Wyll Voicelines: Reviving/Dying
A compilation of Wyll’s voicelines when he’s reviving (AKA, using the “help” action) on a downed character or being downed himself.
Reviving (Negative Approval)
Here we go.
You should be more careful.
Coming.
Hero on demand.
As a favour.
If it can't wait.
Miracle worker.
Nothing but trouble.
Just the bare minimum.
I'll do what I can.
Reviving (Neutral Approval)
Bet on the Blade.
Up and at 'em!
A tight scrape.
Down but not out.
I better hurry.
A helpful hand.
On my way.
That's what I'm here for.
Reviving (Positive Approval)
A life worth saving.
On your feet.
Sorting you out.
Making haste.
What are friends for?
By Balduran's bones, I've got you!
No one left behind!
Stay calm - I'm coming!
I won't fail you!
Reviving (Romantic Interest)
Help's on the way.
Take my hand.
You can count on me.
Coming for you!
I've got your back!
Stay with me!
Our tale's not over.
I won't fail you!
I won't let you down.
Can't do it without you.
Upon Being Downed
I'm down!
Help...
I need a hand... quickly!
Healer! Please!
Mizora... is that... you?
I can't die here... not now...
I don't want to die!
I need help!
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Dp x dc idea 3
In this phantom planet happened but they did not thank him they turned on him Dc and dp are in different dimension in this.
His parents managed to convince world leaders that phantom killed there boy and was just using Danny body. The world only agreed because they were terrified of his powers.
Jazz tried to convince them, they were wrong and he is Danny. Sam and tucker are trying to protect Danny and elli. I’d imagine all of Casper high backing Danny the a list did protect him when the whole gauntlet of reality happened.
When all is said and done the world took no prisoners. Danny, Ellie and vlad (he’s still hiding in space) are the worlds most wanted. Dani and Ellie were severely injured and hardly able to get away.
They wake up with frostbite and clockwork over them. The world is no longer safe but they can’t remain in the infinite realms they are half human. The obvious solution send them to a different dimension.
They were sent to dc and end up in Gotham. All they had was a thermos, Ellie took a lipstick laser gun, and some medical supplies from frostbite. Danny is pissed off and hurt he doesn’t want to hurt anyone but he only wants to protect his sister.
Danny was willing to steal enough money to get a shabby hotel room for a month or so to figure things out. He got to fake identity’s and a job at bat burger he may not like anyone but he doesn’t want to have to steal more then he has to.
Elli the little menace that she is still wants to help people. It’s her personal mission to annoy red hood until he puts up with her what’s he gonna do shoot a kid. She wants to avoid Batman both Danny and Ellie think he is a demon with bat powers. Danny cant stop Ellie so he just mother hens her. He would be ready for when they turned on them this time.
Red hood is just freaking out there is a child meta no older then 10 in Gotham just following him and beating up people. He’s not Bruce he doesn’t want to deal with this. Following this child calling herself spirit was harder to then he’d admit. She went from white hair to prime adoption bait and great she has an older brother no older then 15. How was he gonna keep the two pieces of adoption bait away from bruce and why did he feel calmer around them.
Besides worrying about Ellie Danny was doing just fine ignoring his problems. Working at bat burger was fine definitely not reminding him about the nasty burger explosion that lead to him abandoning humanity. There was a regular who would just stare at him like he was glowing.
Duke was freaking out.
By the time Jason got forced into a mandatory dinner the two adoption bait were there. He did get a warning from cass not to ask Danny about his past he was greatly hurt by whatever it is. Ellie immediately knew he was red hood the minute he walked in. He was definitely getting a lecture about not reporting meta children.
As time goes on Ellie gets more open and talks about her dimension, how it turned on them and talk about her hero phantom. She was just his clone how he saved her and she met Danny because of him . How he saved everyone in a town that hated him. How he saved the world and they turned on them. They were horrified but Bruce got two new kids and finally had one who wasn’t a vigilante who liked galas.
During a bad fight against a massive invasion were everyone was down. Danny was just watching from the bat cave as Ellie and his new family went down. Alfred just looks at him and hands him a mask asking if he was going to go help.
Danny does and takes names. He downs the threat in less then two minutes just grabs Ellie and Damian they were the most injured looked at Batman and said he was taking them. Then he starts to mother hen them at the batcave.
The league and Batman were now freaking out.
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How did you figure out you're aromantic?
Oh, god, what a short question for such a long process, hahaha. First off, didn't figure it out until recently, age 27, but here was the approximate (and very truncated in the amount of internal conflict and introspection involved) step-by-step process:
Figured out I was queer in high school because I felt the same way about women as I did about men! Spent about 5 years thinking I was bisexual.
Figured out that I'm not actually attracted to men when I read a post describing the experience of compulsory heterosexuality and related with it intensely, which was a very freeing experience. Spent 6 years thinking I was a (nonbinary) lesbian!
Hooked up at parties a couple of times out of curiosity and then took up my best friend's offer to fuck and realized that I got the same amount of skin-crawling distaste about that as I did about sexual contact with men, thus realizing I was ace.
Let that domino tip over into the, "Actually, identifying as gay has for a long time given me the same anxiety as I used to feel when I thought I'd have to date a man, and also I'm 27 years old and have never, ever actually wanted to date another human being. When people ask me what my ideal partner is like, I start listing off ways in which they should not bother me or demand my time or be part of my life. Maybe I just don't want... anyone." domino, and the subsequent "I'M FREE!! (from trying to date women)" euphoria was identical to the "I'M FREE!! (from trying to date men)" euphoria, so.
That's where I'm at!
I'm a generally introspective person, but I'm also really great at gaslighting myself into ignoring my own discomfort, so largely it's been, haha, a diagnosis of exclusion. First I excluded men, then the discomfort with women grew large enough that I was able to exclude them as well. Reading about other people's experiences and realizing where they paralleled my own was immensely helpful! So was being close friends with a very poly person who slowly and fully unintentionally changed my perspective on how I view relationships in a very poly-and-relationship-anarchy-as-default way, which incidentally is extremely compatible with aroace queerplatonic ideals and definitely softened me up to be ready to accept that particular realization.
Also, please let this be a sign that just because you identify with one "thing" doesn't mean that you're committing to it forever! <3
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okay i don't really know how to title this so im just gonna call it how Half tells the story of Kazui's marriage with Stages.
Half opens up with a green apple in the center of a stage, the spotlight illuminating it. The green apple in Kazui's MVs is tied to Kazui's sin. The apple being in the center of the stage before the 'performance' even begins could represent that this is Kazui's main motive for acting and lying, this is the reason for the show.
The Kazui of the present is in the audience of the play. Throughout the entirety of Half he is there watching the events leading up to Hinako's death with us. We are the audience watching the video but also the literal audience of this performance. I think this could represent Kazui reflecting on his actions and what he did throughout his marriage while in Milgram, or right before Milgram (which I'll get into at the end.)
It then cuts back to the stage, where we see the Kazui of the past walk onto the stage wearing a mask - the performance is about to begin. This is, I'm assuming, when he is freshly married. Sure he would've had to lie while they were engaged or simply partners but there's not so much at stake at that stage in a relationship rather then when he's married. Kazui is wearing a mask to cover up his sins with lies and now he is also acting, putting up the performance of a happy marriage for others so they wouldn't question his true motives for getting married or see the real him.
When we see flashbacks of Kazui during his marriage, we can see either stagelights or the background never filling up the entire screen. This also ties to the fact that, even when Kazui isn't wearing his mask, he is still acting and putting up the performance of being content in his marriage with Hinako. I've chosen this scene to showcase this because it shows both at the same time but this happens in the bar scene too.
In this scene Kazui is singing the chorus of Half while acting on stage. However, he is wearing his mask and doesn't show alot of emotain in his movements or expressions. This could be interpretated as the effects of hiding his true self that Kazui experiences, which can really be seen considering the fact that the lyrics and way his VA sings them is very intense and rich with emotain, compared to how Kazui's expression and movements are animated
In this same scene, there is a shot of an empty chair on stage alongside Kazui. This most likely referances Hinako's involvement in Kazui's 'performance', or lack thereof, as empty chairs usually represent the empty space of a person in art. This could be interpreted in different ways: Hinako isn't shown in the performance anymore because she's dead, Hinako isn't shown in the performance because she wasn't aware of it happening so her presence is replaced by a chair - etc.
This scene in Half is one of my favourites for a multitude of reasons, so let's point out the things that stand out first and then we'll delve into my understanding of their meaning. Firstly: Kazui isn't wearing a mask in this scene but he also isn't on the stage, which has more meaning considering the other times we saw Kazui without his mask, he was still on stage - still acting. Here his performance has fallen. Secondly: the green apple is atop the stage in between Kazui and Hinako. I've already established my previous interpretation of the apple on the stage at the very start, but I think its appearance here is in a different context. This is the scene where Kazui tells Hinako the truth, so his mask and performance has stopped because these are both tied to him hiding his true self and his lies. The apple being on the stage in the middle of the two of them could mean that this is the topic of conversation. It is illuminated because they are litteraly bringing to light the elephant in the room that has been putting a wedge in their relationship. The reason why it's still on the stage might be because Kazui is still hiding what his sin is from us, so in a way his sin is putting on its own performance - disguising itself as an apple.
After Kazui tells the truth, his performance is alot more emotional. His movements are more dramatic, and so are his expressions. He's not trying to hide his real feelings anymore, and after years of doing so, they come bursting out all at once. He is still acting and putting on a performance, so we can assume at this point in time Hinako is still alive and they are still married, but he's unmasked. He's no longer lying to her.
In this scene, Kazui takes what looks to be a final bow infront of the chair before walking off the stage. I think this scene shows Kazui's intentions when it came to telling the truth. He told Hinako the truth and expected them too get a divorce afterwards, so he walks off the stage - ending the performance (their marriage.) The bow to the chair could be interpreted in different ways: a goodbye, an apology etc.
However, despite what Kazui's actual intentions where when it came to telling Hinako the truth, they didn't happen. Kazui sees the apple shattered on the ground (Hinako's death) and goes back onto the stage. He starts his performance again, this time as a mourning widow, and starts lying again too. He puts back on the mask, scared of what might happen if he were to reveal the truth about himself to someone again.
Remember what I said at the start of this painfully long post about how this might be pre-Milgram Kazui watching his performance? Yeah, this is where that comes into play. There are things I had to leave out because of tumblr's 10 photo limit, but the main point is that this Kazui on stage at the end of Half and the Kazui in the audience are wearing the same outfit. I think this might be a case of Kazui reflecting on what happened in his marriage right after Hinako's death and pinpointing where he went 'wrong' (in this case, he deciphers that telling the truth was his mistake) and decides to start his performance all over again, careful to not repeat his mistake - vowing to never reveal his sin to anyone else.
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Angeltober days 3-5
These are my drawings for days 3-5 of @ultrainfinitepit's Angeltober!
Day 3: Honey
This one went through the most changes from sketch to finished product; I ended up going with a medieval-beekeeper inspired thing with a huge eye instead of the basket face. I didn't have much time for this one, so it's quite rough even in its final form, but part of my goal for this challenge is to get more comfortable posting "unfinished" or "bad" art. Even if the drawing isn't great I'm gonna post one for every day (though maybe several days late...)
Day 4: Sacred Heart
I had a lot of fun with this one! I knew pretty much from the beginning what I wanted to draw--this is my OC Mariana, who I could write a whole essay on and probably will someday. The original sketch was in fountain pen, which was fun to work with since I couldn't erase anything; I'll probably use it for rough sketches again since the messiness is a good way to get ideas down.
Day 5: Horn
This is another one that didn't change much from the first concept, though it took me a while to get there--at first i had NO idea what to do, until I thought to work with some other interpretations of "horn". I'd have liked to spend more time on the final product for this one; maybe I'll revisit it someday!
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Once u notice that 99% of white americans (maybe just americans in general) operate at all times as if native americans don't even exist anymore it's impossible to stop seeing it. Like. Even if they intellectually Know that is not true at all they would never assume that a native person is in the room with them, that a particular audience they are addressing could include native people, that anyone they pass on the street could possibly be native. And because so many of the dominant cultural images of native americans revolve around like, "humorously" offensive outdated Americana (sports team mascots, old westerns, pocahontas, novelty indian statues at rest stop gas stations and shit) and actual native communities don't have enough cultural influence on their own fucking land to provide widespread, self-determined representations to counteract that (or even to convince people to get rid of the bad shit!), people just internalize the idea that anti-native racism is more gauche or ridiculously antiquated than it is genuinely harmful to any real living people.
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