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#especially ep 10
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I listen to the ccir ost every day to compensate for the withdrawal
but then the music makes the withdrawal much much stronger
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to-be-a-dreamer · 6 months
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I can't even explain why but this is one of the funniest screencaps I've ever taken
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leconcombrerit · 2 months
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Phee is lying
I mentioned a theory of mine a few times (or is it hopeful thinking ?) and I decided I could share the big outline. I don't feel very legitimate making this post given that I'm one episode and a half behind, but then again I'm pretty sure I'd earn my clown costume either way.
Phee and Non's relationship : a carefully rushed framing
The cute montage at the beginning of episode 6 never sat well with me. DFF knows how to take its time ; how to develop characters, hint at dynamics without having to spell it out. And suddenly one of the most important relationships in the series is summed up in a five minutes montage ? Are you kidding me ? After that we get one scene (the bracelet one by the river) before their relationship starts to crumble upon the weight pressuring Non.
In other words, we get nothing. Most of my attachment for this couple stemmed from a) boundless joy at finally seeing someone, anyone on Non's side and b) Ta and Barcode eating ever single one of their scenes. Aside from this cute beginning, it's just Phee trying to help Non and Non not being mentally nor emotionally available for anything.
They could have done better. They could have shown us more. But they didn't. I know a common conception is that a montage with the occasional slo-mo fits the "first and naïve love" theme buuuuut I don't like it because I don't like it, sue me.
Let's see what they did show us first ; when you give so little, there's no room for triviality. And then I have just a few details I picked up on (or excavated and extrapolized like a mad scientist) that come feed my "Phee is a lying liar that lies" theory. But first, here goes a montage breakdown.
One : first in person meeting
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There are several interesting points here. Phee is standing and bending to Non's level, Non is acting cute and waving his hand like a child would ; the groundwork of their relationship is laid down. Phee is the one taking care of Non. But what I found truly noteworthy is this :
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"Do you wanna meet up ?"
Phee is taken aback by Non's suggestion. He clearly didn't expect him to do that. Except you don't have expectations for strangers or vague acquaintances. By that point, Phee and Non have been messaging for long enough for Phee to know Non quite well and for the both of them to smile like idiots upon meeting. How long exactly ? Nobody knows.
Two : perfect date and the start of a series of promises
Three or four shots of a traditional, happy date, what more could we ask for. Genuinely. Sad Non, abused Non, crying Non is brought back to a softer world. He earned this level of cliché and happiness. There's also the pinky finger promise ; that's what interests me the most, not as a singular instance but as the start of a pattern. Promises are a running theme in Phee and Non's relationship. As willing as Phee is to take oaths, he's quick to fail them -hell, just one episode prior he wasn't here for Non and it resulted in a suicide attempt. The situation with Keng isn't Phee's first failure.
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Three : Non's home
Here Non is letting Phee in his home, his room -his life. And he does so with glee. We've seen beforehow Non tends to keepto himself. Jin has to try a lot and try hard to get him to open up a bit, so whatever happens here is meaningful.
Phee taking his manga from Non could be read as them not sharing common interests (unlike Jin, my imaginary public argues with a nod). I personally saw it as them being comfortable enough to do their own thing while sharing space, until Phee got bored. Or horny. Or both. No sex scenes are shown, which has to be intentional. Phee gets a graphic sex scene with Jin, Non gets a graphic sex scene with Keng -but none for Pheenon. There's enough suggestion that the audience will get the idea, and I haven't pinpointed what lies behind that choice, but it's definitely there. They go back and forth between tooth-rottingly cute and buying a house in the bone-zone.
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Four : being each other's whole world
They're both giddy and running to find each other. Their families don't understand because they haven't told ; it's their own little world (and in Non's case probably his only happy place with no worries).
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Five : the kiss scenes
The sensual aura that built up in all previous scenes reaches its peak here. Once again nothing is shown in terms of sex, yet you can feel the physical attraction just as well. I might be getting off the rails by saying that while they're honest, they also virtually keep things private. They show us the truth, but an amputated, rushed one.
Just like I suppose Phee gives Jin an amputated and rushed version of what happened.
Six : The river
Ah, yes, the river scene. I won't be talking about the longer one with the bracelet yet cause it's separate from the little glimpses we got so far (it has dialogue, for one). But this ? This is gold to my brain.
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An apple. Not only are they both biting it, but Non's eyes are open and staring right at Phee, while Phee's are closed. Non is holding it too. Now I know the apple symbolism is a Chrisitian one and we're in Thailand, but that little detail struck me as odd when Phee and "Tan" were introduced :
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We're entering full clown territory cause the cross was probably hung there like the curtains are probably just goddamn blue, but I added a badly drawn plan of how our brains read images, starting from top left corner (where the cross is) to skim over the middle in a downward axis to the bottom left (Fluke, Jin, the more innocent ones actually I just realized) and then to the bottom right. The cross is what we see first.
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And then, wouldn't you know, our lovely apple comes back as New and Phee are discussing the boys -and where New is out to get them, Phee is already giving even Por the benefit of doubt. He's also keeping his left hand behind his back. I'll get back to Phee's left hand, but the apple comes first.
If the cross is any indication, and that we get two apples, then the first one that's set in the past, a flashback in a flashback, could be the Old Testament version, a fall from heaven ; and the second one that Phee is eating by himself, not blindly this time, could be the New Testament version as redemption from the original sin. Not to mention the greenery around them, almost like a garden.
"But then doesn't it mean that Phee, after falling for Non, starts to get redemption for failing him by saving the boys from New ?"
You know what, MAYHAPS. It could work, I guess. But same as the manga reading scene, it could go many ways. I personally think the redemption he longs for is redemption for having let Non down so badly. Besides, I don't think New is ready to kill people yet in that scene. He's just trying to gather evidence for now, and Phee knows it. So why defend those boys ? Jin I could understand, but Por ? And protect them from what, exactly ? Getting justice served and truth exposed for something they actually did ? If they're innocent, what's the rush in getting New to let go ?
Why wouldn't Phee be trying to keep New safe ?
Look it's not that far-fetched I swear. First I'm going with the fact that Phee knows Non is alive and got in contact with him somehow. One because I stand by my words, this is a face that calls for murder.
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And two, the ring tattoo. I don't think it's a continuity error. And he just so happens to keep his arm hidden behind his back when trying to stir New into giving up on his search. As a sign he's actually carrying on Non's wish ? I'd love that.
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Then someone in the group has to be in contact with the masked man, the ninth person, or else they wouldn't have known when to expect the group. Unless they literally live in those woods, which is also possible.
There's also a long post I'd started about how the show always plays by the rules, not even trying to be surprising in the decision it takes (A guy dying early on in a slasher, Phee being Non's boyfriend, Tan being New, both of them being part of the scheme) but pulling the rug off under our feet in the execution (no one else of importane having died after Por, quiet Tan being the one to murder people while decisive Phee is crying about, etc). Which gives me the feeling that it will be the same here and that Phee is much more of a mastermind than he's been whining on to Jin.
Speaking of Jin, it would also explain why Phee has been investigating him specifically. They might have been trying to determine if he'd done anything, had leaked the video or not. When push came to shove, Phee played the honesty card to get him to confess. And. He. Did.
Not to say Phee doesn't have genuine feelings for Jin, and that it doesn't make him feel torn and confused. But the fact that they banged right after Jin reminded him of Non more strongly also isn't something I'd ignore.
Anyway, I'm getting tired, short version :
Tl;dr :
I think Phee and Non's relationship was actually much stronger than we've been shown, that Phee knows Non is alive because he's the only person Non would have contacted and works with him. He was tasked with keeping New away from all this because Non doesn't want him to get hurt, but also doesn't trust him enough to tell him anything (remember that New was defined by his absence prior to Non's disappearance, only there to serve as a hurtful point of comparison, and that he wasn't close at all to Non to begin with, regardless of how much he regrets now ; I don't think Non factored New would go that far for him in his plan). The revenge plot is already underway for Non, and Phee is trying to keep things going the way they should.
Here it is. It was itching my brain and I slept very badly because of it, but I AM NOW FREE.
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sydneys-adamu · 4 months
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yes I have things to say about carmy and sydney and the endless endless themes of patience and communication and devotion both of them express to each other deeply rooted in an awkward meet cute and a loaded reunion the former uses to calm down when stressed, especially how this relates to their aversion to loneliness and goal to make the other feel as surrounded and loved as possible even when it isn’t always successful
but every time I start talking about it I’m just picturing myself shaking carmy’s shoulders till his eyes cross bc this man gives me the biggest headache I’ve ever had.
not you syd you’re doing great *hands her a rose*
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diathadevil · 25 days
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Ohhhhhh that ending so solidified the anime adaptation in and of itself and made it very complete as a story (a little bit saddened since it doesn't feel like there might be season 2 with the way the ending changed from the the manga's plot points, at least not anytime soon until we get to some other arcs in the manga!)
Also ngl I kept re-watching some of the sign language scenes with Yuki and Itsu just because of how PRETTY the animation was for it. This anime honestly impressed me with the details in animation.
Man the anime did such a lovely job with its adaptation. I'd love to see at least an ONA or something with Yuki and Itsu and the gang giving us sign language lessons. I need to see more of them ughhhh.
I love A Sign of Affection sm y'all. This is my 10/10 anime this year.
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birdricks · 3 months
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just remembered the pheonixperson fight [walking into the ocean]
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heartslobbf · 2 years
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the thing about rgu episodes 35&6 is its just like...... everything is veering towards a car crash but more than usual. and everyone is more aware of how car-crashy things are going to get than usual, but its like. no one is like ‘hey what if we didn’t get into a car crash though’, or if they are, they’re expressing that sentiment in the worst way possible (shoutout anthy and touga). you have so many tiny and horrendously fucked up moments in those episodes like juri saying utena ‘looks like a girl now’ and making miki consider whether or not that’s a ‘good’ thing, or utena falling asleep at the table with her earrings as anthy just Watches, or the scene where touga holds a carrot in various initially amusing and then promptly emotionally devastating ways as both he and the audience make a series of crushing realisations neither of us are totally comfortable accepting
its like. throughout all of this acknowledgement of ‘hm. this is bad’ everyone is filled with inaction. we are all trapped in our coffins!!! people are prosing but that’s about it. all of the student council know who end of the world is, and they don’t tell utena. im not blaming them for this because its masterful, compelling writing that serves to elevate the show and its themes, but i am pointing it out because what’s endlessly relevant in utena analysis is recognising when characters make choices that ohtori frames as a natural progression or event that is immutable. anthy and touga voice wow i cant believe at least one person has to die at the end of this duelling game, which we like have to do btw. yeah. what do you mean this is all constructed and therefore can be dismantled. oh my god im going to kill you what the fuck. i dont want to kill you. i dont know how else to get you out of this situation. guess ill try and remove you from the system, thereby proving it is a structure that can be left behind and undermining my fragile worldview ive believed to have kept me ‘safe’ all this time. why are you guys talking about coffins so much omgggggggg shut up shut up shut up
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lilidawnonthemoon · 7 months
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bonesandthebees · 5 months
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man I'm glad I decided to read a game of thrones as a way to take notes for how to write rose... I just read about a huge battle with thousands of soldiers and it was so well done... now am I going to write a battle? no fucking way I don't hate myself that much but I know HOW to execute it in a very easy to visualize way and that's what's important
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cerealmonster15 · 1 year
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this wasnt supposed to be a page about oakworthy scenes but thats what ended up happening lol. dialogue i havent seen in fanart as much but cant stop thinking about!!!
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like. hello?!?!?!?
also lincoln and taylor are here :3
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theinfinitedivides · 8 months
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the way proper subs aren't even out for some of y'all and you're already talking sh*t on MDL about whatever decision Gil Chae makes in ep 9 based on the comments of those who watched it without subs......... i can smell the misogyny from here
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allthisheaven2 · 7 months
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lorelais weird beef with jess in s2 is like. u are a grown woman. moreover the weird bit where she kinda sorta prioritizes her daughter's whiny bf over her actual daughter is. u are a grown woman and that is a teenage manchild.
#watching s2 ep19 rn which is like. lorelai 'i can't lie to dean why are you asking me to lie to dean' its like.. i know everyone and their#mother on this website says it that deans clinginess and anger borders on emotional abuse and lorelai encourages it? sort of? and its so#annoying. especially in this episode where its like so insane that rory doesn't say something about it. then again i guess it doesn't go#in line with the writers' dean most perfect bf alive shtick. but if u want him to be perfect then write him better and less annoying?#also lorelais hatred hatred of a 17yo kid is sooo strange when they have her as this totally understanding empathetic adult and she suddenl#can't empathize with the kid who is arguably the most like her and maybe needs it the most. so ooc. and annoying.#PLUS most especially her freak out at luke after the car accident is sooo#batshit insane yelling at luke that he has an obligation to rory and her over his nephew its like. hm. are u fr. also acting like a hairlin#fracture is the most terrible thing to ever happen ever!!! get a grip its so annoying how she goes on and on about it like its catastrophic#i get the overreacting mother bit. obviously. but this is still so stupid insane.#i love lorelai but this ep is her worst maybe. on par with the s7 arc#and speaking of christopher hayden is sooo smarmy and disgusting acting like superdad for one and a half episode before he fucks off to be#a dickhead again. so annoying that my most beloved episode ever is so annoying in its last 10 minutes
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astarlightmonbebe · 4 months
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curious about where they’re going with this…
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liptonrm · 7 months
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Lots to say about the finale but LOVE how the battle couldn't have been won without all of the EF5 (and Elayne). Love that for us.
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atlasshrugd · 2 years
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you know what...i been thinking. i’ve seen lots of ppl say that kinn gave porsche many warnings to stay away from vegas. but im trying to remember when did kinn actually express to porsche that vegas was a legitimate threat. like correct me if im wrong but. going off vegas and porsche’s first interaction, kinn called him up and said “if it’s unnecessary don’t interact with the minor family,” to which porsche asked why, but kinn didn’t give an answer. porsche says “if he is nice to me i will be nice to him. manners, you know?” then the next time porsche interacts with vegas it’s at the club, after porsche is hurt by kinn and vegas takes him on the bike. when porsche comes back kinn tells him again “what did i tell you about interacting with the minor family” and then porsche says “at least they haven’t harmed me.” at this point, porsche sees vegas/the minor family as something that hasn’t harmed him personally, whereas kinn/the major family has. porsche has a straightforward view like this.
then the next interaction is when porsche is sent to work with the minor family while kinn is injured. porsche works w vegas and then kinn questions him about having too much of a good time, to which porsche says, “are you actually interested, or are you just jealous?” at this point porsche basically thinks kinn and vegas have a competitive cousin relationship based on jealousy, which he taunted kinn about. bc he has never actually heard about anything that vegas has done. nobody including kinn told porsche why vegas was bad (e.g. he doesn’t know that vegas slept with all of kinn’s exes). when kinn says “do you know why there are 2 families? bc they need the competition,” it only solidifies in porsche’s mind that vegas/kinn have a purely competitive relationship and not a directly antagonistic one. 
he has only ever seen them exchange passive aggressive remarks (hot pot scene in ep 4) and point guns at each other when kinn sees vegas kissing him. again, kinn becomes violent because he’s jealous of vegas touching what is his (porsche). other than these two instances he has not seen them interact and he has not seen or heard vegas do anything dodgy aside from wanting to piss off kinn sometimes. remember we as the audience see more than the characters. so by the time vegas sits with him at the pool, he doesn’t think anything of it and forgives vegas for drunkenly kissing him. and by the time vegas comes to break him out, porsche trusts him enough to run away because he was left in the dark by everyone else. 
therefore. i am not that surprised or mad that porsche believed vegas. i don’t think porsche trusted him either (he even says “why should i trust you, vegas?” and doesn’t look convinced after), but he probably saw that vegas was his only way out if he was going to stop tawan from manipulating kinn. porsche did not trust kinn to know about tawan’s manipulations, and kinn did not tell him that he knew. therefore porsche is left in the dark with only one person (who has only been kind to him) to help him. in his mind, kinn is not an option bc he believes he has been compromised by tawan - again, because he does not know of kinn’s plan. 
so correct me if im wrong. but porsche has not been given a reason to distrust vegas. kinn warned him maybe twice and it was only about not interacting with the minor family, without giving him any reasons. all of the interactions between kinn and vegas that porsche has seen have been pettily competitive (them trying to one-up each other, being jealous over porsche). but porsche has never seen vegas as a threat nor been given a reason to think he was one, aside from kinn’s vague remarks. 
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kaiayame · 1 year
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my genuine only complaint about the tlou show is that it 10000% needed to be longer.
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