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#existential dread
mcpirita · 5 months
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Semi-motivational quotes from Hayao Miyazaki
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stutterhug · 3 months
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A measured five year plan..
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todayontumblr · 3 months
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Thursday, January 4.
Existential Ben Affleck.
Well it's January 4, after all—indeed it cannot be anything else. And nothing quite distills the suffocating existential weight quite like another image of Ben Affleck trying, and failing, to carry out the most menial tasks of the day. There is a little Ben Affleck in all of us.   So once you're done staring at the sad, widening pool of coffee at your feet, come celebrate this gaping abyss of a month with a series of Affleck-inspired gazes into the void.
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@batfleckgifs
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generaljenobi · 2 months
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foldingfittedsheets · 6 months
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If you really loved that iconic mushroom post you might enjoy this design in my Threadless, Redbubble, and Teepublic.
Sales support a broke queer art student and you get cool art on your stuff!
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noname-404s-blog · 9 months
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Yeah.
The Late Show with Stephen Colbert (March 6, 2024)
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twloha · 6 months
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we know existing is hard, but that little whisper of hope that tells you to keep going? to keep living because maybe things will improve? maybe it will get easier? maybe you’ll experience joy and love? maybe the next season resembles the relief of spring following a grueling winter? whatever it is that hope is telling you, listen to it.
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stillfuckingtired · 7 months
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Really hate hearing comments like “just getting old, I guess” or “that’s what happens when you get older” or “just wait til you’re my age!”
For one, it sparks a sort of existential dread and horrid fear of aging that I should not have to feel. Secondly, it sort of implies that older people have a monopoly on aches and pain, and assumes that it’s not something that affects young people.
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thatsbelievable · 4 months
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destinygoldenstar · 1 month
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What Separates Digital Circus’s Horror From Others
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Disturbing.
Unnerving.
TERRIFYING.
BUT WHY?!
On the surface to the… five people that never watched The Amazing Digital Circus Pilot, this show looks like a Five Nights At Freddy’s knock off.
It’s a cute mascot show that is actually secretly a horror monster infested world.
Even people who haven’t seen FNAF at least seen a few clips of it and what it’s famous for. I know I have.
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My sister is super into this, and she hogs the TV, so… RIP me.
That’s what most non-horror stans usually view horror as.
The jumpscares.
The unnerving imagery.
The designs made to freak out the viewers and make them uncomfortable.
It’s usually quite obvious when something is a horror, cause these aspects are often front and center. You can usually tell it’s a trailer of a horror movie by just looking at it.
At least, from my, a non-horror lover’s understanding. For some reason these sorts of things, especially indie animated ones, are the faces of a lot of content farms.
If the product itself isn’t r@%ing your audience, it’s those.
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(TAKE MY WARNING AND TAKE IT SERIOUSLY: IF YOU VALUE YOUR MENTAL HEALTH AND YOUR SANITY, DO NOT LOOK UP THIS MOVIE)
BUT BACK ON SUBJECT.
Digital Circus… doesn’t really have this stuff.
There’s no jumpscares.
(I mean there is in a trailer, but it’s used as a joke.)
The character designs are very cute looking without any alternate versions that are scary.
And the imagery of the show remains cute and fun all throughout. The darkest it gets is in a realistic looking office.
But there are no jumpscares in that scene.
It’s just… a normal office.
If this was a horror, then perfect opportunity, right?
So… what’s going on here?
This, my friends, is why Digital Circus is not your typical indie animated horror flick.
And why people even call it ‘scary’ at all.
Here’s the trick this show uses.
It’s not the imagery.
It’s not the designs.
It’s not even intentionally trying to scare you.
Caine is not intentionally trying to scare the audience. He’s just acting like an A.I.
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Yeah he has SOME unnerving moments.
But compared to THIS:
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I’d say Caine is pretty tame.
Maybe it’s an indicator that he’s secretly a monster like the Other Mother in Coraline.
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That horror flick is about the host lying to the protagonist and revealing their horror-like appearance later on.
But not only was it confirmed that Caine is NOT evil. But look at his design right away and his presentation.
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There is no sign so far that he lies about anything. At least not what he doesn’t know.
Yes he lied about the exit. But the exit ITSELF was the thing that sent you to the VOID. So really he kinda tried to protect them.
If he didn’t, he’d let jester girl eject herself like Among Us.
So why is it unnerving?
Because it’s the POV we the audience are in for most of the episode: Pomni.
Pomni is an Audience Surrogate.
Audience Surrogates are characters designed specifically to be a placeholder for the audience.
People usually assume this trope as the character made to be the bland and generic one. But that’s actually not true.
An audience surrogate can be as simple as a First Person POV. As all it means is that the character is designed to have the same reactions the audience would in the situation they would find themselves in.
Course, not speaking for everybody, but majority that would consume the content.
Thus, with Pomni as the audience surrogate, we the audience are thrusted into her shoes the whole time. We feel the fear she does. We are experiencing the circus the same time she does.
Notice the editing in some scenes. Specifically the scenes Pomni is NOT in.
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When Pomni is in a scene, there’s usually some change in lighting or camera movement that’s unnerving.
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But when she isn’t in a scene, these editing moves aren’t there at all.
Which makes it pretty easy to suggest that these unnerving edits are just what’s going on in Pomni’s head.
So with that, when she’s scared. We’re scared. We’re in her POV.
But she’s scared all the time. That’s just her average personality, right?
Then why make these specific edits?
Let’s think about this:
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This character is trapped in a world that isn’t her own. Everything is unusual, and she wants out. But instantly realizes there’s no escape.
And then gets told this is her new home and her new body.
A home she doesn’t recognize. And a body she doesn’t even know the name of.
She lost all sense of identity in an instant. Losing everything about herself in an instant. To the point where she can’t even remember what she was before.
And to make matters worse, because this is unusual, everything SEEMS terrifying. Even to those trying to help her adjust.
The only way out of such a confusing and terrifying world is to escape. Which is what she tries to find the entire time.
So THEREFORE:
The horror is this show is NOT the jumpscares or the creepy images.
The horror is THE VIEWER’S MIND.
This show constantly destroys your mind and breaks you through Pomni.
The idea of losing everything about yourself and being trapped in something unfamiliar forever. That IS terrifying.
If you were in this situation, you’d probably freak out even if you were the bravest being ever.
So it’s not about how scary the scene is on the outside.
It’s about what you’re THINKING that’s scary.
Ragatha’s distress monologue is not scary on the outside. But if you actually take into consideration what she says.
THATS terrifying.
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That toys with your mind. And it also toys with Pomni’s.
The monster figure in the episode, the abstraction, is nowhere near as scary as something from FNAF
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At least in my opinion.
Especially seeing what the monster does.
It can’t kill you. You’re just glitched.
Or maybe it CAN kill. But we never see that.
Even if Pomni ended up like Ragatha, Caine would’ve eventually came back, found them, and fixed them. And they would’ve been fine.
But then, rather out of nowhere, she STOPS.
And we get this shot.
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I talked about this shot before. Said it quickly became one of my favorite shots in media.
This is why.
This shot makes me queasy every time.
The idea of looking in a mirror and not even being able to process or recognize yourself. Unable to even process your own reflection, that’s how unrecognizable you’ve become.
That’s horrifying.
And there’s no dialogue here either.
The episode effectively uses SHOW DONT TELL.
They SHOW you how scary the situation is. They SHOW you a single image that tells you everything.
It would’ve been so easy to just have Pomni say “I’m scared. I don’t recognize myself. Who is this person looking back at me?”
But no
They DON’T insult their audience.
They don’t TELL you.
They let you sink it in yourself.
Pomni doesn’t even have ANY lines after she goes through the exit door. And yet the shots after that with her have been plastered everywhere. Why? Cause she doesn’t need to tell you her mental state. You’re SHOWN it.
Can someone PLEASE tell the live action Avatar The Last Airbender that?!
Speaking of the office scene. This is the only moment in the show that looks… real. Not that cartoony.
Which I guess being in a setting that’s off putting from the rest makes it creepy, right?
Well not really.
Sure she’s running through rooms that seem to be repeating, which that of itself is sanity breaking. It reminds me a lot of another existential horror: The Stanley Parable.
But while that game is excellent and the monologue that plays in that ending is one of my favorites, it IS just telling you the sanity of the player.
Not that there’s anything wrong with this in that games style. There’s no other way that could’ve been done in that game.
Here, again, there’s no dialogue. It’s just Pomni running through these desperate for the exit.
The scary part about this is that we KNOW the absolute DESPERATION she has.
Even if we couldn’t see her face, that’s still across because we’ve seen it the entire episode.
And then there’s her break.
She snaps at the sight of a desk, and gets fangs, that of a FNAF character. But only for a second. She doesn’t even go out at the camera with them. She goes on her merry way.
But Pomni, being the POV character, really doesn’t have much to be scared at about her.
So why is this terrifying? Why not go all the way if this is supposed to be a jumpscare?
Well cause it’s not.
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A way to scare your audience is to make them feel dread. Lingering longing dread. Sometimes irrational dread.
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People with anxiety especially get scared at things even when they’re completely safe. They feel an unease in their stomachs. They feel unable to move. Unable to speak. Unable to put it into words at all.
It could be because we saw something unnerving that stays in our subconscious. It could be because we’re nervous about something coming up. It could be because we’re in an uncomfortable situation.
Either way, anything even remotely resembling that triggering thing can break someone to feel this anxiety. Sometimes even something as simple as the dark. Even if we know we’re completely safe.
(Speaking as a person with anxiety myself)
She only snaps and cackles when she sees a random desk with a computer. Which also has the headset she put on there. The thing that got her in this.
But you might not have even seen the headset on your first viewing. I didn’t.
But your subconscious sees it. The environment not being like the others aids in unnerving you and making it hard to process what you’re looking at.
Why is this terrifying? Why does it break you? Why does it mentally break Pomni? We don’t know. It just does.
We’ve been stuck going through doors in repeating rooms for hours.
Fear makes you not able to overthink it.
So all of that is build up to the near perfect shot of Pomni at the brink of snapping at the dinner table. With the others voices blurred in her mind. As all she can do is fake a smile.
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Terrifying End.
It’s not scary because it’s scary. It’s scary because it toys with the character, and the viewer’s mind
Now, is Digital Circus the first media to do this technique?
No. Not at all.
One of the most acclaimed animated movies, Spirited Away, also uses these exact same tactics for example.
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That’s obviously a master class at this tactic. And it scared me as a child as a result. For all these exact same reasons.
It’s not a horror. Not traditionally. It’s not trying to scare you. But it does anyway cause in your mind it’s a scary concept.
And also, well, Spirited Away is a completed story as of the time this post comes out.
And Digital Circus only has one episode. But we did get confirmation this would be a series. And I personally have high hopes that this brilliant tactic is kept. From the trailer, it does seem like they’re not forgetting the stuff I bring up here. So I hope this works out for the creators despite the drama and the internet BS surrounding this show.
But even if not, we at least get one case in this show where we all want to curl up in a ball and cry
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Us too Pomni. Us too.
Thank you for reading my… analysis a ton of people made before me, and probably better. Happy day for you all.
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kolos013 · 10 months
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I've recently read a post on here about the library of babel, and I cannot seem to get it out of my head, because it is esssntially a cosmic horror of our own creation, and it fascinates me to no end.
For those that don't know, the library of babel is (or rather, was, since we made it real) a concept of a place, that has all the possible combinations of the letters of the alphabet (lower and uppercase), spaces, commas, and full stops, that fit into 400-something pages. The idea comes from some french guy, because of fucking course it does.
This is, of course, an incomprehensible amount of data. No mortal could ever hope to sort trough all of it. I imagine endless corridors and mazes with walls from floor to cieling piled with endless books, and scrolls, and scriptures, and poems, and laws, and research papers, and newspapers, and any other assorted literature. Every single text that ever has been written, or ever will be be written is, by defenition, there. Split into chapters, maybe, but there.
Every single pice of writing, string of letters EVER just so much as tought of, is present, yet you can only access it once you know exactly what you're looking for, rendering it practcally useless. It's vastness only outmatched in size by it's pointlessness. The irony is, that it's precisely its barely finite size that makes it essentially just a fun curiousity. If this is not the most eldrich horror shit that exists out there, I do not know what is. It both greatly entertains me and absolutely horrifies me to my core, this labirinth of text.
But you see, you can make a search request to the library. You can input any writing, and it will show you where exactly it can be found. This, however, is functionally useless. You can try, let's say, to find a complete version of a long lost greek epic, which we only have fragments of. You input it, and boom. 7 billion results. What you're looking for is in there. Certanly. But the rest of it? Well, the rest of it is just meaningless word salad, nay letter salad.
Thank you for reading a madman's ramblings, have a pleasant rest of the existential crisis we call life.
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todayontumblr · 3 months
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andaboop · 8 months
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Is he capable of feeling? Knowing that he could be broken and put back together again, does it hurt?
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pie-bean · 2 months
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