A Steddie / Buckingham comedy of errors of sorts. It goes like this.
Robin thinks Chrissy Cunningham might be her non platonic soulmate. She's smart, a little goofy, observant, seems like a great listener, and after what the rumor mill is saying was a pretty intense summer has really come into her own. It's a shame she went straight from dating Jason to Eddie Munson.
"She said she's working on herself," Steve claims, more in tune with the gossip than she is, "pretty hypocritical of you to say guys and girls can't be friends."
Which is pretty hypocritical of him when she knows he only cares cause he's already planning his wedding to Chrissy's new boyfriend; he needs Eddie to be single otherwise he's pining away for his perfect co-babysitter for nothing.
But it doesn't matter if they are dating or if they aren't or if Chrissy Cunningham with her perfect strawberry blonde ponytail is her soulmate, because her parents keep trying to set her up with some friend of a friend. She needs to do something quick before disaster strikes.
Melissa and Richard Buckley still know how to tie one on, when the occasion strikes. They're parents now, they've settled down some. Given in to the picket fence life, keep their yard mowed so Gayle Collins down the way stops glaring. They haven't done anything really crazy since that weekend they left Robin with Minerva and went to see what that whole Woodstock thing was about. Now they mostly just stick to getting as high as they can and stargazing on the weekends that Robin is off with Steve, a sweet boy kind of a square but the brownie recipe he gave them makes the best edibles.
Melissa can tell her daughter is lonely, she notices a lot of things about Robin that she won't tell them. Richard has noticed that their dealer Eddie has started bringing a friend along with him. Eddie is a sweet boy too, raised well respects his elders something they care about now that they've become them, he is also obviously and fantastically gay. Like all the parents in Hawkins, Richard and Melissa have heard how Wayne Munson has taken in that Cunningham girl after she came back from her trip out of state. Melissa remembers being a vaguely out of control youth and knows that a trip out of state is code for one of two things, and Chrissy doesn't look like she's ever been pregnant. Chrissy seems like a girl who might like their daughter.
Steve would die before he denies Robin just about anything. She is the platonic love of his life, they nearly died together, they've come out together. He's pretty sure as long as he has Robin and his kids he'd be content for the rest of his life, romance be damned.
A sentiment Robin seems to agree with since she wants him to fake being her boyfriend. Obviously, he says yes. Steve is a good boyfriend, he's always been a good boyfriend. He's attentive, great with parents, knows when to keep the pda to a minimum but also knows when to put on a show. He used to be pretty sure that Mr. and Mrs. Buckley liked him. So he's not really sure why they pulled him aside before movie night.
"Your parents hate me."
"There isn't a parent in Hawkins who hates you."
"You mom just asked me if I didn't think it might be better if I found someone more suited to me."
"What does that even mean?"
"It's basically mom code for I think your the worst person my daughter could have brought home. If I had the choice I'd kill you so why don't you do us both a favor and fuck off."
"I don't think that's right."
"Rob, I love you but conversational nuance isn't exactly your thing."
Eddie likes his job. Sure it's technically not honest work, but who knows maybe down the line they'll legalize it. He's getting in on the ground floor, an entrepreneur. Hawkins is surprisingly pro-weed and Eddie is just fine sticking to that after this summer. His favorite customers are the old folks. Like Miss Brenda at the library or the Buckleys. He always brings Chrissy along when he goes out these days, she feels weird staying in the trailer by herself and he likes having her nearby. She puts people at ease.
Except the Buckleys, who seem strangely obsessed with her. They ask her pointed questions about Dorothy, and surely they mean an actual Dorothy, surely the nice middle aged couple aren't trying to figure out if Chrissy is queer. Sure he got some vibes off of Buckley the younger, but that was before she started dating the love of his life. Now he's starting to think his whole gaydar has gone to shit.
Chrissy, a baby gay who has just broken free of the nastiest case of comp het Eddie has ever seen, answer honestly. She doesn't know a Dorothy, is that one of Robin's band friends? How is Robin, she is so sweet. Chrissy just wishes she had more time in the day so they could see each other more. She's dating Steve right, they make just the cutest couple, don't they think?
Eddie can tell Melissa doesn't. A surprise when even Wayne likes Steve Harrington, thinks he's the bees knees. Loaned him a screwdriver or some shit when the guy was over fixing something at the Mayfield place. She smiles though and agrees that Steve is quite sweet, in a tone that Eddie is far more used to hearing used when people are talking about him than about Steve Harrington. He blinks and the next thing he knows Chrissy is agreeing for them both that dinner on Friday sounds lovely; she'll bring a dessert.
Like she's ever baked in her life.
Chrissy Cunningham has had a rough couple of months, but she's settled now. Sure, she had a breakdown so bad in Eddie's trailer that she ended up having to get professional help; but she got that help and a new support system for herself. Really, the only way life could be much better is if she were dating Robin Buckley.
Eddie likes to tease her, calls her a baby gay like she's a wobbly legged deer still figuring things out. She's had eyes on Robin since the fifth grade, when she got her hair cut short to her shoulders the first time and her teeth still had a gap before her braces went on. Steve is a great guy, she's seen him with the group of freshmen that follow him around like ducklings; she's also watching him now and he's spent most of dinner making moon eyes at Eddie instead of his girlfriend.
She doesn't understand how, Robin is a vision. Full of spit and vinegar, she is firecracker mad glaring at her parents across the table. "You really brought him here? I'm dating Steve, can you not accept that?"
A lot happens at once, Chrissy isn't entirely sure what is going on but it feels a lot like a pot boiling over, something left too long unattended.
"We aren't trying to set you up with our dealer," Mr. Buckley said. "You're not exactly his type."
"Chrissy is such a nice girl." Mrs. Buckley tries.
"You said you stopped that," Steve to Eddie, a lethal pout on his lips and downturned eyes.
"Well, I stopped with the kids," Eddie tries, "I gotta pay the bills somehow, sweetheart."
"Chrissy?" If Robin was a vision in her sharp eyed rage, she's radiant in her pink cheeked surprise.
Once the shock, surprise, and comedy wear off Chrissy thinks there will be tears. Robin's parents seem nice. They seem like the kind of parents you confide in and who hold you tight. She thinks about her mom doing something thoughtful, thinks of her quietly accepting who she is and who she loves; and when she can't do that she thinks of Wayne and Eddie and knows she'd cry once they were alone and the theater of it all was over. So she thinks she might need to make the most of her moment while it's there. "I don't want to be a homewrecker," she jokes, something she's picked up from Eddie, "but I think your boyfriend has his eyes other places."
"Boyfriend, what boyfriend?"
"They're showing Clue at The Hawk this weekend, if you want to go with me?"
Robin can't nod her head fast enough.
"Stevie, I noticed you find yourself newly single," Eddie says, sorrow so fake he should rethink his decision to go within 10 feet of the drama department. "If you could bear it, would you want to crash their date make it a double?"
Steve agrees so fast a bit of hair escapes his coif, it falls in a curl at his forehead.
Robin's parents both seem pleased, pleasant smiles that chrissy is becoming more accustomed to seeing on adults now that she resides in the Munson place. "They'll be smug about this forever," Robin confides. Her smile betrays her lack of real dismay.
Chrissy got her girl and her best friend got his boy, so she thinks it's all's well that ends well.
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Sometimes the Travelling Symphony thought that what they were doing was noble. There were moments around campfires when someone would say something invigorating about the importance of art, and everyone would find it easier to sleep that night. At other times it seemed a difficult and dangerous way to survive and hardly worth it, especially at times when they had to camp between towns, when they were turned away at gunpoint from hostile places, when they were travelling in snow or rain through dangerous territory, actors and musicians carrying guns and crossbows, the horses exhaling great clouds of steam, times when they were cold and afraid and their feet were wet. Or times like now when the heat was unrelenting, July pressing down upon them an the blank walls of the forest on either side, walking by the hour and wondering if an unhinged prophet or his men might be chasing them, arguing to distract themselves from their terrible fear.
“All I'm saying,” Dieter said, twelve hours out of St. Deborah by the Water, “is that quote on the lead caravan would be way more profound if we hadn't lifted it from Star Trek.” He was walking near Kirsten and August.
Survival is insufficient: Kirsten had had these words tattooed on her left forearm at the age of fifteen and had been arguing with Dieter about it almost ever since. Dieter harboured strong anti-tattoo sentiments. He said he'd seen a man die of an infected tattoo once. Kirsten also had two black knives tattooed on the back of her right wrist, but these were less troubling to Dieter, being much smaller and inked to mark specific events.
“Yes,” Kirsten said, “I'm aware of your opinion on the subject, but it remains my favourite line of text in the world.” She considered Dieter one of her dearest friends. The tattoo argument had lost all of its sting over the years and had become something like a familiar room where they met.
Midmorning, the sun not yet broken over the tops of the trees. The Symphony had walked through most of the night. Kirsten's feet hurt and she was delirious with exhaustion. It was strange, she kept thinking, that the prophet's dog had the same name as the dog in her comic books. She's never heard the name Luli before or since.
“See, that illustrates the whole problem,” Dieter said. “The best Shakespearean actress in the territory, and her favourite line of text is from Star Trek.”
“The whole problem with that?” Kirsten felt that she might actually be dreaming at this point, and she longed desperately for a cool bath.
“It's got to be one of the best lines ever written for a TV show,” August said. “Did you see that episode?”
“I can't say I recall,” Dieter said. “I was never a fan.”
“Kirsten?”
Kirsten shrugged. She wasn't sure if she actually remembered anything at all of Star Trek, or if it was just that August had told her about it so many times that she's started to picture his stories in her head.
“Don't tell me you've never seen Star Trek: Voyager,” August said hopefully. “That episode with those lost Borg and Seven of Nine?”
“Remind me,” Kirsten said, and he brightened visibly. While he talked she allowed herself to imagine that she remembered it. A television in a living room, a ship moving through the night silence of space, her brother watching beside her, her parents—if she could only remember their faces—somewhere near.
Emily St John Mandel, “Station Eleven”
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