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ash-arts-a-thing · 6 months

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Specter Carlo AU Character notes, this is for things specific to Pinocchio, Carlo, and Romeo. Things like their game mechanics, how they interact, things they’d say or do. I should have everything in here, but should I have to I will just come back here and edit or add what I need to do I don’t make fifty posts with minor changes.

[Chapters 1-3] [Chapters 4&5] [Chapter 6]

Notes on Carlo:

* He cannot harm allies, since he is tied to Pinocchio by being summoned through the star fragment, anybody that he has deemed a friend or ally can’t be hurt by Carlo’s hands.

* He doesn’t have to worry about normal body functions, eating, drinking, sleeping, bathroom breaks, he doesn’t have to worry about any of it.

* He can interact with physical objects, but still cannot use said objects for harm against allies.

* His body works as if it’s an active projector of stars. Shooting stars can cross his body, arauras, galaxies, constilations, nebulas, they can all slide by his body as if you’re watching the sky move out a window.

* When not summoned he is not able to interact with objects, BUT he can still communicate with and watch Pinocchio.

* When not summoned, if Pinocchio happens to be looking at a reflective surface, Carlo can talk through the reflection. He’s almost like a shadow in that capacity.

* When he was alive he was dating Romeo, he never moved on even in death.

* Should Romeo be kept alive after the King of Puppets boss fight, Carlo stays permanently. Since Romeo would still be counted as an active boss Carlo wouldn’t vanish, should an event happen where Romeo was killed at any point after then Carlo would go too regardless of the circumstances.

* When talking through a reflection he is literally Pinocchio’s mimic, he can move and talk, but has none of the visual differences, such as his lack of freckles, brown eyes, outfit, etc.

* Carlo would act as a companion if Romeo is spared since he is permantly active, he will by default stay at the hotel unless Pinocchio drags him along with him.

* Whenever Pinocchio returns to the hotel Carlo will once again default to the hotel until asked to join again.

Note: if he has been made permanent he will have spots that he frequents just like the other characters.

These locations are:

1. He will be actively playing the piano, but only if Antonia is still in that room (this cannot happen if Romeo is playing a record).

2. He will sit on the stairs leading to the courtyard and will be reading, very high chance he’ll be reading ‘Pinocchio’.

3. Should Spring be on the couch next to where Alidoro stands, Carlo will sit on the couch with the cat in his lap.

4. In the courtyard practicing on target dummies.

5. Anywhere that avoids his father.

6. Has a 40% chance of being where Romeo is (except in Gepetto’s room).

* Carlo will appear as soon as the wish stone is used rather than only appearing once the arena is entered, he can be spoken to, but he will not move until the fight has started.

* Carlo will have unique dialogue for each boss while in battle.

* Carlo will grunt when exerting himself or when hit, he will occasionally laugh and it will be boardering on unhinged.

* Carlo will have a chance to prompt Pinocchio to heal himself if his health falls below half or to use a ampoule should Pinocchio aquire a status ailment.

These prompts are: (Truth / Lie)

1. “Heal yourself, idiot.” / “Hey, heal yourself!”

2. “Pay attention! Heal yourself!” / “Eyes up, use a cell if you can!”

3. “If you die I’m not sticking around, literally, keep your health up!” / “Think of yourself for once and heal!”

4. (Break) “You idiot, watch it! You can’t heal properly now!” / “Careful, it’ll be harder to get a full heal like that!”

5. (Corruption) “If you get corrupted like the rest of them I’ll take you out myself.” / “Watch it, don’t end up like the rest of those mindless puppets.”

6. (Decay) “If your weapon breaks I’m not giving you mine.” / “I don’t have a spare weapon on me, just so you know!”

7. (Disruption) “You stupid puppet! Watch out for your heart!” / “Hey, hey! It’s messing with your ergo, watch it!”

8. (Electric Shock) “Wow, the puppet got hurt by blitz, shocking!” / “Remember, you’re a puppet, blitz won’t be good for you!”

9. (Overheat) “Hahaha! Looks like you’re burning up!” / “Oil and fire don’t mix! Put that out, quick!”

10. (Shock) “Oh quit complaining, puppets don’t get tired.” / “You look exhausted, give yourself a moment to catch your breath.”

* In a lies playthough Carlo will compliment Pinocchio on perfect blocks, parry’s, dodges, or hits that stagger. In a truth playthrough he will mock and taunt Pinocchio, stating he could do just as good if not better

These prompts are: (Truth / Lies)

1. “Tch. I could’ve done better.” / “Couldn’t have done it better myself.”

2. “I’m surprised you were able to pull that off, honestly.” / “Ha! I knew you could do it!”

3. “Come on, break their weapon already, puppet!” / “Their weapon is bound to break soon!”

4. “You call that a hit?!” / “Yeah! Set ‘em off balance!”

5. “Yeah, I can do that too, you aren’t special.” / “Haha! You’re something else, you know that?!”

Notes on Pinocchio:

* His personality remains largely unchanged from the canon game, he is kind, sweet, and a gentleman. That being said, he still gets some traits from Carlo, who will teach him to think of himself and his self worth more often, rather than Pinocchio running off the needs of everybody else 24/7.

* Depending on what playthrough has been done up to that point, he will either spare or kill Romeo, which will either strengthen the bond between him and Carlo or tear a rift further between them. Truth he dies, lie he lives.

* He is aware that Carlo can and is watching him at all times, but only after first catching him in a reflection.

* Should it be a truth playthrough Pinocchio will never speak, nor emote in any capacity, he will be the very definition of an emotionless, mindless puppet. This ensures that Carlo cannot get attached in any capacity.

* Should it be lies he will gradually speak more, though still not often, Gemini will do 90% of the talking for him, but Pinocchio will emote and gesticulate to communicate. This ensures that Carlo will be more willing to talk and attach himself to Pinocchio.

* Romeo’s fate will be the ultimate factor for Carlo feelings towards Pinocchio. Up to this point in a lie playthrough he would have already had minor doubts, but the catalyst for his change in perception towards Pinocchio will be this choice.

* He will also come to see Carlo as his brother.

Notes on Romeo:

* Still very much in love with Carlo, he too has not moved on.

* If spared he will stay at the hotel, where he will gradually be repaired by Gepetto over the course of the game.

* Romeo will remain at the hotel if spared, he is too damaged to leave the hotel, he could cause either Pinocchio or Carlo to be hurt.

Note: should Romeo be spared, he will remain at the hotel and have locations where he will frequent like the other characters.

These locations are:

1. Leaning on the wall next to the record player, if this is the case he will have already put a random record from Pinocchio’s collection on (this cannot happen if Carlo is playing piano).

2. In Gepetto’s room, he will be behind the Organ upgrading station and he will now have his own chair there so Gepetto can work on him.

3. Behind Eugénie’s work station, he will be admiring the display of cat figurines.

4. In Venigni’s corner, he can be found using the machine next to the legion arm upgrade station.

5. Has a 40% chance to be wherever Carlo is (unless he is in Gepetto’s room).

* He will have a cool down timer and item counter, like the Gold Coin fruit tree, should you return to him he will give you random throwable and/or consumables items. He does not state where he was able to aquire them if asked.

* Talking to him can yield a (bad) joke if prompted. He will always find his own jokes funny.

* Romeo can be asked to sing, he is much better at singing and acting than he is at jokes.

Other Hotel Krat Members Thoughts on Carlo and Romeo:

Carlo

Sophia: They were friends in the past and they’re friends now, she sees Carlo and Pinocchio as her younger brothers.

Gepetto: Claims to love his son, but that’s up in the air. He’s been emotionally neglectful towards him in the past.

Antonia: Carlo and Pinocchio are like grandsons to her. They’re both polite and courteous towards her, if she asked Carlo wouldn’t hesitate to help her with something while Pinocchio was out. Carlo will often play the piano for her if she is in the room to listen.

Eugénie: Indifferent towards him, she thinks he is polite enough, but feels Carlo puts on a front so people will think he’s charming.

Venigni: Could be seen as Carlo and Pinocchio’s eccentric uncle. He loves Carlo’s mischivious tendencies, but sometimes thinks he goes to far with them and won’t hesitate to tell him in an effort to reign Carlo back in.

Gemini: Hesitant at first to trust him, but once Carlo actually starts opening up they tease eachother ceaselessly. They’re often heard throwing light hearted insults at each other.

Polendina: Grateful that Carlo doesn’t hesitate to assist or entertain Antonia when he isn’t able to. He doesn’t often mesh well with Carlo’s personality, but as long as he’s nice to Antonia then he’s good in Polendina’s book.

Pulcinella: He is always ready to welcome Carlo as he does Pinocchio. Like Polendina with Antonia, he’s happy that Carlo gets along so well Venigni. Though isn’t always fond of the things Carlo will get into around the hotel.

Belle: They tolerate each other at best, at worst they’re almost getting into physical altercations. At least they would be if Carlo could actually fight her, but he sure does try.

Romeo

Sophia: They’re pretty good friends. Romeo has a habit of running poetry past her, claiming he only wants the best for Carlo. They often talk about books and theatre.

Gepetto: The only reason he does repairs on Romeo is because of the linger threat of Romeo’s knowledge on him. He hopes he’ll be able to somehow keep Romeo from spilling anything.

Antonia: Thinks he is quite the gentleman. Loves to listen to him sing or recite parts of plays, usually alongside an unwilling and hesitant Carlo.

Eugénie: Besties. Romeo loves hearing her talking about her weapon expertise and he especially loves hearing about her cat collection.

Venigni: Constantly running outfit ideas past him, claiming that he would look perfect in this vest or these pants. Should the day ever come when Romeo could properly wear something over all the rough edges and pipes then Venigni would practically make him a model.

Gemini: They tell each other (bad) jokes non stop. It’s horrible, but it’s great they get along so well. Though Carlo probably wouldn’t agree with how many horrible puns he’s heard.

Polendina: Likes hearing about all the plays and shows that would go on at the opera house. He’s a big theatre man, Romeo says if things ever get back to normal he would be happy to have him and Antonia at the theatre for one of his shows.

Pulcinella: Romeo is very interested in the things that Pinocchio will bring back and if he happens to leave said things behind then Romeo will listen to Pulcinella talk about whatever it is for hours. Pulcinella loves his curiosity, and especially loves that him and Venigni can feel Carlo in so easily if need be.

Belle: She hates him and doesn’t make a secret of it, it’s also the reason her and Carlo don’t get along. Thought Romeo will still try to be polite and civil towards her, she only meets him with scorn. She could never trust a puppet and that isn’t about to change. The only reason she doesn’t dislike Pinocchio is because she is unaware he is one.

#I may go back and edit things or add something here and there should I deem fit #but I think I’ve gotten everything together for the character notes at least #lies of p #lies of p spoilers #Specter Carlo AU #not art #Pinocchio #Carlo #Romeo #Lampwick #Giuseppe Gepetto #Antonia Ceransi #Eugénie #Gemini #Polendina #Pulcinella #Lorenzini Venigni #Sophia Monad #Belle

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