at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Headcanon that, every year on their birthday, Kryptonians get new superpowers.
Clark doesn’t really keep track; That’s Bruce’s job, for the most part. This year? Mediumship.
me·di·um·ship
/the capacity, function, or profession of a spiritualistic medium/
“Communication with spirits,” Bruce has this habit of nicking his thumb with his teeth, pretty, hazel eyes glossy with thought. Clark doesn’t need supervision to see how beautiful he is when his mind’s at work. “Fascinating.”
“Yep,”
Clark watches Thomas Wayne’s ghost give him the glare of the century behind his son’s back.
The skin of his jawline is entirely ripped off, peeled by Joe Chill’s gun, like the news article said. Sincerely, the Wayne glare scares Clark more.
“Fascinating.”
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Another link to this post. Meet the parents style.
So, Danny and Jason have been fake dating for a while now, and ended up marrying each other solely for tax benefits. Also, they got cool ass fucking friendship rings that they just couldn't not wear everywhere and being married is convenient so...
Anywho, so Jason has met Danny's parents but Danny hasn't met Jason's parents. Danny knows that he has some ties with the vigilantee scene due to being a Crime Lord-he still doesn't know what to think of his parents connecting the dots immediately when they only met him once while it took him more than that while living with the guy.
He thinks Jason may have been an ex-vigilantee at some point before turning to crime.
Then Danny gets blinded by rich people aura when he finds out that his bestfriend is the long thought dead child of Bruce Wayne. Frankly, he's insulted.
You mean to tell him that his could've been buying ice cream from that high class place all this time!? He shook (literally he grabbed and shook him) that point into Jason, he doesn't care that Jason never told him he was rich but he could've at least bought some high class ice cream once in a while.
Jason who was busy solidifying his power as a crime lord, avoiding his family and making sure not to leak his identity at all: I'm a literal crime lord, and the only thing you care about is me not buying you ice cream?
Danny: YES!!!!
Jason: Dork.
Right anyways, so Jason takes Danny along to meet Bruce and his fam but did say as soon as he started being uncomfortable they're leaving. The batfam is a bit blindsided by Danny, because they thought Jason was bringing his partner but its good to also get a feel for Danny's personality.
Danny and Jason did what's normal for them when Danny starts getting comfortable around the manor full of things that cost waaay more than his rent. Like half-heartedly insulting each other, being snarky, leaning on each other and other such things.
The batfam start thinking that there's more there than they know of. So they start watching a bit closer and ask a few round about questions that fly over Danny and Jason's heads. They just forget they're married often, unless it's regarding taxes.
All of this sends the wrong message when they walk into the same room and, being nosy, one of the batfam comes up to the door and uh. They hear the bed moving quite a lot.
So.
Meanwhile, Jason is trying to wrestle with Danny because this man does not pick a lane. He'll either be the human octopus (who is cold as hell) Jason has ever seen, he'll try to kick him off the bed in his sleep as if Jason personally offended him in some way, or he'll sleep in some wacky position that interrupts Jason's sleep. The last one is tied to the other two, however.
So, Jason has to frequently wrestle this man into a proper position where they both manage to get some sleep and it wouldn't have been so bad if Danny wasn't a goddamn sleep fighter. He would know, he had to nurse a bruised jaw for a few weeks.
Why do they sleep together? Listen, when you're in an apartment with not a lot of money, you gotta cut costs where you can alright?
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"Oh dear," the unicorn thought. "I must've really mucked up the story beyond compare! The Red Bull Luo Binghe is protecting the last unicorn scum?! Unconscionable! He should have driven me off the cliff by now!!"
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do you ever think about how in the day i picked up dazai side b dazai had to lie emotionless and soulless—like a corpse, almost—beside the man that gently brought him in, nursed his injuries, held him while he was in pain? he had to keep those suffocating bandages around his entire face, lest this man gain some sort of recognition for the little boy he saved. he had to lay there curled in the fetal position, bleeding and in pain, perhaps thinking about how, in another life, this man cooked for him, tried to build up his strength. read to him to pass the time while he curled up against him like a child listening to a bedtime story. played cards with him. saw through the heartless mafioso. the ruthless killer. and instead saw a boy.
imagine knowing this man, the man who saved you in more ways than one, was going to die one day all because he knew you. because he reached his hand into the darkness and plaintively, like a small child wanting a parent's touch, you grasped back desperately. imagine thinking all of that while that man is just a stone's throw away, making coffee in the next room just like he used to for you in another life. the scent, although you've never been here before, is reminiscent of home. and the tune he's humming? it's the silent melody that plays through your mind seven years later, for the last time as you fall backward off the building with your arms out like an embrace. but, hey. that man is alive. he's happy, although he never knew you. you can die with no regrets.
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Crowned Prince Shouto who is so very much in love with you, even if it did take a while to come around after the arranged marriage occurred.
Crowned Prince Shouto whose brow creases and eyes twitch every time people in high court mock how plain you are under hushed breaths.
Crowned Prince Shouto who gets absolutely sloshed at a royal banquet to try and drown his anger when he hears a rumor going around that his marriage is unconsummated due to finding you so repulsive before storming off to find you.
Royal Advisor Izuku who rushes off to try and follow, only to hear a shriek coming from your room. When scrambling to investigate if you're okay he finds his master on his knees absolutely devouring your cunt while your receiving chamber door remains open a crack.
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7.3
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Headcanon that Steve is a good cook but never uses the right tools. He taught himself to cook out of necessity and ended up loving it because it’s a mindless activity that also provides; he still gets a lot wrong. Here he is making Eddie and Wayne a full Thanksgiving dinner and he’s using an omelette spatula to scrape pumpkin pie filling out of the bowl. Even Eddie knows that’s wrong…but he can’t do anything but beam as he watches Steve, tongue out in concentration, humming a top 40 song, kitchen towel over his shoulder, making him and his uncle and three course meal.
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merlin writers made an absolute litany of insane crazy /neg decisions over the course of the television program but. making merlin's first love the lady of the lake at the start of the show and then making him give the love of his life to her at the end. fucken based. absolutely red pilled.
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Once I was scrolling thru naruto fics and saw the tag "buisnessman!Kakashi" and all I could think about was Kakashi being a child businessman, owning all the konoha adults at doing business while wearing an oversized suit and tie. That idea is so fucking funny to me.
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radovid's schedule now that he's king :
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Oops.
While learning to control his powers under the guidance of Clockwork, Danny accidentally curses his own bloodline with the Curse of Sentient Food several centuries in the past. Originally, a witch was supposed to curse his family. Oops. Well, the Fentons were always adapting, and technically, either way, he'd end up battling dino nuggets at three am in his underwear, no matter who the curse came from. So he shrugged and continued on.
Unfortunately, this also means that out of nowhere, the timeline shifted, and some of his very distant relatives are now battling their food into submission at every meal because Danny is ultimately way more powerful than some mortal witch from the 1600s. His version of the curse reached literally everyone he could ever be related to for the last few centuries. Even if they were adopted into the family!
So, returning to the present time after training, Danny is a little startled to see some news clips of people's dinners coming to life and beginning revolutions. Wow, John Fentonightingale really got around, didn't he? He felt a little uncomfortable that now all these random people had to deal with their share of Fenton luck, but from some of the interviews, everyone seemed to be handling it pretty well!
Especially his so-distant-they're-on-another-tree cousins, the Kents, who contacted his family directly, asking how best to prepare a zombie turkey. Their son was coming for Thanksgiving with his new wife and some coworkers, and they just refused to make the guests fight for their lives on a holiday!
They invited the Fentons to join them, of course.
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I took a piece of art from my journal like, 2 years ago, and re-did it digitally bc it has been feeling ESPECIALLY POIGNANT LATELY.
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byakuya togami killed his sense of guilt after his family's heir competition and sentencing his siblings to be wiped from their history, essentially, because remorse gets you nowhere if you dwell on it and a togami shouldn't spare such pointless emotions for people below him.
but then makoto falls into the trash chute and for the first time in a long time, he feels something like regret. this wasn't what he wanted. yes he's alive, now, and yes maybe that meant it was the right choice in the end - but what if there was a different way? what if makoto could've been saved? he was a boy who had only wanted to help those around him, and as annoying and naive as he was, he was also incredibly observant and painfully clever. shouldn't he have deserved to live?
the relief he feels when he sees makoto again is something he can't express. he's never needed to express it before
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BLOOD.BLOOD.BLOOD.BLOOD.BLOOD
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