What's most amazing about people who hate that birds are dinosaurs is that, without the discovery of birds being dinosaurs in the 1960s, none of y'all would have ever actually cared about dinosaurs
the history:
dino craze in 1800s. people thought, birds are very similar to these guys. Dollo fucked it up, made a bad theory, and people stopped thinking that
Early 1900s, dinosaurs deemed sluggish, stupid, pointless evolutionary failures. most people not really into dinosaurs anymore. this continues until
1960s: Deinonychus discovered. suddenly, dinosaurs interesting again: vibrant, lively, warm blooded animals. Also... birds might be dinosaurs?
from the 60s through the 70s, a slow buildup of dinosaur culture - both in crappy stop motion movies, but also in children's books and other media
80s cladistics revolution shows birds are living dinosaurs, though not without flaws. documentary after documentary is made, causing the major dinosaur boom of the late 80s and early 90s
the peak of this boom are the A&E and PBS documentaries, which both outright state birds are dinosaurs
cartoons like land before time and other dinosaur content keep coming out too, especially at the end of the 80s and the earliest 90s
the book jurassic park, referencing the birds are dinosaurs thing, is written in the late 80s. in the early 90s, is adapted into one of the greatest blockbusters of all time. now dinosaur interest is MAINSTREAM.
jurassic park isn't the start of the dinosaur boom, it is the apex
90s becomes the decade of dinosaurs, with tons of new discoveries, television shows, documentaries, and other programming
1996 first feathered "nonavian" dinosaur discovered. birds are dinosaurs is the closest thing we have to proven phylogenetic fact
1999 walking with dinosaurs premieres, revolutionizing the dinosaur-documentary genre.
early 2000s becomes the age of Period-Type Dino-Docu-Dramas
velociraptor is determined to have feathers
suddenly, dinosaur mania starts to die in the later 2000s
even though discoveries keep happening and we learn so much in the 2010s, the 2010s becomes a very regressive time - a sort of reactionary response to the birdification of dinosaurs and the dinosaurification of birds. the height of this is jurassic world
we may be in the middle of a dino-docu-drama revitilization thanks to prehistoric planet. stay tuned on that one
like, everyone was fine with the birdification of dinosaurs up and until they looked "feminine" on the outside, because of feathers.
It's just all such transparent misogyny and homophobia and people who react against feathered dinosaurs or birds being dinosaurs are just... so transparently parroting conservative talking points
Anyways, yeah. without birds are dinosaurs, you wouldn't have jurassic park. Sooooo
2K notes
·
View notes
Hey, do you reckon Zack kept this feather he caught after Genesis took off in Banora?
Maybe he stashes it in a drawer once he gets home, unsure how to feel about it or even if he wants to ever look at it again.
And then, almost a year later, he happens across it again after returning from his trip to Modeoheim, having opened the draw to put another feather—this time, a white one—inside.
He takes Genesis's feather, brows furrowed in angry sadness, and holds it along with Angeal's to his chest. He flops onto his bed, curls into a tight ball, and sobs, all while cradling what little he has of them left.
A month later, Sephiroth enters his office to find a simple, plain envelope on his desk, addressed to him and written in Zack's typical scrawl. Confused yet intrigued, he opens it, finding a small note and two feathers—one from Genesis, the other from Angeal—tucked inside.
These are what you think they are. Figured you deserved them more than me, since, you know...they were your best friends and all. Hope that's okay.
- Zack
Sephiroth is truly glad he's kept his office door shut.
He certainly isn't ready to face anyone with tears streaking down his face.
~ Fin
I think I just broke my own heart oh my god-
/gross sobbing
143 notes
·
View notes
It’s Fine Press Friday!
Today we’re taking a deep dive into Songs for Gaia, a slim edition of poetry by Gary Snyder (b. 1930). This understated, beautifully-crafted letterpress volume was printed in 1979 for Kah Tai Alliance at Copper Canyon in Port Townsend, WA, a fine press dedicated solely to poetry since its founding in 1972, and was handbound by poet and bookbinder Samuel Green. It features woodblock illustrations by poet and printmaker Michael Corr (b. 1940), who learned his craft while living in Kyoto from block printer and illustrator Takeji Asano (1900-1999). Asano was a notable figure in Japan’s Sōsaku-hanga woodblock printing movement. The book is quarter bound in cloth with a cover marbled in a finely executed combed feather pattern, a touch that lends a hint of psychedelia to its otherwise traditional aesthetics. It was released in a limited edition of 300 copies.
Snyder, who is popularly known for his time amongst and spiritualist influence on the Beat poets and the counterculture of their generation (along with Kerouac’s portrayal of him as Japhy Ryder in the 1958 novel The Dharma Bums) spent 13 years in Japan (1956-1968) studying Zen Buddhism, forestry, and ecology. A scholar of Asian languages versed in cultural anthropology, he also studied calligraphy with accomplished calligrapher and seal carver Charles Leong during his time at Reed College. Snyder’s calligraphic signature graces the half-title page of this edition.
This modest yet potent edition of Songs for Gaia is a fitting form for the work of a poet whom writer Bob Steuding once characterized as cultivating an “accessible” style and “a new kind of poetry that is direct, concrete, non-Romantic and ecological.” As Snyder wrote of his own work in A Controversy of Poets, “I try to hold both history and wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.”
View more Fine Press Friday posts
View more woodblock illustration posts
View more marbling posts (shout out to Alice, our resident marbling expert!)
-Ana, Special Collections Graduate Fieldworker
61 notes
·
View notes