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#fade reads dc comics
fancyfade · 26 days
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2009 era Damian reading
As I've been doing my 2009 era Damian reading, I'm trying to condense the good stuff and bad stuff, and things I believe are relevant for his character. These are in addition to what I assume is obvious (Batman and Robin 2009, the comic where he has a starring role).
Battle for the Cowl: this has how Damian becomes Robin. It's not necessarily good. Daniels really does not understand Damian, especially this early in his writing, but it does have some important context for things going down b/c Damian helps Squire save Tim's life, and we can see Dick viewing training Damian as something he is responsible for.
Secret Origins (2014) #4: This is a much more in character Damian becoming Robin, though fit for a condensed new 52 timeline that leaves some stuff out (like Damian's rocky intro with Bruce).
Batman #688 (Long Shadows part 1): Winick seems one of the early writers who does a Damian as he lines up with later characterization (views himself more as a professional assassin), so I think this one's good.
Batman: streets of Gotham #1-6: damian makes some minor appearances here.
Batgirl #5-7: Always take Damian's guest-starring stuff with a grain of salt, as often times writers just go with "how would an obnoxious 10 year old boy act here" without understanding he's a specific kind of obnoxious 10 year old boy... that said I do like some of his interactions with Steph, and I think it's incredibly important that we see Damian defends his competence based on his training, not on his blood.
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Like he'll sometimes justify why he belongs based on his blood (which like... no one acts like they want him around), but he isn't going around saying "I'm better than you b/c I'm batman's son". he was trained intensely since birth (and that's why he should say he's better than you :P)
Batman #692-697: not a ton of Damian in this, and it is Daniel's writing, but he's a little better than he was in Battle for the Cowl. We see Dick training Damian some.
Batman: Streets of Gotham #7, #10-#11: love this plotline for him. Good show of competence and characterization.
Blackest night: batman: More focused on Tim and Dick, and Tomasi sucks at writing Babs, but at there is some Damian content that I remember enjoying.
Red Robin #11-15: as long as you read this one with your brain turned on, it's good for explaining some Tim and Damian stuff. Sadly some fans are like "woooo arrogant 10 year old gets beat up". Nicieza makes some missteps (frames Tim's thinking around Damian as coldly logical, when it is anything but and he is reacting from a place of emotion), but one can ignore those.
Batman #703: shows Damian's character pretty well in a default Batman and Robin adventure, and his relationship (or lackthereof) with Bruce and his dynamic with Dick and Alfred
Teen Titans #88-92 (including Red Robin #20 in a crossover plot): surprised by how well I liked this one. I think it portrays Damian pretty fairly, and we can see that he is trying hard, but hasn't been given a lot of support up until now (or even now, Dick kind of just drops him off with a bunch of older kids who all also have issues and are predisposed to disliking him XD). His dynamic with rose is fun and I think it is notable how quickly he does acquiesce to following Cassie's orders when she's like (at first) the only Teen Titan who is OK with him being there and assures him its not personal when she makes a comment he doesn't like.
Bruce Wayne: The Road Home: Batman and Robin: Has some nice Dick and Damian banter, showcases how they've worked together well
Batgirl #17: more damian and steph interactions.
I will probably add more (either editing this post or in a reblog) as I keep reading.
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detectiveforfree · 1 year
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him is bapy your honor
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phoenixcatch7 · 1 year
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Cap marvel headcanons I Will integrate into a fic one day but also have Zero basis in canon to my knowledge (this ended up being LONG):
The living lightning is an ancient force akin to the speed force, and the 'true' guardian of magic, being possibly the first 'magical creature' ever created.
The rock of eternity only recently became based on earth, in the past several thousand years, with the planet's deities acting as mountains in the rain cycle - funnels to safely channel the magic back into the Champion. It's a fully symbiotic relationship that benefits the planet and its people immensely.
This means previously the rock has been based on alien planets. Previous champions are ancient aliens, many from species that no longer exist, either because the species died out or evolved into something unrecognisable.
The champion of magic may have inspired the oua (?), the creators and high council of the green lanterns. Ooh maybe an oua was selected as champion, which is how they learned of it!
The living lightning, when not in a mortal vessel, rests in the heart of the Rock in a large brazier, with a smoke lid of white edged with gold in a familiar pattern. It is tradition, or perhaps instinct, for a Champion to light the brazier whenever they visit the Rock. It will be lit for as long as the visit lasts, and be extinguished the next time they come.
Should it choose to take form, the living lightning resembles a washed out combination of each of its previous Champions. Its form is solid and clear, strong and made for battle, but distinctly uncanny. It doesn't leave its brazier, nor speak.
The 'ideal form' of a hero varies all the time, doesn't it? Especially if you're a kid still growing and learning about yourself and the world. Headcanon cap ever so subtly changes features sometimes. Gradually. Height and build changes sometimes. One of the league members has noticed but they really can't prove it to themselves and it's driving them crazy. Billy has no idea.
On that topic, the 'ideal form' also includes the clothes, right? The red costume? If Billy transforms with the intent of doing something outside his normal hero things (ie, attending a celebration), the outfit has every reason and ability to change to reflect that! Everyone expecting cap to show up in his normal gear and ready to throw a formal suit at him to wiggle on over his costume and he shows up in a red and gold set with a little one shoulder cape like 'yeah I have no idea either'.
Cap marvel Is An Adult. Billy isn't, but cap is in every single way that someone could count. This is probably canon but in some fics I think the jl forgets lol. It's still the same soul, just, with an adult filter instead of a kid one. However that filter manifests.
Not sure this is canon too, but the idea of the mind/soul/whatever of cap manifesting as this great impossible mass. A storm, or a tiger, or a barrier of lightning. This giant, untouchable, dormant mass of power and implied Danger™. Again, Billy has no idea. J'onn is eying warily from a very safe distance.
His wiki practically waxes poetic about his abilities and skills in strategy, mathematics, nigh precognition from ability to spot and manipulate patterns. Captain marvel is unbeatable at chess. Batman has lost to him. Billy cannot do fractions and it drives him up the WALL.
The champion, and ONLY the champion, can share his powers. If shazam wants a second champion he has to give a new set wholesale or convince the champion to share. Similarly, those patroned by the champion cannot transform unless the champion is also transformed. Because otherwise that would be too easy for Billy lol.
Every time Billy asks, tawky gives a different canon origin story. Billy has no idea which is true.
Billy's parents died accidentally freeing Adam on their expedition. Probably crushed by rubble :(. The wizard is the only one who knows and really isn't inclined to share, and Adam either hasn't connected the dots or never really noticed they were there.
Cap and Billy love each other, regardless of whatever version their whole thing is. They're the only reason the other remembers self care and that kind of self love, even if he's not sure he deserves it, makes a world of difference with how they portray themselves to the world.
Cap doesn't need to breathe to speak but he never remembers that and has repeatedly choked in water and space. Superman empathises but tries not to find it funny after the third time it happens.
Billy has showed the wizard memes.
The wizard internally refers to Billy as the 'sassy, lost child'. He has a pointy hat like any good wizard but refuses to wear one since Billy keeps asking him to, pretty please.
Cap once won an arm wrestle with superman by pretending to lick his hand. He didn't. Billy would have.
Cap marvel CANONICALLY bites but after the first time he regulates his jaw strength. Thankfully it was Black Adam so no one lost a hand. He had him in a headlock so who's fault was it really.
Ebenezer doesn't have a strong opinion on cap marvel either way. Billy thinks that's almost worse.
The living lightning isn't lightning. It was around before lightning. It is living, however. It is that 'living' that forms the main consciousness of the Champion form, in this case Marvel. Its not sentient or sapient itself, that's the vessel, but it is the building blocks of it.
In dc (again no idea if this has any basis in canon) magic is the fifth state of matter, above plasma. Yes this interferes incredibly with quantum physics and theoretical science. No the magic users don't know how it works either. No they will not help you they have their own research (into the exact same thing) to do.
If the Rock is obliterated cap marvel will die (along with pretty much everything else but irrelevant). However, if he manages to save the brazier, he will continue on. Magic as a whole deal won't be very happy and aeons of magical knowledge and history and artifacts will be lost, but cap will live and can rebuild from the ashes. The brazier is Heavy but enough super strength can move it if you don't mind bringing a chunk of floor. And the rock is so weakened it's literally falling apart but those are the right circumstances anyway so.
#We should be able to put multiple read mores in posts#I had more headcanons than I thought#If anyone has anything proving/disproving any of these PLEASE let me know :D#I'm still pretty new here and I don't know a lot of the canon material#Wish we could get post checks from others without having to @ them I'm not RUDE#but fr if anyone wants to whip out their reading glasses and comically large Well Actually book of references please do#dc comics#captain marvel#dc captain marvel#billy batson#shazam#headcanon#long post#I REPEAT LONG POST#also blanket permission for anyone to use these if they give you Ideas#I really want to write a fic where the jl (mainly superbat) help cap with saving the Rock and fail#But at the last second he swaps to desperately trying to rescue the brazier but his powers failing and he can't move it he's in tears#And superman has to haul it out while someone else carries an inconsolable cap#And when they get outside to safety they're like 'so what's the deal with this over literally everything else in there' and poor Billy just#Has had possibly the worst day of his life his powers fading just tries to scrabble into the brazier (he needs help and its uncomfortable#for everyone involved) and curls up like goodNIGHT and pulls his cape over his shoulders which turns to stone and he dissolves#To sleep and recharge and now the jl is stuck with the source of all magic which is big and heavy and has their unconscious teammate in.#And also it can't leave earth so no watchtower to put it! Very angst hurt comfort identity reveal methinks. HEA ofc#So.... Yeah
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teleportationmagic · 1 year
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Approximately 8% of my fascination with the DC universe comes from the in-universe impact of the messiness of their retcons. Like what is the impact of knowing that your past has been rewritten, that you used to love people that don't exist anymore, two histories existing side by side and both being real, both jangling around your skull with people who don't remember you. What is the existential horror of that.
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riddle-me-ri · 3 months
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a/n: *gasp* a fanfic in 2024?? and it's not batman rogues?? Well..atleast it's...somewhat kinda sorta was DC comics?? I really wanna make this blog more..multi-verse based. So here's my shot at a "The Wolf Among Us" one-shot with Bigby Wolf and a female reader. This was a combination of re-reading the comics and watching way too many Tex Avery cartoons rip and despite all the other stuff I wanna work on I just had to get this story written and out there lmao who doesn't love the typical club singer openly flirting with the main character?? It's a classic right?
Content Warning: slightly suggestive heavy touching and flirting, but nothing explicit.
Word Count: 1.1 k
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Bigby Wolf x F!Reader - Zeroing In
You push back the curtain just enough to see a tiny slit into the crowd beyond the stage.
You tried to focus your vision to pierce through the smoky haze that filtered the room and the figures in the audience. 
You kept your eyes peeled for a certain gentleman in particular…
You've been trying to get Bigby Wolf to come to your shows for a while, but he declined. Always too busy or preoccupied somehow but he always mentioned “maybe some other time.”  
You only managed to reel him in tonight because you mentioned how a possible suspect of his often frequented the club you performed at.
Knowing his persistence for answers, he couldn't deny the invitation…
And maybe…just maybe you could entice him to keep coming back for you.
You inhaled softly when you finally managed to make out his rich brown slicked back locks and warm brown eyes. 
Some muffled giggles left your lips as you saw him look around with a look of indifference but also on alert for who could possibly be the suspect you informed him about.
“All right, you almost ready, girlie? You gotta full house tonight, looks like even the sheriff swung by…dunno what the hell he wants but I’ma need you to put the customers at ease…lighten them up the best way you know how ‘k gorgeous?” 
“Yes ma'am!” You replied over your shoulder. 
“Who are ya lookin’ out for anyway?” Your boss, Carol asked, her head tilted in a curious angle. 
You giggled fondly to yourself as you stole one last glance at Bigby before you had to put on a straight sultry face. 
“A lady has her secrets…” You teased as you backed away from behind the curtain and straightened out your dress. 
Carol shook her head with a smile. “Eh, sure keep your secrets, girlie.” 
You winked at your boss before taking your position in front of the curtain. 
As the curtain slowly pulled back, you began your sexy saunter across the stage in time to the smooth jazz number that started playing. 
Cheers, whistles, and soft applauds welcomed you as patrons took delight in the bits of skin your dress revealed as you began singing your seductive tune.
You tried not to immediately lock eyes with Bigby, even as tiny shocks of excitement coursed through you from feeling his eyes on you.
Mid-way into your song, you began to slowly make your way down the stage and into the audience. 
You began teasing some of the audience members as you strutted around the floor. You'd let your hand glide across one man's shoulders, another you'd pat his cheek.
You couldn't help but notice Bigby shifting in his seat out of the corner of your eye. 
You giggled inwardly, you weren't about to leave him out. 
As you slowly approached the sheriff, you couldn't deny the stretch at the corners of your lips, slightly breaking your seductive aura to show genuine delight. 
You quickly recompose yourself however, as you began softly singing the bridge of the song. 
As the band played an instrumental portion, you wrapped your arm around Bigby's neck while your other arm brought your hand to cup the side of his face. 
His eyebrows raised slightly as his eyes try not to look into yours.
You could feel him gasp under his breath as you graciously and freely sat side-saddle in his lap. Your proud smirk didn’t fade as he glanced at you with a surprised, hesitant expression. 
You wished he would naturally react to the mood and wrap his arms around you, but he seems to have his hands deadlocked to the arms of his chair.
You almost jump out of your skin when he harshly whispers into your ear, his hot breath fanned your exposed shoulder. 
“What the hell are you doing?” 
“My job…like you.” You whispered softly back. 
Bigby huffed, before grumbling, “Where is he?”
You comb back a bit of his hair as you slide off his lap. “I’ll show you…”
In an attempt to not be super obvious, you engage with other patrons before getting to the suspect. 
When you finally got to the suspect, you teasingly caressed the underside of his chin with your index finger, before you made sure to make eye contact with Bigby.
He nodded as he looked down at the man who had such a lovestruck look on his face he didn’t even notice the sheriff taking inventory of him.
You head back to center stage and finish your performance with a glamorous flourish before the curtain falls as the club is filled with rampant applause and whistles. 
You exhaled as if you had been holding your breath underwater throughout the whole performance.
You’ve been singing for as long as you can remember. You’ve performed for plenty of audiences all over…and somehow this performance seemed the most nerve-wracking and the longest one to you. 
“So…the sheriff, huh?” Carol inquired with a smirk. “Can’t say I saw that one coming.” She handed you a cup of water. 
“Oh, shush,” you take the cup from her hand. “...a girl can dream, right?” 
“Hey, for Fables, the lives we live and where we come from…dreams are just the beginning.” 
You offer a small half smile before making your way back to your dressing room. 
Suddenly all the confidence you had going into the night started dissipating as you realized that perhaps, you should let go of this infatuation you have. He didn’t seem all to pleased or eager by your stunt…or maybe you just genuinely caught the sheriff off-guard…
You two get along fine. You’re able to converse with him casually, you were one of the few Fables outside of the Woodlands that weren’t either sour with him or scared of him. One of the few that you felt were genuinely in his corner. 
At least…you hoped he felt that way, at the very least. He may not hold any romantic feelings for you, and you could live with that, but you wanted him to at least know he had someone who believed in him. 
You began wiping off your make-up in your mirror when you noticed through the reflection of your room that something was slipped under your door. 
When you turned around you half-expected nothing to be there and your eyes were playing tricks, but surely enough there was a tiny folded up piece of paper there. 
As you tightened the belt around your robe, you walked over to pick up the note. 
You unraveled the note to see some hastily drawn handwriting that you can barely make out. 
Hey-
Thanks for the tip, I was able to get the guy and hopefully he’ll spill his guts soon enough. 
Also, I enjoyed your performance tonight, despite the heart attack you gave me. 
May come back to see you one of these nights. 
Stay safe and see you around.
-Bigby
A tiny flutter filled your chest as a small slowly grows across your face. You cling the tiny note to your chest and let out a tiny excited squeal. 
You couldn’t wait to head home and get some sleep to dream of what’s to come.
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bitimdrake · 2 years
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Young Justice reading order 👀
Yeah! This one's pretty simple. If you just read straight down the bolded comics, you're good.
Optionally, you can start with the first meetings between the future members. I've only read some of these, but it's:
Robin Plus Impulse #1
WF3: World's Finest Three (Superboy/Robin) #1-2
Superboy and the Ravers #7 - Kon and Bart
Impulse #28, #41 - Bart and Cissie
And then we get into the actual Young Justice content:
Young Justice: The Secret #1 (1998)
JLA: World Without Grown-Ups #1-2 (1998)
Young Justice vol 1 (1999) #1-2
optional DC One Million tie-in: Young Justice #1,000,000
Young Justice #3-4
Secret Origins 80-Page Giant #1 (1998)
Young Justice: Secret Files and Origins #1 (1999)
Young Justice #5-7
Young Justice 80-Page Giant (1999)
Young Justice #8-10
Young Justice Special #1 - tie-in to No Man's Land
Young Justice #11
Heck's Angels crossover: Young Justice #12 / Supergirl vol 4 #36 / Young Justice #13 / Supergirl #37
Young Justice #14 - tie-in to Day of Judgement
Young Justice #15-19
Young Justice had its own event, Sins of Youth, with a bunch of oneshots for various characters. Honestly just pick the ones for characters you're invested in:
Young Justice: Sins of Youth #1
Superboy vol 4 #74
Young Justice: Sins of Youth Secret Files and Origins
Sins of Youth: JLA, Jr. #1
Sins of Youth: Aquaboy and Lagoon Man #1
Sins of Youth: Batboy and Robin #1
Sins of Youth: Kid Flash and Impulse #1
Sins of Youth: Starwoman and the JSA, Jr. #1
Sins of Youth: Superman, Jr. and Superboy, Sr. #1
Sins of Youth: Wonder Girls #1
Sins of Youth: Secret and Deadboy #1
Young Justice: Sins of Youth #2
And then we finish up the series (with a couple extra notes to keep you up to date on the solos):
Young Justice #20-34
Our Worlds at War tie-ins: Young Justice: Our Worlds at War #1 / optional Superboy #89-90 / Young Justice #35-36 / Impulse #77 / optional Superboy #91 / Young Justice #37
Young Justice #38 - tie-in to Joker: Last Laugh
Young Justice #39-44
World Without Young Justice: Impulse #85 / Robin #101 / Superboy #99 / Young Justice #45
optional Impulse #86
Young Justice #46-55
The team ended with Titans/Young Justice: Graduation Day #1-3. At that point, half the members faded into the background and the other half moves over to Teen Titans vol 3, found over in my Titans reading order.
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captaincoldzero · 11 months
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Ghost | Jason Todd x Male Reader
Fandom: DC Comics
A/N: These days it's been spending too much time on Character.AI so I decided to bring one of the characters and story that I created there in a fanfic.
A/N.2: This time, I made the reader based on Overwatch's Sombra in case you want to go after it or something.
A/N.3: Sorry for any mistake. English is not my first language.
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‒ Turn right. ‒ I spoke through Jason's communicator.
Jason and I have been working together for eight months now. After six months, Jason and I decided to pursue a relationship. We've been working together for eight months and the police hate us, but they have good reason.
As I watched the security cameras and the viewfinder on Jason's mask, I kept thinking about our time together. Especially the day we met.
Eight months ago
There was a week that I was in Gotham. Since I erased all records of my existence from the entire system of the world, I haven't been able to do much but wander from city to city, sleeping in dodgy hotels that don't ask for your identity, and eating in restaurants as dodgy as hotels and shacks street vendors who don't look their customers in the face.
The motel room I was in was small, yellow walls with a faded color, a wooden bed with an uncomfortable mattress, a headboard with a lamp that didn't work and a wooden chest of drawers with four drawers. Plus a tiny bathroom with dirty white tiles that were already turning yellow.
I walked over to the mirror so I could look at myself. Wandering around town anonymously made me not look at myself much. But my appearance was a constant reminder of my choices. I was pale, with bags under my eyes and a little thinner than I remember, I wasn't starving, just eating a little less than I was used to.
But what caught the most attention was the metal fiber attached to the side of my head that ran down the back of my neck under the gray shirt I wore. More metal fiber running down my arm to the back of my right hand. I waved my hand in the air and a floating screen appeared in front of me. I started reading the news about the Gotham police and crimes. When I turned to the bed, the screen disappeared into thin air, I grabbed the sweatshirt off the bed and pulled it on, pulling the hood up to hide my head.
I took to the streets of Gotham, trying to remain anonymous in the shadows of the night. The good thing about the city is that people always walk away from you when they think they're going to be mugged.
As I walked down an alley, I heard a scream. A woman was surrounded by five bandits, the middle one with a knife in his hand. I thought for a while before actually moving, to know if I would save her or not. I grabbed my teleportation device and threw it on the floor. He ducked under the middle thief's legs and stopped between them and the woman. They stopped to look at the device from the ground and backed away when I materialized in front of them with a pistol pointed at them.
‒ Did your mother never teach you not to steal? ‒ I asked and noticed two men take their hands to their waists to grab a gun.
I fired a quick shot at the two before they could think. I advanced quickly to the middle, taking advantage of the surprise to take the knife from his hand, and knocking him to the ground, breaking his arm. The other two were running away. I launched the teleportation device, appearing in the blink of an eye at the exit of the alley.
‒ Hello! ' I said, waving my hand.
The men would have run, but I moved in fast and knocked the first one down, shooting the second one in the leg. I gathered the three that were still alive and stuck them in the garbage can. I looked at the woman frozen in place.
‒ Do you want me to let them go or are you going to take the opportunity to go home? ‒ I asked and the woman nodded.
‒ Thanks! ‒ She said before starting to run.
‒ Who are you? ‒ I heard a serious voice and a little distorted behind me.
When she turned me around, she found the famous Red Hood pointing a gun at me. When I saw the weapon, I automatically hacked the weapon to disable it with just my mind, with screens only appearing in my vision.
‒ I'm nobody. ‒ I was serious.
‒ Very funny. ‒ Red Hood said putting his finger on the trigger. ‒ What do you want?
‒ I do not want anything. I'm just passing by.
‒ Why would I believe you?
‒ You have no reason to. ‒ I replied with an arrogant smile.
‒ So I can just kill you? ‒ He asked starting to press the trigger.
‒ We can make a deal. ‒ I said and noticed Red Hood's finger relax a little.
‒ I'm listening.
‒ I can help you and you can help me. I can hack any system with my mind and I don't have the ethics of a superhero. ‒ I said seriously still with the arrogant smile.
‒ And what do you want in return? ‒ Red Hood asked without lowering his weapon.
‒ Motivation. And I know that doing only good things doesn't challenge my potential. ‒ I spoke sincerely.
‒ I'm not a villain. I may be a criminal, but I'm not a villain. ‒ Hood spoke by pressing his finger a little more.
‒ I do not intend to be a villain and I know that you are not one either. That's why you are perfect to be my partner or be my boss, whatever you want to call it. ‒ I said with a less arrogant smile.
‒ How can I believe that you really can do this? ‒ Red Hood asked and his trigger finger relaxed a little.
‒ This whole time your gun is pointed at me, it's disabled. ‒ I said raising an eyebrow.
Red Hood squeezed the trigger, but the gun didn't fire. He looked at the pistol a little confused but then he looked at me. Hood holstered his pistol and crossed his arms.
‒ You know that if you work with me you will become a criminal, right? ‒ Hood asked seriously.
‒ Know. ‒ I said carefree. ‒ But that doesn't scare me.
‒ Come with me, if you try anything funny I'll kill you. ‒ Red Hood said turning around and climbing to the roof of the building. I followed Red Hood and we met at the top.
‒ Follow me. ‒ He spoke in a challenging tone.
Red Hood ran and jumped from one roof to another. I could keep up with Red Hood no problem. I manipulated information from my leg muscles to be able to run and jump with great agility.
In the end, he stopped at the edge of a building and looked at me.
‒ Very good. ‒ Red Hood spoke and looked ahead.
We were looking at a small laboratory. I had already heard rumors about criminal activities that were connected to that construction.
‒ What is the plan? ‒ I asked Red Hood.
‒ I'm going to go in and blow up the place. ‒ He spoke and I realized that the place was protected by men with huge weapons.
‒ When they see you approaching, they will shoot. ‒ I said looking at the place.
‒ This is where you enter. ‒ Red Hood spoke arrogantly.
I sat on the edge of the building we were in and opened a floating screen in front of me. From that distance I could hack the place to gain access to the cameras and security system.
‒ Is this their security? ‒ I asked rhetorically while easily hacking the building.
‒ Can you turn off the security system? ‒ Red Hood asked.
‒ I can do much more than that. ‒ I said making a keyboard hologram appear floating in front of the floating screen.
‒ What can you turn off? ‒ Red Hood said watching me type on the floating keyboard.
‒ All. ‒ replied confidently.
On my floating screen a kind of button appeared.
‒ When you want. ‒ I told the Red Hood.
‒ Now. ‒ He said jumping towards the building.
I pressed the button and the entire building shut down, going completely dark. Jason appeared from the shadows and took down two guards. When I noticed a few more approaching, I launched my teleportation device and appeared between the two new guards. I used their surprise so I could take them down with ease.
‒ I admit... impressive. ‒ Hood spoke to me and ran into the building.
I led the way with the plant image in my view. Hood shot some guys and I kept doing my teleportation and invisibility tricks to take down and shoot guys without them understanding where I was coming from.
We continue advancing to the lowest floor in the basement of the building. Where illegal stuff was produced.
‒ There's a lot of drugs in here. ‒ I said looking at the boxes.
‒ And we will stop their production. ‒ Hood said putting a bomb in the biggest machine in the room.
‒ You know they're going to keep producing somewhere else, right? ‒ I asked approaching Hood.
‒ I know, but I'm going to burn the other places too. ‒ Hood set the bomb.
‒ Consistency. ‒ I said as the Hood started to run outside.
I threw my teleportation device which stuck to Red Hood's back. I put my hand on the machine, using my powers to analyze the complements and destroy what I could so that if I survived the explosion, it would be useless.
When the counter showed just two seconds, I disappeared from there and appeared beside Hood, just as the basement exploded and the building went up in flames.
‒ I was already wondering if you really existed. ‒ Hood said jokingly when he noticed that I appeared beside him.
‒ We can say that I am like a Phantom. ‒ I said laughing.
‒ Phantom. I liked. I will call you Phantom. You appear and reappear out of nowhere, moving in the shadows. Like a ghost. ‒ Hood said looking at me.
We hear sirens approaching. Hood grabbed my wrist and started leading me through the streets until I stopped in an alley. There was something under a dark sheet, when Hood took it off, there was a motorcycle ready to be used.
‒ Should we put robbery on that night or is it yours? ‒ I asked sarcastically.
Red Hood climbed onto the bike and started it. He climbed in with him and the Hood accelerated with the bike.
‒ Let's make this trip more fun. ‒ I said and took my hand to the bike.
The motorcycle glowed in a purple light and when the light disappeared, it started to increase speed to abnormal levels.
‒ How did you do it? ‒ Hood shouted because of the wind.
‒ A small improvement. But it's temporary.
Hood continued riding the bike until we left town and stopped at an abandoned gas station. We both got off the bike and entered the place.
‒ Thank you for your help. ‒ Red Hood said going to the balcony that of the place that was once a convenience store.
‒ It was fun. ‒ I said looking at the place with the lights off.
The Hood grabbed a suitcase from under the counter, full of cash. He picked up a huge cake and handed it to me.
‒ That it? ‒ I asked confused.
‒ Your payment for today's work. ‒ Red Hood replied without hesitation.
‒ You can stay. I do not want money. ‒ I answered simplistic.
‒ Don't you want money? Who doesn't want money? ‒ Hood asked confused.
‒ I. What would a 'Ghost' do with money? ‒ I said laughing.
‒ Why do you keep saying you're a nobody? ‒ Jason asked curiously, putting the money in the bag.
‒ I deleted any record about myself in the system. I have no birth certificate, ID or any valid identification. To the world, I don't exist. I'm a ghost. ‒ I explained seriously.
‒ So you want to work for me, Phantom? Since you have nothing else to do? ‒ Red Hood asked.
‒ Who says I have nothing to do? ‒ I asked pretending to be offended. ‒ But I want to work WITH you. Just for the fun and the challenge. You can keep the money.
Red Hood took off the helmet he was wearing and looked at me. I'm sure my face flushed when I looked at him without the helmet for the first time.
‒ Jason Todd. ‒ He said extending his hand.
‒ I'm nobody... but I was known as Y/N. ‒ I said shaking Jason's hand.
Now
‒ Where to, Ghost? Jason asked when he noticed I was silent.
‒ Right, sorry. ‒ I said turning my attention to the mission.
‒ Everything is fine? You never get distracted. ‒ Jason asked worriedly.
‒ Yes, go ahead.
And since that day, Jason and I have been working together. The name Ghost became known and attached to the Red Hood, but I didn't care. What mattered was that I had a motivation and someone who believed in my existence.
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jessilynallendilla · 3 months
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So I just read Danny Phantom: A Glitch in Time and...it was ok
Had this come out when I was a kid and just watched Ultimate Enemy I would have gone absolutely feral over it
this show came out in 2004 so not quite sure how to feel about the updated technology IMO it would have been cool to have a time capsule of the show than the common floating timeline you see in comics
unlike with DC graphic novels you can tell the person that wrote this is actually a fan of the show and not a rando corporate pick the plot is plausible and the characters stay in character
A loyal tribute that brings in new lore and character growth
it also retcons the hated movie Phantom Planet
And it leaves enough to be curious for the sequel
People either seem to love it saying it's a good continuation the more serious take they wanted or hate it saying they're tired of villains being complex and redeemable and not pure evil anymore and the plot seems too much like tumblr fanfiction
I made notes as a read it so spoilers under the cut
Dash Kwan Paulina and Star are ghost hunters 
Tucker has instagram/twitter “Spectregram” fans 
The Fentons supply the town’s ghost hunting tech unasked 
Tucker’s wiki “click-a-pedia" has him listed as married to Ember 
Danny and Jazz just accept their father is such a bungler he can’t even kill a guy by abandoning him in space 
Dan was strong enough to dent the only thing that can contain him and just it being knocked off a shelf was enough for him to break out (why Clockwork the Master of Time never foresaw this happening moved it from a table to a more secure location ¯\_(ツ)_/¯  ) 
So uh... Dan just absorbed “ate” Clockwork  
Ecto energy can reach atomic bomb levels so dimension ending threat there 
Since the Disasteroid his powers have been fading their theories match their personalities Tucker-science Sam-government Jazz-trauma  
“Do you have any childhood trauma you wanna talk about?” (like Jazz as if you weren’t there) 
Vlad found a primordial source of ecto energy and just kept that information to himself for a rainy day 
Jazz has a magical girl transformation for her ghost fighting suit 
Vlad is just “ignore those clones” (there in clothes so did Vlad just buy multiple copies of Danny’s favorite outfit how did he know his size) 
Vlad is such an old man who doesn’t know how to use modern computers 
“not a place of honor” ah the nuclear waste warning (we don’t really get much more exploration of this or the seven ancients) 
Sam is a horse girl 
Valerie still holding that grudge huh 
In Pariah’s Keep Danny is suffers from bad memories and holds Sam’s hand to comfort himself 
The Keep is Fright Knight’s domain  
Danny just forgets humans are the ghosts in the Ghost Zone (in line with how often he forgets what powers he has) 
Fright Knight calls Pariah his master 
Vlad is such a loser he keeps getting his shit kicked 
Maddie “That’s not my Danny.” 
The Ghost Zone and human world were split in half an unnatural divide 
Danny is still a C student (io don't think he's going to be an astronaut)
Ghosts are manifestations of human emotions not separate entities (take that Fartman) 
Eventually they start to lose their human identity it’s why some are less human 
Vlad has his own “Where’s the rest of it?” meme 
They figured out all ghosts run on some emotional drive or purpose  
Danny realizes his purpose is protection but now there’s no longer the monster of the week threat or his parents he never asked himself what he wanted 
Now instead of constant fighting he’ll help the ghost achieve their desires they just want to keep doing in death what they did in life and heal the rift 
Fight for control Clockwork 
Vlad finally grew as a person realizing it was his action and drive for power that drew everyone away and has making amends as his new purpose 
Dan just doesn’t want to be alone (makes sense the “no more painful human emotions” +Vlad’s anger and abandonment issues so he’s all the emotions and pain) 
Dan is destabilizing flashing back to his pre Dark child form because he’s a being outside his destroyed timeline  
Danny is the GOAT 
Clockwork needs to fix what he can of the time streams and Danny has two choices Post Disasteroid+no powers or Pre Disasteroid+powers  
Danny gives up being accepted so he can fix the realms “I’m Danny Phantom, proctor of humans and ghosts!” 
They are back to being invisible losers and Sam is just happy goths aren’t popular anymore 
The city doesn’t know how they avoided the Disasteroid but the Mayor declares ghosts are responsible for everything the city will now have a branch of ghost hunters and Danny Phantom is again public enemy #1 
Clockwork transfers Dan from Vlad into one of the empty clones he’s Vlad’s responsibility now he’ll be too busy to help again 
Clockwork’s powers are finite (so he isn’t omnipotent and all powerful) but he still feels something wrong in the stitches he feels weaker now 
And Valerie has a Time Medallion and is pissed (but there was a Valerie in the crowd at the Mayor’s speech so the two Valeries might meet up in the sequel)  
Jazz is ecstatic she was right about ghosts being emotions based  
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flashfuture · 2 months
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I re read Nightwing's new run post Ric arc start to where we are now. And honestly it's not bad. There are some really interesting plot points. I liked the way Blockbuster was brought back and his daughter going with the Amazons. I like the pirate stuff with Bea and I hope that crops up More. She should show up in an Aquaman comic. The humor is very hit or miss but I liked nite-mite had me laughing actually.
I also liked Jon's cameo though I will never ever accept him being a grown man just make him fourteen like Damian. Could even have him drawn just a bit shorter but just as muscular good ol Smallville call back. I also think Heartless is a really good villain. He and his butler give me Black Butler vibes. I am interested to see where they go with Dick breaking his new artificially drug induced fear of heights. I loved the issue where Dick got super powers for a couple hours and made a point to go see Clark that was really nice. I liked them exploring the Circus as a romanticized past for Dick he briefly knew as a little boy but truly being Robin and the ward of a billionaire was his childhood not an on the road carny.
I like the Dawn of DC direction. I like the Infinite Frontier direction with the memories. I even as a silver and bronze age comic fan don't mind the increased familial affection. Dick Grayson to me is being written as a thirty year old man who wants to make peace with the people in his life and start doing what those who came before him have. He is his father's son after all. And Bruce is being given back traits that were long stripped away from him and given to Alfred. I think there is real promise for the future of DC
What I dislike is mainly things that are ignorable and could easily be discarded in the future. Such as the secret bio sister it could be revealed at the end of the arc she was Tony Zucco's all along she's wrong and then she fades out of existence. I hope this is the very last Tony Zucco arc all together anyways I'm sick of him. Dick can't be chasing his parent's fall forever. And if they want to retcon Alfred as being a father figure that's fine I'll just start writing up an analysis of how giving Alfred an active participation role means he was an active participant in everything Batman did and how that foils their image of a well meaning long suffering butler. But anyways besides little things here and there that make me sigh because I think Tom Taylor would rather be writing for Batman I am enjoying this run.
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Five Stages of Mamma Mia
Fandom: DC Comics, Batfam
Summary: AU where Catherine Johnson (AKA Catherine Todd) is Jason's bio mom and Jason doesn't know who his father is. He engages in adventures while getting to know the men that could possibly be his biological father. I'm literally about to traumatize Jason within an inch of his life (literally) in the process.
Also, the five stages won't be in order probably because it doesn't have to be. :)
Chapters: 1/?
Characters: Jason Todd, Jason Blood, Catherine Todd Mention, Bruce Wayne, Willis Todd Mention
Relationship(s): Past Catherine Todd/Jason Blood, Past Catherine Todd/Bruce Wayne, Past Catherine Todd/Willis Todd
Additional Tags: Canon Divergent AU, Mamma Mia-inspired AU, Angst, Hurt/Comfort, Long Lost/Secret Relatives, Father-Son Relationship(s), Jason Todd Experiences the Five Stages of Grief
Chapter One: Money, Money, Money (Denial)
Jason didn't go into Catherine's room for days after her passing. It frightened him to think he could go into the room and she wouldn't be there. It was a reality that Jason had to face. So, one night after coming home from the supermarket, he crept into the room. He was never barred from entering her room. It just felt like an intrusion to go in without her being there. The smell of vinegar and burnt plastic filled the room, but Jason was used to it.
He turned the lights on and stared at the suitcase at the foot of the bed. She'd had that bag for as long as he could remember, and he opened the battered leather suitcase. He wiped a few stray tears from his cheeks and swallowed hard. The first thing at the top was a photo of Jason at the zoo. It was one of many photos in the suitcase. Some Jason recognized, and others he didn't. Most of the ones he couldn't identify were from before he was born. Catherine usually dated her pictures, so Jason organized most of them. It kept his mind preoccupied. That way, he didn't have to miss her.
Underneath the first layer of photos was a diary. It was locked, and the leather faded from brick to a washed-out pink. Jason picked it up and held it to his chest. He'd only seen it once. It was Catherine's diary. Jason knew most people in his position would be excited to read their mother's diary, but he couldn't move himself to betray her trust like that. He still thought she'd come back somehow. Maybe it was childish to think she'd come back, but he figured people came back to life in Gotham all the time. For that moment, though, it felt good just to see something of his mother's.
He set the diary aside and continued digging through the suitcase until he found a photograph of a man with sunglasses grinning at a parade. Jason's mother wasn't in the picture, but he knew she had it for a reason. He looked at the back of the photograph for the date and noticed it was a year before he was born. He set it on top of the diary and lit a cigarette. He didn't think much of the picture until he found other photographs of the same man and a photo booth strip of Catherine with him. He wondered if they were in love.
In another set of pictures, though, Catherine was with Bruce Wayne. It was around the same time as the photographs with the other man. There weren't as many pictures of her with him, but she looked so happy.
It made Jason wonder what went wrong. Maybe he was to blame. Jason dumped the ashes on a piece of paper before noticing the ashes burned a hole in the page. "Darn it! Nononono," Jason whispered as he tried to put the page out. Once he managed to stomp it out, he looked at the paper and realized it was his birth certificate. "No," Jason whimpered.
He frowned and took another puff from his cigarette. He promised to kick himself for being so irresponsible later, but for the moment, he decided to finish smoking his cigarette. People usually gave Jason the worst looks when he smoked cigarettes, but they didn't understand the bitter taste of tobacco, and the smoke was well-earned after the stress he endured constantly. He never begged for much of anything and never complained. The cigarettes helped. Hunger, stress, anger? It all melted away with a simple cigarette. Jason decided he'd have to smoke two more to calm himself. Usually, he didn't smoke that much back to back, but things had gotten painfully stressful.
He finished the last three cigarettes in the pack before cleaning up and leaving the room. He tried to cook for himself, but his nerves were shot, and the cupboards were bare. So, Jason decided he'd go to the deli. He had twenty dollars left of their emergency money, and the "classic Italian" was only twelve bucks. Jason climbed out the window and onto the fire escape, involuntarily shivering as the cold air hit him. Jason absentmindedly stepped in blood from a crime scene that'd been left behind overnight. It sent a shiver up his spine, and he pointed his index and pinky fingers downward before wiping the bottom of his shoe against the wall. He didn't know where he learned it, but he knew it was supposed to keep his luck from worsening.
A man ran into him on the sidewalk and nearly knocked him over. "Watch it!" Jason yelled out. The man paid him no mind, and not too long after that, a police officer shoved him out of the way, knocking him to the ground. Jason got up and dusted himself off. "Pig!"
He stepped off the sidewalk and jaywalked to the deli. The man at the deli greeted Jason as soon as he came in. "The regular?" the man asked. Jason grinned and nodded. The deli was one of the safest places in Gotham. It was where his mother sent him most of the time when she had company. It happened a lot, so he and the deli clerk knew each other well. Jason approached the counter and tried to hand the man his twenty. "Figurati. Don't worry about it. How're you feeling?"
"I'm holding up," Jason answered as honestly as he could. "I can pay. I have—."
"No, today you eat for free. I haven't seen you... Is your mama better?" the man asked. Jason shook his head and sharply inhaled before a few tears escaped. He turned to leave out of embarrassment, but the man invited him into the back. The man sat Jason down and fixed his sandwich. "It's alright. Jason, there's no shame in tears. When did it happen?"
"A few days ago," Jason whimpered. He tried desperately to pull himself together as he watched the man work. The man washed his hands and started packing away soups and making sandwiches. "Mr. Bernardi, I can pay you for the sandwich. Really—."
"No," Mr. Bernardi interrupted in a stern tone of voice. It startled Jason, but he did his best to conceal his fear. Mr. Bernardi had a soft heart and a grandfatherly sweetness to him. "When's the last time you ate? Hm? And no lying."
"Two days ago," Jason answered. He bowed his head out of shame.
"Eat," Mr. Bernardi commanded. Jason obeyed. It felt good to have something on his stomach, especially since he ran out of cigarettes. "I don't like that."
Jason looked up and blinked absently, wondering how he'd offended the man. "I don't like when children are hungry. It makes my stomach hurt," Mr. Bernardi chastised Jason. He sighed when he looked at the tears welling up in Jason's eyes. "Here." Mr. Bernardi handed Jason a can of rootbeer.
Jason felt like he'd give way to tears at any moment, so he thanked Mr. Bernardi and got up to leave. Mr. Bernardi whispered something to one of his employees and she offered Jason a ride back to his apartment. Jason opened his mouth to turn them down, but he knew it was no use arguing with Mr. Bernardi.
Jason got in the backseat and the woman put a large order in the passenger's seat. She didn't say much. "Bernardi doesn't like a lot of people, but he likes you. He says you remind him of himself when he was growing up in Italy," she whispered.
Jason was too emotional to speak still, so he stared out the window. When they got to his apartment they both got out of the car and she said she needed to deliver an order in his building. They went in the front entrance and climbed up to his floor. He had an uneasiness in his chest that was confirmed when the woman handed him the large bag filled with food. "Bernardi wants you to take it... It's not charity, and he'll be offended if you send me back with it," she whispered. Jason thanked her and rushed into his apartment where he could cry without being looked at.
At least he wouldn't have to sleep on an empty stomach.
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ufonaut · 11 months
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Do you happen to have a compilation of queercoded Alan Scott panels from before Flashpoint by any chance? It's really interesting to know how even as far back as the Golden Age the seeds for his sexuality were there and nobody really noticed
i do! kind of! i have a bunch spread across various post so i'm just gonna put together a compilation of gaycoded alan scott moments from the golden age (and beyond) for you right now :)
in his 1940s stories alan not only shows a complete disinterest in women but he actively rejects their advances at every turn
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(in green lantern 1941 #34 he refuses to go on a date by pretending his dog dislikes girls)
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(in green lantern #33 he reacts with disgust to the idea of marrying a woman)
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(in all-american comics 1939 #71, alan's completely immune to a mad scientist's daughter that's been specifically created to be irresistible to men)
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(in green lantern #13 doiby falls for a debutante that only has eyes for alan, and alan can't stand her or any affection from her)
much of his gaycoding also revolves around the close and intimate relationship he has with his best friend doiby dickles, whom he shares a bedroom & a bathroom with
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(an especially flagrant example from all american comics #60 but keep in mind this is the status quo for all their golden age appearances after doiby finds out alan's identity in aac #35)
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(a couple other examples of such intimacy from gl #28, aac #54, the big all-american comic book 1944 #1, and gl #34)
there's also a story in comic cavalcade 1942 that implies a great deal about alan's relationship with a nightclub owner named jonah dayton, which stands out in stark contrast to alan's distinct lack of romantic & social life
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(comic cavalcade #23, note doiby's strange insistence that alan is 'ruining his life')
these are all just examples because it'd be impossible to show you panels from all his 130+ golden age appearances but if you were to read them in full you'd discover that over the course of his 1940s stories alan has no romantic relationships whatsoever and he and doiby live together, go on vacations together, adopt a dog together, babysit doiby's nephew together, and generally share a closeness that is 'inexplicable' even for the comics of back then. notably, alan's first silver age appearance in green lantern 1960 #40 has alan & doiby still living together and alan's employees at gbc calling him alan's 'man friday'
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the 1976 run of all-star comics (which picks up the golden age series' numbering) goes so explicit with the confirmed bachelor aspect that it's undoubtedly what led to roy thomas' subsequent retcons in infinity inc (and specifically infinity inc annual #1)
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(missing doiby in all-star comics #60, after doiby's subsequent marriage in the silver age gl series)
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(writer paul levitz' retrospective on asc 1976 in the amazing world of dc comics #16, note how alan's the one jsaer to have never married and who has no family besides his close friend doiby)
it's within this context of alan's history that roy thomas' attempts to make him seem straight in infinity inc must be approached and how the confirmation of alan's sexuality in the present day is just that -- a confirmation, a return to form -- and not a retcon, after all for forty-one years of his existence there had been no women in alan's life.
this isn't to say though that with molly in the picture the gaycoding ever actually stopped, it just became rarer as any focus on alan himself or his personal life became rarer and the jsa-as-people (rather than heroes) sort of faded into the background. we still got the occasional gems like everything during the sentinel era (special shout out to the book of fate 1997 and the weird psychosexual things contained within) and how showcase '95 #1 has alan fighting the maybe-ghosts of his teammates while saying they have no right to judge him after they accuse him of not being 'a real man'
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or green lantern: in brightest day, blackest night 2002 stating he'll never be able to settle down into a normal life because he's not a 'normal man'
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and there's a lot to be read into molly's effective disappearance over the years, too. she's been pretty much erased post-early 2000s to the point that you could easily pinpoint their separation/divorce somewhere around 2007 or so.
there's certainly much more out there and having read all his appearances i've found next to none that didn't feature some hint of gaycoding but i hope you've enjoyed these examples! lmk your thoughts if you'd like :)
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fancyfade · 4 months
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Reading deathin the family again and realizing I'm not sure anyone besides jason actually knows Sheila betrayed him to the joker
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Breaking down the comics: BENDIS. PART 1. 
READING THINGS SO YOU DON'T HAVE TO! 
ALRIGHT EVERYONE IT'S TIME. 
It's 12 issues long. 
When this came out, I thought "This is the worst thing ever." and was so disappointed and angry. I refused to purchase the trade and frowned at it real hard any time it was mentioned. 
If I could go back in time and tell little me that there were far...FAR...worse things ahead I'm not sure I'd have believed me. 
Lucky for me, something spectacular and wondrous and amazing was also ahead. 
But we'll get to that later. 
Moon Knight: (2011) 
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publication date: July 2011-June 2012. 
Writer: Brian Michael Bendis
Artist: Alex Maleev 
Editor: Jeff Youngquist 
TIME LINE TIME! 
Let's start off with a little bit of Comic History! 
Moon Knight started in 1975. Moench and Zelenetz took it to 1990. 
We hit the 90s and it was a rough go for our pal. I'll cover the 90s later. 
Moon Knight then faded into obscurity and only the die hard fans that remembered our friend in white clung to every fleeting background appearance or mention. 
He then returned to us in 2006. 
The series of runs from 2006-2009 revived the series into a new glorious age of Marvel comics. The comics were far from perfect, the characterization was often WAY off, but it was better than nothing and a lot of good did come out of that age. 
2009-2010 brought us Vengeance of Moon Knight, which was also pretty good. 
Moon Knight was trucking along. 
It was roughly in this age that I became aware of Moon Knight and started reading the old stuff. 
Then 2011 they announced a new writer taking over Moon Knight. 
I actually went to a convention and remember this announcement. 
Marvel editor and Chief Joe Quesada was heading the panel and was super excited. He professed to love Moon Knight and was super enthused to see him not only be continued, but to also be in the hands of such an esteemed writer as Bendis AND joining a west coast team. (I'll get to that). 
So from 2011-2012 we got...THIS.... 
Moon Knight was then swiftly canceled. 
It was a disaster and did NOT do well on sales or reviews. (gee. Wonder why). 
And in TRUE Marvel fashion, they quietly swept it under the rug. They claimed that interest in Moon Knight had died and they would not continue to write for a comic no one would read. 
He had a few small background parts now and then, and fans continued to ask if they were going to bring him back. 
It wasn't till 2014 under "Marvel Now" (a new age under Marvel) that he was brought back under Ellis. 
Now, a LOT of people hate on Ellis. But they have to understand what Ellis had to work with. Where Ellis was coming from with Moon Knight, and WHY he had to do it so subtly like he did. 
So let me show you WHY my appreciation for Ellis runs so deep. 
You may have noticed something. I called Bendis an "esteemed writer". 
So who is Brian Michael Bendis? 
This is the man that is KNOWN for his work in the Avengers. 
He was the man that relaunched the Avengers franchise in 2000. Marvel was NOT doing well in the late 90s. DC was on the rise and kicking ass. 
I'm not saying this man saved Marvel comics... But he certainly brought the comic fans back in. 
Secret War, House of M, Secret Invasion, Siege, Age of Ultron, Avengers Disassembled...
These are BIG name runs that he wrote storylines for and was in charge of. These are big name events! 
You all know by now I hate events and tie-in cross-overs (There are two notable exceptions, but those are not Moon Knight related), but I have to appreciate them when they actually do make the comics thrive. 
Also, it takes a LOT to keep these events organized. And it takes a good writer to write for large groups like the Avengers. 
This man also created some very well known comic characters. Riri Williams, Jessica Jones, and...MILES MORALES. 
THAT'S RIGHT. This man gave us MILES! 
He's won five Eisner Awards. 
He is GOOD at what he does. He's god at writing teams. He keeps the dialogue smooth and flowing. He keeps track of all the characters. 
But... You'll notice something.... 
All those incredibly big name events and series? They are teams. They are groups. They are big hitters. They are mostly super powered and work well in teams. 
This brings me to a very big point. 
Just because you are good at one thing, does not make you good at all things. 
And that's where Marvel messed up. 
They happily put Moon Knight into the hands of someone who was used to writing for Captain America and Iron Man. 
You all know by now, or you will soon, Moon Knight is a VERY different sort of hero. 
He has no powers. He has no armor. He’s not super smart and he isn’t a leader. He's just a man. A man with severe trauma. A man with a past. Oh...And he's actually Three men in a white cape pretending to be one fully functioning normal guy and failing at it miserably. In fact, he’s been offered to lead teams MANY times and every time he turned it down. He doesn’t play well with others. Every time he meets up with another character, they start with a fight before they calm down and introduce themselves (one exception was Hilariously the Punisher who happily shook his hand and invited him into his chopper). 
So I can’t be angry at Bendis. Bendis even admitted that he didn’t know who Moon Knight was when he was given the comic. He had to do some quick catching up. 
The pressure was on, he didn’t understand the character, and there was a PUSH to introduce Moon Knight to the wider Marvel universe. 
So I can’t 100% fault Bendis for the trash heap he gave us. He certainly isn’t Bemis, who is just an overall terrible person. 
But I CAN fault him for not doing his research and not treating the major themes that tend to historically follow Moon Knight with respect. The biggest one being: Mental Health. 
So if Aaron was a disaster of religious failure, Bemis was a disaster of hate crimes and racism, then Bendis is a disaster of the mind. 
Without further rambling, let’s get into it!! 
Issue #1 (same image as up top). 
Title page as the standard blurb on who the character is. 
"Left to die outside an Egyptian temple, mentally unstable mercenary Marc Spector believes himself to have been resurrected by the ancient deity Khonshu to be his supernatural avatar on Earth. When night falls, Spector dons the mantle of Khonshu and fights the darkness as Moon KNight." 
Not a great start people. 'dons the mantle of Khonshu'. This is literally all Bendis knew about Moon Knight going in. If this is the only description you have to go on, you are not going to have a good time. 
We open with a very Kirk Russel looking version of Marc Spector out in the desert with a dramatic retelling of his fight with Bushman. 
What's interesting is that Bushman calls him "Lockley". 
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They have their shoot out, Marc is shot and Bushman leaves him saying "You were the best there ever was." 
Doing his usual, Marc crawls through the desert to the Moon Temple. 
He goes to the body of the dead Professor (Marlene's father) and wishes to make it up to him despite dying. He then goes to the Khonshu statue and begs before dying. 
Marlene sobs over him, calling him "Jake". 
The scene ends and it's to be continued. 
Fade to black. Executive Producer Marc Spector. 
Yeah... Marc went to Hollywood and made a show about Moon Knight. 
You see, up to this point, no one realy knew what Steven was doing to make them money. In the 80s he gave to charities, set up entertainment things like Ballet and museums and things, and played the stocks a bit. 
Later he became a producer. 
Then, when the writers all decided they didn't want to write Steven anymore because he was 'boring' he turned into Marc and Marc headed the financial aspect of things and became the producer of the shows. 
So here we see Marc making the show about himself and using the name Lockley so no one knows it's about him. 
He...He's trying. 
So the name of the show is "Legend of the Khonshu". 
This is the pilot episode and they are at a launch party. 
We see Marc hanging with a pretty blond that is NOT Marlene. At this point she’s left him. 
"Is it true that you were a really for real mercenary?"
"Well, let's just say... I have learned I'm not the first person in the world to transition their career into Hollywood after a...Less than honorable start." 
He gets a call and the person asks if he can go outside. 
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This is odd. And it should have been my first clue something was wrong. 
But we'll get there. 
We've got Captain America, Spider-man, and Wolverine asking for Moon Knight. 
And while Moon Knight has been an Avenger off and on and off and on at this point, he also has never been well trusted or liked by the big guys like Cap and Iron man. 
Cap tells him that "SHIELD's still tryig to gather formal intel, but there's been a rather substantial migration of criminal activity from the East coast to here. Right here in your new backyard. We need you to go to work." 
(this was the reason for the West Coast Avengers, but that's a different run). 
"Substatial Migration of criminal activity?" 
"Maybe if you weren't so busy making crap TV--" Wolverine gets uppity. 
"Have you seen the show, Wolverine? It's actually pretty good." 
"Yeah, that's what I got time for, watching you sell your soul entirely." 
"Good news, though, I'm getting paid a fortune for it." 
Cap breaks up the banter and Marc asks for details. 
Spider-Man explains that too many super heros lived on the east coast and too many villains were trying to be the kingpin of New York. So now they figure they can go to L.A. 
"But now we have you here." "Me?" "You made L.A. your territory." "By living here?" 
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This has always been an issue. Ever since it became known that Moon Knight had mental issues, all the Avengers have always treated him like “the crazy one”. Especially since he’s the ONLY superhero that is publicly open about his mental health issues. 
He’s even come out to the Avengers as having D.I.D and introduced Jake and Steven to them (see Spider-man encounters that was mostly used for LOLs). What’s interesting is seeing which heroes react in what ways. 
I could do a whole breakdown on the response of each Avenger to those with mental health issues. From Captain America’s don’t ask don’t tell attitude that stems from being brought up in the 30s-40s to Punisher who takes it in stride and doesn’t care. 
So they came all the way out to LA from NY to put him to work. Brings to mind the old meme: This could have been an email.
Cap reminds him that he's an Avender now and part of a team. "If things get to be too much...You send for us. Give the call. We're here for you. That's what being an Avender means. You're not alone." 
Problems with that: 1. The Avengers are in NY. He's in LA. That's a few hours away even by Helicarrier. 2. To quote Sassy Steven Grant from MCU "Yeah that's sort of like the problem, innit?" 
But ignore that. Look at this ART. 
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We head over to a warf where two criminal looking thugs are waiting by a van. 
They're having some friendly banter about their job and their boss. 
"Ask yourself this: This job you have--Who do you think had it before you? Where is that person now? Exactly how dead are they? And which one of the, I don't know, X-Men do you think maybe killed them?" 
"I see your point. I just don't agree with it. I want to do the job we were hired to do and then I want to go home." 
I do love some good hench men banter. 
While they banter, Moon Knight sneaks around up top to watch as a ship comes in. 
A very large man gets off the ship and demands to know which one of them has "Mr. Hyde's Money?" 
They don't have money. They were just ordered to pick up what's on the boat. The man demands money for the thing on the boat. 
He threatens to crush them to death, they threaten to shoot him. 
The giant man lifts them up and smashes their heads together. 
Alright, time for Moon Knight to swing into action. He first gets his attention with a crescent dart that cuts his cheek. 
Just gonna put this right here….
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Our buddy Moony has fought many giant strong men before. He's good at holding his own but he's also REAL good at getting utterly annihilated. 
He gets in a few good hits but then gets thrown in the harbor. 
Then a truck is chucked at him. 
His cape gets caught on the front wheels and the truck drags him down into the harbor. (He ends up in the water so much)
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One of the thugs from earlier is still alive and he chooses this time to shoot the giant in the arm. 
Unfortunately this upsets the giant who comes over and crushes his skull. 
Disturbing. But the it's done well with the art style. You see him place his boot then a black frame that says "CRUNCH". This is how you censor but imply the violence. Unlike in Bemis' run that just shows you all the gore in the worst way. 
It's amazing how much better I can look at this in comparison. 
But an aside: I enjoyed this run until it got to a VERY specific point. We'll get there together, friends. Until we get to that point, we're going to enjoy the art and have fun with our buddy Moony. 
Big guy gets ack on the boat and starts to drive away. Suddenly he's whacked in the head by a fire extinguisher. 
We see a cloakless/hoodless/maskless Moon Knight wailing on him. 
Marc heads down into the cabin thing while the giant is dstunned. He wants to know what the cargo is. 
Ohhh hey.... Okay. 
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So… There are some of you reading this that know exactly what that is. And there are a LOT of you that don’t know other comics or movies and have no idea what that is. 
That’s an Ultron. Tony Stark did Tony Stark things and created a super power AI system called Ultron. And in classic AI comic book fashion, it immediately took over EVERYTHING and set out to destroy the world. They eventually defeated it, but it keeps popping up. You’ll find hidden saved files in old computers, SHIELD helicarriers often find ultron files in their systems. Sometimes you find one of the mass produced robots that still carry the potential to boot up and spread the virus around again. 
Marc picks up the Ultron skull, wondering why they have a dead Ultron. 
It's at this point that he realizes he just knocked out the only one on the boat that was driving. 
He's doing fine. 
He gets knocked off the boat again and clings to a rope hanging off it. At this point the boat is illuminated by something from above. 
Giant man wakes up and yells at the sky about "you better have my money!!" 
"You should have thought about that before you killed my employees." 
The boat blows up and Marc manages to swim away with the Ultron head. 
Back at his place, he calls the Avengers to give them an update. 
Again, I want to remind everyone that the Avengers are based out of New York and Marc is in LA. Are they going to fly out there to look at an Ultron head? It's a 5 and a half hour non stop flight on a regular airline. 
So...This is another clue that something is wrong here. 
They debate on why someone wants an Ultron head. 
It IS made out of adamantium alloy, which is very valuable. 
I also want to say that I love how they draw Marc here. 
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So Marc, Captain America, Spider-Man, and Wolverine stand around staring at the Ultron head for a minute. 
"You got a good look at the mystery power?" 
"Nope. Not from lack of trying, though." 
"Hey, Man, you went toe-to-toe with Mr. Hyde." 
"Barely." 
"That's pretty impressive, my friend." 
"I think I broke a rib." 
In trying to figure out who the new power player is, he decides that they at least have one up. 
"Which means he's looking for me like we're looking for him. I'm glad you guys are here. We have our work cut out for us. This is going to take more than just Moon Knight." 
This is heart breaking to hear once you actually know where this run is going. And he isn't alone. Where are Jake and Steven? Why are they banished? 
I know that Jake doesn't travel. Jake never leaves New York. I've never really explored why that is. But in Moench's OG run, Jake NEVER left New York. 
And writers always leave Steven out. No one since Moench has been able to handle him to this point. 
So here we are, Marc Spector making home in a new place and Jake and Steven aren’t there. Then the Avengers show up randomly and tell him to start being Moon Knight again and that he is needed. 
And then we are left with this image, which is our biggest reveal that maybe… Maybe something isn’t right here… 
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So what do we know in the first issue? We can’t trust Marc’s perception of things. 
We also have yet to actually address Marc’s D.I.D. They’ve only casually mentioned him being ‘mentally disturbed’. He’s built up what looks like a nice comfortable life for himself in LA and here the Avengers come in (supposedly) and put him back into position to ruin this life. 
We know Marlene left him. And his head-mates are being pretty quiet. We can only speculate that we are meant to believe that the ‘Avengers’ are only in his head. 
There’s more going on here than Ultron. And in issue one, I’m optimistic. I love the art, Moon Knight is being Moon Knight. But you do get the sense that something is brewing and all you can do is hope that it’s not bad. We have no REASON to think it will be bad at this point. We’ve not had an atrociously bad run yet. We’ve only had mismanagement. 
Issue #2. 
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DAMN fine art, Maleev. Look at the white! The face is a little creepy, but look at that cape! 
Title page has the usual blurb and a recap. 
"Marc Spector has resurfaced in Los Angeles as the creator and producer of the wildly successful TV show 'Legends of the Khonshu'. As Moon Knight, he intercepts an illegal delivery of an Ultron robot body. The mastermind behind it is unknown, but the battle is fierce and Moon Knight barely escapes. 
Guiding him through this new mystery, Moon Knight is supported by his new multiple Personalities in the guises of Spider-man, Wolverine and Captain America." 
YEP. There it is everyone! 
2011. WAY past the point of DSM defining things and research absolutely could have been done. 
But it wasn't done. They had zero interest in informing or teaching the audience about mental health. All they wanted was a gimik to lure you in and say "Look how crazy he is!" And now he's got "NEW" personalities that are also well known super heros! 
*SIGH* Issue one was so hopeful. They could have gone so many other routes. 
As I mentioned above, Marc has set himself up to be alone. When has Marc Spector ever done well when left alone to his own devises? 
Marc has set himself up for massive failure and is on his way for another break down. 
But they could have left him alone. Shown him being alone. Shown him struggling alone. They could have then re-introduced Steven and Jake and well....LEMIRE. 
Anyways, let's see what happens in issue 2. 
We open with Moon Knight, Spider-man, Wolverine, and Captain America overlooking the city.
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I love when they get carried away with his cape. It’s like his cape is an entity of itself. Look at that majesty. 
Marc has intel and they are deciding on who gets to go investigate. 'Wolverine' decides to go in. 
Marc tells him no. "This is my city now. That's the whole point. I'll go." 
"I think you should go in undercover first. Stake it out. Lock your target" -Captain America. 
"You WOULD think that. I say dive in and tear the place up. That's the only language they understand. It's the only language they respect." - Wolverine. 
Cap just wants to shut down the operation. 
"A grenade can shut that place down. We're aiming higher. We're aiming for the person who thinks this city is up for grabs and thinks they need an ultron." 
'Spider-man' volunteers. No one would expect him. 
Moon Knight notes that "It's not like I can stop him." 
We head to a sort of strip club sort of thing. The manager woman is in charge of info. A lot of powerful men come to her club/bar and these men often let slip information to the girls that help them 'relax.' She pays the girls for collected information. 
She finishes her little speech and Spider-man interrupts. 
"Did I miss the audition? I have a dream, you know. A dream to dance!" 
"Get out of here or I'll kill you." 
"I'm sorry, I don't care for the way you're speaking to me--I'd like to speak to the manager." 
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So they way they have it, the “Spider-Man personality” is in charge and the others watch and let him act. He has the mouthiness of the REAL spider-man, but he also lacks the strength and acrobatics. This puts him at a disadvantage, as he’s expected to do the same things, but can’t. This honestly is going to go for Wolverine and Captain America too. Three people that distinctly have super powers and skills that Moon Knight and MARC do not have! 
An interesting solution is that Spider-man uses web shooters. 
And THIS 'Spider-man has hidden Moon Knight's truncheons in the shooters so they get hit by the web and also whacked pretty hard too. 
What is so frustrating is that I'd just rather watch Moon Knight fight the bad guys and not 'fake spider-man'. 
And the boss lady gets hit by the web shooters with the hidden truncheons inside. She instantly knows "That's not Spider-man." 
She starts to fight back, asking who he is. 
"Who are you?" 
"Who am I? I? Me? People have heard of me! The big question today is how far down the criminal food chain are you?" 
She starts to kick his ass. 
She puts him in a choke hold demanding to know who he is and who sent him. 
Marc and Wolverine start to argue inside the head space. Wolverine wants to step in but Moon Knight wants to give Spider-man a chance. 
The mask is ripped off and they start to black out. Wolverine steps in. 
The webshoots extend out the retractable claws. 
Just as he gets the upper hand, one of the stripper girls tasers him, knocking him down. 
He fights through it. The taser doesn't really affect him. 
He webs her and the main boss lady picks up the fight. 
Captain America is not impressed with the fight. "You're not learning anything and you've made your point. Wrap it up." 
Just as he starts to get the upper hand, one of the bounces shoots them in the shoulder. 
He doesn't heal like Wolverine would. 
He blacks out. 
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See, my issue is that the writing team doesn’t know anything about Moon Knight. In fact, they know so little that they think he’s boring. So they bring in familiar characters in an effort to ‘make him interesting’. But Moon Knight is NOT those characters. So you end up with a cluster of a whole bunch of mischaracterization on BOTH sides. You got Wrong Moon Knight and you got Wrong Spider-man. 
Boss lady tells the other girls to go home and not to talk about anything that just happened. 
She says that their BOSS will want to talk to this guy and find out who he is. 
They go to move Marc and suddenly one of the stripper girls attacks. 
She knocks out the bouncer then knocks out the boss lady. 
Marc wakes up much later, patched up in a bed. 
Mystery lady tells him "You ruined my cover, Moon Knight." 
She tells him that they have mutual friends like Steve Rogers and Matt Murdock. 
Her name? Maya Lopez. Hey! It's Echo! 
"I was an Avenger for all of 44 seconds." 
I...I've never read anything with Echo. I actually have a comic of her team up with Dare Devil waiting in my stack of comics to read. 
She was supposed to get her own MCU show on Disney Plus. 
I also know that when Greer met up with Marc in the MacKay run, Echo was the one that warned her about what it was like to be with Marc Spector. 
I ALSO know that they call her Echo because she's deaf. 
That is the extent of what I know about Echo. 
Let's learn together! 
She tells Marc to look at her when he talks. He figures out it's because she's reading lips.
"You're deaf?" 
"I know what's wrong with me. What exactly is wrong with you?" She asks as she holds up the Spider-man mask. 
Back with boss lady, we see her talking to her own boss. 
She explains that she once fought the Black Widow and Captain America. 
"This guy--This guy tonight knows how to fight. I know when someone has been trained. This guy--" 
They talk about how they looked up Spiderman and found him still in New York. They also figured out that the one they were fighting was "Moon Knight dressed as Spider-man." 
"And acting like a crazy animal." 
"Moon Knight." 
"Or a crazy guy who thinks he's both. In this world...Never underestimate a good crazy." 
The big mystery boss knows Moon Knight. He's faced him rescently apparently. 
"He has something of mine and I need it back."
He approves her to hire a team and hunt Moon Knight down. 
END ISSUE. 
Ya'll...There's so much going on here. My mantra? "At least it isn't BEMIS.'' That's not a good plug. 'Better than Bemis'. That bar is so low that it's buried six feet under. 
Also the introduction of Echo is going to get messy. She’s there to be the ‘voice of reason’ to his ‘insanity’, but she’s also there to potentially be a love interest. 
Lemme do a little google search real quick. 
Okay... She's Native American of the Cheyenne nation. Created in 1999. She first appeared as Ronin in 2005 by Brian Michael Bendis. (That explains why she's in this). 
After Kingpin killed her father, he adopted her. Fisk pitted her against Daredevil. She also had a relationship with Matt Murdock cause of course she did. (Everyone has slept with Murdock. EVERYONE.) 
Her abilities are photographic reflexes, much like that of Taskmaster. Meaning she can learn people's fighting styles. 
Okay. She's interesting. 
Makes me sad that she’s just going to be used in this comic to give the reader a point of stability and also a love interest. 
Issue #3. 
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I like the soft colors in the art. And at first glance you get excited because “Bullseye!” And I love a good Bullseye run. But then you notice that jaw line looks very familiar and also he’s holding a familiar looking crescent and you realize what’s about to happen and you’re just disappointed again….. 
ALRIGHT. We open on Marc driving a car and making a call to Maya (Echo). 
"Hi Maya...This is Marc Spector." 
"I'm sorry?" 
"From last night." 
"What do you want?" 
"You believe it's me...Cool." 
He spoke to their 'mutual' friends who vouched for her. (I bet Murdock vouched for her). 
"If you're not still mad at me for blowing your cover and maybe ruining your life, I thought mabe we could get together and discuss, um, strategy." 
Sure. Sure Marc... Strategy. 
He invites her to eat. She turns him down. 
"I think you might be insane, and I have had enough insane men in my life to last me." 
[....]
"I think you're thinking that last night was indicative of my overall behavior and personality." 
"It wasn't?" 
"It probably was, but I don't think that--" 
"I'm hanging up." 
"I need help, Maya. And you do too." 
We have some serious discrimination going on. The constant use of outdated language to lesson Marc's credibility and constant second guessing him. 
Marc gets to the studio to find his assistant there waiting with a list of issues. 
The usual studio stuff. 
Props have issues, there's calls, and "they still haven't cast the French Guy." 
"Not French." 
"I thought--"
"He doesn't HAVE to be French. I said he was based on a French person." 
(Does this mean that I cacn still dream of Pedro Pascal as Frenchie?) 
Anyways... He heads in to a tech person named Buck. 
Marc hands him the Ultron head. He asks him to take a peak at it and let him know if it's legit. 
We head back to three months ago when Marc was setting up the show and casting people. 
Marc had asked for a list of "soldier of fortune consultants". 
Marc starts to look through the files. 
Honestly, considering his past and connections, he probably knows most of the old timers personally. 
He finds one that makes him pause and he tells his assistant that he wants an interview. 
Turns out Buck was that guy. 
Marc asks Buck how long he's been an Agent of SHIELD. 
He recognized the name of a company that Buck listed as work history on his resume. 
A company owned by SHIELD and stationed in Latveria (Home of Dr. Doom). 
Buck denies it. It's all classified, after all. 
Marc tells Buck that "I need a guy who knows weapons and armory. I need a guy who thinks outside the box and knows not to ask questions. I need someone I can trust with my life." 
Of course Buck is cagey. Wants to know how Marc got access to the files and what not. 
"Do you know your super heroes?" 
"Uh...Sure." 
Marc tells him. We don't hear what he says. 
"I...I, uh... Never heard of you." 
"Are you serious?" 
"Just messing with you." 
Yeah, there was a long time when NO ONE knew who Moon Knight was. Somehow all the bad guys and street people knew him, but NONE of the heros knew him. Just called him "that crazy moon guy." 
Marc hires the man as his 'weapons expert' for the show. He also asks the man to work on making special tools and weapons for his 'special needs'. 
Here’s Buck at home relaxing. 
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Oh hey! Bullseye! 
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So we see "Bullseye" threaten to torture and cut up Buck if he doesn't tell him who Marc Spector is. 
Buck refuses to talk. 
Bullseye threatens him again and Buck figures it out. "Mister Spector? Is that---Are you--?" 
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Firstly, where did Marc even get that outfit? And the spike dagger. Bullseye got the spike daggers when he killed Electra (Daredevil comics my old beloved dumpster fire that you were). 
Marc apologizes and Buck punches him. He beats on him a moment, pretty pissed off. 
"You know I could disarm you and end this in a second, right?" 
"You never touch me!" 
"Come on. Compared to what they did when you joined SHIELD this was nothing." 
"I don't care if you think I--"
"You know I had to." 
[....] 
"Man, how crazy are you?" 
There it is again. And having Marc dress up and mimic Bullseye's manners and expressions is an interesting choice when we already know that he's dealing with being Spider-man, Wolverine, and Captain America too. He's plaing with fire and I can see where Bendis is going to take this and I don't like it. 
And this brings us to the present with Buck analyzing the Ultron head. 
Turns out to be a real Ultron head. 
"The head of the most powerful artificial intelligence known to man cut off from its regenerating power source--" 
Buck asks if they should take it to Tony Stark. 
Marc doesn't like Tony Stark. This is fair. Tony has never exactly been fair to Marc. 
Apparently Hank Pym also had a hand in creating Ultron. That hangs together. (I am not a fan of comics hank pym. He's not a good person). 
Marc tells Buck he's going to give it to Steve Rogers when they are done with it. 
Buck keeps telling him to get rid of it. WHoever the LA kingpin is, he's going to come looking for it either for parts, the dangerous tech, or to plug it back in and sick it on the world again. 
Marc keeps brushing him off. 
"Meaning that you should get rid of it immediately...Was my point...That you completely missed. Because you're crazy." 
So we head back to boss lady, AKA "Snapdragon". She's talking to a group of assassins for hire. A group called "Night Shift". 
Her boss wants to have a chat with Moon Knight and she wants to know who he is. 
END ISSUE. 
Yeah, you guys can see the growing motif of this run, can’t you? “Wow look how crazy he is!” And it’s going to get worse. 
If Aaron was a problem because of the lack of religious sensitivity and research, then Bendis is a problem because of how he handles the topic of Mental Health. (Bemis was just a problem. Every problem forever. Too many to name.) 
So let’s head into Issue #4. 
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Maleev did all his own covers for the runs. Not a common thing to do. I just love how all the covers have such striking colors and how the cape and cowl are always just so BRIGHT white. It’s pretty, okay? 
Alright, we open up on Avengers Mansion somewhere in New York. Carol Daners answers the phone (Captain Marvel). 
Maya Lopez (Echo) is calling them. 
She's doing a check in to find out what the Avengers think of Moon Knight. 
Which, fine. If you're going to work with a guy or potentially be interested in them, you check in with your friends that know them. 
But ALSO...The Avengers have always been very discriminatory against Moon Knight. 
They don't trust him because they think he's dangerous because they think he's insane. 
They don't ever make ANY effort to understand what his illness/problems are. They never look into his disorder. They never look into Marc's PTSD. They never take the time to talk him through things. 
Much like they never really accept or try to deal with the Punisher's PTSD. He's always just an evil murdering man. 
Maybe this is why Marc and Frank have always gotten along. 
Spiderman sometimes is kind to him and works with him, but there is always the background joke about Moon Knight being "Loony". 
The only one that really gets on with Moon Knight is Ben "The Thing" from FF4. And that's because they're both Jewish and Ben needs more Jewish friends. 
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ANYWAYS. She asks about Moon Knight. 
"I'm asking--How crazy is he on a scale of one to...crazy?"
Oh! This brings me to the well known panel that you should all recognize!!!! 
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Now you have the context for that panel! 
Speaking of discrimination...
Echo calls people all the time. And each time, the person on the other side will go "Wait, how are you using the phone if you're deaf?" 
She has a speech to text function that puts their words on her computer screen. 
But no one thinks of things that are meant to help those with hearing disabilities. They instantly just think "She's deaf. She can't use the phone! She must not be deaf!" 
Ahhh...Avengers... 
Back in LA, we find MArc waiting at a hot dog stand where he invited Echo, waiting to see if she'll even show up. 
He sits there with 'Captain America', 'Spider-man', and 'Wolverine'. 
Wolverine tells him that Marc doesn't need her. 
Spider-man thinks it's just a team-up. 
"This ain't about a team-up. You know it and he knows it." 
"Why can't it be both?" 
"Because it just complicates it all." 
"Why can't he have a nice girl?" 
"Because the damn moon god Khonshu told him he brought him back from the dead so he'd make the world more livable.
Not make crap TV shows and date third-string Avengers." 
"Why can't he do ALL those things?" 
(I'm a spider-man fan and I love when he is the young innocent one that just wants people to be happy. And considering that THIS is not the real Spider-man, but just Marc's perspective of Spider-man, it makes sense that Spider-man be seen as the one that doesn't understand and just wants to do his best and make people happy. See, THAT is an interesting take and psychological analysis. But Bendis isn't aiming for that or going to explore it... Damn it.) 
Captain America reminds them that Echo knows more about what's going on than they do and they need her info. 
"The woman's been under-cover in the LA underworld. She knows more than us. We need her." 
And Maya shows up. 
"I must be out of my mind." 
"Oh, come on..." 
"Out of my mind." 
So he asks her what she knows and how long she's been undercover. 
She tells him to go first. 
"Listen, if you're here, you checked on me like I checked on you. You know I'm not the idiot you're acting like you want me to think you think I am." 
"What?" 
"Let's just cut the sass down and have a real conversation. Wouldn't that be nice, if two people who do what we do had a real conversation?" 
"It's hard...It's hard to trust...sometimes..." 
"I know. Believe me, I know." 
They talk a bit about Marc's show and her position in the strp club. 
As they talk, a sharp dressed man shows up and comments on what a cute cupple they make. 
"What a cute couple." 
"Excuse me?" 
"I SAID you're a cute couple. What are you, deaf? Oh yeah, you are, aren't you...Eco." 
She asks if Marc knows who this man is. 
"You see him too?" Nice Marc. Subtle. 
The man introduces himself as "Tick Tock." He's a member of the Night Shift. 
One of the guys has a pretty cool design. Reminds me of the Classic old old comic/radio show "The Shadow". 
The lady's design is....Why is there always a naked lady with tape barely covering up all of her bits? How is that efficient?
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Tick Tock claims to be able to see the immediate future. 
He sais that in one future they fight and it doesn't end well for anyone. 
Marc and Maya don't have powers, but the Night Shift members do. 
'Wolverine' decides he isn't putting up with this shit. The flake claws come out and they elect to fight. 
The Moon Knight cape comes out and he and Echo start to fight back.
It's a pretty good fight. Echo saves his tail a few times and he takes the hits easily. 
The Wolverine claws come out a few times and make a mess. 
They take out the baddies but the cops are on the way. Cops usually don’t like Vigilantes and this is LA, where they aren’t used to the New York crew. 
And….The only cop that ever liked Moon Knight was Detective Flint. 
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END ISSUE. WOO! Blazing through! 
What gets me is that this HAD the potential to be interesting. It could have been an interesting run! Why did he have to make up the Avengers? Why not just embrace Moon Knight and let him be himself? He’s interesting enough without made up Avengers! 
What’s more, you only got three of them in. And the three of them are only bits of themselves based on what Marc knows of them! 
So you have the angry and eager to fight Wolverine, who could have just been Marc. You have the up tight analytical and reasonable Captain America, who could have been Steven! Then you have the heart who is gentle and wants to give people a chance but is still tough Spider-man….JAKE! 
This run could have been FAR better if it wasn’t the Avengers, but Moon Knight wrestling with himself. Having all three of them trying to suddenly make sense of what it means to work together and coming up with their own fighting styles. 
…..HERE’S ISSUE #5. 
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I actually don’t like this cover. The colors are nice. The art still is on point. But I just really don’t like this cover.
So the cops show up and instantly go "WE GOT MOON KNIGHT!" 
Yeah... Most of the cops don't know 'what a Moon Knight' is. 
The internal conversation is Spider-man wants them to run. Captain America tells them that they are an Avenger and should explain things to them. 
"Officers, I am here to cooperate. I will be more than happy to tell you exactly what just happened. I am actually, believe it or not, one of the good guys, if you'll just let me--" 
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He does try to calmly explain to the officers what's going on, but they start to get rough and push him around.  What gets me is that Moon Knight IS trying to be reasonable. He tries to talk calmly. To explain things. He tries to be peaceful. 
It never goes well for him. No one listens to him. No one lets him explain. They assume the worse of him. 
Now Wolverine is pissed and wants to get involved. 
Cap and Wolverine start yelling at one another and Moon Knight is not having a good trip. 
One of the cops says he's going to sell the pictures of Moon Knight getting arrested for tons. 
Wolverine wins the argument and Moon Knight starts to fight and breaks free. 
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The cops attempt to bring Echo in and she puts up a little fight then gets tazed. 
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Yeah so we get lots of scenes of them yelling at Marc. 
They yell at him for leaving Echo behind. But Echo fights the police off and steals one of the cop cars. 
Moon Knight follows and joins up. 
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I can’t fault the comic for the action sequences. They do have a good balance. (Unlike in Bemis where everyone is either just standing there grinning like idiots or it’s chaos and you can’t tell what’s going on except that there is gore). 
The banter and conversations are also well managed. Coming from the Bemis run, where every other panel was just a WALL of exposition that made no sense, I appreciate the balance of conversation, action, and stillness. So, points to Bendis and Maleev on this one. 
They park the car and have a small argument. 
She blames him for bringing 'madness' into her life. 
He points out that the Night Shift was actually looking for HER and that they were tracking her, so it's her fault for the madness. 
She agrees. "So that makes us even." 
She can't go home. The police and bad guys know who she is now. 
He tells her to come to his home. Smooth. 
They have a moment and he kisses her. 
She punches him in the face. 
A lot. 
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I won't make you squint. 
"Hey! Listen I just thought..." 
Gets beat up. 
"Will you marry me? 
Look at me...Brave guy making jokes to a deaf girl behind her back." 
Alright we head back to Buck. He's at a club. He gets a phone call and heads out. 
He's gotta go pick up Marc, who is sadly walking home in his Moon Knight skivvies. 
"Hi, Buck." 
"Mister Spector." 
"Thanks for coming to get me." 
"What are you doing in an alley?" 
"I didn't start in the alley." 
"Who used to do this before me?" 
"A guy." 
"Where is he?" 
"He got sick of me." 
"Is he alive?" 
"I think so. I hope so." 
Frenchie will forever be a sad place in my heart. I miss him and I hope he is alive and well. 
We head to the police station where Tik Tok of the Night Shift is being interrogated. He's being interviewed by a former New York cop. He didn't like the Supervillain and Superhero business so he went to LA to get away from it. 
As you can imagine, all this recent comotion doesn't have him very happy. 
He wants to make sure the whole lot of the Night Shift stays behind bars forever. 
But he gives him one opportunity to give up some info and walk out. 
"Who hired you? Who sent you after Moon Knight? You give me a name... You walk out of here." 
Tik Tok thinks it over. 
"You don't, and I will laugh the day I hear that the punisher finds his way into the prison you're rotting in. Just say the name."
Tik Tok starts to talk when suddenly a lawyer comes in and tells Tik Tok that he's being sprung. 
The lawyer tells him that they can't hold any of the Night Shift because the police let them be beaten by 'drug addict maniacs'. 
Tik Tok walks out and the police guy is pissed. 
"I hope you know what you're doing, Moon Knight. Because it's all on you." 
END ISSUE. 
So… You see my frustration setting in here? This comic run has SO much potential. There is so much more they could be doing and instead they are taking the “HE’S SO CRAZY” route. The art is good. The pacing is good. The Dialogue is pretty evenly placed. Even the overarching plot of the LA kingpin and Ultron head is not bad. It’s just… Why did it have to be Moon Knight? 
When you can replace the main character with any other marvel character and still have it be the same, this isn’t a Moon Knight issue. And when the writer is so used to writing for other characters that they end up making it about those other characters, they shouldn’t be given the Moon Knight comic and should just stick with what they are good at! 
….At least it isn’t Bemis… 
Alright. Part two is coming soon! I’m going to start kicking these out fast. I got a timeline to get through if I’m going to hit all my marks by the new year! Stay with me people! We got this! 
PART TWO HERE.
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jamalgripperton46290 · 7 months
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Sweet Puddin' (Harley Quinn x The Joker)
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Jamal Gripperton's Masterlist
A/N (if you haven't already read it go read it now then come back)
A/N - HAPPY KINKTOBER ONCE AGAIN PPLS! (we got lots of kinky stuff going on in this one). This fic contains spoilers for the Suicide Squad movie so if you haven't watched it yet and you want to, this is your sign to click off. 
P.S -I have never read the comics or seen any other movie besides suicide squad and know nothing about the dc universe so this might not be that accurate or whatever, just a small heads up. Google also told me that The Joker's name is Jack Napier, so we're going with that.
(This chapter is dedicated to our second ever commenter, but the first on  Wattpad, ow10306010. Maybe you'd read this on another bus trip someday, who knows?)
•••
Reading a book and sipping espresso was Harley Quinn, who was in her cell, which now had a bed. After defeating the Enchantress and the Enchantress 'brother with the 'Suicide Squad' aka Deadshot, herself, Katana, Killer Croc, El Diablo, Captain Boomerang and Colonel Rick Flag. The air in her cell was the same as before she'd gone with the others to "save the world" at the risk of their lives, under Amanda's command. Cold, stale and funky smelling. It was still deathly quiet as before, only the occasional whirring of her espresso machine tore through the deafening silence of her solitude.
 So yeah, I guess you could say that her life was better than a couple months prior. There was at least something else to do except hang off the tattered cloth that was tied to the upper bars of her cell, or when that was taken away, mope around on the floor. It was lonely, hell, it always was. Doesn't seem like that would change either considering she witnessed the helicopter her Puddin' was in blow up.
She was completely alone now, with no one that would care enough about her to have a single thought of her that wasn't negative after The Joker had passed. Flipping through the pages of her book as she read to take her mind off the loneliness she had and drinking a lot of espresso were her only ways to escape the burning in her heart.
Said burning was connected to the ticking time bomb, that once the whole thought of being lonely for the rest of her life and probably not ever escaping the literal and figurative prison she was in, would detonate on her already corrupted mind, thoughts and being. Erasing every one of the few faded memories she had left. 
Just like what she did to The Joker.
-
"I did everything you said, I helped you!" Harleen spoke out breathlessly.
"Ah... you... helped me... by erasing my mind, what few. Faded. Memories I had?" 
"No, you left me in a black hole of rage and confusion" The words fell off his tongue, laced in venom, spite and rage.
"Is that the medicine you practice? Doctor Quinzell?"
"What are you gonna do, you gonna kill me Mr. J?" Harleen had tried to hide her fear but failed as her tone and eyes gave her away.
"Oh, I'm not gonna kill ya, I'm just gonna hurt ya, really, really bad." 
"You think so? Well, I can take it"
The Joker snapped the brown belt in his hands and placed it between her teeth.
"I wouldn't want you to break those perfect, porcelain capped teeth, when the juice... hits your brain." He whispered the last part and gripped the mysterious items in his hands.
Then, he pressed them to her temples.
-
The memory made the bile at the back of her throat even more sour as she pushed the thoughts back and tried to put her mind back to her book but unfortunately, failed to do so as more and more memories came rushing to her at full speed.
-
Nine huge, bubbling tubs of Ace Chemicals sat far below the platform Harleen and The Joker were stood on. Harleen stared at the tubs blankly as The Joker stood a few feet behind her. Smoke or steam, she couldn't tell, floated above the tubs, small lights encircled them as well.
"Question..." The Joker's voice spoke out from behind her. He never failed to make her weak, no matter how little or how much he did.
"Would you die... for me?" He walked a few steps closer to her, so did Harleen.
"Yes" Harleen replied almost immediately.
"That's too easy..." The joker paused to think for a second.
"Would you... Would you live for me?"
"Hmm?" He spoke again once she didn't reply for a few seconds.
"Yes"  
"Careful, do not say this oath, thoughtlessly."
"Desire becomes surrender, surrender becomes power." The Joker continued in a hushed, whisper like tone.
"You want this?"
"I do" Harleen replied.
"Say it, say it, say it, pretty, pretty, pretty, pretty..." He whispered.
"Please?" Harleen's tone was on the brink of begging.
"Oh God, you're so... good."
The Joker took a few steps back and Harleen's back was facing where the tubs were. She leaned back and begun falling, falling into the tub of bleach whit chemicals and to her probable demise. He stared over the edge after Harleen fell into the tub. 
While walking over to the door, he paused, letting out a frustrated sound, he turned around and took off his jacket, walking over to the edge of the platform again and jumped off, into the tub. He pulled Harleen's body up to the surface and connected their lips in a searing kiss.
As he pulled away, Harleen gasped for air and The Joker started laughing maniacally.
-
Harley shook her head, as if clearing her head of all the other memories of him. Suddenly, the wall behind her had blown up and multiple armed people speedily walked in, shooting every guard in sight. After successfully breaking into her cell, a masked man walked towards her, Harley stood up from her bed and blandly stared at him as he took off his mask. Underneath the mask was The Joker.
"Puddin'!" Harley wrapped her arms around him joyfully.
Although she was confused how he was here and how he wasn't dead, when she watched him be blown up. Excitement still flooded her, he was here. Here in her arms, next to her. Living and breathing. Harley couldn't believe it.
"Let's go home" He drawled out.
The Joker scooped her up into his and carried her back to his car, placing her body onto the seat. Pressing his foot on the gas, the car's engine roared beneath them. As the pair speedily cruised through the pretty empty streets, The Joker grew more and more impatient, moving one of his hands to Harley's thigh, groping and kneading it as he drove.
The hunger that had bubbled through him the entire time the two had been separated festered in him, bubbling up like boiling soup on the stove. He couldn't just wait 'till he got home to pounce, but he had to. Pressing his foot even harder against the gas, a race against the clock until the insatiable hunger in him bubbled over, leaking all the emotions he'd been holding until he had Harley back in his arms.
God, he missed her. He could barely keep the already destructed little shards and pieces of his sanity together as he worked relentlessly to get her back in his arms. He missed her body, the amount of control he had on her and how he had her wrapped around his pinky finger. If he could, he would pull over right now and fuck her into an oblivion until she's a crying, squirming, overstimulated mess.
However, The Joker didn't want to just pull over and fuck her senseless on the side of the road in the confined space of his car. He wanted it to be in the comfort of his own home, behind closed doors and against a large, comfortable mattress in the plush, soft sheets of his bed. So, he pushed his desire for her away and continued driving.
Soon, the sun had gone and welcomed the cold embrace of the moon and night. The streetlights -which were now on- cast a warm glow below them, lighting up the roads and sidewalks. 
After what had seemed like decades, they arrived at The Joker's house which was -obviously- much bigger than a normal house, a mansion if you will. He hastily parked the car and led her back to his room. Sinful thoughts flooded his mind even more every step they took closer to the comfortable, solitary confines of his room, Harley seemed to be thinking about things similar to what he was, judging by the rose tint that spread across her face and the sudden silence of her sly comments and small giggles.
Opening the door to The Joker's bedroom, Harley was pinned against the wall as The Joker's lips were smothered and slotted between her own. Teeth clashing and tongues sliding against each other, the lewd sounds of their lips meeting filled the room along with the occasional moan or groan. The kisses were full of desperation and lust, his hands were also full of desperation and lust as they aimlessly roamed Harley's body, groping the soft, fleshy skin.
"Take off those clothes, doll" Jack spoke slightly breathlessly after he pulled away from the kiss.
A grin grew on Harley's face as she peeled off her clothes while maintaining eye contact with him. Jack sat on the bed, hungry eyes devouring the sight before him as the tent in is pants grew larger. Slowly taking off the last of her clothes and tossing the garments somewhere, Harley innocently batted her lashes at him, her lip caught between her teeth.
"Come to daddy" Jack slurred as he took off his shirt.
Harley giggled at his words as she walked up to him. Jack motioned for her to get down on her knees, so she did. She looked up at him through her lashes, patiently waiting for him to say something.
"Show me how much you missed me" He whispered in a seductive tone.
After hearing those words fall from his lips, she began to unbuckle his belt and push his pants down. Beads of precum leaked out of his rosy tip, taking it into her mouth and paying special attention to the slit. Jack groaned at the feeling, tilting his head back as he'd remember the euphoric feeling of her lips wrapped around him.
Bobbing her head up and down, her saliva dripping down his length and pooling at the base. Harley gagged slightly once the tip deliciously hit the back of her throat. Groans slipped off Jack's lips as pleasure engulfed him like a warm blanket of ecstasy. He continued pushing her head down and fucking her throat as lewd sounds floated around the room. As Harley continued is cock twitched in the warm cavity of her mouth, just before shooting hot, sticky sperm down her throat.
"Go on, swallow it all" Jack growled, hazy eyes watching her as she did so.
A smirk grew on his face as he lifted her up and placed her on the bed, her back against the plush material. Slowly, he spread her legs apart and inched his face closer to her throbbing, dripping core. Harley let out a shaky breath as her eyes followed his, practically drowning in anticipation of what he was going to do.
Harley softly gasped at the sensation of Jack shamelessly spitting on her sex, her arousal mixing with his saliva. Still maintaining eye contact, he dragged his now flattened tongue from her weeping hole up to her throbbing clit, swirling his tongue around the sensitive bud. Her thighs twitched slightly at the feeling, soft whimpers escaping her throat as he sucked her clit.
As Harley's hips rolled and thighs twitched in pleasure as Jack tongue fucked her tight hole, he wrapped his arms around her thighs, forcing them apart and still as he worked his mouth quicker. Drawing out more moans and whimpers from Harley's soft, plump and swollen lips. (the ones on her face ya dirty dawg) Jack slurped, sucked and licked at her fluid leaking cunt, making her hips buck and her fingers grasping at the messy strands of his hair, tugging and pulling at them. As Jack continued eating her out, Harley un-knowingly tried to push his head away from her aching core, too engulfed in her pleasure to notice that she was.
"If you want me to eat you out 'till you cum then don't try to push me away" Jack mumbled against her pussy lips before delving right back in, tongue and all.
The more he worked her pussy, the closer she got. It was pure ecstasy, her eyes rolled to the back of her head as she clenched around his tongue, a symphony of moans and chanting of his name as if he was a god that was about to condemn her to the fiery pits of hell.
Jack groaned as her cum painted his tongue, his taste buds practically exploding from the taste, making sure to slurp up every drop of her delicious nectar. Pulling away from her wet core, her slick covered his lips and dripped down his chin. Jack then connected their lips together in a slow and sensual kiss, their tongues sliding and lips connecting and disconnecting. Harley pulled away and chuckled softly at the look in his eyes.
"Get on your hands and knees baby, you know how. Face down, ass up" Jack growled out with a grin on his face.
Harley did exactly as he said, her hands gripped the cozy sheets that lay beneath her, the same sheets that would soon be covered in bodily fluids. Jack grabbed his length, rubbing the tip against her increasingly wet folds before slamming all of it into her tight, warm hole which made her loudly moan. Placing his hands on her hips, Jack started thrusting his cock in and out her pussy. The lewd sounds of skin meeting, moans and the wet, squelching sounds of his dick pumping against her hole of fat and human flesh filled each and every corner and crevice of the room.
"Fuck yeah, take my cock like the slut you are" Jack groaned as he continued jack-hammering his appendage into her fleshy cunt.
Resting her cheek against the plush mattress, Harley moaned in response, unable to form words with the pleasure that surged through her. The ecstasy was almost blinding, more moans slid off her puffy lips as his tip brushed her cervix. Jack slowed down slightly and pulled out a small, sharp blade then dragged it across her soft, pale skin. The dark, crimson fluid leaking out the wound, a stark contrast to her porcelain skin. Harley whined at the sensation, pain and pleasure that molded and mixed together which felt strangely euphoric.
He continued to glide the blade across her prior unbroken skin, Harley's blood painted her back like an artistic mosaic painted by the hands of God himself. Licking up the crimson that flowed out of the fresh wounds, Jack groaned at the delectable taste, his thrusts speeding up as he chased his release. Sounds of pleasure erupted from her, moving her hips back as he thrusted into her.
"Uh huh, just like that, back up onto my cock" Jack growled into her ear, sending tingles down Harley's spine.
A soft giggle came from Harley, which quickly changed into a moan as he wrapped his hand around her neck. Still plunging his dick into her arousal-dripping hole, Jack sucked, licked and nibbled at the supple, sensitive flesh. Speeding up his thrusts, more moans, groans and whimpers came from the pair as they both inched closer to their release. More thrusts that deliciously hit her g-spot, choking, praises and sounds of pleasure later, the pair got closer and closer to their sweet release.
"That's right, cum all over my cock baby, all over it" Jack moaned out, his tip kissing her cervix.
Harley's pussy spasmed, fluttered and twitched around his cock, her moans growing louder as he sped up even more. His cock mouthwateringly filled her up as tears of pleasure rolled down her hot, red cheeks.
"Mhm, milk my fucking cock" Jack moaned as his hands gripped her hips like a vice.
He thrust his hips forward a few more times before emptying his load deep inside her. Euphoria, ecstasy and pleasure flowed through their veins, engulfing them in pure dopamine. Both of them were breathless as they lay next to each other on the blood and bodily fluid soaked sheets, just basking in the presence of each other now that they were finally back together.
•••
Word count: 2.8k
Sup lil chickadees? We are back again with another kinktober fic, feeding you lil birdees with your well deserved S M U T. Hope y'all liked this one as much as our other chapters and the chapters to come. 
Also, if you wanna tell us any ship suggestions you can always just comment and the ask box will always be open.
Welp, see ya soon and remember kids, don't mistake sugar with salt when you're making cupcakes.
- Jamal Gripperton and BeezyBee <3
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ao3feed-jaydick · 1 day
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fading mercurial stars
read it on the AO3 at https://archiveofourown.org/works/55367839 by lazarustears (ryyss) There were things to be said about your body being turned against your will, Jason supposed. There were things, lots of things, to be said when the world was dying and surviving seemed more like torture, but most wise men didn’t live through humanity’s fall long enough to see the ending of it all. or: jason's still very much alive despite his heart rotting away in his ribcage. Words: 8225, Chapters: 1/1, Language: English Fandoms: Batman - All Media Types Rating: Explicit Warnings: Major Character Death Categories: M/M Characters: Jason Todd, Dick Grayson Relationships: Dick Grayson/Jason Todd Additional Tags: Jason Todd-centric, Comic: DC vs. Vampires (2021), Vampire King Dick Grayson, Vampire Jason Todd, Established Relationship, Lovers To Enemies, but its so complicated you seriously have no idea, Suicidal Thoughts, Implied/Referenced Suicide attempt, Canonical Character Death, Bottom Dick Grayson, Top Jason Todd, Hate Sex, but again its so complicated, Mild Gore, Blood As Lube, Relationship Study, Angst, Dissociation, jaydick week 2024: wip bash read it on the AO3 at https://archiveofourown.org/works/55367839
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intertexts · 5 days
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GMORNING !!!!! u know what time it is
EPISODE 8 TRIVIA:
- the big monster they fought in the beginning was called a Crawling Apocalypse which looks like this. terrifying !!!
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- bizly really liked that william banished it. he was originally not gonna let him do that but then "i realized your character can do so little and that was cool so i said fuck it" we love william pity points he is such a loser and he rolls so terribly <3
- they start talking about one piece because grizzlys saying things abt how certain parts of dakota are inspired by luffy and bizly goes "ive never watched anime" which is the biggest lie in the world
- grizzly: "yknow we were about an hour into the episode before i realized wow i havent done anything productive yet"
condi: "you just hit on vyncents mom for like 20 minutes!!!!"
- and then they start talking about how dakota and chip (bizlys pc from riptide) would either be best friends or hate each other which is really funny bc there are now MULTIPLE what if crossover episodes where they meet and interact and thats exactly the dynamic . i love them
- condi wasnt expecting his dad to be dead, he thought theyd have to fight him
- he kind of hesitated taking the sword !! vyncent doesnt really know how to feel about using something that belonged to his father
- he wasnt entirely Present for the part where his dad betrayed the party, he was sort of fading in and out of consciousness so theres a chance he didnt actually get the full picture. condi knows this out of character and vyncent knows it in the back of his mind somewhere that his dad might not actually be fully evil but hes too angry to come to terms with that yet
- hes struggling a lot with the fact that his mom.doesnt know about the betrayal. he doesnt want to tell her because "its not his fathers pride at stake, its his mother's memory of him" and that makes me so . :(
- THE GREATS!!!!!!!! THE GREATS ARE HERE i love the greats. surely nothing bad is happening to them
- they have a couple theories as to whats going on with the greats:
-- condi: theyre in this state because vyncent took too long getting them back here out of his head
-- condi: they were killed when they got transported to the other world and there was no way to get them back completely
-- charlie: something happened in the time where vyncent was transported to prime and the greats had died, so someone did something to keep them alive by putting them in his head. maybe they could only be kept alive by being in vyncents head
- grizzly tries to insight check bizly irl to see if any of their theories are close so far. this does not work . he rolled a 17 btw
- none of them trust minerva they think she might be secretly working with the lich. bizly defends her by saying "shes also in the middle of basically an apocalypse i think shes allowed to be a little mean to you"
- le frog is the only french person ever. this is brought up with NO context no explanation
- bizly is sharing some of the thumbnail art from youtube because this was right around the time the first few episodes were being put up publically !! most of them are just the same as the official refs but the most important one is le frog bc im not actually sure if youve seen his offical design yet . also tide used to be white. we dont have to talk about white tide
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- bizly says pd feels more like a DC comic than a Marvel comic. hes right about this
- charlie starts talking about marissa meyer books and this is important 2 me because the lunar chronicles was an extremely formative piece of media for me . she apparently has a book called renegades thats superhero themed and i have not read it yet but i put it on my list specifically because of this. wahoo!
tgis is SUCH good trivia for this ep thank u dude... ouagh. really solid meal here. i love these last couple episodes so much.. there's so much fun stuff happening here i'm enjoying all of the greats stuff & getting like a solid Vyncent Moment for a while.
i LOVE the william pity points its great! it WAS cool as fuck!! also i gain +5 hp every time a gm goes "who give a shit if this isn't technically how the game mechanics should work, it's fun for everyone at the table & makes for something cool and makes sense narratively."
that being said. i DID take SO MUCH PSYCHIC DAMAGE from how long dakota spent hitting on his fucking mom. Please. Please king !!! sob.
I ALSO WAS EXPECTING THEM TO FIGHT VYN'S DAD???? still not unconvinced that some lich undead bullshit isn't going to happen with that. god i'm so invested in figuring out what HAPPENED there... i love this type of murder mystery situation. & i also was genuinely unsure if he would take the sword or not!! really kind of an ohhh shit! moment when he did. imo. vyncent virion sol i love u.... also it's still INCREDIBLY funny 2 me that he's still in his normal clothes. i have not forgotten that he is just doin his fantasy bullshit thing in the just some guy drip. (<- i might have forgotten something but i've been assuming they no longer have/wear Official Hero Drip since they're no longer really sanctioned or on great terms w/ them? also i've been assuming that the episode-specific clothes & shit isn't really permanent... now that im thinking about it though please tell me wiwi hardcore blue flame black leather kickass spiky biker jacket remains. it's too cool for him. but. still.)
I LOVE THE GREATS SO MUCH... i hope nothing permanently bad happens to them :( i like them so dearly..... you know they r really solid folks because they spent a YEAR and change living in a teenager's brain & came out of the experience still bein so nice 2 him.... augh. also in general big fan of the system-adjacent bullshit :] i love it when theres. guy with guys in his head. etc. will b sad ab their departure but i hope they r OKAY and return 2 Being Alive & shit!! nervous laughter. also god i can't wait to find out what Actually Happened with them. hhrhrghghgghh.
THIS IS SO TRUE ALSO???? free my girl minerva she did nothing but have Literally Normal Reactions to TERRIBLE things happening!!!
I DON'T LIKE THAT LEFROG FACT. it raises the question of is he actually even french or like, is there even a point of reference for his behavior. like. What is going on there. Horrifying thank you!!!! also man this entire degree im working on would be useless! well. maybe prime quebec exists. somehow. independently of a hypothetical europe. HIS DESIGN IS SO FUN BTW. its so cute.. i WAS kind of imagining a mutant Big Real Fucking Frog situation but i think this is a lot more reasonable. also literally ignoring white tide I Do Not See it. It Does Not Exist.
ALSO. NOT GOING TO START TALKING AB COMICS FOR EVEN MORE PARAGRAPHS. BUT. he is so so so right. (<- dc comics guy with Opinions. well. technically im not even much of a dc guy im just a vertigo guy. but. still.) hghghghbhgh.
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