#fanzines about vienna

[heytbefanzin]

We are now accepting applications for Fanzineist Vienna from artists, independent publishers, zinesters, bookstores, galleries, and art institutions from both Austria and abroad, to join us at the fair. The submission deadline is Sunday, April 23rd at 23:59. 

Join us on May 26-27-28 at Atelierhaus der Akademie der bildenden Künste Wien (Semperdepot) for a dynamic and inclusive celebration of the art of publishing. Spread the word and share this opportunity with your friends and communities. We can't wait to see your applications! Check out the link below to apply now. Don't miss out on this chance to showcase your works at Fanzineist Vienna 2023!

For more information and application:

https://fanzineist.com

Fanzineist Vienna Art Book & Zine Fair is an event that brings together small press and independent publishers from around the world. Our mission is to showcase the culture and accessibility of zine and art book making, and provide a platform for artists, publishers, and other creative individuals to share their stories, knowledge, and love for the craft.

Through a diverse lineup of workshops, performances, concerts, screenings, and talks, Fanzineist Vienna provides an opportunity for attendees to learn new skills, be inspired by the creativity and passion of others, and connect with like-minded individuals in the world of zine and art book publishing.

Fanzineist is a dynamic fair that celebrates the culture and creativity of small press and independent publishing.

We have two more open calls! Open call to participate in the art book and fanzine exhibition by mail, and open call for the online art book and fanzine exhibition.

If you are unable to attend the event in person, Fanzineist Vienna provides an opportunity for you to participate remotely. Fanzineist Vienna has an open call for publishers and artists who would like to contribute their art books and zines to the exhibition at Atelierhaus Akademie der bildenden Künste Wien between May 26-28, 2023. If you are interested, you can send your art books or zines to “Wohlmutstrasse 4, A-1020, Vienna, Austria” until 5th of May.

To ensure your publication is properly exhibited, don't forget to include the publication's name, title, medium and the year with your submission. The publications received by post will be displayed in international art book & zine exhibition.

If you want to be physically present in Fanzineist and have a table about your publications, you can apply via fanzineist.com. In order to participate by mail, you do not need to fill out any application form.

Our second open call for the Online International Art Book & Zine Exhibition, and we invite you to participate.

This virtual exhibition will take place in a 3D gallery, providing a platform for artists and publishers to showcase their original publications to a global audience. Visitors will have the chance to browse and purchase the publications directly from the exhibitors.

Whether you are an artist seeking to expand your reach or a publisher looking to promote your work, this exhibition offers a valuable opportunity to showcase your publications to a wide audience. Moreover, this virtual event offers artists the chance to exhibit their work even if a physical event is not possible in their country.

The virtual exhibition allows visitors to control their movements by keyboard or touch, zoom in, and receive additional information about the publications and artists. It offers a dynamic and interactive experience that will engage visitors and showcase your work in a unique and innovative way.

You can apply now to online exhibition.

Deadline: April 23, 2023

#fanzineist #fanzineistvienna #artbookfair #zinefest #fanzine #fanzin #zine #independentpublishing #zinefair #artbook #vienna #semperdepot

[fanzines]

Zinester Sheina made a travel zine about Vienna during the pandemic. A6, 16 pages and full colour. Find it on Etsy.

#zine #zines #fanzine #fanzines #perzine #perzines #travel zine #travel fanzine #zines about austria #fanzines about austria #zines about vienna #fanzines about vienna #queer zine #queerzines #queer zines #queerzine

[denizbeser]

Nase Zine 05 Exhibition & Zine Release Party

06.06.2017 @ Gstaltmeyrgasse, 12/1, 1150 Vienna

Nase Zine is a photocopy magazine (fanzine), founded by Deniz Beşer, La Garçonne and Muzaffer Hasaltay Du von Jetzt. It is published in three languages German, Turkish and English. We understand the Zine and its events as a point for a get-together of the Vienna based Turkish and post-migration subcultural scene. Topic of the Nase Zine's 5th issues is ''gender''. What does the social category gender mean? Why are these templates of separation and conflict existing? Is there such a think like ''normality''? What about the people who have to complete official forms and do not know if they should tick with "f" or "m"? What about the people who are overseen or especially perceived, because they do not correspond to normalized gender perceptions? How did the social construct gender changed its shape throughout the history? Which struggles and resistance did the also appear against this social pressure? Why are identity politics also functioning as an important tool? Of course, it is hard to  give sharp and totally right information on this senstive topic but the the artists of Nase Zine's 5th issue will try sharing their ideas and thoughts freely. Artists: Ashley Hans Scheirl - Cecilia Tasso - Yela An - Dante Buu - Deniz Guvensoy - Marina Gržinić - I-Man Ithram - Nazim Unal Yilmaz - Grace Marta Latigo - Deniz Beşer - La Garçonne - Walter Ego - Duvonjetzt Muzaffer Hasaltay - Ivan Jurica - Pêdra Costa - Julischka Stengele - Hilal Can - Magoz - Onur Serdar - Mirabella Dziruni -  Mirjana Mustra -  Gözde İlkin -Nilbar Güres - Simon Barta - Veronika Eberhart - Fatih Aydogdu - Maiz - Andrea Haas - Jannik Franzen & Katrin Euller

[torentialtribute]

Transfer news: Newcastle smash their transfer record with £40m arrival of Joelinton

Newcastle SMASH their transfer record for £ 40m Brazilian striker Joelinton … even after Rafael Benitez warned them he was too expensive!

Joelinton is Steve Bruce & s first signing since taking over as manager

He cost them £ 40 million – the record of £ 21 million paid for Miguel Almiron

Rafa Benitez had pursued other options because he thought he was too expensive Published: 14:18 BST, July 23, 2019 Updated: 19:37 BST, July 23, 2019

Newcastle United broke their transfer record with the 40 million signing of the Brazilian striker Joelinton , a player Rafa Benitez thought it was worth half that amount.

The former boss was reluctant to punish such a big move for the 22-year-old, who scored seven times for Hoffenheim in the Bundesliga last season.

But new head coach Steve Bruce gave the green light for the completion of the deal, said the insistence of recruitment chief Steve Nickson that Joelinton could thrive in the Premier League.

Newcastle United completed joelinton striker club record sign

He is the first signing of Steve Bruce since the acquisition as manager earlier this month

Newcastle fans are likely to agree with the statement on the wall in St James & # 39; Park

Crucially, owner Mike Ashley is also convinced that the player has sales value with Nickson who has watched him for more than a year.

Benitez valued Joelinton at £ 20m, but would rather have spent that money on West Moped borrower Salomon Rondon, an experienced Premier League attacker who was the player of the club's season.

But Joelinton was always the target of the club and he arrived on Tuesday for a six-year deal, where he the No. 9 sweater from Rondon.

It is unveiled on Wednesday afternoon alongside Brce, a movement that is undoubtedly designed to avert the negativity surrounding the appointment of the head coach.

remains to be seen how the arrival of Joelinto n and others will affect the crowd on the opening day of the season. home in Arsenal, with thousands threatening to stay away in the light of Benitez's departure.

The Brazilian, who will wear the No 9 shirt, looks elated while posing in St James & Park

Alex Hurst, True's editor Faith-fanzine, believes signing sessions such as Joelinton will no doubt convince many to be present.

& # 39; There are 16 days left and big signings like this will persuade people to come back, & he said, while the magpies also follow Vasco da Gama winger Marrony and Nice wideman Allan Saint-Maximin.

& # 39; Many people said Mike Ashley & Newcastle would never compete in these types of markets and pay the fees paid for Premier League strikers, but they have here, and that's a start.

& # 39; Those who have canceled their season ticket must see more than this, and I know many refuse to go ahead with anything.

& # 39; But signatures like this give you hope that the club is ready to invest and wants to be more than a team for whom survival is the sole purpose – I am sure Joelinton would not have signed up for that.

Rafa Benitez believed he was too expensive at £ 40m and wanted pursue other options

& # 39; And he is an exciting signature. Mirandinha was the first Brazilian to play in England when he signed for us in 1987, so there is a bit of history.

& # 39; We don't know much about him, but he looks big and fast and could become the type of supporters behind. & # 39;

If Newcastle supporters know little about Joelinton, the same applies to those in his home country. He was picked from Sport Recife by Hoffenheim at the age of 18 with fewer than 40 appearances.

After only one outing for Hoffenheim, he was loaned to Rapid Vienna for two years, where he scored 21 times, before returning to the German club and scoring 11 goals from 33 outings in the last term.

Joelinton (center) has moved from Hoffenheim, where he has spent the last four years

& # 39; The child has an exciting time ahead of him. He is a crushing young player and we are clearly delighted to get him, & Bruce said.

& # 39; He has everything a modern player wants. He is big, strong and athletic, and of course he has age on his side, which is vital.

& # 39; He has learned history and wanted the No. 9 shirt, and that is always a great shirt to fill. But in his eyes it was: "Come on – that's what I'm here for."

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#Transfer news: Newcastle smash their transfer record with £40m arrival of Joelinton"

[garamondemagazine]

Sans titre (2016) to date.

By Reeme Idris

Following the nomadic project space since its Parisian apartment beginning with curator and storyteller Marie Madec. 

Not content with exhibiting to a precious few, Marie Madec has enigmatically engaged artists and visitors alike with spirited shows since launching Sans titre (2016). Following her studies at the Sorbonne and CalArts she’s built the nomadic concept from her apartment in the 21st arrondissement, transforming it with the help of architect Maxime Bousquet into a fantasy of what a young collectors’ home might be. Mixing antique and contemporary furniture, collaborating with antique specialist Archibald Pearson, to build a salon for well known and lesser known talent. Vol.1 featured Théo Mercier, Romain Vicari, Elliot Dubail and Eliza Douglas.

The following exhibitions ‘Vol.2: ‘Curiosités’ and ‘Vol. 3: Nothing to hide’ explored sex and power. By way of a take on a cabinet of curiosities; a proud display of good taste and intelligence, also known as ‘wonder rooms’ and a vehicle for international exchange. The latter referenced the much-lauded 80s pornographic film of the same name. Themes connecting the shows included domesticity, intimacy, and voyeurism. Before venturing beyond the apartment - to an empty science laboratory in Marseille for ‘Vol. 4: Le Laboratoire’ - there was the 2017 collaboration with Nike ‘Switchers: the Air Biennale’.

Sans titre (2016) conceived a creative and artistic residency to capture the dawn of a new era for contemporary art in Paris, which had somewhat slumped in response to a lack of institutional support. Madec teamed with German painter and ceramicist Robert Brambora to create an artist residency in their Headquarters in Paris. Launched on 26th March 2017 (Air Max day) Brambora integrated an ephemeral studio composed of recyclable and construction materials. He invited six other European artists to join him.

Marie explained at the time, ‘This exhibition will present the product of the conceptual and aesthetic collaboration between the artists. They will take over an industrial building located in the 5th that was never opened to the public before. The artists will make their works interact with the glass and steel architecture.’ The exhibition presented work created during the residency. This was to be a significant collaboration (with Brambora) and an equally significant moment for Sans titre (2016) who were able to demonstrate a brand collaboration offering financial and infrastructural support to its artists via Air.

But Sans titre (2016) were far from the only ones building on this new momentum. For its third edition, contemporary art fair Paris Internationale radically shape-shifted from the ornate mansion rooms on avenue d’Iéna, to a multi-story car park in the Haut-Marais. Paris Internationale was launched in 2015 as a smaller, intimate response to a growing international arena. The gallerist-run fair is affordable for a young generation of invited exhibitors, each occupying roughly the same square footage, free of hierarchy. Emblematic of a generation preoccupied with unrelenting connectivity, considerations of physical environments stood out. Continuing a tradition of offering free slots to non-for-profit initiatives, in 2017 it focused on Parisian spaces by showcasing them in the central spiral staircase nicknamed ‘the screw’. Sans titre (2016) was one of them, ‘We decided to recreate a very domestic environment, as a way for us to close ST’s first chapter in my apartment but also to reaffirm our attachment to the redomestication of art. The booth was conceived like a bourgeois apartment, very comfortable, a bit like Claude Pompidou’s one’, said Marie.

Each of the seven artists presented their interpretation of a domestic, almost obsolete object, ‘Hamish Search did a clock, the duo Real Madrid Collective a cocktail making set, Robert Brambora a macrame lamp. Each of those objects could be used in everyday life but they all question the possibility for the artist to confront himself with domesticity and the fear of the decorative - the glasses are actually empty, the clock moves back and forth staying perpetually at the same hour’, Marie explained. The painting of a hôtel particular interior, where Sans titre (2016) concurrently presented ‘Too Much of Nothing’ (Robert Brambora’s first solo show in Paris) served as a reminder that there is always something else happening, somewhere else. In this case, it was the artist’s exploration of the apartment of ‘a creative type’ demonstrating ‘a minimal and poetic environment that explores the old myth of the artist today, poor and alone.’

Numerous shows have taken place since. When I caught up with Marie earlier this year, she was prepping for the first solo show of Orfeo Tagiuri and their overlapping participation in Condo Mexico, ‘The idea is to offer a broader vision of the work and practice of a little group of five or six artists we’ve been working with very regularly and included in most of the shows. The first solo was Robert Brambora’s one. The second, Orfeo Tagiuri and the next one [during FIAC] will feature the works of Hamish Pearch.’

I had asked Marie about the evolution of Sans titre (2016) and what was on the horizon,‘This new nomadic concept since we left my apartment is also an important development, in a year we’ve done shows in seven different venues. If Paris is still our base, we’re planning on doing more and more shows in other cities in France - in Arles during the photography festival (‘Shrine Bright’ with Extramentale) and in Marseille during ART-O-RAMA. We’ll start bringing the project abroad in 2018, we have two serious leads - Beirut and Los Angeles.’ Sans titre (2016) were later awarded the Roger Pailhas Prize for best booth at international art fair ART-O-RAMA By the Sea. Unbridled, Marie and her team are moving at lightning speed, ready to tell more stories.

Margaux Barthélemy and Sans titre (2016) recently presented ‘SM’ a collaborative exhibition organized with the participation of 4 international project spaces, artist-run spaces and galleries: Deborah Bowmann (Brussels) Enterprise Projects (Athens) Gianni Manhattan (Vienna) Stadium (Berlin).

Sans titre (2016) in collaboration with Unemployed magazine will launch fanzine ‘Do Not Iron’ 28th September 2018.

Words: 921

Reeme Idris

http://reemeidris.com/  

@reemeidris

#gmwriting

[swipestream]

Sensor Sweep: Richard Shaver, Pan Fantasy, Cirsova, Hall of Judgement

Cinema (Reactionary Times): “Rian Johnson has left J.J. Abrams not just a mess but a complete mess. When The Empire Strikes Back ended, there was an excellent setup for the next movie. Why it practic…al…ly…uh… No, actually. Now that I think about it, the end of Empire created a major plot restriction for the film that was to follow it. Harrison Ford famously wanted Han to die at the end of Empire and he was probably right, (actually given everything that happened with Han afterward, he was definitely right). Han reached the end of his story arc in Empire, Much as we love the guy he really had nowhere else to go as a character and that was where he went, nowhere.”

Fiction (Pulprev): “A fortnight ago, Jesse Abraham Lucas wrote a blog post that resonated with me. He wrote about what PulpRevvers call GroffinGate, in which an Internet commentator named Groffin said (among other things): And for all your glorification of the insular and self-aggrandizing indie-literature circuit, you have no minds of comparable skill or prestige, and will not for years and years if ever. It’s a shot aimed squarely at PulpRev. Lucas’ response is telling: That hits me where it hurts. We don’t have writers like that. I’m far more optimistic than Groffin about our prospects, but the road to greatness is long and hard, and we don’t get there just by saying we’re getting there’.”

Fiction (Tellers of Weird Tales): “Richard Sharpe Shaver was born on October 8, 1907, in Berwick, Pennsylvania. His father, Ziba Rice Shaver (1875-1943), was descended from Philip Shaver (1762-1826), a native of Vienna, Austria, who lived and died in Pennsylvania. Shaver’s mother was Grace T. (Taylor) Shaver (1871-1961), an author of verse and true confession stories. She was the daughter of Thomas Benton Taylor (1837-1915), a Pennsylvania cavalryman of the Civil War era. “

Fiction (Tolkien and Fantasy): “While Ballantine Books of New York published some seventy-ish titles in the Ballantine Adult Fantasy series of 1969-74, the British counterpart published only thirty-five of the titles. The Pan/Ballantine Adult Fantasy series ran from 1971-1974.

Through a number of sources ranging from British Books in Print, Whitaker’s, and Books and Bookmen, to fanzine reviews and advertisements, I’ve come up with a complete list, and give it below in two formats, first chronologically, and second alphabetically by author. Pan/Ballantine editions did not usually state their publication month, so outside sources were vital to making the chronology.”

RPG (S J Games): “The keys to the lost hall have been found . . . Deep in the glacial peaks northwest of Isfjall, past the northwest border of the realm, a band of adventurers is deceived and nearly destroyed by a powerful Alfar sorceress as they pursue raiding hobgoblins. Through bravery and sacrifice, they deny her possession of a lost holy relic. The Tiwstakn: key to finding the legendary Lost Hall of Judgment.”

Fiction (Steve Dubois): “New Pulp has no flagship. No Admiral on Earth could keep these particular frigates from sailing joyously off in whatever direction they please. But…if New Pulp DID have a flagship, it would probably be Cirsova. Under P. Alexander’s leadership, the magazine has acquired a wide enough following to lock down a Hugo nomination, and will soon publish its seventh issue.

Issue #5 is seen by many as a particular bright spot for Cirsova, with stories nominated for both the Planetary and Ursa Major awards. Recognizing the opportunity to achieve a wider readership, the editors elected to make the issue free via Amazon for a week. I like New Pulp, for the most part. I like free things even more. I jumped at the chance.”

Fiction (Jeffro Johnson): “Now, my favorite explanation for why it is that science fiction and fantasy went bad can be summed up into just one word: Commies. It’s especially hilarious because… it actually no kidding totally for real happened. But don’t take my word for it. Heck, go read Mutation or Death yourself. Even better, go read the completely off the wall letters that got written in to Planet Stories back in the day… and then ponder the implications of how it was that the premises of those complaints would culminate directly into the original Star Trek television series. (Cue Twilight Zone music…!)”

Gaming (Osprey Publishing): “Last Days: Zombie Apocalypse is a skirmish-scale miniatures game of survival horror. It pits players against each other in a nightmarish near-future where the dead have returned to life and are feasting on the living. Players build their own factions, representing desperate civilians, military personnel, or hardened survivors, and must explore, scavenge, and fight in order to survive another day. Rival gangs are only one of the dangers they face – mindless zombies wander the streets, driven by insatiable hunger and drawn by the sound of combat! A gang’s ability to scavenge is as vital as their combat ability, and players must ensure that they have the resources to survive in this hostile world. Scenarios and campaigns allow you to develop your gang, gain experience and recruit new henchmen to build up your strength or replace the inevitable casualties of the zombie apocalypse.”

Sensor Sweep: Richard Shaver, Pan Fantasy, Cirsova, Hall of Judgement published first on https://medium.com/@ReloadedPCGames

[heytbefanzin]

Exhibition: Heyt be! Chronology & Mini Zine Archive from Turkey

Curator: Deniz Beşer

23-25 November, 2018

Opening: 23 November, Friday, 17-22 h.

Zines from Archive: Mondo Trasho, Spastik Eroll, Nase Zine, Çizgi Fanzin, Heyt be! Fanzin, Gözaltı, Fomo Fanzin, Santigrad100, Paslı Teneke Fanatik Magazin, Taxidermia Fanzine, Güzel, Suimasen Editions, Shadow Of A Doubt, Efkar Records, Mirror Selfieholic, Falçata, Why Has Nobody Noticed This, Diplo Docus, Medya Tavırs Fanzine, Hayta, Anarşist Vegan Queer Gün, Eblek Hardcore, Ver Leftere,Yelloz, Genedoğum, Haylaz Eroll, Fanzin Literarü, Frozen Kuken 45 C. (Updating soon)

''Istanbul had a rich heritage of independent publishing from the 1990s. If the London-based 1970s punk zine Sniffin’ Glue was an international milestone, Istanbul’s were Mondo Thrasho and Laneth. These DIY publications took different aesthetic routes and were claimed by different scenes, but both started with the same idea.*'' In Turkey, that same ideas is still going on and growing up with different approaches and interests on zines. Turkey has a long tradition of censorship but Zines are documents and snapshots of society without the censored voice. Heyt be! Fanzin is an art zine which published since 2010 by Deniz Beşer & Sedef Karakas. Main aim of Heyt be! is based on searching the alternative exhibition possibilities on zine form. All issues host artists from different countries. Zine is distributed to 7 different countries like Turkey, Austria, Spain, Canada, Brazil so on. Also, Heyt be! Fanzin organizes exhibitions, workshops and events in Turkey, Austria and Germany, as well as participating in many zine fairs, festivals, and exhibitions in Europe and America, in order to introduce zine culture to greater masses. The exhibition will display Heyt be! Fanzin's chronolgy, some selected zines and other forms of self publications from Turkey, going back to the 1990s to today. About Curator: Deniz Beşer is an Istanbul and Vienna based visual artist, art coordinator and zine publisher who graduated from Mimar Sinan Fine Arts University, Ceramic and Glass Design Department (Istanbul, Turkey) and Universidad de Sevilla, Painting Department (Seville, Spain). Beşer is one of the founders of the zine collective ”Heyt be! Fanzin”, ”Nase Zine” and pyshchedelic-punk band ”Zoomk-Ru-Tu”. He is also the Coordinator of ”Fanzineist – Zine Fest of Istanbul” and ”Open Studio Days Istanbul”.

Opening hours:

Friday, 17 - 22 h

Saturday, 12 - 20 h

Sunday, 12 - 18 h

For more information:

https://www.facebook.com/events/1892550124204094

*Erinç Güzel, ''The Note''

#volumes #independent art publishing #kunsthalle zürich #zürich #switzerland #art #deniz beşer #heyt be fanzin #heyt be #heyt be chronology #art book fair

[denizbeser]

Deniz Beşer  | Attention Wars  | New Jörg, Vienna

17.03.2017 - 31.03.2017

Opening: 17 March, 2017 - 19:00-22:00

Finissage: 31 March, 2017 – 19:00-23:00

New Jörg, Jägerstraße 56, Vienna

New Jörg will host Istanbul and Vienna based artist Deniz Beşer's solo exhibition ''Attention Wars''.

Invited by Michael Wonnerth-Magnusson as a contribution to the independent exhibition-programme Pappenheimgasse 37.

#Attention Wars

The internet is the ally as well the center of #ridiculousness. The internet can offer both survival strategies and a sea of endless #stupidity and #absurdity. It supplies manifold possibilities as a tool for #political empowerment and likewise for #self-display and #longing for appreciation. In times of #crisis and #Trumpism, the internet is a platform for #radical politics but simultaneously for #histrionic behaviour.

Contemporary Turkey is shaped by terror, civil war, environmental destruction, bizarre laws, and populism. Istanbul is #chaos, #beauty and #melancholy, with its mega projects, growing population, and political oppression. But of course Turkey is not the only country where the #nightmare of populism escalates.

#Attention Wars in any given sense are present in populisms, consumerism, and #battlefields of social media. It might be funny and sad at the same time, but we desperately need humour to survive this #shit.

#About Deniz Beşer 

Beşer's practice could be defined as working within a space between painting, zine, photography, music, video, and ready-mades. All of this media is most often presented in the context of installations than as totally autonomous works. Since he is highly active in the fanzine and street art scene, his works are continually inspired by such aesthetic movements. Deniz Beşer often focuses on the absurd products of post internet pop culture, chasing internet phenomena and their protagonists, as well as portraying the silent heroes of everyday life, principally in Turkey and Austria.

www.newjoerg.at 

#denizbeser art vienna newjörg attentionwars ilgisavaşları exhibition