i literally have always disliked jimmy fallon, turning into hate as i got older and realized he cannot fucking talk to someone like a regular person on his interview based talk show. this rolling stones article is a win for everyone that works on the show but also me personally as a hater
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List of “sweet and intimate actions which make me go feral and have me folding like a folding chair” prompts
Character B carding their fingers through Character A’s hair and playing with the strands.
Character B peeling back the neck of Character A’s turtle neck sweater to trail gentle kisses down their neck. (This!! It is so hot, and it's everything I didn't know I needed until now, and I cannot stop thinking about it wlkfnlkwe)
Character B placing their arm around Character A’s waist while in public, resting their chin on Character A’s shoulder. “Hello,” they say in a teasing tone as Character A tries to grab ahold of their hand to keep it there but fails a few times before successfully doing so.
Leaning against each other while in public.
Spooning and back hugs.
Character B letting Character A rest their head on their chest; lets them listen to their heart beat.
Character B whispering sweet nothings into Character A’s ear.
Character B checking in on Character A to make sure they’re comfortable and okay with the way things are going; to make sure they’re not being too much. “You’re not,” Character A would reassure, repositioning themselves to get closer to Character B.
Just cuddles and snuggles in general.
Neck kisses.
Kisses littered all over the face. (!!! It's one thing to read about it and one thing to experience it wlejbfewljn)
Character B tucking Character A’s head under their chin while they’re cuddling.
Character B nuzzling their neck and breathing in Character A’s scent/fragrance, and commenting on how nice they smell.
Character B making sure Character A gets home safe by driving them home.
Character A telling Character B to message them when they get back home safe, and once Character B gets home, they follow through by sending a message to let Character A know they’ve gotten back home safe.
Taking naps together, from day till night, waking up every now and then to get more snuggles in.
That soft exhalation of adoring laughter leaving Character B’s mouth after kissing Character A (this shit had me folding so fucking hard it’s not even funny. I Am Weak).
That soft exhalation of laughter once again just because Character B is so content with having Character A in their presence, and Character A just basking in how cute that sound is and how happy it makes them.
Character B entangling their legs with Character A’s, pressing their bodies flush against each other’s, leaving little to no space between them. (It’s almost like they can’t get enough of Character A.)
Kissing so many times, to the point where they lose track of how many times they’ve kissed already.
Holding hands and lacing their fingers together while they’re cuddling.
Comparing hand sizes and giggling about it together.
Character B stroking Character A’s hair while they’re asleep. (Or uh, pretends to be asleep DJSKKSKDSK but it’s so FUCKING CUTE WHEN HE DID THAT IM GONNA SCREAM, me thinking moments like these only happen in Korean dramas or some shit anfkakfksk-)
The sweet little banters in between; Character B being all cheesy and Character A playfully deflecting their comments only for Character B to playfully push back with an “Is something wrong with that?” or “But I’m not lying.”
Falling asleep in each other’s arms, both not wanting to leave the bed for the entire day and wanting to stay comfortably snuggled up against each other instead.
Character B placing their hands on Character A’s shoulders, and Character A, with a grin on their face, gently grabs Character B’s hands and wraps their arms around their neck while leaning back into them. Character B reciprocates by hugging them closer to them.
The soft noises of content Character A makes when they snuggle closer to Character B, or when they want Character B to hold them closer to them, with Character B happily obliging.
Character B rubbing their cheek against Character A’s.
Character B trying to not wake Character A up because they look so comfortable when sleeping. (His words, not mine.)
Soft, repeated pecks on the lips, causing Character A to laugh/smile against Character B’s lips.
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One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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