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#except work
jencsi · 2 years
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This whole "show don't tell" thing in writing gets tougher and tougher to do with each passing attempt to type I make. Some things just can't be conveyed with words, they need to be seen, like on a screen, played out by a real human being to capture the correct emotion and I think that's why this whole writing thing is actually quite stupid. There's only so much you can convey with words. And when you run out, what do you do?
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finalproblem-mlm · 3 months
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guy who is mourning third spaces again
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i'm begging you guys to start pirating shit from streaming platforms. there are so many websites where you can stream that shit for free, here's a quick HOW TO:
1) Search for: watch TITLE OF WORK free online
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2) Scroll to the bottom of results. Click any of the "Complaint" links
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3) You will be taken to a long list of links that were removed for copyright infringement. Use the 'find' function to search for the name of the show/movie you were originally searching for. You will get something like this (specifics removed because if you love an illegal streaming site you don't post its url on social media)
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4) each of these links is to a website where you can stream shit for free. go to the individual websites and search for your show/movie. you might have to copy-paste a few before you find exactly what you're looking, but the whole process only takes a minute. the speed/quality is usually the same as on netflix/whatever, and they even have subtitles! (make sure to use an adblocker though, these sites are funded by annoying popups)
In conclusion, if you do this often enough you will start recognizing the most dependable websites, and you can just bookmark those instead. (note: this is completely separate from torrenting, which is also a beautiful thing but requires different software and a vpn)
you can also download the media in question (look for a "download" button built into the video window, or use a browser extension such as Video DownloadHelper.)
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softestepilogue · 17 days
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if buddie becomes canon 911 will be the first show with banger after banger after banger after banger of main ships.
athena and bobby? unmatched. immaculate.
hen and karen? magnificent.
chimney and maddie? perfection.
buck and eddie? flawless.
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isjasz · 12 days
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[Day 277]
Chamber of sea critters 🎣 (im not obsessed with lineless u are)(its so fun KJASDLAJJKA)
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shivunin · 9 months
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Because I have just seen this specific thing for the second time, I would like to say:
If I reblog your art, I do not expect you to reblog (or share!) my fic in return
If I comment on your fic, I do not expect you to comment on (or read!) mine in return
My enjoyment of anyone's work does not come with strings or expectations
My friendship is not a bill that you will have to pay later
That's it!
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nerdpoe · 6 months
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The Watchtower has a perfectly normal and totally ordinary Mechanic. Except that it doesn't, Danny just hasn't found the right time to tell them that yet.
Danny, as Phantom, decided to live in the Watchtower without asking. It was in space, it was away from the GIW and his parents, and it was cool. Really it was the best Real Estate he could want. It would be difficult, but Danny was full confident he could do it.
Except it was easy?
Like, really easy.
Day one, he had dropped his Phantom Form and was in the cafeteria when it was empty, and the Head of Engineering tugged him aside and scolded him for like twenty minutes on leaving without the proper uniform or badge.
So he got a uniform and badge.
Day two he met the Big Three as they walked down the hallway, and Batman handed him a busted up helmet with the instruction "Fix this". So he did.
And on it went, on and on, until Danny was paying rent by being a Mechanic on the Watchtower.
This really doesn't change anything for anyone, until the Watchtower is hacked by an enemy and all listed personnel are gathered up.
Al listed personnel.
Danny isn't actually listed.
Right as the villain is video conferencing his monologue to the heroes trying to get in, Danny walks into the room, gently nudges the man aside, and starts pulling out wires from the console.
"What are you doing?"
"Shhh, I don't get paid enough to deal with these stupid glitches. The airlocks are down again, fuck me, right?"
"What-I shut those down! Cease this!"
"Sorry, what? Ope, doesn't matter anymore. Already fixed it. Shields are operating normally, zetas are online, and air locks are active-sorry 'bout that."
With the villain still spluttering and in shock, Danny nudges past him and his lackeys again and out of the room.
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wifelinkmtg · 8 months
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TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT
So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"
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The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?
And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?
INTRODUCING: THE DITCH
There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.
And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?
So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.
Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?
There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.
Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.
There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.
Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.
And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.
There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...
SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]
We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?
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Atraxa, Grand Unifier (art by Marta Nael)
In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.
So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.
Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:
Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?
Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?
SPELLING IT OUT FOR YOU
There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.
The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.
There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.
A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.
Do you get it now?
ENDNOTES
It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.
I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.
I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.
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onebizarrekai · 1 year
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random userbase data time
(listed almost every/every game as one option in case you skipped out on some of the multiplayer ones)
please reblog after you vote for Maximum Data, even if you voted no! if you voted for one of the other options, tag your favorite game(s)!
I am just very interested in the presence of the zelda fanbase :>
please note that, for the sake of this poll, remakes count as one game. so like, if you've played the original ocarina of time and master quest and the 3ds version, that counts as one game.
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hyolks · 7 months
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oh what a lovely family! i sure do hope nothing bad happens to them :')
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starry-bi-sky · 3 months
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“Your brother is adorable.” The cashier cooed at Danny, peering over the counter with a smile. “What’s his name?”
Danny looked down to the surly, scowling little de-aged Batman currently holding onto his hand, glaring up at the cashier with bright blue eyes.
Things had already been bad enough when he’d gotten caught in a fight in Gotham, but things went from bad to worse when a magician had hit Batman with a de-aging spell and then shoved them through a portal.
Into a different fucking dimension.
Because of course neither of their lives could be easy. And now the two of them were stuck in Iowa in the middle of nowhere, at a truck stop gas station, trying to go on a cross-country roadtrip to reach the nearest hero city and get home.
He looked up and smiled awkwardly, trying to come up with a name off the top of his head — one of the heroes called Batman ‘B’ when he got hit right? B for Batman, right. B… B… Bee… Bees.
“Buzz.” He said, and tried not to grimace as the cashier’s face warped with surprise. “Like the astronaut.”
This was gonna be a long trip.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#older brother danny except its BRUCE’S TUUURRRB#why are they in another dimension? because otherwise they’d be found too quickly :)#danny has a backpack on him and irs currently holding bruce’s batman suit#bc ofc he’s not gonna leave that in a cornfield for someone to find#he’s extremely weirded out and antsy by the fact that he can see batman’s face#despite being a kid. it Feels Wrong. its respect for the secret identity#how old is bruce? younger than 10#dpdc prompt#dpxdc prompt#older brother danny in progress#danny’s like. 15-ish thats why he’s so anxious#confident danny is fun and all but nervous danny ftw#none of their tech works bc they’re in a different dimension#its their ‘zuko life changing adventure’ trip. the cross country is vital to the bonding experience#nothing says ‘brotherly bonding’ like being forcibly shoved i to the next door dimension and going on a cross country road trip to get help#danny being a random dead kid hero. nobody important other than to his city and now he’s gotten himself involved with batman and co#danny: his name is buzz :) *internally screaming*#bruce is wearing stolen kid clothes they both look homeless#danny doesnt know bruce’s secret identity and vice versa#this is gonna be so fun danny’s gonna keep forgetting that bruce isnt actually a kid#bruce has the memories of his adult self but everything is kid-sized including his brain#so he’s not developmentally an adult all. his brain is that of a kid’s#starry says its bruce’s turn with the big brother >:((
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modernbaseball · 10 months
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That birth order poll going around is so stupid LOL. Only children are seen as SPOILED BRATS. Youngest children are seen as SPOILED BABIES. Middle children are seen as SPECIAL SNOWFLAKES. Eldest children WORK TOO HARD.
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baeglbites · 2 months
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Am I Bonita?? ✨✨
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deep-space-lines · 1 month
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okay but like. I just had the weirdest thought about that ‘don’t look I’m naked’ comic. Which is that that’s essentially the same thing Adam and Eve did after they ate the fruit of knowledge of good&evil. So I feel like the theological implications of that could kneecap Gabe if he doesn’t think V1 is a being with free will.
yeah ok. i dunno man. is this anything
((side note. this isn’t necessarily meant to be in-character or story-accurate or take place at any particular point in time, just a way to explore some Thoughts. i was also imagining more that V1’s words aren't actually spoken, more like Gabriel’s more articulate interpretation of whatever garbled mechanical noise V1 is using to communicate. I think an angel could do that.))
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and then they fucked nasty the end
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choccy-milky · 2 months
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older seb and clora on a job as curse-breakers💖 seb likes working with clora bc it means he can always spend time with her & keep her close, but it also still stresses him out bc of how dangerous it can be LOL. and i love worried + overprotective seb, so ofc i had to draw one of their close calls 🥺💖💖
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quixoticanarchy · 2 years
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what’s really ironic about the “just let everyone get infected w covid!! herd immunity!!” arguments now is that letting the virus run rampant through the world has actually achieved the opposite: everyone may get infected, but then they’ll just keep getting infected. delta infections didn’t protect against the original omicron variant. omicron BA.1 doesn’t protect you against BA.2.12.1. none of them really protect you against BA.4 and BA.5. mass infection is not going to create mass immunity, it just means that with every infection you’re rolling the dice on what this unpredictable and very creative virus is going to do to you
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