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#fantastic adventures of the orion spaceship
blue-kyber · 1 year
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OUT THERE: THE 1K. Part 1. - read it on Wattpad. (It's free. :) Cover created on Canva through wattpad using a copyright free photo.)
A sci-fi fantasy adventure
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Synopsis:
One thousand children prophesied to save a galaxy embroiled in war are taken from Earth at the turn of the 21st century. The children are scattered throughout Alliance worlds to hide them from the terrifying, unseen antagonistic force that would destroy them, the Keth.
This story follows the frightening and fantastical adventures of two of those children - Will and Terra - who are genetically altered to possess a strange power for a plan to end the war.
Yune Darrak - a lone devil-may-care salvager, and Selka Kelnaris - a disillusioned, empathic, Ai Hiri bounty hunter - accidentally rescue them from a Regent secret lab while on a bounty hunt. They travel to a remote agrarian planet where Yune will hand the kids over to Selka once he gets her ship back from the planet's leader, so he can get his life back. A simple plan spirals into a deep, confusing mess involving a mysterious blue light, a political coup, and more questions about the kids and Yune himself as all four are inadvertently caught up together in the middle of a battle they never wanted to fight.
Will and Terra want to know who they are and where they belong. Yune wants to get his life back of salvaging spaceship wrecks and living alone. Selka wants to protect Will and Terra and find meaning to her life.
The story isn't so much about the war as it's focused on the lives of this little disaster space found family, their struggles, their small moments, and their growth aboard a jalopy homeship. The war is something that's happening around them.
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The four portrait combo are the MCs I created in Artbreeder. Each photo is where I stopped and said "That's it. That's them." - Yune, Selka, Terra, and Will.
(I am very, very proud of this story, and in love with it and the characters. It's close to my heart, and contains my heart and soul. I wrote a story that I would enjoy reading or watching.)
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That is the cockpit of my beloved home ship, the Horizon.
I spent way too long making that cockpit out of free commons stock items that were morphed and recolored beyond recognition. Way too much work, but well worth the hours to see my baby for real. Those cupholders retract into the control console, btw. :)
The space background is also a royalty free image. All of the images used at the headers of each chapter are either mine, or royalty free stock images.
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If you want to be added to the taglist for posts about this story, please let me know. :)
Tag list: @muddshadow @cedar-west @athenixrose @penspiration-writing @runningoutofbooks @tobiornottobithatisthequestion @roll-top-writing @subject-2-change @dreaming-in-seams @mismatchingart @midnight-and-his-melodiverse @thewriteflame @writingventriloquist @ren-c-leyn @asher-orion-writes @aninkwellofnectar @winterandwords @raevenlywrites @nanashi23 @athenaannarose @the-tired-writer
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Today's guest post comes via LGG&F fan Star Chicken. Star is a European nerd who specializes mostly in old sci-fi series. She is still figuring out her place in the world together with her narcolepsy, autism, and imaginary best friend. You can find her on her Facebook page, Ace Multifandom!
I am a big fan of old television series. Watching them is a little bit like time travel, with their old special effects and stories about issues that mattered at the time. Also, just imagine that you can sit down, watch, and get excited over something people watched and got excited about 50 years ago!
With the exception of some German nerd circles, most people have forgotten about one of my all-time favorite miniseries, Raumpatrouille – Die Phantastischen Abenteuer des Raumschiffes Orion (Spacepatrol – The Fantastic Adventures of the Spaceship Orion). For simplicity reasons, I will call it Raumpatrouille in the rest of this post. (That’s also the tag used on AO3.) As you may have guessed from the title, it is German, and as such it is completely different from my usual English or American series. Okay, maybe not completely, but it is definitely one of a kind.
The series first aired in 1966, when Germany was divided in two after World War II. It was made in West Germany, but also watched in the East, and I know from what my family has told me that it was also very popular in Hungary. It was a huge project; the best of the best worked on it, and it was also really expensive, which is why they made it in black and white and didn't do a second season.
Spoilers for the series from here on! 
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The theme to 1971′s “The Big Boss” by German Composer Peter Thomas.
(From Wikipedia):
“The Big Boss (Chinese: 唐山大兄, alternately titled Fist of Fury) is a 1971 Hong Kong martial arts action film written and directed by Lo Wei, produced by Raymond Chow, and starring Bruce Lee in his first major film. It stars Lee, Maria Yi, James Tien and Tony Liu. Originally written for Tien, the leading role was given to Lee instead when the film's original director, Ng Kar-seung, was replaced by Lo. The film was a critical success and excelled at the box office.[1] Lee's strong performance overshadowed Tien, already a star in Hong Kong, and made Bruce Lee famous across Asia, and eventually, the world.
Unlike other Lee films, The Big Boss is unique in having not only two, but three completely different music scores. Fist of Fury, Way of the Dragon, Enter the Dragon, and Game of Death all only feature one score with minor alterations.
The first music score for it was composed by Wang Fu-ling, who worked on films such as The Chinese Boxer and One-Armed Swordsman. This was made for the Original Cantonese language version, and was also used in the English export version, in addition to the theatrical French and Turkish versions. It is similar to other martial arts film scores, especially the Shaw Brothers films. Wang was the only one to receive credit, but it is also believed composer Chen Yung-yu assisted with the score. At least one cue from Japanese composer Akira Ifukube's scores for the Daimajin trilogy of films was also utilised as stock music.
The second and most popular of the music scores was by German composer Peter Thomas. This did not become widely known until 2005, when most of the music he composed for the film appeared on iTunes in a Big Boss collection. Thomas's involvement stems from a complete reworking of the English version of the film. The early version featured the British voice actors who worked on all Shaw Brothers films and used Wang Fu-ling's score. It was decided to make a new English version that would stand out from the other martial arts films. New actors were brought in to voice the film in English, and Thomas re-scored the film, abandoning Wang Fu-ling's music. The German dubbed version features his score, especially in the German title of the film (German: Die Todesfaust des Cheng Li English: The Deadly fist of Cheng Li) in the iTunes compilation.
Peter Thomas is a German composer/arranger. He was born in Breslau (Silesia) on 1 December 1925, and his active career spanned more than 50 years between 1955 and 2006.
He is known for his TV and film soundtracks (such as 'Raumpatrouille', the Edgar Wallace movies film series, and the Jerry Cotton film series). The restored Brandenburg Gate in Berlin was re-opened in 2002 with a live version of the main theme of the "Raumpatrouille"-soundtrack.[citation needed]
In his directorial debut, Confessions of a Dangerous Mind (2002), actor George Clooney used three tracks of Peter Thomas' music originally composed for Edgar Wallace movies of the 1960s (in their original mono versions). The 1990s avant-garde band Mr. Bungle performed his piece "Love In Space" on several dates of their 1995/1996 tour for Disco Volante. UK Plunderphonics and avant-garde band, The Perrinormal, name Peter Thomas as one of their main influences, alongside John Barry and Lalo Schifrin.
For some of his exceptional scores Thomas used a self-developed musical instrument called "ThoWiephon", today being exhibited in the "Deutsche Museum" in Munich, standing near the famous Theremin, also being used in many movies."
For Thomas’ score to the German TV series “Raumpatrouille – Die phantastischen Abenteuer des Raumschiffes Orion (literal translation: Space Patrol – The Fantastic Adventures of the Spaceship Orion):”
https://www.youtube.com/watch?v=dsInV9FcL_8
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malte279 · 6 years
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Colonel Villa on the Moon
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This is a ponification of Oberst (Colonel) Hendryk Villa, a character from the 1965 German science fiction series Raumpatrouille - Die phantastischen Abenteuer des Raumschiffs Orion (Space Patrol – The Fantastic Adventures of the Spaceship Orion).I made this ponification as part of a birthday present for a good friend and fellow Brony who is a fan of the series.
I listened to an audio book adaptation of the above mentioned series and funnily enough in the final episode of the first (and only) season Colonel Villa becomes a traitor. It is only because of alien mind control, but the series left the issue pending on whether or not his mind could be restored. Unknowingly (I hadn’t heard the audio book or seen the series by the time I drew this image) I had therefore picked a rather fitting background for this character. Banishment to the moon for temporary mind controll by an evil (part of the controlled one's mind that it may be) is not unheard of in Equestria ;) You can find the background for this image (and use it if you want to) here. Here is a vector of the pony without background. And here is a unicorn version of the same pony.
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The Orion, the most advanced starship of Earth’s space fleet on Raumpatrouille – Die phantastischen Abenteuer des Raumschiffes Orion (”Space Patrol – The Fantastic Adventures of the Spaceship Orion“).
Like most sci fi starships, the Orion had a faster-than-light engine, “Überlichtantrieb” in German.
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