Fanny and Alexander (1982) | dir. Ingmar Bergman
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The Villains that Get Under My Skin
Edvard Vergerus from Fanny and Alexander
Captain Vidal in Pan's Labyrinth
Don in Out of the Blue
Leland Palmer in Fire Walk with Me
Hawkins in The Nightingale
Gregory Anton/Sergius Bauer in Gaslight
Harry Powell in Night of the Hunter
The Nome King in Return to Oz
Oscar in Colossal
Smith Ohlrig in Caught
Gaston in Beauty and the Beast
The Witch in the Storyteller episode The Three Ravens
Edward Murdstone in David Copperfield
Bo from Bus Stop (because YES HE'S A VILLAIN I DON'T CARE WHAT THE MOVIE SAYS THIS MAN TERRIFIES ME I HATE HIM)
@thealmightyemprex @ariel-seagull-wings @themousefromfantasyland @piterelizabethdevries @princesssarisa @grctw there are different kinds of villains out there. You have your cool villains, your tragic villains, your sympathetic villains/antagonists. This list is comprised of villains who get under my skin in a very personal way. I see a pattern here - abusive parents and partners, manipulators whose control can come as much from words and reputation as outward acts of violence. Even the most overtly violent and obviously vile of them are enabled by their stations - the family patriarch, the cog in the imperialist machine, etc.
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#happybirthday #pernillaaugust #actress #director #schmiskywalker #StarWars #ThePhantomMenace #AttackoftheClones #TheCloneWars #FannyandAlexander #TheBestIntentions #InthePresenceofaClown #TheSerpentsWay #TheWildDuck #Jerusalem #TheBirthday #IAmDina #MaryMotherofJesus
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Penelope Wilton in "Fanny & Alexander" (The Old Vic,2018) 🧡🧡🧡
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Fanny and Alexander (1982) by Ingmar Bergman.
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Fanny & Alexander Part One (Ingmar Bergman, 1982)
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i don't necessarily think trauma is the only reason characters in fanny and alexander can see ghosts like aaron says maybe ghosts just exist and some people can see them. but trauma is definitely why alexander can see SO MANY ghosts; his father's, the bishop's, the bishop's late wife's, and her two daughters' it's too many ghosts haunting him at such a young age :/
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I'm obsessed with these passages from the published screenplay of Fanny and Alexander:
(when Emilie finds Alexander in the attic)
(after Isak makes the apparitions of Fanny and Alexander appear in the room above)
(and as Emilie is about to leave and Edvard is sobbing blindly)
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Fanny and Alexander by Ingmar Bergman 1983
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