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good-beanswrites · 4 months

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If it's okay with you, could you write a drabble about the hypothetical aftermath of Amane getting attacked by Kotoko?

Welp thank you pal for making me absolutely insane with this request 👍 I ran through a few hypotheticals and realized I had to shift some things around since there were so many absolutely tragic outcomes. I worked something out but damn if it didn’t make me emotional to think about how uniquely rough Amane has it. Even making sure she's in a good place at the end, this got pretty serious, so warnings for child abuse and cult references.

(So in canon, Kotoko goes in order and attacks Fuuta, but Kazui steps in. Then she attacks Mahiru while he’s distracted with his injuries. She’s about to attack Amane, but Mikoto gets in the way (my hc that he did it on purpose survives!). By the time they reach a draw, Kazui is back, and the two of them can prevent Kotoko from any further action against Amane. Sticking to this apparent system of three attacks and one rescue, I’m just shuffling around the injuries for this story. Fuuta’s attack went unnoticed, and he’s in the same state as canon Mahiru. Mikoto steps in before Kotoko can fight Mahiru, so Mappi’s the one who get out physically unscathed. While Mikoto checks on Mahiru, recovers himself, or discovers Fuuta, Kotoko is able to attack Amane next. Kazui comes to help, but not before she leaves Amane looking like canon Fuuta.)

Mahiru could practically feel her heart shatter into a million pieces when Amane finally cried in front of her. She hadn’t shed a single tear yesterday – it was the shock, Shidou said. Mahiru was skeptical. After all, she had been shocked, too, and cried plenty.

Amane woke as she came in with breakfast. She took a moment to survey herself, bandages peeking out from beneath her pajamas and an eyepatch securely over her right eye. As calmly as one might say “good morning,” she started to cry. Mahiru might have missed it, if Amane hadn’t wiped at her good eye with her sleeve.

“Oh, sweetheart…!” Mahiru rushed over to her. “It’s okay, I’m here.” She wanted nothing more than to wrap the girl in a secure embrace, but she remembered the mass of bandages that were around her chest. Shidou had mentioned broken ribs and bruises. It took everything in her not to cry along with Amane, at the thought.

“I can get you another ice pack, if you need. Or more medicine.” Her mind spun with ways to help with pain. Many of the first aid supplies had been used to keep Fuuta from the brink of death, but surely there were extras to spare for Amane.

The girl just shook her head.

She muttered, “I can’t… I…I’m going to be punished, I’m going to be punished…”

“No! You’re safe now.” Mahiru placed her hands gently on Amane’s arms. “Kotoko’s not coming back. We’re all watching over you. You’re safe. She’s not going to hurt you anymore.”

“That’s not…” Amane pulled away. Her voice stayed level, despite hiccups interrupting her. A hand reached up to her eyepatch. “It’s this. It’s all of this. It’s sinful. I took it off last night, but he must have…” She started unwrapping it. “They’re going to punish me...”

With a careful motion, Mahiru held it in place and took Amane’s hands into her own. She’d been picking up on the signs ever since they arrived here together, and a final wave of understanding washed over her.

“I can’t let you do that.”

Amane’s expression twisted, though words came out far more frantic than fiery. “Let me go.”

Mahiru didn’t. “I’m sorry. Amane, you need this treatment.”

“That is not your decision to make. That is not any human’s decision to make.”

Mahiru pressed her lips together. “I know. But I can’t watch as you… I can’t sit by again while someone…” She was careful not to apply any pressure, but she could no longer fight the urge to gather Amane up in her arms. “You don’t need to be afraid of those people, anymore.”

“I’m not afraid.” Amane hiccuped. “They love me, and I love them. I need to be good for them.”

“I love you, and I don’t want to see you in pain.”

“You just pity me because I’m young.”

“Why does your age matter? You are a lovely young woman – you are my friend – and I can’t bear to see you in pain.”

The two sat in silence for a moment. Mahiru doubted she would take that as an answer; Amane had refused to call any of the others her friend. At least she didn’t argue. In fact, it seemed she was leaning into the embrace a bit more. She sighed a shaky breath into Mahiru’s uniform.

“Listen, Amane. Can you do me a favor? I’m trying to be a good girl, too. To make up for something awful, I need to make sure you’re alright. Can you help me? Can we be good together?”

A long pause followed. Amane’s voice spoke up, ever so gently.

“I suppose I can consider it.” She added quickly, “for the sake of your redemption. Of course.”

“Of course.”

#milgram #amane momose #mahiru shiina #thank you so much! i dont want to be bubbly on such a serious drabble but i want to give an enthusiastic thanks because this one really got #the gears turning!!#i started making plans as soon as i saw the ask and it took so long finding something that wouldnt result in straight up tragedy :(#if i kept to the initial timeline and said kazui didnt step in until amanes attack then both fuuta and mahiru would be close to death #and given there seems to limited supplies i think one of them would have died if shidou needed to treat three critical patients #so i moved people around to make sure everyone survived #which brought me to the main problem of amane self sabotaging her medical care #even minor injuries could have resulted in death if she got her way and removed bandages/refused treatment #but the mental strain of keeping the treatment would be just as bad as the physical pain -- shed be paranoid 24/7 of #divine punishment and repeating the mistakes that led her here.... it would hurt more to be forced like that #so i needed someone to be able to get through to her gently #but the only one who shes been able to trust just got the shit beat out of him and is in no position to talk!!!!#everyone else would just make her more upset or not know how to convince her the right way :(#still - i think mahiru could do it the best! with her own trauma from allowing loved ones to die in front of her i think shed be motivated #so. yeah.#i know amane is supposed to be talking in the plural pronoun now but i couldnt get it to work - lets just say that kicks in soon after this #tw cults #tw child abuse #drabbles

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inamindfarfaraway · 8 months

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So Kyle was knowingly bait for Task Force X’s trap in “Zero Day: Part One”, but regrets it at the end, both because of how badly Clark was hurt as a result and because of the genuine, unwavering kindness Clark showed him with no personal benefit. If he’d actually been on Clark’s side, they probably could have rescued his teammates. Instead Intergang and an irrefutably heroic person are all trapped under the control of Task Force X, who are very torture-happy. Intergang are carelessly selfish, but they love each other, are naive, inexperienced criminals and want money and respect, not death, suffering and destruction. They’re way in over their heads entangled with the other villains. If the “work release program” is a lie and it was all for nothing, I can see them turning on Task Force X. Maybe even if not. I don’t expect them to fully reform (though Cadmus is good in this universe, so anything’s possible), but I hope they get some development.

#they’re likeable lighthearted ineffectual villains like team rocket #they need repeated silly encounters with the heroes for enrichment #being forced to work for a completely serious overarching threat is NOT cute it’s bad for them!#they’re also like in their early twenties right?#by the same token as clark they feel very young to me #i’m sorry i know everyone’s going crazy about the actual main characters after this episode #and i am too okay?#but i just love maws intergang #my adventures with superman #maws #maws spoilers #maws intergang #maws mist #kyle mcdougal

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that-was-anticlimactic · 8 days

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i want to be a hero btw if you even care

#slept horribly and anxious about seeing the kids today after friday which is STUPID BUT whatever #so clearly the best way to cope is play the bnha stage play i want to be a hero on repeat :)#and it’s my anime playlist so like the bsd character songs are on there too lol #but iwtbah hits DIFFERENT #same with bewitching screens tbh #anyways ignore me lol #anxiety is DUMB #googles how to have a better back bone and not let everyone get to me #also had to wear a bra today and OW #corey talks:)

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alcestas-sloboda · 1 year

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One more tweet about “blond haired blue eyed Ukrainians” and I’m bleaching my natural colour and buying blue contacts

#this one is pissing me off #russia kills regardless of your race gender religion sexuality #they killed ichkerians in the 90s Georgians in 2008 moldovans syrians #repeats after me THEY KILL EVERYONE

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autumnoficarus · 5 months

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i can't stop listening to the 'purpose is glorious' track from this season's ost and thinking about how lovely the title and its meaning are. it's just such an amazing underlying theme in this show, and - while i do have criticisms about some of the choices made for the series finale - i really do feel the writers wholeheartedly delivered in sending that message home. for me personally, loki's ending is so gratifying and a large part of that is solely from viewing their arc's conclusion with the perspective of this theme in mind. to have spent years watching this character i hold very dear to my heart struggle to find belonging, to feel as though they matter and there is reason in their existence, finally get a chance to show - and recognize - their worth was so, so rewarding. and honestly, i think the message behind the phrasing of 'purpose is glorious' is all the more meaningful because of how loki's arc finished. yes, the outcome was bittersweet; yes, we're left knowing loki didn't get the happiness they undeniably earned after everything they'd gone through. it smarts something fierce to know their journey up until they deviated from their timeline and became a variant, as well as seen their eventual intended fate. the ache is only worsened after witnessing everything that happens within the TVA and the entirety of loki's character growth leading up to a redefining moment where they willingly choose to undergo a nightmarish amount of time in the endeavor to do the right thing. of course we want them to emerge victorious when they've struggled for so long, but that's not the point. loki's final moments are them forfeiting their right to a happy ending to preserve the stories of others because all stories matter and should inherently reserve the free will to be written; as sylvie says, loki makes their choice so their loved ones and life across the multiverse still have a chance to belong somewhere and embrace their place in the world. the take away is that even burden can be glorious. even with all the hardships of life - all the inevitable heartache, disappointment, and grief we encounter just by being alive - we have meaning in our existence. there is meaning in the trials we face, and the suffering we endure in order to overcome them. our pain gives us purpose; it gives us the ability to love, to grow from and for each other, and choose to sacrifice our happiness for the benefit of another. loki's purpose was forged in the bonds of those they met in their time at the TVA and the sense of value they gained from their companionship. their sacrifice perfectly conveys how the human capacity to love is one of cosmic greatness, which can ultimately surpass our instinctual desire to preserve one's self. we can move immovable mountains and challenge insurmountable adversity in behalf of the ones we love and their welfare. if that isn't an act deserving of glory, I don't know what is.

tldr; loki's purpose is the friends they made along the way = as the saying goes, 'tis better to have loved and lost than never to have loved at all'. or: our own lives have purpose because of the connections we share with others, even when we are met with great loss.

#also this just shows the depth of love loki derived from knowing mobius and how they were changed for the better because of it #how mobius' initial - and repeated - acknowledgement of their potential is what gave them the necessary tools to rewrite their destiny #when loki first watches their fate on the sacred timeline their devastation is palpable; they now know they are meant to die -#at the hands of thanos after failing to save their brother -#after losing one last time #they see their final fate and know they were never meant to win; never to reach the respect and admiration theyve been chasing all this tim #but they're given a second chance at an ending - one they can be proud of and has meaning #and they SUCCEED; they ascend and take the throne not for power or control or even glory but because of the people they care for!!!!!!#loki accepts their burden with grace for the benefit of others; they escape the harrowing demise once preordained for them -#and while they mourn what they must leave behind they are fulfilled by the triumph of saving EVERYONE this time #the parallels between their sacred timeline ending and the finale's makes me way too emotional i am not okay #i have so many thoughts about the ost guahahauffh ignore me #i am obsessed with this track specifically like i want to write even more meta abt the significance of being used during mobius' last scene #okay these tags are way too long i'm shutting up now i'll see myself out #txt: icarus foaming @ the mouth analysis #char tags:#god of stories and faking death #peepaw from outerspace #loki meta #lokius #loki s2 #loki season 2 #loki spoilers #loki series #marvel #mcu #loki #Spotify

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miraphoenix · 5 months

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Right off the bean, this is not a callout post. I'd talk to the person this is about 1-on-1, but a) he's had me blocked for 4 years, and b) it's mutual. This is me venting on my personal blog, something that he decided to vague about me doing back when I had my first blog.

With that out of the way. I'm really fucking tired of people stealing from Valenth/Revecroir, and from its creator.

Years and years ago, when they were a literal child, my bff/queer life partner--for the purpose of this post, their name is Leupai--made lizard-critters with hands on their tongues and called them leupaks. Eventually, they ended up splitting off from Subeta where they worked at the time, making an affiliated petsite called Valenth where the leupaks featured quite prominently as creatures in a fantasy-meets-steampunk world.

Unfortunately, their boss was a piece of work, and following a rather large kerfluffle involving another petsite lifting other elements of my partner's work (namely, a dragon concept and a companion concept), my partner was fired by the Subeta head boss. The leupaks were renamed into leupai, and Valenth expanded into Revecroir. This was in 2014, give or take a few months.

Through about half of the Valenth era and into the Revecroir era, Leupai was dating someone else, who went by Sixar at the time, later Kismeti, and the two had a long-distance open relationship. Kismeti also did a fair amount of site art for Valenth, and described himself as Leupai's biggest fan; when he'd met Leupai originally, his username referenced leupaks, he had a bunch of leupak characters, and a leupak sona. I met both of them in 2013-2014, right around the close of Valenth, and started chatting with them both. Leupai was more responsive, Kismeti was more reserved, but I did the best I could.

Over the years, I kept trying to reach out to Kismeti, but found that Leupai was honestly more willing to talk with me, so I did become better friends with them. Note that I was friends with Leupai, and trying to be friends with Kismeti. We chatted, we sent memes, we played World of Warcraft, I bought folks pizza across the Pacific Ocean, you know the drill.

Through this, I became really familiar with Leupai's world, at that point named Revecroir. I got to know their lore, their worldbuilding, their current projects, and the leupai creatures themselves.

The leupai were--and are!--still fat lizards with paws on their tongues, who can open portals between worlds with acid in their claws, who transfer their consciousnesses to other bodies if one is destroyed, and whose strength comes from the realm of dreams and creativity. In the early days, in lore that wasn't publicized, leupai were roaming around to find a world to live on after Valenth. This was a project that was supposed to be worked on with Kismeti, but nothing really ever came of it. Eventually, Leupai kind of moved on from that storyline to write more about Revecroir itself.

At the same time, I tried asking Kismeti about his worldbuilding, because he had characters and allegedly a world of his own, but didn't really get a lot in the way of answers. I saw a lot of Sonic fanart, I saw a lot of homestuck, I saw a lot of MLP:FiM, I saw a lot of Captain Planet. Eventually, I kind of... Gave up asking? And that's on me, but frankly, if you ask someone to share their stuff and they don't share their stuff, I figure that's the signal to stop asking.

As time went on, though, I was seeing some cracks forming in the 10-year relationship between the two, and I was helping Leupai through a lot. I watched as he yelled at my best friend for not responding to messages fast enough. I watched as he made plans with Leupai and then fucked off to do other things for hours, leaving Leupai in the lurch and worried about his physical safety. I watched as he gaslit Leupai about their ability to use a computer. On one memorable instance, when Leupai's internet was unstable while we were all playing WoW together, Leupai left the voice call to go reset the router, and Kismeti decided that it was a great time to shit-talk Leupai's intelligence to me. For a half hour straight. Until Leupai rejoined the call.

Eventually, I visited Leupai in person and watched as they were broken down to tears by Kismeti failing to respect their boundaries for literal hours, until Leupai caved to Kismeti's preferences. That was a rough night, and I remember wondering why the fuck my best friend's partner was treating them so badly.

About a month and a half after I visited Leupai, they decided to break up with Kismeti, because they'd had enough of him verbally berating them for not responding fast enough to memes sent over instant message, among so many other things. He, to put it mildly, lost his shit.

(For the record, I know what went down, because Leupai had me read the messages sent back and forth, to make sure they were grounded, and were reading things right. I've seen logs going back 10 years. His original vague accused me of not knowing what I was talking about, but boy howdy I was either there, or have read the raw logs.)

Anyway, he begged for Leupai back. Leupai gave him a chance that he fucked up within a day. Leupai said goodbye and blocked him. He then started messaging me about this on discord, clearly trying to use me as a go-between to get to Leupai.

At the time, I was going through some Complex Feelings about my own abuse by various people in my life, triggered by his behavior, so was reblogging a lot of support stuff on my original blog. I guess he decided this was vaguing about him, because he made a vaguepost accusing me of not knowing all the details (unbeknownst to him, I'd read everything) and finally blocked me.

I figured this chapter in my life was done at this point, and moved the fuck on. Made a new blog because I didn't feel like getting all his shit off my old one, moved across the country, got a new job, the whole shebang. Leupai and I entered our odd QPP/partners/bffs/???? phase, and I genuinely didn't think much about him, unless I was helping listen to Leupai talk about stuff they'd gone through with him.

Until this year. When I saw some comment of his break containment and end up on my dash, under the name "riftclaw". I had a bit of an inkling, so I broke my "don't look" rule and looked at the linked toyhouse to confirm it was really him.

Turns out, riftclaws are... Lizard creatures. Who open portals between worlds with acid in their claws. Who are looking for a new world to call their own. And who have some divine properties, that may involve body switching.

And all of Kismeti/riftclaw's old leupai characters are now riftclaws.

Oh, and he was planning to make them into a closed species. To make money off them.

Now, leupai were decently popular back in the day. I still have leupai characters, and make some periodically from time to time. There's a tag on tumblr and everything; if you're reading this, there's a decent chance you remember Vee yourself, as a fair number of my followers were there too. People still talk about Valenth from time to time. Leupai still has a folder of old fanart from back in the day with some 800 pieces of art in it. They were, by all accounts, successful until they weren't.

But the height of popularity was back when Vee was still around, in the late 2000s and early 2010s. The only new stuff in the tags is from an archive blog of old Vee assets.

Despite that, though. And I know this from messages between the pair, I know that Kismeti tore into Leupai repeatedly for "being more popular" and "having more eyes on their work". Even though "those eyes" didn't keep Leupai fed or housed, or really give them any income. Even though "those eyes" meant getting 50 notes on a tumblr post as opposed to 20. Even though "those eyes" just increased thievery and the constant pressure to be a Content Creator(tm), and were a major part of what drove Leupai off the internet entirely starting in 2018.

So imagine. Imagine for a moment. Being so hungry for clout and attention. That you steal your ex-partner's species concept that they've had since they were literally 8 years old, barely file off the serial numbers, and then make that your entire online persona four full years after your partner broke up with your ass twice for being an abusive piece of shit over a 10-year timeframe.

To borrow my own tags from this post, which got me thinking about all of this again?

#This is all to say; if you're jealous of someone else's success? Fine. Go have your emotion. But don't lift their shit.#Your emotions are valid; your actions aren't.

(Oh, and this is the smallest thing in the world, the least important piece of this? Riftclaws are already a thing from a game released in 2016 called Grim Dawn.)

#phoenix sounds #leupai #leupak #Valenth #Revecroir #I have a lot of feelings and a lot of emotions and a lot of frustration #Leupai's had their shit stolen three times now #Once when they were a kid; once by another petsite #And now once by their ex #Which is just... Honestly? I guess they've got an original idea because everyone else seems to be cribbing it #This is why the Revecroir setting's forever private now though #Leupai got run off the internet by this kind of thing (and much worse) and they're staying gone now #And this whole hbomberguy vid thing about plagiarism is just making me think about... How many people this impacts #How many artists have had their shit lifted and stolen by someone and how crushing that is #How many people that disenfranchises and removes from communities #I can attest that Revecroir is flourishing but it will *never* be seen again by outside eyes because of the repeated thefts #How many more things are like that I wonder? How many people stop making all together because of this sort of thing?#Ties into the sssniperwolf shit from a few months ago where she was freebooting stuff from much smaller creators and claiming it was hers #In her case we do know that there were small creators who stopped making after she stole their shit for millions of views on youtube #So it's not like this is some victimless crime #Anyway I think the constant searching for clout/visibility/reach/whatever the term de jour is?#Has made everything unfathomably worse in terms of theft and plagiarism #And to confront the latter we have to remove the former

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hum--hallelujah · 8 months

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don't want to kill time like it doesn't matter - 3.5k words, (platonic) funkobra hurt/comfort

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Ghoul is actually younger than Kobra. They always forget it though.

At least, they usually do.

Kobra's stopped shooting upright and reaching for his blaster whenever someone wakes him up at night. Stopped two years ago, honestly, when him and Ghoul started sharing a room. That was a collective decision that is very much not discussed. It left the old office as a perfect room for the Girl, in the end. Between Ghoulie and Girlie, the former of whom has wild, sleepless tendencies and the latter liking to scramble her way into bed with somebody else every other night of the week, Kobra's knee-jerk reaction has become more of a lack of reaction.

"Yo," hisses a pitchy voice. It's dead daylight, the heat of the day. This is the time of the year when you sleep while the sun's up, wait until the darkness falls to do anything or else it's too miserable or too dangerous. "Kobes."

Kobra utters a verbose "Hrrmngg?" and rolls over. He cracks an eye open to see Ghoul standing at the end of his bed. If it hadn't been light out, he'd be doing a good job of living up to his name. His hands are shaking, but when aren't they?

"You good, man?" Kobra asks groggily. He's half awake, half asleep, drifting in between the two states of being. Ghoul is shifting his weight back and forth on his feet. It makes the floor creak. It makes him look even smaller than he is. "Ghoulie?" He mumbles again when he gets no reply.

Ghoul makes a noncommittal half-whispered sound. "Wanna go for a joyride?" He asks instead of an answer.

Kobra blinks himself more fully awake and pushes up on one elbow. "Mirage or the 'Am?"

Ghoulie shrugs. Won't meet his eyes. Oh shit, that's not good. Something's got him worked up. It's too late for this. This is why they share a room now. They didn't used to, but Kobra refuses to let him sleep alone anymore. Kobra knows how he got that wicked scar that runs from the corner of his mouth nearly to his eye.

"Either," Ghoul says. "Doesn't matter much to me."

"Mirage," Kobra decides. He'll never say no to a late-night joyride. Not this kind. Party'll have his neck for sneaking out on the bike without letting anyone know, but the 'Am is too conspicuous when strange crews are out and from the look of him, riding double on the motorcycle will be good for Ghoul.

It's still too hot to be out. But going for a spin won't take too much exertion, getting to someplace with shade, so long as it's away from here, won't take too long. Ghoul's gonna get sunscorched. Maybe that's the point. While Kobra covers up with his jacket, Ghoul is still in the loose, half-covering clothes he sleeps in.

The sun glints painfully off the sand when they climb quietly out the window. No reason trying to get past Party when they've got an exit right here. Ghoul clambers out first with a probably accidental but surprisingly graceful roll and then flinches, violently, when Kobra jacket catches on what's left of the glass in the window and he tumbles haphazardly to the ground. They both hold still for a long dozen seconds, Kobra staring at the diner wall and straining to tell if anyone heard them, and Ghoul staring at Kobra and shaking.

When Party doesn't come along, eyes glinting with annoyed amusement, and yell at them for sneaking out, Kobra sits up and checks the hem of his jacket where it caught on the sharp edge. "Great," he mutters when he sees the tear in the lining. He'll have to sew that back together later. "Ghoul, you good?"

Ghoul shrugs and stands up. "Aren't I always?"

"No."

They stare at each other for a few seconds while Kobra rubs his palms together to clear the sand off them and reaches into his pocket for his gloves. "You're wearing a helmet," he says flatly.

Ghoul rolls his eyes and sneers. It crinkles the scar running up his face. "No way."

"Fine." Kobra doesn't push. Half the time he doesn't even wear his helmet. He's the driver. He'll keep them safe. It was worth a try, though. "Come on."

The heavy bay door of the garage makes too much noise to open without being caught. They slip in the side door and Kobra brings Mirage carefully back through it. He wears a helmet this time. Ghoul stands and waits, bouncing impatiently on the balls of his feet, while Kobra starts the bike and, out of habit, does a couple checks.

"You ready?" Kobra says, with the visor of his helmet flipped up.

Ghoul grins, but it's lacking in heart. So often, Kobra thinks he's not all there. So often, Kobra thinks this is his best friend. "Born that way," he replies.

"Come on then," Kobra says and nods for Ghoul to get on the bike with him. "Hey, hey. Hey, Ghoulie-" he says, when Ghoul is standing right at his shoulder, about to throw a leg over Mirage and climb on. "You okay?" He asks again, because he needs to know how safe any of this is.

Ghoul doesn't respond. Just settles himself behind Kobra and wraps his arms, tight, around Kobra's middle. Kobra stays there a second, until he's sure Ghoul's grip is solid, so that he can feel Ghoul breathing against his back, before he kicks off. He doesn't care if Party and Jet wake up now, they won't catch them. The bike's tires kick up a fountain of sand as he spins a loop, leaning into the turn until Mirage tilts close enough to the ground that Kobra could touch the sand if he reached out. Ghoul asked for a joyride. This is that.

"What the hell, man?!" Ghoul yells over Kobra's shoulder, muffled by the engine noise and his helmet. Kobra feels Ghoul's hands grab at the fabric of his shirt as he pulls around the first turn, bringing them around the back of a sand dune at full speed.

"Trust me?" Kobra shouts back. He's getting into it now, relaxing into each wide, showy swerve and fishtail. He slows down just a bit when he can feel Ghoul's fingernails start to bite into his skin. It makes him edgy when Ghoul is like this.

Ghoul sniffs sharply. "Well, yeah, but I've seen you crash out enough times at the track-"

"Aw, shut up," Kobra snaps back, without venom. Ghoul's his mechanic. He's seen his best wins and worst losses. "Where you wanna go?" He asks, after a few random turns, just drifting around in the sand. Ghoul is quiet. Kobra reaches back with one hand and smacks him on the leg after awhile. "Ghoulie, where we goin'?"

"I'm thinki-" Ghoul cuts himself off and when he speaks again his voice is flat and so quiet Kobra has to strain to hear him. "Turn right up here."

There's the remains of a road cutting across their path and Kobra hops Mirage up onto it, swings right and follows the pavement. Ghoul's grip around his chest has loosened, but Kobra can feel the fast, shallow rhythm of his breathing and the shaking of his hands even still. The road goes on for ages, long enough that it starts to feel infinite. This must have been a highway, back before the wars and BL/ind. At some point, Ghoul leans forward and puts his forehead against the back of Kobra's neck. Kobra can feel him pressed just below where his helmet sits.

"Get off at this turn," Ghoul mumbles suddenly, but not soon enough because Kobra completely overshoots the exit. He flips around the empty lanes of the highway, admittedly showing off mostly just to make himself feel better.

The group of buildings along the former highway off-ramp isn't really a ghost town. It's a cluster of old stores and restaurants, like the diner but mass produced, and down at the end is an ancient truck stop and gas station. Kobra slows the bike to a crawl as they drive down the street, struck with an eerie sense of deja vu. He's been here before. They both have.

He pulls over and stops in the middle of the road, beside what used to be a coffee store. Coffee is usually made in the form of compressed, dried out shots now, called Motor Juice in the Zones when rehydrated. They don't have coffeeshops in the City. They have prescriptions.

Ghoul is off the bike and Kobra's back suddenly cold even under the heat of the sun before Mirage even comes to a full stop. "Ghoul-" Kobra snaps, angry for reasons he can't even say and unsettled in ways he doesn't want to. This is a ghost town. Just not in the normal way. "Ghoul. What are you-"

But Ghoul is walking away, his back to Kobra and the bike as he moves toward the gas station as if it's a magnet and he's the blade of a knife, trembling so hard with the pull that it might break. Kobra hesitates, then swings his leg over Mirage and bumps out the kickstand. Ghoul is standing stock still, or as still as he can, on the faded pavement of the gas station parking lot. Kobra's glad it's faded. He doesn't want to see the bloodstains.

Ghoul looks small as he approaches, absolutely miniscule. He's got his arms wrapped tight around himself and Kobra can hear the harshness of his breathing even from several strides away. He doesn't want to get too close too fast. Ghoul's enough like a wild animal that it could turn out badly, and Kobra for once really doesn't want to fight him today. Not out here, at least.

They're within two years of each other, Kobra and Ghoul. They usually forget they're not the same age. But right now Ghoul looks so small and so, so young and Kobra doesn't know what to do.

"Gh- Ghoul. Ghoulie." Kobra calls carefully, stumbling over his tongue. He clamps his teeth together, takes a deep breath. "Ghoul."

Ghoul doesn't turn, doesn't look away from the door into the gas station he'd been found in, back when Kobra and Poison and Jet were a crew of three and Ghoul'd been even more feral than he is now. The gas station where Ghoul watched his entire family die and he was helpless to do anything about it. He still thinks he hadn't done enough. Kobra knows that. Ghoul always thinks he didn't do enough. That one kid with a blaster and wild eyes could take down a full squad of Dracs and two Crows.

Kobra doesn't know how to tell him that if he'd tried, he would be dead too. Kobra doesn't know how to tell him he's glad he didn't. When it comes down to it most, Kobra finds he can't speak.

"Ghoulie," he says again. "Hey. Hey." He moves closer, pulls off the helmet he'd almost forgotten he still has on. "Ghoul," he tries, one more time, as gently as he knows how even though it's not that gentle. He's never been good at this. Some of the scars scattered across Ghoul's body are from him. But Kobra had stitched up Ghoul's face and he's not going to give up now.

Ghoul finally turns and Kobra breathes a sigh of relief. Just a response. Proof of life even though he's still standing. And then Ghoul steps toward him and suddenly he's right there, shaking but otherwise just as eerily still as this entire place, like he's trapped in frozen time just like the rest of it, and he collides with Kobra's chest in a way that's both surprising and yet entirely expected.

"Oh." Kobra drops his helmet, dangling from one hand, and his arms hover uncertainly in the air for a moment before he carefully closes them around Ghoul. "Oh. Okay. Okay." He says quietly, startled, but not really. He'd felt the way Ghoul was holding onto him as they rode Mirage all the way out here.

Ghoul unfolds his arms from around himself and grabs onto the unzipped sides of Kobra's jacket. He doesn't cry, not out loud at least. He's just shaking, so much, and so, so small. Kobra's not good with words. He's even worse with them under pressure. Anything Jet or Party could say to make it better, that kind of stuff gets stuck on his tongue when Kobra tries to say it. So he doesn't. He just holds on.

"You plan on coming here?" Kobra asks eventually, even though he has a feeling the answer is no. Unless it's an engine or a bomb, Ghoul never really plans on much. Ghoul shakes his head, hair scrubbing against Kobra's shoulder and neck where his head's pressed. "You wanna... y'wanna go inside?" He asks then, against his better judgment. But then again, he's never been known for that, has he.

Ghoul tenses, but it momentarily stops the shaking. "Can we?"

Kobra huffs. "Nobody stoppin' us, and even if there were, we'd do it anyway, wouldn't we?"

Ghoul pries his fingers from their hold on Kobra's jacket and turns back toward the station. "Should we?"

"Dunno." Part of him thinks it might help. Part of him remembers exactly what happened the last time they were here. It's the Killjoy way to call death ghosting. It means some part of you lives on even when you're gone. There's a lot of ghosts in this pavement. "It's your-"

He can't think of what word goes there. Choice. Past. Grief. Place. So he stops talking. He shrugs, bends to pick up his helmet. "I can." He sucks a breath through his teeth. He's going to say it again. "I can... I can go with you. If you," he shrugs one shoulder again. "If you, uh, want to. I'm not- I'm not trying to force you," he adds, like it needs to be said. "It's your... yours."

Because that's all that really can be said. This place, the place that made Fun Ghoul what he is. The journey, however brief, that brought them here. Even, kinda, Kobra himself. It's all for Ghoul, here and now. Kobra drove, but he's just along for the ride. Weird how that happens.

Ghoul steps toward the station. Magnetism, again. And Kobra follows, because how could he not. He feels sick at the though of letting his friend go in that place alone.

The doors are gone. Shot out years ago. It looks to Kobra exactly as it did back then, but Ghoul probably remembers better. There are shelves toppled and glass and plastic broken all over the floor. Whatever hasn't been scavenged is broken and shattered. Ghoul walks toward the back of the store, the corner that's not so much a mess. Kobra stays back a bit, trying to give his friend space.

It's where they found Ghoul. Or, where Pois had found him. Ghoul was half in shock, terrified and scarred and fighting, and Party was the first one of their then three-strong group to notice the dark shape watching them hopelessly trawl the carnage for any survivors. It took Pois physically restraining the much smaller kid to keep Ghoul from going for all of their throats.

Kobra has a lot of bad memories of Ghoul. None are as bad as remembering the way he'd screamed when they first met.

"Y'okay?" Kobra asks after a while.

Ghoul has his moments. They all do. Sometimes, you wake up bad in the night and it's hard to pick yourself up. Sometimes you just gotta hit the bottom before you even can. But Ghoul's a fighter. "Yeah," he says, walking back and forth between fallen shelves once stocked with food and stupid trinkets. He crouches to pick up the shattered remnants of something once made of colorful glass and when he looks back over his shoulder at Kobra, he doesn't seem quite as small.

"'M sorry," Kobra mumbles, not knowing what to say now. Somehow, the shaking and the touch are so much easier than having to talk about it. He's never been the talker. That's Party. And he knows his brother regrets not getting there — here — sooner that day, but there's a sick, selfish part of Kobra that's too glad to have Ghoul to want anything different. But really, it's all he can say. If there's remnants of bones that haven't been carried away by carrion-eaters, he doesn't want to see it.

Ghoul slowly stands up from his spot on the floor, staring intently at the broken knick-knack in his palm. It might have been a glass teddy bear, once, something a parent might grab up for a child waiting at home. It's partially shattered, though. Half of its cartoonish smiling face is gone. The heart shape it once held in its paws is cracked down the middle. Kobra isn't great with metaphors, but this is pretty fucking obvious.

"I didn't save them," Ghoul says quietly, his voice grating through the charged, silent air. "I didn't save her."

Something clicks into place. They all know that the crew he lost was Ghoul's real actual biological family. He's a sandpup. He was born and raised in the Zones. He doesn't talk about it much. Kobra's shocked he even came back here, let alone with anyone else. Ghoul doesn't talk about his family, but they've all figured for a while that he had a sibling. You can see it in how he treats the Girl.

"Your sister," Kobra says. It doesn't sound like so much of a question when he says it out loud, but he knows Ghoul will understand it as one.

Ghoul nods. "Yeah." He steps over some toppled displays, sun-bleached ads that used to be bright colored, and slips the shiny piece of broken glass into one of Kobra's pockets since he doesn't have any of his own. Kobra can already see the sunburn forming on his friend's shoulders and the tops of his knees. "She was like, eight."

That's all the more he says about it, but Kobra slips his hand into the pocket and runs his fingers over the broken glass toy still warm from Ghoul's hands, and hears the years of grief and bitterness in the few words. Ghoul's more talky than he is, but he's cagey, too. Kobra can hear him, though. He gets it. Doesn't mean he knows what to say, though.

"Shit," he spits. He wants to say I'm sorry again, but that feels fuckin cheap. He wants to say stop beating yourself up about it, but that sounds even stupider. "Fuck." Sometimes that's all he can say.

"Yeah," Ghoul replies. "Fuckin shit."

"Exactly," Kobra agrees, fiercely relieved that Ghoul gets all the shit he's trying to say. "Hey, uh. Y'know I'm-" He stumbles over the words, cringes at himself for the inability to get past a stupid two-letter word. "I'm glad I know you." He manages, as selfish as it sounds standing here in the ghosted wreckage where Ghoul's family was killed. But if that hadn't happened, they wouldn't be here now. They wouldn't be friends. And Kobra needs Ghoul to know he's glad that any suicide run to save his family failed. The pain sucks, but he's grateful for the outcome. He hopes Ghoul can understand that.

Ghoul doesn't reply. His acid green eyes bore straight into Kobra's for a few seconds while Kobra's heart hammers in his chest. Then he kicks at some dust and looks at the floor and shrugs. "Let's go, man. I don't wanna stay here."

"M'kay."

Kobra's almost tempted to reach out as they walk back out into the glaring sun, grab onto Ghoul like he's a ghost, too, and the light might evaporate him. But he doesn't. He can't.

He thinks the feeling of Ghoul hanging onto him as he steers Mirage away, back up the ramp to the road they came down in the first place, will make him feel better. It doesn't. Ghoul holds on much looser than he had on the way here, and it makes Kobra nervous. He wonders if he should have made him wear a helmet, and steers more carefully around the turns.

And then Ghoul adjusts his seat and throws one arm up over Kobra's shoulder, loosely hooking around his neck. He leans up forward and shouts, "C'mon, Kobes, let's play with it!" Like he's itching for the risk that a couple hours ago had had him holding on for dear life. Kobra's used to thinking his best friend isn't all there. But he's also familiar with the times he is. Sometimes, he forgets they're not the same age because Ghoul is so larger than life.

He tips his head to the side in acknowledgement, and punches the throttle. He even pulls a couple of tight, quick loops. He can't slide on the pavement the way he would on sand, but he can catch a little air when there's a thermal bump in the highway. Ghoul clutches onto him, but it's not scared. Something's cleared up in the gas station. Maybe it was closure. Hell if Kobra knows.

When they pull Mirage off the highway and the diner finally comes back into view, just a small glint of signage, Kobra slows his pace and can feel Ghoul sigh more than he can hear it. His friend's arms stay firmly around him. "Hey, Kobes?" Ghoul says, just barely loud enough to be heard over the engine.

"Yeah?" Kobra says, a bit louder to be heard past his helmet.

Ghoul hesitates, then says in a rush, "I'm glad I know you too. Like, really glad." And then he squeezes Kobra a little tighter for just a second and Kobra can't even say anything in reply. It's been a long night at the wrong time of day. And they're almost home.

#yes I know kobra is doing that annoying ''r u ok'' thing very repetitively he's like me he repeats himself A LOT it's ok. we still love him #I cannot express this enough. kobra has a stutter. literally sometimes the only word that will come out is just. F bomb.#the others have gotten very good at translating him skskskddkfj #btw wrt kobra's speech patterns just know I'm cutting WAY back on the amount of repeating I do irl #like I'm giving him my (mild) stutter but cutting down the repetitions by a lot bc it looks weird on paper #so whenever he's repeating himself and stammering? yeah it's a lot more like a scratched CD than how I typed it out #in my head it's like SUPER noticeable. like everyone knows this happens and that sometimes he has to stop and be quiet #and take a minute before he can get on with what he's saying. it's just a thing #ok now that I'm done rambling about kobra kid having a stutter- :)#btw they're like 16 and 17 here. they are children trying to navigate these very big emotions and I love them so so dearly #next time I need to emotionally or physically hurt kobra skfjfnskdn I keep going after poor ghoul #ok I think that's all I have to say for now #she speaks!#she writes!#danger days #the true lives of the fabulous killjoys #danger days: the true lives of the fabulous killjoys #ttlotfk #kobra kid #fun ghoul #this isn't really funkobra just bc I don't actually ship ANYONE here skskfjdghkdjgfkd #I'm much more compelled by platonic relationships that are kinda the Secret Third Thing than I am by romance. so. yeah

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