenter’s cinematography and the cast’s acting, singling out Lukas Haas for his cuteness factor. Finally, for her, the combination of child murders and racism coats Lady in White with a patina of sadness. 

Bill describes Lady in White as being good in a lot of ways but just missing the mark of being a great movie. Each element is fine by itself but the humor makes a weird mix in a film featuring a child-molesting serial killer. He also singles out Ernest Farino as a frequent provider of quality visual effects in independent films. It comes through, for Bill, that Lady in White is made by someone who loves the material and loves movies.

As of this writing, Lady in White is available to stream from Shudder. Unfortunately, the Scream Factory Blu-ray is currently out-of-print. 

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Bill, will be Stephen King’s Cat’s Eye (1985), an anthology film starring James Woods and Drew Barrymore, just in time for Halloween.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or leave a comment on the gruesome Magazine Youtube channel, on the website, or email the Decades of Horror 1980s podcast hosts at [email protected].

Check out this episode!

[gh0st-dust]

snapshots of nyc by ernest haas, 1952-1962

#u #nyc #ernest haas

[robert-carmona]

Rainy Night 

New York City, 1952 PHOTO: Ernest Haas

#street photography #streetphotography #streetstyle #streetstorytelling #streets_storytelling #street #rain #nyc street photography #nycstreetphotography #newyorkcity #new york city #new york #nyc #ernest haas #color #color photography #35mm film #35mm photography #35mm color film #35mmstreetphotography #35mm #nostalgia #nostalgic #1950s photography #mood #moody #manhattan #city #city life #water

[cobotis]

You have to decide what your highest priorities are and have the courage – pleasantly, smilingly, nonapologetically – to say ‘no’ to other things... And the way you do that is by having a bigger 'YES’ burning inside...

~ Stephen Covey

#ernest haas #stephen covey #choices

[byneddiedingo]

Bette Davis and Claude Rains in Mr. Skeffington (Vincent Sherman, 1944) Cast: Bette Davis, Claude Rains, Walter Abel, George Coulouris, Richard Waring, Marjorie Riordan, Robert Shayne, John Alexander, Jerome Cowan, Johnny Mitchell, Dorothy Peterson, Peter Whitney, Bill Kennedy. Screenplay: Julius J. Epstein, Philip G. Epstein, based on a novel by Elizabeth von Arnim. Cinematography: Ernest Haller. Art direction: Robert M. Haas. Film editing: Ralph Dawson. Music: Franz Waxman. Although the title role of Mr. Skeffington belongs to Claude Rains, the movie is really centered on Mrs. Skeffington, née Fanny Trellis, played by Bette Davis, a fact reflected in the Oscar nominations to Davis for best actress and to Rains for supporting actor. It's a film that gives Davis the opportunity to run the age gamut, from youthful beauty to haggard old lady. Unfortunately, although the screenplay is credited to the usually reliable Julius and Philip Epstein, who also served as producers, the director is the undistinguished Vincent Sherman, and the resulting film is tediously conventional. It lacks some of the verve of Hollywood movies of the era that was often supplied by a gallery of character players, leaving Davis and Rains to do what they can to carry the story: Spoiled, flighty woman marries a rich man she doesn't love, both of them suffer but are reconciled at the end when she's old and he's blind. It has the distinction of being one of the few films of the period to deal directly with antisemitism, but it doesn't do so with much real conviction. Still, Davis is always fun to watch, even if the nearly two and a half hour run time tends to challenge even that fun.

#Mr. Skeffington #Vincent Sherman #Bette Davis #Claude Rains

[unevaguedeprintemps]

.

Ernst Haas

.

.

.

Traffic, Mexico City

1963

.

ilovemyleica.tumblr

#ernest haas #art #photography

[brookstonalmanac]

Beer Events 11.7

Events

F.D. Radeke arrived in U.S. (1858)

Charles Stoll patented an Improvement in Refrigerating Buildings (1876) 

Emil Koch patented a Beer Plate (1893)

William J. Lemp, Jr. elected president of Lemp's Brewery (St. Louis, Missouri; 1904)

Weber's Old Fashioned Beer trademarked (Wisconsin; 1912)

Alaskan Territory voted in Prohibition (1916)

Kentucky, Ohio & Pennsylvania approved the 21st Amendment, but they were still 1 state short (1933)

Stroudsburg Brewing 1st released their beer in cans (1935)

Ernest Brogden patented a Package, Container and Blank Therefor (1944)

Harold Austin patented a Holder for Beer Foam Scrapers (1961)

Staton Page patented a Keg Table (1961)

Anchor Porter 1st brewed in modern times (1972)

Thomas Wharton patented a Molded Pallet (1972)

Samuel Adams Winter Lager 1st released (1989)

Stone 1st released Arrogant Bastard (1997)

Gene Probasco and John Haas patented a Hop Plant Named “H900325-5” (2000)

Jerry Hammond patented a Portable Beer Keg Tap and Dispenser (2006)

Breweries Opened

Neuweiler Brewing (Pennsylvania; 1991)

Rockslide Brewpub (Colorado; 1994)

Whitetail Brewing (Pennsylvania; 1994)

Liberty Steakhouse & Brewery (South Carolina; 1995)

Shinano Brewery (Japan; 1996)

Three Magnets Brewing (Washington; 2014)

#Events