screaming forever about the relationship between Dionysos and Pentheus in Euripides' Bacchae ... and how Dionysos tried to tell Pentheus who he was (queer, containing multitudes) ... and how Pentheus ran in fear from these realizations ... but in running, in not embracing who he was, he became a monstrous version of what he feared (dressed as a maenad, torn to pieces)......
and then screaming forever at how this esoteric knowledge about *self* was so important that it was codified throughout the Greek speaking world, so that even the "Gnostic" Gospel of Thomas contains this line, "If you bring forth what is within you, what you bring forth will save you. If you do not bring forth what is within you, what you do not bring forth will destroy you".
yeah. just screaming forever.
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hey girl, um, we were having a bacchanal and we kinda tore your boyfriend to shreds. yeah, ripped his head clean off. sorry about that :/
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λέγουσι δ᾽ ὥς τις εἰσελήλυθε ξένος,
γόης ἐπῳδὸς Λυδίας ἀπὸ χθονός,
ξανθοῖσι βοστρύχοισιν εὐοσμῶν κόμην,
οἰνῶπας ὄσσοις χάριτας Ἀφροδίτης ἔχων...
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And they say that some foreigner has arrived,
a sorcerer, an enchanter from the land of Lydia,
with sweet-smelling hair in tawny curls,
the wine-dark charms of Aphrodite in his eyes...
Euripides, Bacchae 233-236
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Pentheus Pursued by the Maenads by Charles Gleyre
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"And when the weaving Fates fulfilled the time, the bull-horned god was born of Zeus. In joy he crowned his son, set serpents on his head – wherefrom, in piety, descends to us the Maenad's writhing crown, her chevelure of snakes."
– Euripides, The Bacchae
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Bull-god, drunk god, god of women and transvestites, giver of ecstasy, master of dance, lord of the emotions—such were the various masks worn by the daimon whose lineage went back to ancient Minoan civilization. In his myths and rituals, Dionysos embodied both a feeling for the living continuities of nature and a concept of the human personality as an organism deeply rooted in the nonrational forces of the cosmos. Serving as the focus for the spiritual needs of Greece's underclasses, he became the god that the patriarchal establishment could neither accept nor eliminate. And so Dionysos represented the return of the repressed in several senses: return of the religious needs of the lower classes, return of the demands of the nonrational part of the self, and return of the Minoan feeling for the living unity of nature. And so in turn he threatened several repressors: the aristocracy of well-to-do male citizens, the domination of intellect over emotion, the alienated ethos of the city-state.
Arthur Evans, “The God of Ecstasy: Sex Roles and the Madness of Dionysos,” 1988
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Been thinking about the Bacchae again
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Agave with Pentheus' Head (From Euripides' Bacchae)
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