Tumgik
#especially about representation
royalarchivist · 1 year
Video
Eret: I feel so lucky I am able to be in a position where I’m able to help other people -- at the very least -- realize they are not weird, they are not alone, they’ve got someone who will look out for them. Because that’s something I didn’t have when I was growing up [...] I didn’t have any exposure to any gender stuff, or even LGBT stuff. Now, I actually get to be that representation for some people, and that’s f**king amazing for me. I hope I can continue to help people find themselves, and continue to be a positive representation for people, because I remember what it's like not to have that.
Eret discussing the importance of LGBTQIA+ representation.
Tumblr media
Full video transcript:
[Responding who a dono who thanked Eret for helping them find and feel comfortable with their gender identity]
I’m so glad I could help you with your journey. I feel so lucky I am able to be in a position where I’m able to help other people — at the very least — realize they are not weird, they are not alone, they’ve got someone who will look out for them. Because that’s something I didn’t have when I was growing up, and I thought I was weird, I thought I was — I don’t know, I didn’t have any exposure to any gender stuff or even LGBT stuff. So I just thought, “Well these things going in my mind are f**king weird stuff.”
Now, I actually get to be that representation for some people, and that’s f**king amazing for me. I’ve gotten so many letters, and so many messages, and so many donations, and so many chat messages going, “Thank you for everything”. Meeting people in person at conventions, people literally shaking and going, “Oh my god, it’s you.” And I’m like, “I’m just me! I’m just a person. I just play games.”
To have people freak out over that is mind-blowing. I don’t think I’m ever going to get used to it. Like, I got recognized at my university, I used to get recognized doing random things, and people would just come up to me and go, “Seriously, thank you.”
I hope I can continue to help people find themselves and continue to be a positive representation for people, because I remember what it's like not to have that.
I want to make sure that anyone who feels alone, or anyone who feels they don’t have anywhere else to find understanding, I want to be there for them. I understand I can’t have that one on one connection, but at least I want a space where you can come to, and you’re surrounded by a big group of people who all go, “Yeah, I understand that! Yeah, we’re all on the same page.”
1K notes · View notes
canisalbus · 5 months
Note
As someone whose entire extended family lives in Sicily irl and they're all super catholic i am delighted by Machete's place of origin??? I literally feel like that meme with the anime girl that's like "(Location) mentioned!!!" anytime it comes up lol
Anyways I love reading OC lore so your blog is always a treat 😎
.
147 notes · View notes
prince-liest · 10 months
Text
I’m reading Witch King by Martha Wells, and now that I have read more than one (1) series by this author, I have been suddenly brained with a two-by-four sharpied over with “realizing that I really enjoy novels by Martha Wells because they live in the specific niche created by the intersection of casually and thoroughly queer casts and non-romance storylines”
I am as ever a sucker for non-human main characters struggling with their very human feelings, which is why I jumped on Witch King the moment I saw “the author of Murderbot wrote another book with a main character that’s non-human,” but I live in this dichotomy where I can really enjoy reading queer romances but I don’t really identify with non-ace characters (which is not actually something I figured out how to differentiate until I was Last Week Years Old). so there are lots of books out there that I enjoy reading but it’s comparatively rare for me to read something that feels like it was written For Me and Martha Wells does that very well
anyway, give me more ace it-pronouns human-spliced robot main characters and people-eating demons who consider rank over gender when finding new bodies to inhabit
309 notes · View notes
guardian-angle22 · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Brian Michael Smith (with Ronen Rubinstein & Rafael Silva) receiving the GLAAD Media Award for Outstanding Drama Series in 2023 for 911: Lone Star
392 notes · View notes
antique-symbolism · 2 years
Text
FNV's karma system keeps taking away points for looting Legion and NCR camps as if it isn't always morally correct to steal from fascists and also the United States Military
2K notes · View notes
alaydbug · 22 days
Text
realizing that, as someone who is aro/ace, i dont feel overjoyed when seeing confirmed aro/ace characters in media because of the inherit loneliness one may feel from this identity and not wanting characters I adore to have to feel such a way. love representation, very hard to face them when its a deep part of your own insecurity and it scares you.
41 notes · View notes
heartsofhounds · 8 months
Note
i’m sure you see me going insane in the tags BUT i had to pop into the inbox to tell you that i am so in love with your angel and davey designs, they mean the absolute world to me. it’s like you plucked their little faces right out of my brain and it brings me so much joy to see them!! thank you for sharing your insane talent with the world <3<3<3 sending you all the best vibes <3<3<3
Tumblr media
Hey, sweetpea! Thank u so so much, im also so in love with them :))
and yes! i have seen u in the tags and it makes me smile so much aaaaa.. in response to ur comments on that one sketch i did of these two a few weeks back, there is a lot of love i put into drawing “non-standard” body types, cause they simply don’t get enough love, or attention or representation. Especially as someone living in a fat body, it means a lot to see bodies similar to mine represented as beautiful and even desirable. So yknow (without getting too into body politics and whatever for now) in putting out that content, id hope to help other people develop healthier relationships with their own bodies 💙
60 notes · View notes
laniemae · 2 months
Text
What’s up with this table scene in Deep Cover? (And another theory on colour symbolism and that final scene)
Tumblr media Tumblr media Tumblr media
In this one scene where she’s eyeing the chess peices of Kazui, Amane and Mikoto is really confusing to me. This scene (and the one after) depicts only these three. Like I can understand as Kazui was the one who stopped Kotoko from fully beating up Fuuta, and Amane and Mikoto were the guilty prisoners she wasn’t able to fully inflict pain on but it’s interesting how she’s only eyeing these three here.
Tumblr media
And when the camera starts spinning there’s no chess pieces for the other prisoners, only indescribable rubble that doesn’t match up with the pieces (I’ll get to that later). And even Fuuta’s and Mahiru’s pieces aren’t here, but when it keeps spinning it goes back to Kazui, Amane and Mikoto’s pieces still on the table. So what’s up with this? And there’s no sign of Kotoko’s throne which would be right next to Mikoto’s chair. But interestingly enough her chair is back not long later when she’s standing on the table?
This is really interesting but I don’t know exactly what to make of this. All other prisoners that aren’t Kazui, Amane or Mikoto have been completely removed from this scene, and Kotoko’s chair as well. Instead she’s sitting on the other’s chairs instead of her own. Although it seems that may not be the case for Amane, as it looks like she’s sitting on the table there. Or maybe she’s just sitting sideways, it’s hard to tell.
There’s also how in the scene right after this where there’s only one Kotoko, and she’s standing between Amane and Mikoto’s chairs.
Tumblr media
She’s eyeing Mikoto’s broken piece, smiling and laughing, representing her overblown hate for him.(which I still don’t exactly know why she really wants to kill him so badly? Some of the things she’s said makes me think it may be ableism but I don’t think it’s just that.)
And unlike the others who’s chess pieces are in front of their own chairs, his piece is broken in front of her, perhaps even with the likely guilty verdict she may try to attack him again.
There’s also the colours here, where the purple and blue colours often show when she’s breaking the chess pieces or other violent scenes, which is just a little detail I really like. But it also makes the thumbnail scene interesting as that has the more normal grey palette? Thinking about it perhaps this colour scheme represents her desire to take everyone down, as Amane and Mikoto’s pieces are broken here but she only really attacked Fuuta and Mahiru in real life. But that’d make it interesting considering Kazui’s piece is not broken here but at the end it is.
So going back to the rubble thing I mentioned earlier, there appears to be shattered pieces of stone all around the table that do not look like the broken prisoner chess pieces, as this rubble is more broken and doesn’t have any colour.
It’s interesting as this rubble has just appeared out of nowhere, and replaced the other prisoners chess pieces in this scene as well. And it surrounds Kazui’s piece despite it not being broken. And in the scene where she’s on the table, the remains of the guilty prisoners and the other rubble swirl around her in a ring.
Tumblr media
And this is where I want to talk about the layout of the chairs and the rubble more as this shot is incredibly confusing to me.
Tumblr media
So right off the bat there’s something really strange here. Again there’s rubble all over the table but this time it’s in weird clumps. There appears to be 3 maybe 4 clumps on the table, in a position where it looks like it could represent the guilty prisoners perhaps, but if you look closely they do not match up with where the prisoners seats would be, and they’re just everywhere, and it doesn’t seem like the individual chess pieces are here either.
Tumblr media Tumblr media
But in the end, the table has been completely destroyed and the entire mindscape has been engulfed in the bright blues and pinks, which I mentioned could represent her violent desires. The innocent prisoner’s chess pieces have been destroyed with blood all over them and the guilty ones nowhere to be seen. And Kotoko’s piece, the only one intact is the only one that remains, and is covered in blood.
Ok so just going to go off topic here but I just thought about this final scene while writing. If the pink and blue colours represent her desires, perhaps the overly saturated colours represent her desires going out of control and killing everyone. This could explain why Kazui’s chess piece wasn’t broken in the table scene with these colours but it is now.
Perhaps this final scene isn’t exactly what Kotoko wants, but is what she is scared she will become if she doesn’t try to stop herself. She’s struggling at the beginning to hold herself together and gives up, with the shadow of the werewolf emerging from her. The wolves are Kotoko’s representation of her justice, this werewolf is the violent justice that destroys. She’s afraid of what she could become here, that’s why she’s so horrified at the end. She doesn’t exactly want this outcome, she doesn’t want to kill all the prisoners. But she’s scared that how far she’s been going into her extreme ideologies could lead her down this path.
Tumblr media
25 notes · View notes
myriadsystem · 3 months
Text
Any lovely witchy friends out there have advice for reaching out to a deity?
26 notes · View notes
haveyouplayedthisgame · 6 months
Text
Tumblr media
Terraria
45 notes · View notes
itswhatyougive · 4 months
Text
Sometimes, it feels like we're living in the age of cowardice when it comes to queer representation.
On the one hand, some things we see onscreen today would've been unthinkable at one point in time.
However, there is this pervasive feeling of dancing around characters' queerness, timidly alluding to it via post-release interviews, and wishy-washy "up to your interpretation" characterizations.
"Be grateful you have anything at all," some might say. But I want more!!
I'm tired of this stupid dance, tired of characters who are obviously queer not being allowed to get too "out of bounds" for fear of the moderate/conservative straight viewers.
I know the state of LGBTQ rights seems in danger of rapidly declining, but that's exactly why I want raw, authentic, tender, joyous queerness to be normalized onscreen.
TL;DR This "abundant tame and toothless, sanitized queer rep in media" moment we are living in is getting me down.
30 notes · View notes
anglerflsh · 11 months
Text
Tumblr media Tumblr media Tumblr media
neurodivergency moment on my part
76 notes · View notes
oleanderblume · 3 months
Text
I find it incredibly interesting and absolutely buck wild that the criticism surrounding an independent animation studio's works are directed entirely at the singular creator, as though the entire entertainment industry and medium itself is not a constant collective and collaborative effort of multiple writers, storyboard artists, animators, and studio heads.
Instead, it's just one specific person who is horrible and awful for creating whatever it is they make and how it is received by a seemingly very small minority holding a megaphone to everyone’s fucking ear canal.
Half the criticisms are entirely baseless and lacking nuance, too. Which is interesting. Its like they just hate this one person for being successful and breaking into an incredibly gatekept industry as an independent artist and studio.
Like no one in that group is capable of understanding just how groundbreaking and historical it is for an independent studio to garner this amount of success in this era of entertainment.
Or understanding the limitations put on independent studios that are carving out the future of the entertainment industry.
Of course viewership of a nearly entirely crowdfunded passion project being released once every few months is going to feel as though the pacing is slower, or as though the story isn't being laid out as clearly.
It's being released episodically once every few months.
And of course a series created by the same studio being overseen by a massive corporate streaming service beholden to shareholders and major studio mandates is going to feel rushed and dramatically different from the aforementioned passion project.
It is being overseen by the exact same kinds of corporate business practice that forces writers and creators of entertainment to work in sharp deadlines with no guarantee of continuation.
Like. Yes, have criticism. But be cognizant of the drastically different influences that exist in these two avenues of entertainment and production. And be aware, at the very least, of basic media literacy and competency.
One of those shows is clearly an episodic character driven drama, while the other is specifically plot driven. They are going to manifest different methods of storytelling because they are different stories and might i remind you, one of them is overseen by a corporate entity with the ability to just cancel its "investment" on a whim.
I think it speaks very loudly to the state of consumerism in our current age, and the way audiences receive art. It is no longer art but "content" and we must only consume "content" which is "morally pure" in every possible way.
But criticism can't be given to the corporations in control of that decimination of "content" one one person is to blame, is at fault.
Anyways. Just my observation. Interesting.
20 notes · View notes
violetgarlends · 4 months
Text
i love fxmq so much but also like. god. fenglian. they’re not even a ship to me they’re like a concept. a state of mind. a constant of the universe
44 notes · View notes
violetsorrengailpdf · 15 days
Text
really do Not see where the people who say this book is bad eds representation are coming from. also like...the author has eds????? so????? shut up maybe if you don't have it???????
14 notes · View notes
sysig · 4 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
String you up, tie you down (Patreon)
#Doodles#The Stanley Parable#TSP#Stanley#The Narrator#I realized I never actually gave any kind of visual representation of how Sinister's arm got that way#Since it was a dream initially he was just ''always like that'' so I never bothered lol#Plus I never even posted those original dream doodles over here lol it was on my alt - so many reasons!#It's weird to see his arm unburned and bruised with the wire on it#It would still eventually start to hurt! It's very tight on him so it cuts off his circulation even without all the external damage#Not enough to cause lasting damage - how much do the resets reset? Does his blood un-flow?#But definitely enough to cause discolouration on his skin#Not enough to completely numb his arm tho just so it's like forever pin-pricks lol#Sometimes the skin goes numb from being burned or hit tho - the Narrator has no real way of knowing what Stanley's feeling so he just#Keeps running him into things lol#It's not Exactly sadism on purpose - he does genuinely forget! Especially the longer it goes on because Stanley stops reacting#And then also the thing of how much does the Narrator remember from each reset as well lol - some things! But not everything#So eventually it just settles into ''That's just what Stanley's arm is like'' - much like how I feel about it! Lol#But sometimes he does hurt him on purpose - think the lead-up to the Museum ending or the Mariella ending#The example given here is the first time he burns Stanley's arm for refusing to get the Art ending lol#Maybe he does hate babies you don't know#Poor Sinister :( He's always at the whims of the Narrator but now he's got a whole arm's worth of extra control on him!#Got a bad vibe from the very beginning and he was right
22 notes · View notes