Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
bsd fic authors i understand yalls pain SO well right now why is it so fucking HARD to write dazai. like i have a whole fucking spreadsheet dedicated to tireless analysis i have done on my part so i can accurately characterize him but he is such an unpredictable and morally gray character that it's hard knowing his limits and boundaries and where he draws the line for himself.
..... ghost prince!Jason where when Jason died instead of waking up in his own door room (headcanon doors are private rooms all ghosts gain once dead, its their safe spot, rooms can expand into lairs if the ghost gets strong enough) he wakes up in the Ghost King gardens.
He's found and taken to (older) King Danny who takes one look at the newborn baby ghost, (verbally) rips into his guards for manhandling a baby, and offers Jason a place to stay while they try to locate his room so he can recover and stable his core. (That's why ghosts stay in their rooms upon being made until they're strong enough to leave and venture out, Jason is advised not to run off since they have no idea where his room is and Danny being King of the Realm can basically substitute the ectoplasm needed to stable him just by being around Jason)
Over time and Jason slowly learning to trust Danny, Danny starts treating Jason unknowingly like a son and Jason slowly sees Danny as another dad (only less emotionally constipated (Bruce) or abusive (Willis))
Everyone in the Kingdom knows it too, but since Danny hasn't made it official they don't call Jason 'Prince' or 'Young Master' instead they call him 'Favored Star' and 'Starlight' since Danny adores space and stars and the Ghosts honor Jason with those title's.
They realize that they've been treating each other as family when Jazz comes to visit and points it out. Danny freaks out for a moment before going to talk to Jason, whose been hoarding himself in the royal library. They talk, Jason freaks a bit (maybe runs off trying to figure out his own emotions over it. Doesn't want to get hurt again by a 'father figure' again, maybe gets in trouble? Or runs into Jazz and talks about it to her)
Eventually Danny decides to make it official and Jason becomes Prince Jason of the Infinite Realms. Everyone is excited, and a huge ball is thrown in Jason’s honor. Its a night Jason keeps close to his core because once the ball is over, Danny and Jason go sneaking into the kitchens to get some hot coco and goes into Danny’s study where Jason reads his favorite book out loud next to the fireplace while Danny works on some paperwork but is listening to the story.
Anyways since time in the Realms is weird that despite being dead for a small few years in the living Realm, Jason feels like many more years have passed in the Infinite Realm and because he’s been around Danny (and is Prince of the Realms) he has grown older (its why when he’s brought back he looked like the way he did when he died but was comatose, his ghost/soul didn’t match the body anymore and it isn’t until he’s tossed in the Pits that it corrects his body to match who he was now, its also why the Pit Madness stays with him for so long) Jason has grown into his role as a Prince and he’s happy with his (after)life (and has come to terms with many things in his life, thanks Auntie Jazz)
So when one day the Prince goes completely missing, to the point he can no longer be felt in its Realms, the Infinite Realm ‘awakens’ to the rage and worry of their King.
Meanwhile, Jason awakens underground in his coffin, dazed, confused, scared and crawls out of the ground, his soul/ghost despite being in its body isn’t attached correctly and thus his mind is blank, he’s alive but not really there. It isn’t until later when he’s tossed in the Pits and rage overtakes him that his soul/ghost is connected again, wrongly put together but connected at least. It isn’t until later when his core slowly tries fixing the rage/Pit Madness when he starts getting fuzzy and hazy memories of someplace he can no longer remember but wants to go back to, wants to find.
A sky of shifting shades of green, a castle with knights, a ball and dancing figures, the sound of a fireplace crackling and a pen scrawling across paper as the taste of hot coco phantoms its way in his memories.
given sabo’s reputation and bounty do you think the topic of the revolutionaries ever comes up among goa royalty and nobility. do you think they ever clap outlook on the shoulder and go wow that flame emperor sabo boy sure is a handful. seems like an extra insult that he shares the same name as your dead son 😔 and outlook, didit, and stelly all look at each other like
also, since tumblr won’t let you post more than one video unless they’re links or embeds, here’s a link to another clip i posted that adds a bit more context to the scene :)
reading thru the The Final utsuro fight visuals with the vocabulary i gained while liveblogging gintama
[VD: the section of the fight that has gintoki and utsuro-in-takasugi's-body slide through reanimated flashbacks to past scenes of the series that cast them as past versions of themselves, shouyou, and takasugi]
bc the maths is insanes
the initial flashback is to their immediately previous silver soul fight - the casting of the conflict as unending, progressless, in utsuro's favor. have either of them appreciably changed since then? is anything different? what is initially an incomplete brief flash - with utsuro still inhabiting takasugi - solidifies when he regresses to his original body and begins to more effectively counter gintoki. utsuro remains on the right throughout.
direct cut from there pulled further back in time to gintoki's immediately previous fight with takasugi's body in shogun assassination - takasugi on the right, giving utsuro in his body the power of Unconscionable Violence (senseless, gleeful, and knowing you well enough to perpetrate it) (joelletwo tags on squeaky toy video, 2023, repeated endlessly every day since)
but it's mutual - gintoki also knows you well enough to turn the tables and get the upper hand back
(not that this meaningfully stops you for long).
direct cut from there slightly forward in time to gintoki's first fight with utsuro in the immediately following farewell shinsengumi, where the revelations overwhelm him and reduce him to being fueled by the pure instinctual anger of The Demonic, a state of losing yourself and your ability to fight effectively (reductionisms, 2023),
conditions where it's all you can do to hold out against an enemy that represents something so big in your psyche,
which he knows about, since he's been that for you before. back in time again to the first (onscreen) takasugi confrontation, right before taking advantage of your precarious mental state to punch you out of the plotline (kraniumet tags on yamameta post addition, 2022)
but utsuro keeps a vice grip on control of the story, surfacing back into the present to stop and reverse his fall mid-air so he can stay anchored in the battle with gintoki,
meaning he remains vulnerable to the weaknesses of the body he's in, which only ever exists anymore in one memory - you're unable to move, only to witness. a third figure is introduced, who is more you than you here, while gintoki remains himself.
the you more you than you accepts death while you watch it approach with helpless despair and terror.
the collapse of utsuro back into the body he inhabits in present invites a re-examining of the series of flashbacks thus far - where the perspective of who controls the focal memory seems to flip from utsuro to gintoki back to utsuro here, does it? the farewell shins->festival transition is 1:1 substitutional, working out so that utsuro-as-takasugi winds back up on the right.
but it isn't utsuro borrowing a strength of his like Violence here - it's, just like in the execution, succumbing to one of his weaknesses. flipping between the two scenes, takasugi's derailing fear of gintoki as a figure becomes gintoki's of utsuro. there's a double elision of takasugi (missing from farewell shins due to his fight with gintoki) so that utsuro becomes both gintokis - making him both the one who looms large, and the one who is destabilized by.
gintoki signifies something huge to utsuro, after all.
he takes up the role he had back then, the one you assigned him from the start, because half of his time always exists in that one moment now as well.
being the one who acts on the story and moves it forward, brings it to an end.
the regression through history continues to child against unbeatable teacher, again the question of if either of you has grown since you met. gintoki becomes the underdog challenger on the right.
the refusal to give up an unwinnable fight, no matter how many times it's tried, the even-back-then way that gintoki becomes a shouyou figure for others, fluidly shifts you forward in time.
the reverse shot, the perspective flip - the identity lines cross.
he drags you through time with him, until you're someone he knows how to beat.
(because, again, you know each other so well as to be losslessly interchangeable, for two opposing souls in the process of finding themselves - conquering themselves - to become indivisible.) (reductionisms translation, 2024) (yamameta ouroboros poem, 2023)
and even when you win - earn by ceaseless trial and effort the right to play his trick back on him and dethrone/defang him by pushing him literally out of frame - ...
he learns from you as well and pulls himself back in by your anchor.