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#evermore feat. bon iver
catty-words · 1 year
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album closers to sink into a fit of despair to
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crysmunth · 4 months
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evermore does not get the appreciation she deserves
between themes of time, forgiveness, and acceptance, taylor touches every type of grief and loneliness within understanding monologues. yes, each song is lyrically beautiful and i love all the production. but the way the songs compliment each other with extended metaphors, create a story, create different, sympathetic sides of a story, tells a tale in a traditional sense but with a renewed tone and take. she tells an old story of lovers, but reminds us of how it repeats.
we start with willow, a declaration of commitment and romance. from the beginning, emotions are running high for love. in the first verse "rough on the surface but you cut through like a knife," resembles past burdens and treacherous loves, but that the right kind of love pushes beyond the walls one may put up. the theme of water and ships continues throughout the album, beginning in this song, representing the ineffective obstacle between the subject and their love. willow is a time capsule of love: as nature itself agrees with the object of attention, our subject follows and strays even more. this type of love, which embraces a comeback akin to the resurgence of 90's trends, is everlasting and unconditional, or even, evermore.
i want to jump to evermore (feat. bon iver) because of the continuation of the ship/water metaphor. this song, being the last on the album while willow is the first, has a similar declaration of love, but through a completely different angle, coming from a place so low and recognizing their love as a way to push oneself through rough patches. while bon iver sings his verse for the second time, she sings over, "and when i was shipwrecked, i thought of you/in the cracks of light, i dreamed of you/and it was real enough to get me through/and i swear, you were there." the two singing over each other audibly create a sense of urgency, of fighting, of the need to get your voice heard within a timely manner, something which resonates throughout the album as well. while he sings "can we just get a pause" or slow down, to keep their selves and their love together, she recognizes that while she was low, it was the idea of their love, of dreaming of their love, and it felt so real to her, almost as if he were there. this is what kept her alive through the trenches, through the difficulties of life. this is the healed version of "this is me trying," where she looks back and realizes it was this everlasting and unconditional love that kept her from herself, from the waves that refused to settle.
both the songs recognize that loneliness is temporary, because love is waiting for you on the other side. evermore digs into the darkness a little deeper, really recognizing how hard and painful it can be. both songs also pull us into taylor's folklorian forest that bore these tales, on the wintery landscape that heals. i think evermore exentuates the cold, remembering however that it wouldn't be forevermore, so it's okay to sit in it, because it won't last forever. the winter doesn't last forever, but the love does.
i'll have to do more song parallels in the future. thanks:)
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viivdle · 3 months
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on today's episode of "taylor swift is SO jurdan coded" is "evermore feat. bon iver"
in my opinion, a lot of the songs can interpreted from both jude's and cardan's side and this one is a great example of it
"Gray November
I've been down since July" could very well be jude's exile - jude would be down because she was exiled (obviously), but we know cardan was extremely down too since he thought jude didn't want to return his letters
"Motion Capture
Put me in a bad light" - jude was put in an extremely bad light when cardan exiled her in front of everyone
"I replay my footsteps on each stepping stone
Trying to find the one where I went wrong" is one of the parts i think are fitting for both - jude has been raised as a mortal in elfhame, always having to watch what she's doing and make sure she's doing it correctly, i'm more than sure she'd overthink every single thing to find where she went wrong. on the other side, cardan has been raised as an unwanted princeling born under a bad prophecy, it clouded his whole being. for cardan's side i imagine both him as a child, trying to figure out what he did for everyone to ignore and hate him, and also him in the time between twk and tqon, trying to figure out why jude wasn't coming back despite his letters.
"Writing letters
Addressed to the fire" - i think this one is very self explanatory on cardan's side, but i think it can also be used as a metaphor for jude's efforts to fit in and prove her strength to everyone (ex: madoc) that she knows won't change anything anyway because she's mortal first, and everything she achieves is tarnished by that
"Staring out an open window
Catching my death" - this one isn't really something i can explain, i just imagine jude in vivi's apartment during the exile
"And I couldn't be sure
I had a feeling so peculiar
That this pain would be for
Evermore" again, fitting for both in a way - for both jude and cardan, they lived with something that shadowed everything they did. for jude, it was her mortality. for cardan, the prophecy. both of those caused pain (that they dealt with in very different yet similar ways, but not getting into that now) that they knew wouldn't go away. the second example, also fitting for both, is during the exile. jude was obviously homesick. despite the circumstances, elfhame did become her home and she was banished from it. on the other side, i imagine jude was the first person to make cardan feel at home, so in a way he banished himself from home by exiling her.
"Hey December
Guess I'm feeling unmoored" - again, exile (trying to speed this along)
"Can't remember
What I used to fight for" jude - through and through, it's her. she worked her way to not only being a spy and seneschal, but the actual QUEEN. and for what? to be exiled hours later? everything she touched and fought for turned into ashes.
"I rewind the tape, but all it does is pause
On the very moment I was lost" again, both - i could bring up the prologue of tcp, but i'm not doing that to myself. i think for cardan the most accurate moment was when jude tricked him and oak placed the crown on his head, those lyrics just FIT!! for jude the most important ones would of course be when she almost died but also when he saw cardan laughing with the folk.
"Sending signals
To be double crossed" - cardan. exile. letters. all i'm gonna say.
"Barefoot in the wildest winter
Catching my death" jude - i have to say it. jude when she almost died. you know the one i mean.
"Oh, can we just get a pause?" - i wish they would've gotten SO. MANY. PAUSES. this obviously applies to both. especially when cardan lost his family (it hit him more than he wanted to, i don't care) and, i'm sorry, when cardan turned into the serpent. i can see jude standing in front of him before she kills him so vividly when i hear this
"Cannot think of all the cost
And the things that will be lost" - i wish the two of them knew what was coming for them i'm sobbing
"I'm on waves, out being tossed" - pun intended
"And when I was shipwrecked
I thought of you" both fit - the amazing thing with jude and cardan is that no matter who was actually in danger, the other suffered too. when jude was held by the undersea, cardan went berserk. the time during jude's captive fits for many reasons (there was a pun intended by picking it). it also suits cardan when his family was BEING SLAUGHTERED AND HE SAW JUDE.
"In the cracks of light
I dreamed of you" again - both. i like to think of this as a metaphor, the cracks of light are the parts of cardan that were conscious when he was the serpent, not knowing anything but jude. and jude herself admitted that she dreamed of cardan, so i'm taking that one literally even thought there were no cracks of light during her exile
thanks for coming to my VERY long ted talk
"But I swear
You were there" cardan - again what i said above. he knew nothing, not even himself, but he knew jude.
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ohgaylor · 1 year
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Tropic Morning News, The National // evermore, Taylor Swift // The Sea of Love, The National // I’ve Been Down, HAIM // peace, Taylor Swift (all lyric connections)
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blbnowi · 1 year
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Listening to Exile (Taylor Swift feat. Bon Iver ) on repeat at full volume because its your comfort song and the decision what t o cook fully overwhelmed you and nearly sent you into a anxiety meltdown.
Yes it's one of those days
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catastrxblues · 20 days
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EVERMORE by taylor swift (feat. bon iver) — “and i was catching my breath, floors of a cabin creaking under my step. and i couldn’t be sure, i had a feeling so peculiar, this pain wouldn’t be forevermore.”
my #swiftiegiftexchange2024 for @lovesickallovermybed!!!! 🫶🏽🫶🏽
#HIII HII HII how are you <3333 SO sorry for being slightly to the party but HII#i saw that you are currently recovering from surgery and i‘m wishing you all the best and =a faster recovery 💗💗 i hope you’re okay and#are feeling and getting much better every day 💗💗💗#i’m your anon swiftie and it was really nice to get to know you!! 🫶🏽 you’re super super talented and your gifs are so so STUNNING#it was such an honor to be your anon for this event and i had such a fun time making this !#i was SO excited when i saw that some of your favorite ts songs are evermore and idsb. really really sorry i didn’t have the time to make#something for both because my laptop went dead for sometime and i ended up only having the time to make this 😭#evermore the song is something i hold and cherish deeply in my heart too and it was something that has seen some of the worst of my days#and so i decided to do this song for your gift instead!#i can’t really gif much and couldn’t even try#because my laptop in which i had installed ps in went rip so i decided to make you this#(slightly messy sorryy) scrapbook of my view of the song! i tried to incorporate some of the descriptive lyrics and the objects mentioned i#the song and i hope you like it 😁!#and because i think evermore is also something that IS meant to be incredibly personal to the people that listen to it#i decided to include some photos (+added highlights on every lyric that has ever touched me which is almost everything as you can see 😭)#of some of my journal pages on which i rewrote the entire lyrics (except bon iver’s addition 😅) in ‘21 when the song meant to me the most!#i hope you're having a great dayy love 🫶🏽🫶🏽#SwiftieGiftExchange2024#taylor swift#tswiftedit#evermore#*my edits#nadine.mp3
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theetherealbloom · 1 year
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UNEVEN ODDS — CH. 2
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Chapter Two: Roll Up Your Sleeves
Summary: The Reader is dragged into the Last of Us universe and has no choice but to watch the events unfold or will she be able to change what was already written?
Paring: Joel Miller x Fem!Reader
Warnings: Age-gap Romance, Violence, Angst, Fluff, Guns, PTSD, Depression, Anxiety, Swearing, Reader wants to sacrifice herself, Zombies, eventual SMUT, MY SCIENCE IS WONKY, probable plot holes, rusty writing
Word Count: 4.8k
A/N: Holy shit there are so many of you sjdfhgsk AHHHH thank you so much for all the notes and comments, I appreciate it! Here’s a little bit of info for you to understand a little bit of my thought process. In my outline, the reader is an Enneagram Type 9: The Peacekeeper. (This helps me add a little bit of depth to you so I don’t feel entirely lost when writing) if she seems “passive” or “complacent” it’s cause she wants everything to go smoothly and be without conflict. I’d like to believe there’s a little part of us that prefer to avoid tension, due to the fear of loss and separation from the people or things you love. I’ll go a little bit more in-depth about this in the story as it progresses. Hope you enjoy!
Song: evermore (feat. bon iver) by Taylor Swift
Previous Chapter -> Next Chapter | Series Masterlist
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TLOU WORLD – 2023
BOSTON - NOON
You walk along the ruins of a long-abandoned Boston with an overpowering sense of dread. It feels like the build-up of a song in which you know the tune, the lyrics, and the beat. Strings of violins, drums, and bells ring and thump in your mind, unwanted and uncaring of how you feel. This curse of knowledge you never asked for but which you carry follows you as the four of you approach the Bostonian Museum. Creeper vines and Cordyceps grow on the sides of the building, marked by conspicuous veins and all-consuming every red brick of this once-beautiful structure.
The four of you stand outside the entrance of the museum. Cordyceps consume every part of the foundation, Ellie tilts her head to look up at it appalled, “You’ve got to be fucking kidding me.” You stand next to Joe, using your hand to rub your right eye, and mumble, “Shit.”
“Well, there’s a way across from the top floor,” Tess says while moving to place her hands in the pockets of her pants. Ellie sarcastically replies, “Well, then I guess it’s fine.” Tess reassures her by adding, “We use to take it all the time.”
Ellie answers, “Okay.” Joel leaves your side and approaches a dry vein of the Cordyceps, removing the rifle he stole from the FEDRA guard, he crouches and touches a part of it to check if it was still active. He swings downward, hits the vein with the butt of the gun, and a puff of dust releases from the dead fungi, he stands to walk over to Tess, “It’s bone dry. It could mean they’re all finally dead in there.”
Tess nods, then they both kneel to prepare their flashlights and weapons, just in case. You and Ellie watch them both rummage through their backpacks, “Oh, man,” the kid mutters.
Joel whips out a flashlight and waves it at Ellie, “Marlene pack you one of these or just sandwiches?” She removes her backpack, “Yeah,” and pulls out her flashlight. Joel looks to you, “Catch, hummin’ bird.” That was the only warning he gave you before tossing you the flashlight, “Luckily, I have a spare.”
You’re short of breath as you hear the nickname he gave you. Miraculously, caught it with both hands, and without even thinking you wink, “Thanks, cowboy.” Thankfully, no one says anything about your quip directed at him.
“Okay, so… more ground rules.” Tess announces and turns to Ellie,  “We’re gonna go slowly. If we come up against anything you get behind us and you stay there, okay?” The young girl nods and wears her backpack, “Yes.” Tess brings out her handgun and flashlight, positioning her hands in a way that she can use both. Ellie glances at the gun she’s holding, “I have a spare hand.”
Joel is unamused by what she is insinuating, dryly replies, “Congratulations.” He walks forward with determination, he pokes his head through the door to do an initial check before turning around to nod at the three of you to signal it’s clear. Reluctantly, you follow them inside, your mind has kicked into overdrive, trying to figure out a way to get past this with zero casualties. If you sacrifice yourself, would that change the ending? Would it buy Tess a little more time? This might be your grand attempt to do something right and kind without assurance, without the promise of an afterlife.
Flashlights dance and shine around the walls of the abandoned museum, you watch your step and try to calm the beating of your heart as you look at the artifacts left behind. You navigate through the hallways and come across a corpse of an infected deceased. Joel shines his flashlight on the fungi, “Yeah, cooked.” Tess exhales, “Finally, some fucking luck.” Ellie steps a little closer to investigate the remains of what was once human, Joel continues, “I guess we should’ve gone this way in the first place.”
You were so caught up in trying to ground yourself in the reality of all of this, that this is actually happening, that you forgot to at least warn them about the Clickers they were about to face in a couple of moments. Just as Ellie was about to turn a corner, you whisper loudly to her, “Ellie wait!”
Too fucking late. “Oh shit,” Ellie exclaims with wide eyes, and Joel makes a move to inspect what she found. A dead bruised, bloodied, young man slouched against the corner. Ellie’s eyes were full of shock, “What the fuck did that?”
Joel and Tess look at each other knowingly, and you finally decide to speak up, for her and theirs, “Whatever you’re about to say or hope for, don’t bother.” The three of them turn to look at you and you decide to continue in an audible whisper, “I wasn’t sure if I could or should warn you, but we need to stay quiet from now on.” You gather your courage to look directly at Joel with an unwavering stare, “It’s exactly what you suspect it is.”
“Are you saying an infected did that?” Ellie whispers to the three adults, and she resumes, “Because I’ve been attacked by one and it wasn’t like that.” Joel looks at you and he can see the way your face twists, your lips curled downwards, and your eyes show your remorse and guilt, he whispers to everyone, “Okay, from this point forward we are silent. Not quiet. Silent.” Ellie looks at him concerned and confused, “What?” But Joel shakes his head, “No. No questions. Just do it.”
This is it. You think to yourself as you will your feet to move, continuing, you follow Joel and Ellie up the stairs with Tess trailing behind. You remember when you could cover your eyes to the scary moments of the show, you could press pause, or fast forward, not needing to witness and feel the distress and panic.
The quiet creak of each floorboard of the steps as your boots land on the rotting wood, it groans all of your weight and dust falls from the ceiling. You all stop silently, waiting for any indication of an infected discovering that all of you were in the museum. After a moment, Joel looks back at you, a silent way of asking if it’s okay, you throw him a bone and give him a tiny spoiler, then you nod at him. And all four of you continue up the stairs.
As you make the first landing of the steps, you shine your flashlight to meet a horrifying view. Multiple corpses of people who were infected with Cordyceps lay on the wooden floors. It’s unspeakable and all-consuming, the silence overwhelms your system, there is a sudden tightness in your chest, and feel a part of your mask slip, your eyes shift and move to look at the pile of bodies. Organs and parts that were once human, were scooped out and transformed into fungi.
Your mouth opens silently, quivering as you do, and you lightly shake your head. Joel steps over the rotting fungi, just as you were about to grab Ellie and warn her about what she couldn’t see, you were too late. Again. A satisfying crunch could be heard throughout the building and you squeeze your eyes shut in fear for a moment then you reopen them. Joel whips around to look at Ellie with annoyance, the kid gives him an apologetic look.
Thankfully, you managed to make it up the steps with no more issues. Joel slowly opens the door to Independence Hall, and the wood gives a quiet creak. He quickly scans the area before deciding to nod at all of you, telling you it’s clear.
With your foresight and knowledge of events that had already happened in your time, you decide to act accordingly and give a hard shove to both Tess and Ellie inside the Hall and quickly follow after, gravity takes place and parts of the museum collapse, pieces of wood and cement block the doors. You were trapped.
Tess and Ellie push themselves off the ground, but you take a little longer to get up. You scraped your arms and hands, and the pain in your head came back. Joel quickly and quietly helps Ellie up then realizes you haven’t moved yet. He immediately makes his way to you, lightly shaking you to get up, you blink back the blurry black spots that are forming in your eyes and stand up with his help, both of his hands on the underside of your forearms.
You squint and slowly look up at him, and for what felt like a second, you see the worry that lines his face. Concern and need to protect you, even though you’re just a stranger. The moment doesn’t last long, you hear the familiar sound of screeching in the room adjacent to you. Flashlights shine in the direction of the noise and you hold your breath as all of you walk backward, keeping your eyes on the monster that emerges from the shadows. The twitchy movements are followed by the croaky noises of the infected, it tries to navigate, searching for its next prey. And on queue, the other Clicker screeches, indicating that there are two of them. This is no longer a museum, it’s a fucking horror house and all of you are in for the worst experience of your life.
You are now surrounded by predators, and prey, playing a twisted game of hide and seek. You press your back against the glass of the cabinet, Tess to your right, Ellie to your left, and Joel being the farthest left. He gestures to his eyes and ears, quietly mouthing, “They can’t see, but they can hear.”
The creature groans and croaks, clicking sounds from its throat. It’s right behind the glass, your eyes drift to the monster and see its jerky movements. You bring your eyes to look at Joel, he lifts his pointer finger to his lips, indicating to be incredibly still and silent. Fear is the darkness and the unknown, a hard-to-shake feeling, it overstays its welcome and leaves you panting.
Tess watches the monster make its way around the corner, limping and shaky. Ellie closes her eyes to try and control her breathing, and you get yourself ready for the fight you never wished for. ‘Why is it always so fucking dark?’ You wonder inside your head, The Clicker comes into view, and you hear an audible gasp come from Ellie. Shit.
The creature turns in your direction at full tilt, mouth wide open with its yellowing teeth, and gives the loudest high-pitch screech. Joel sprays bullets into the Clickers’ chest, but it fights back, he looks in your direction and yells out, “Run!”
The second clicker begins to sprint toward you and Tess shoots at it but the bullet misses. Tess grabs Ellie by the arm and drags her away, while you run with them. The four of you get separated, Tess trips and so do you and Ellie, she yells out to tell her, “Run… Run!”
Ellie crawls her under a table and finds her way out, while the Clicker runs after Tess. You are now at a crossroads, Joel is running at the other end of the exhibit while Tess heads in the opposite direction. You swiftly make a split-second decision and duck, right behind Ellie under the table, however, you do not crawl away, instead, you wait for the Clicker to run by you and quietly get up to follow after Tess. This is your chance to make things right, to ensure she doesn’t get bitten. Will this cost you your life?
You grab an ax hanging from the wall and run to the other side of the room, you hold it with both hands and feel the sweat coating your skin. You turn a corner and see Tess pinned up against the wall, the creature feasting on her neck, your heart drops to the bottom of your stomach, and you let out a scream, “No!”
The creature quickly turns and shrieks at you, angry for interrupting its meal, now it begins sprinting towards you, and the adrenaline pumps into your bloodstream and system. The anger starts to flare in your chest, the silence grows louder along with the ringing in your ears. You stand unwavering and with the courage that has been asleep for so long, it awakens at the right time.
Aiming directly at its head, you throw the axe with everything you have. It lands on a portion of its mushroom-infected face. Yet, it only slows the creature down a second, screaming and swinging its long mutated arms, and tries to locate you, but, it hears the commotion in the other room, loud pops of a revolver can be heard and you assume it’s Joel killing the other Clicker.
The abomination of what once was human turns and screeches at Joel and Ellie, it scampers towards them and you feel the pulse in your veins like a fighter, you fight the fear and let the rush take over, you sharply glance at the handgun Tess had dropped during the chaos and without hesitation, you pick it up and pray it still has some bullets in the chamber.
This was a skill you wished you never had to use. All those days in the range were just a precaution, the world is not kind to women, and you learned to protect yourself just in case. It meant only using a gun when you or the people you loved were in danger.
Using one hand, you swiftly remove the safety with your thumb, aim, and shoot at the head of the Clicker. With three loud pops and then a fourth one for good measure, the monster falls to its knees and on the ground.
Dead.
Blood oozes from the infected’s head, and you stand there watching the crimson splatter grow larger. Tess appears from the archway and takes in the vision before her. You turn to aim the gun at her, your fight instincts kick in, still high from the adrenaline, and you stand there breathing heavily.
Joel yells out your name. You blink once, then twice. A beat passes, and you don’t register Joel approaching you in a calm slow manner, his arm stretched out with his palm facing you, treating you as if you were a frightened animal, now he places his hand on top of yours, a touch so gentle you barely register it. Carefully and steadily he takes away the gun in your hand and turns the safety on before handing it to Tess, which she slowly takes, while you let it happen.
Your vision is blurry and tries to swallow away your guilt. You were too late. You couldn’t save her. Joel says your name again, he’s in front of you now, his frame covering and protecting Tess, but he has replaced the gun you once held, with his hand. Ellie watches the events unfold from the side, not wanting to create any more noise or movement. He squeezes your hand and whispers, “It’s okay… It’s okay.”
It’s not, but his voice brings you back anyway. You look to Tess, your eyes full of sorrow, and your voice quivers as you speak, “I’m sorry. I’m so sorry.” Tess nods knowingly, she swallows her pride and sadness to say, “It’s okay. You tried… um, thank you.”
Her words completely snap out of your trance, and you see the world a little clearer now. You nod back at her, then bring your eyes to Joel, who is still holding your hand. His eyes dance around, observing and taking note of every detail of your face. You’re the first to break the staring contest, realizing that Tess doesn’t have a lot of time. You step back away from him, dropping his hand, “We should get going.”
Joel turns to Tess, “You all right?” She nods, “Twisted ankle, but yeah.” She limps over to Ellie, “You all right?”
“Well, I didn’t shit my pants, so…” Ellie says and pulls up the sleeve of her jacket to reveal a bite from the infected. “You fucking kidding me?” she exclaims and turns to look at Joel, “I mean if it was going to happen to one of us.”
Tess stays silent at that, glancing at you to keep your mouth shut. You give a discreet nod in response, Tess calls out to Joel, “Hey. Let’s get the fuck out of here.”
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Joel pushes the window up and opens, stepping out onto the roof, Ellie follows and you do too, leaving Tess for last, who plops down to rest her ankle, “Fuck.”Joel kneels and opens his pack to give Ellie a bandage, “Put this around your arm.” She takes it and says, “Thanks.” You watch as Ellie makes her way to a wooden plank, makeshift bridge, “Over there?” Joel glances over while continuing to fuss over Tess, “Yeah, I know it looks scary.”
“That was scary. This is wood.” Ellie states and proceeds to walk across the wood plank to get to the other building’s roof. Joel watches in disbelief and hollers, “Just wait there. Give us a minute.” He turns to look at you, “Can you go make sure she’s…” You only nod, knowing that Joel and Tess need to talk, you look at the wood plank they call a bridge and mumble to yourself, “If the way I die is falling from a high place, so be it.” 
You walk across with no problem and catch up to Ellie, “Hey,” you say as you stand by her and take in the view. “What happened to you back there?” Ellie asks, the wind blowing strands of hair away from her face. You huff, “I don’t know. The adrenaline took over, I guess.”
You both stand in silence now, then you can hear the heavy footsteps of Joel walking up to the right of Ellie, she merely glances at him and then turns back to see the State House in the distance, glittering under the sunlight. “Is it everything you hoped for?” Joel asks her, Ellie blinks but answers him, “Jury’s still out. But, man you can’t deny that view.”
You hear Tess approaching from behind, eager to keep moving, “Come on, let’s get there before it’s dark.” She turns and then climbs a ladder down, letting out a groan of pain no one question or brings up. Joel nods at Ellie to follow Tess which he does, you look at Joel as Ellie climbs down. And you held his gaze for a moment, then look to his broken watch, before climbing down after the young kid.
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Leaves crunch with every step you take, Tess lightly limping ahead, she turns to look at you, and you could only stare back. Tess looks straight ahead once more, and you can’t help but wonder about the violence of the dog days and what could get you through this. You see the State House from a distance, a hauntingly beautiful sight, creeper vines growing on the pillars and sides of the edifice.
The group decides to hide behind an abandoned car near the state house, and immediately could tell that something was very wrong, “Where the fuck are they?” Tess harshly states, Joel, shakes his head and decides to go check the truck parked outside by the steps of the ruined State House.
Joel walks over cautiously to the door of the truck, he swings it open to aim his rifle at it, only for the seats to be empty. Joel sees the blood splattered on the sides of the door, and turns to mouth at you all, “Stay back.” He rounds the side of the truck and notices a recently deceased, he continues to the back of the truck, swinging the giant blue metal doors, to confront no one.
You follow Ellie and Tess as she demands, “Joel, what the fuck is going on?” Joel shakes his head, “I don’t know.”
No longer wanting to play along, you look down to see a trail of blood up the steps and into the State House, you hear someone call your name, but say nothing as you walk up to the doors of the building. You push your way through, briskly walking to the center of the structure, and you take a good look at the multiple dead people scattered on the ground. You shake your head and close your eyes, “Fuck.”
You hear the three come in after you and they notice immediately what happened, Tess goes into a panic, “Okay. I mean there’s gotta be a fucking radio or something, right?” She proceeds to open the kit boxes that contain nothing but supplies, searching for anything that could help them win.
“Who killed them? FEDRA?” Ellie asks, and you reply, “No,” you nod to the man on the ground, Joel rolls him over with his boot and you continue, “One of them got bit. The healthy ones fought the sick ones. Everyone lost.”
Joel’s nostrils flared as he stared at you, “You knew? You knew and didn’t even bother to warn us that this was all for nothin’?” You raised your chin, “They were already dead hours before we got here.” His jaw clenched while you stood, fists clenched by your sides, and rolled your shoulders back, glaring at Joel.
Joel calls out to Tess, “Tess, what are you doing?” She ignores him and approaches Ellie, “Where did Marlene say that she was taking you?” Ellie responds unsure, “Uh, I don’t know. Just west.”
“Just west. Fuck. okay. Well, I mean, one of them’s gotta have a map on them, right?” Tess then goes to search one of the deceased Firefly’s pockets, “Joel, can you help me?”
“No.” He fumed, “Tess, it’s over. We are going home.”
“That’s not my fucking home!”
You let the exchange happen, while you move to one of the kits to retrieve a handgun, some ammo, and a small first-aid kit, and steal a backpack sitting on top of the chairs to shove all your supplies inside. Then, you hear Tess say the words you knew would happen, “I’m staying. I mean, our luck had to run out sooner or later.”
“Fuck.” Ellie whispers, “She’s infected.”
Tess sighs, and Joel’s eyes hardened and narrowed into slits, “Show me.” She takes a step forward and whispers his name, only for him to take a step back. Tess then steps back, anguish splashes across her face, then pulls the collar of her shirt and jacket, to reveal the growing infection on her neck, “Oops, right? And don’t bother taking it against her,” Tess gestures to you, “She did everything she could to save me, but I guess fate had already cut my string.”
Joel takes in a breath of disbelief while Tess looks to Ellie, “Take your bandage off.” Which she does to reveal no evidence of infection, just a new scar on her forearm to add to her collection. Tess makes her way to Ellie and holds her arm, “Look. Joel? This is real.” She drags Ellie closer to him, “Joel, she’s fucking real.” Her grip suddenly becomes twitchy and she wills her hand to stop shaking and hides it behind her back, she stares directly into the eyes of whom she once loved, “I need you to get her to Bill and Frank’s.”
Joel is shaking his head as he replies, “No.” But Tess continues to speak, “They’ll take her off your hands. They’ll handle it from here.”
“No… I can’t. They won’t take her. They’re not gonna take her.” He says and you watch each part you knew to unfold, Tess whispers to him, “They will because you’ll convince them. Yes, you will. I never ask you for anything. Not to feel the way I felt…”
“No.” He stubbornly states, but Tess lets the tears stream down her face and exclaims, “Now, you shut the fuck up because I don’t have time.”
He grants her request and listens, “This is your chance. You get her there. You keep her alive and you set everything right. All the shit we did.” Joel shakes his head as Tess begs, “Please say yes, Joel. Please.”
Despite the somber mood, a screech from one of the corpses has come to life and taken its revenge on the living, Ellie screams out, “Oh, fuck!” But your reaction time is faster this time, and you no longer hesitate as you walk towards the parasite, remove the safety of the gun and shoot it point blank in the head. Joel comes up behind you, and takes notice of what you’re staring at, the Cordyceps patch has awakened the rest of the infected and you hear the croaks and shrieks from outside of the State House.
Joel runs up to one of the doors to check how many are on the way, he shuts the door and locks it after making out the horde approaching. “How many?” Tess asks, Joel walks past her, “All of ‘em. Maybe a minute.”
Tess takes one of the rifles off of the floor and uses the butt of the gun to remove the lid on the fuel barrels. She pushes it to the floor, and the clear yellow liquid pours out of it and coats the floor. You help and do the same to the other barrel, knowing how this will end for Tess. “What are you doing?” Ellie asks, watching you and Tess scatter grenades on the ground, “Making sure they don’t follow you.”
Tess then approaches Joel, breathless and shaking, “Joel. Save who you can save.”
He clenches his jaw and his nostrils flared, angry, confused, upset, everyone he ever loved leaves or dies. He stares at her, soaking in her image as much as he can, and then he makes his decision. He quickly grabs Ellie by the arm and drags her away, her protests can be heard as it fades away around the corner, she punches his arm to try and break loose but he’s much stronger, “No! We’re not leaving her! Get off me, you fucker!”
Tess says your name and you turn to face her, “You weren’t lying? About the whole different universe thing?” You can only shake your head in response, hoping she can see your heart breaking into pieces.
Tess hums and gives you a small smile, “Take care of them for me, please? Especially Joel. Stubborn as a mule but you’ll learn to love him, just like I did.” You decide to grant the woman her dying wish, you nod and whisper, “Goodbye, Tess.”
You turn to run and didn’t look back, pushing out of the wooden doors, while tears stream down your face slightly obscuring your vision. But you manage to catch up with Joel and Ellie, as you did, the blast from the State House is sudden and loud. The smell of burning kerosine fills the air and you turn to look back at the raging fire, Joel turns and points his rifle at the area, ready to shoot just in case, only to hear screeching and the infected burning on the steps of the building.
You stare and one-half of your senses silently wish Tess would walk out, but you can no longer rewind, she’s gone. Ellie pants, trying to catch her breath, tears rimming her eyes and Joel lowers his rifle to turn away from the roaring flames. You and Ellie turn to watch his lone silhouette walk away from you both.
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A/N: WELL that’s the end of Episode 2! Lowkey was fighting invisible demons to get this chapter edited and out bcs I wanted to improve on describing movement, anger, sorrow, etc. IT WAS EXTREMELY DIFFICULT T^T but I hope I didn’t disappoint ya’ll <3 ALSO YEP MHM TAGLIST! Send me an ask so I can add ya! It’ll stay open for a tiny period of time so send away :D
I’m proud of you for doing the right thing by trying to save Tess! Even though we all know you secretly admire Joel and would have chased after him to ensure his safety with Ellie. hehehehehe 
Yes, the reader only knows everything up to Episode 3, meaning she has no clue about the rest of the show! She knows (most) parts of the video game but alas we know Television series like to change things so she’s lowkey fucked lol
I LIVE FOR YOUR COMMENTS ya’ll crack me up and have the best reactions. Thank you for your support and love. I’ll try and get the next chapter out soon!
-Grace
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Taglist:
@memento-mora @elijahssuit @tartiflvtte @lillylilly2 @kyuupidwrites @amethystwonders11 @syd-vixious @themysticturtles @kidkrow666​ @soulofapatrick​ @ponyboys-sunsets @superflymaterial @chaotic-imposter  @vainbimbo @eva-stark @loki-an-idiot @littleshadow17 @undermoonlightwalk @afternoon-evening @notmysunnydale​ @mac5323 @slurmp69
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damngoodbabysiitter · 1 month
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Tagged by: @jennathearcher sorry it took so long, but thanks for this! <3
Rules: Pick a song for every letter of your url and tag that many people
Daffodil - Florence + the Machine
Again&again - Against The Current feat. guardin
Monster In Me - Little Mix
No Complaints - Noah Kahan
Go For It - Djo
Oblivion - Bastille
On The Page - Maggie Rogers
Darkest Hour - Andrea Russett
Better Days - Dermot Kennedy
Always Get This Way - The Aces
Bad Life - Sigrid & Bring Me The Horizon
Youth - Daughter
Soft to Be Strong - Marina
Is It Really Me You're Missing - Nina Nesbitt
Into The Walls - Griff
Thick Skull - Paramore
There Til The End - JERUB
Evermore - Taylor Swift feat. Bon Iver
Running Up That Hill - Kate Bush
Tagging: @userdebora @thescoopstroopers @lynchemon @paqerings @kingofokay @triciaisonline @sircolinmorgan @heatherfield and/or anyone who wants to do it because I panicked lmao
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matthewkniesys · 10 months
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ts-song-tournament · 8 months
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poptastrophe · 13 days
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evermore ;; taylor swift feat. bon iver
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pvffinsdaisies · 2 months
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Norway Playlist
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Spotify playlist | 54 songs | 3h 29m
< all songs by Norwegian artists highlighted in blue >
Bannlyst, Gåte
The Secret Garden, AURORA
Kjærleik, Gåte
Runaway, AURORA
Brick by Boring Brick, Paramore
Cardigan, Taylor Swift
The Only Exception, Paramore
Scary Mask, Poppy, FEVER 333
Fairytale, Alexander Rybak
Take on Me, a-ha
Í Tokuni, Eivør
Sucker Punch, Sigrid
Hjerteknuser, Kaizers Orchestra
Tidal Waves (feat Mark Hoppus), All Time Low, Mark Hoppus
Don’t Feel Like Crying, Sigrid
Europe’s Skies, Alexander Rybak
Into a Fantasy (From “How to Train Your Dragon 2”), Alexander Rybak
Møkkamann, Plumbo
Spirit in the Sky, KEiiNO
Nightmares, All Time Low
Kvitravn, Wardruna
Nocturne, Secret Garden
Painting Flowers, All Time Low
Running With The Wolves, AURORA
Huldra, Gåte
Little Boy In The Grass, AURORA
Fear of Dying, Poppy
Andante, Andante, ABBA
Hamløypar, Gåte
The Winner Takes It All, ABBA
Ola Nordmann, Plumbo
Svarteboka, Gåte, Djerv
Evermore (feat. Bon Iver), Taylor Swift, Bon Iver
Lyfjaberg, Wardruna
Trøllabundin, Eivør
Pretty Venom (Interlude), All Time Low
Exist For Love, AURORA
Tor i Helheim, Myrkur
Plot Twist, Sigrid
Mordet, Myrkur
Ravnens Banner, Myrkur
Den Lille Piges Død, Myrkur
Knowing Me, Knowing You, ABBA
the lakes - bonus track, Taylor Swift
gold rush, Taylor Swift
MONUMENT, KEiiNO
Still in My Mind, MIRIEL
Shadows, MIRIEL
long story short, Taylor Swift
Sleepless Nights, MIRIEL
Queen of Kings, Alessandra
Ulveham, Gåte
EAT, Poppy
Wendy, Maisie Peters
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rb if you thought that Bon Iver was the name of the guy singing in exile and evermore and not actually the name of the band
I PROMISE YOU BON IVER IS THE BAND NAME
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allnewbananasong · 5 months
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If you don’t think this song is for them, you’re wrong…
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saitherin · 5 months
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happy 3rd birthday evermore!!! (the album) <3
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