since ive already been pretty open about this and im not afraid to whack a hornets nest i'll go ahead and say it: if you were raising a kid in a pseudo-apocalyptic setting and then you found out that said kid was going to be the one to defeat the eldritch god that you have tried to defeat for half your lifetime and could never manage. that she was going to FACE that eldritch god it was prophesied. you would teach her how to defend herself and how to fight. like god i am not saying hero's trauma from it wasn't justified because i do think the twins took it too far but the initial process of training her makes so much more sense if you approach it at the angle of "this kid is going to do something we've been trying to do since we were twelve and couldn't manage and we might not even be there to help her so we have to make sure she doesn't die in the process" and not "we're going to make her fix our mistakes" it makes sense. goes along with lark's running theme of not being strong enough in the moments that matter and wanting to make sure nobody else ever feels as helpless as he did when walter was injured. goes along with sparrow desperately tempting fate with normal's name- not because normal was an accident, but because sparrow never wanted to lose even one kid to the doodler and it was a fervent, desperate wish to let normal get to be normal
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I can't stop thinking about him the demons the DEMONS I TELL YOU THE PARASITES WITHIN CONSUME ME 24 HOURS 7 DAYS A WEEK... I HAVE BEEN HAUNTED BY THOUGHTS OF HIM IT EATS AT ME FOR DAYS ON END. I have no longer contained any normality for cole, no normality in fact that it can classified as a negative number. Words CANNOT describe how much I feel about cole.. like gosh, never in my life have I felt so many emotions at once for someone, a lego for that matter. Man the way I would, the way I would IMMEDIATELY IF I COULD, IF I COULD I WOULD...mmmaan do I have intense feelings about cole.. like wowerz I can't even.. m...bmm......mmmmmmmmAAaaaaa aaaoooohes my favorite character :3m, AAAAAAAAAAAAAAAAAAAAAAAAAAASAAAAAAAAAAAAAHHHHHHHHHGGG
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I am so not normal about your rosekiller. Your latest evan piece? I swear to god, I volunteer. Doesn’t matter what for. He could put me on a fucking table and dissect me and I’d let him, hand him the scalpel if he asked for it. One glimpse of those legs and my brain was GONE
NO YOU GET ME…. he’s my favorite to draw by far. sometimes i think about his character design and it takes the breath out of me a little. whoever originally decided he’s blonde deserves to never work a day again in their life
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alright you’ve been extremely extremely kind and indulgent to me about my oc and i cannot possibly thank you enough <333333 so MY turn now to ask YOU about YOURS. please tell me about maglor’s distant granddaughter who is also your bbeg?? .w. or about the chatty hobbits i would very VERY much love to hear about both!!!
~ @nelyoslegalteam, reporting from main <3
(long post, sorry for the random people stumbling upon this lol)
so I'm the dm for the chatty hobbits campaign and essentially it's set in a beleriand-adjacent continent, but with a few extra races and stuff. of the founders of the original settlements, the king of elende (the elf kingdom) is Gil-galad's (invented for the campaign) twin brother Finellach/Finwain. originally he was inspired by the fact that gil galad has a ton of names but only uses ereinion/gil, so I just invented a new character and gave him half the names. I headcanon gil galad as maglor's son, so finwain is in universe maglor's son (left at the havens with gil bc his wife divorced him for kinslaying and his kingdom, being next door neighbors with morgoth, is far too dangerous for small children).
Anyways, his descendant Elinyel (also known as aramire or elinnor) is the current queen of Elende! she's an evil fire-themed bard who is extremely feanorian in all the worst ways - her actual kingdom prospered under her reign, but she just does not care about everyone else as long as she's protecting her people. There were some tensions with one of the major kingdoms to the north (conflict over unclaimed territory between the kingdoms and some tariff stuff), so instead of risking the other kingdom starting a war and hurting her people, she just preemptively invaded it and started burned all the border territories to the ground.
her actual coronation was pretty weird- so she's the second child, but her older sister was born in wartime and there's a general belief in elende that children of peacetime make better rulers, so Elinyel was chosen as her family's heir. her grandfather (the crown prince of his generation) died defending Elende in one of the major wars, but his younger brother and two young kids survived. there's a whole feud between their houses because the brother chose to retain the kingship even after the kids were old enough to take the throne. anyways, two generations later Elinyel killed her cousin Arendil (the previous king of Elende) over a dispute about the legitimacy of his house (and what she believed to be a dishonoring of her grandparents' sacrifice) and took the throne.
obviously she has many Issues. arendil also has two surviving kids who are now essentially trying to stop her from murdering all their neighbors in proactive defense of her people.
however, when she first ascended she recruited her friend group as her elite guard/vassals of the kingdom. (aka the other bosses in the storyline). so it escalated to a war between her forces and the children of arendil, which ultimately culminated in her beloved sister being killed by one of arendil's children. this in turn led to her having basically a massive mental breakdown and feeling like she failed to protect her loved ones (exacerbated by some of her other friends being killed in battles she led). a normal person might decide this is was kind of her fault for starting a war and putting her friends in charge of the army. instead she decided she needed to destroy everyone who could ever potentially pose a threat. which is, in her eyes, literally everyone on the continent (except for her kingdom, of course).
so now she is at war with absolutely everyone of all factions! She is also somehow winning by virtue of Song almost on the level of maglor himself, and ten (now six) also incredibly powerful friends. Anyways, she has decided that the best way to wipe out the continent (except her kingdom) and start fresh is to literally find an ancient lost stone that can break the Doors of Night, summon Morgoth himself, and start the Dagorath. obviously this will Not go well for anyone at all if she succeeds, but she is on a full-on rampage and genuinely believes she (plus friends) can protect her kingdom from Morgoth's army while he wipes out everyone else.
Here's some old art of her btw!
And some slightly more recent unfinished art of her and the Evil Friend Group from when they were younger:
and here's (L-R) her cousin who is the 3rd boss, Elinyel, and her sister from before the war!
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Nick have you seen the parallel between Sakura's farewell words to Lava Lamp and Real!Fai's last words to Yuui/our Fai as uncovered in his final memory in Celes? Could you talk about it?
I didn't notice this at all in the moment, but OOF. The PAIN of this parallel.
WHAT A MOMENT TO ECHO.
It draws quite an emotional parallel between (our) Fai and Lava Lamp Guy. Both of them ended up trapped in long, lonely, torturous situations where their fate was tied to someone else - someone they loved dearly, someone who is kind of dead, but because of their unique situation they ended up tying their entire existence around these ultra painful complex scenarios for the other person's eventual survival. Lava Lamp outright told Watanuki in the dream world that no matter how much he has to endure he will do what needs to be done to fix it. And Fai kind of had the situation happen twice - first, when both twins were alive, where they both stuck in the eternal torture pit for eternity because they refused to let each other die, and then later in life where Fai was trapped into servitude to Evil Wolverine's plan in order to try and revive his brother at the end of it all. Both Lava Lamp and Fai have good goals - they are devoted to someone they love, and will endure anything they think they need to in order to save them. But so much so that it twists their lives into constant suffering, to the point that the person they want to save actually cannot bear it anymore and wants to set them free instead.
So in both these final moments we have Sakura and (the original) Fai sacrificing themselves to save the other from endless suffering - Sakura saving Lava Lamp to free him from his plotline death and everything he is chained to, and (og) Fai making the deal with Wolverine that thematically frees Fai from the pit AND frees his future self from his commitment once he knows the truth of the situation.
It's a very beautiful, dark, and tragic act of love in both cases. They are scenarios born of desperation, where there is no safe winning outcome, and the alternative will either bring endless suffering or death for both of them. It shows that both parties are, at the end of the day, willing to sacrifice literally their entire existence to save each other - but also exploring what that means and how much suffering can come of this blind devotion. IS it truly better to live your life in constant torture in the hope that you might one day free someone you love from their predetermined death? Or is this only forcing yourself to suffer needlessly?
From a plotline perspective, both of these characters are technically already dead by the time we get these lines. Sakura kind of died in Infinity. Her fate, by her own choice, has already been tied to this outcome. It would have been impossible for Lava Lamp to stop it. (Og) Fai, too, is dead by the time Our Fai sees this scene in it's true context. He died hundreds of years ago, and even though Fai bent his entire life around trying to switch places with him, in truth that was always impossible. With that in mind, both scenarios are less about "who sacrificed themselves first to save the other" and more about the concept of trying to change a death that has already taken place - and that's an idea at the very core of Tsubasa all the way through.
What is the true nature of grief? To be in pain forever, or to accept that the person you've lost loved you, wanted the best for you, and wouldn't want you to suffer like this anymore?
Do you, like Evil Wolverine, break anything you need to break in order to bring that person back - or do you allow yourself to heal, like they would have wanted?
It's technically an open question, but in both Fai's death and Sakura's death, we have the person in question actually answer the question for us.
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I followed that writing prompts blog bc I thought some ideas were cool but recently they’re all like “uhhh what you could see numbers above everyone’s head and then one day you meet someone and they go ‘you can see them too???’” “on your 18th birthday you’re assigned to a faction but you never receive your assignment :0” “everyone has their soulmate’s name tattooed across their ass. one day you look at your ass and the tattoo is gone…”
Like.
… ok.
All I hear anymore is Patton Oswald’s improvised filibuster from parks and rec
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