Tumgik
#feel free to ask me other questions
kedreeva · 1 month
Text
OC Askbox Game
I'm avoiding writing and you probably are too, so let's at least think about our characters while we do it.
You know the drill- send me a number (ONE number, you can come back for more) and I'll answer for an OC of your choice (if you know their name) or my choice (if you don't know their name). Feel free to name some of your OCs in the tags of your reblog, if you want to be asked about them.
How did you choose their name?
Were they created for the story, or was the story created for them?
Do they have a love interest, and was that their choice or yours?
Do they have a best friend? If so, how did they meet? If not, have they ever/why never?
Did they have a pet as a child?
What catalyzed their introduction to the plot?
What attribute of them (some facet of their personality, their history, their look, or whatever etc) would you find most important to somehow preserve if they were transplanted to an AU fanfic?
If your character's financial situation were to suddenly flip (someone poor becoming rich, someone rich becoming poor, etc), how well would they handle it? What would be the first thing they would do?
If your character could have handed their role in the plot to someone else, would they have?
Free Space #1: Which of your OCs would be most likely to survive a zombie apocalypse? Which would die immediately?
Does your character have a pet peeve?
Has your character committed any crimes (per their universe's laws)? If not, which crime would your character most likely commit?
Who is your character's closest (by relation, fondness, or distance) blood relative?
How does your character feel about riding horses (or your world's closest approximation of a horse if it lacks horses)?
Is your character's first instinct fight or flight? Is there something that could force them to do the opposite?
What is your character's favorite leisure activity?
Is your character holding any grudges? Are they likely to stop?
If your character were trapped on a deserted island, what three things would they want to have with them? Which person would they absolutely hate to be trapped there with? Which person would they enjoy being trapped there with?
Does your character having any health issues, whether they're aware of them or not?
Free Space #2: Which of your OCs would you most like to meet in person, if they could become real (or you could visit them) for a day?
Final Question: Ask me your own question about my OC
Remember: play nice! Send an ask to the person you reblogged this from, and try to send a few to folks that reblog from you!
412 notes · View notes
lilianade-comics · 9 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
My Cheese Melt AU is an alternate series of events beginning in Kindred Spirits (in which Vlad never sends Dani to capture Danny, because he convinced himself that it would be a waste to get rid of a perfectly serviceable clone so quickly, leading directly into him getting so unreasonably attached to her that he forgets all about the original "perfect son" plan) which then turns into a Dani inclusive, family dynamic focused rewrite of season 3. (the fic series starts with spirits less than willing)
Dani is present for certain important canon episodes (currently Eye For An Eye, Urban Jungle, and Living Large are the ones I've fleshed out) but she also gets episodes about her. Such as her first day at school, her obligatory identity crisis episode in which she recruits Sam and Tucker to help find her some hobbies and interests that are sufficiently different from anything Danny or Vlad likes, and Aloha From the Other Side, the vacation episode where her dad breaks Hawaii by simply being Vlad. Overall, she's a sweet kid who hilariously has a better moral compass than Danny and Vlad combined, but she also has INCREDIBLE capacity to be worse than both of them, if the situation calls for it. Her arcs focus on self discovery/identity, the looming threat of destabilization, and her relationships with Vlad and Danny.
Danny's relationship with Dani is more complex in this AU, because he doesn't trust "Vlad's daughter" at all at first. It doesn't help that the first time he meets her is in Eye For An Eye, right after sending the GIW to destroy Vlad's (and Dani's!) house. And now, Vlad is obnoxiously hellbent on replacing him with "Ellie Phantom" as the protector of Amity Park! But after Dani proves she has a mind of her own and hasn't been completely brainwashed by Vlad, and doesn't necessarily approve of his villainy, Danny shifts from animosity more toward concern for her. He knows Vlad well enough to realize that he's inevitably going to break her heart, and Danny is going to be there to protect her when it happens. (But what Danny doesn't know is that Vlad already broke Dani's heart when she discovered the truth about his initial plans for her before they moved to Amity Park. He saved her life in a fit of petulant guilt immediately after to make up for it, which is why she's still with him.)
And then there's Vlad himself. It would be helpful to think of his arc here as less of a redemption arc, and more of a domestication arc. Vlad is still a supervillain and Danny's arch enemy, but because of his parental attachment to Danielle his antagonist status is just as likely to be seen in him hauling Danny back to FentonWorks by the ankles because it's past his bedtime as it is in his latest cringefail brilliant scheme. In general, he finds himself in increasingly mundane situations by virtue of being involved in Dani's life, which generally results in comedy because Vlad is anything but equipped to handle parenthood (or mundane situations) normally. He's also allowed to have a rare reflective moment now and again and generally be a little more layered than just a villain. There's also increased opportunity for temporary allyships, because Vlad and Danny agree on Only One Thing: Dani is to be protected at all costs.
1K notes · View notes
catsharky · 3 months
Note
May I ask for some details about your Tav? What do you mean by hasnt really lived as a tiefling before? Like literally has never seen another tiefling? Seems like being abducted by the mindflayers introduced major life changes to your Tav
I'm sorry this took so long to answer, but I ended up doing a whole bunch of art to answer this!
Ember has a really extensive backstory that's kind of long, but the short version of it is: she was caught in the crossfire of a deal her parents made with a devil. They couldn't have a child of their own because her mother was too severely ill, so they made the deal in the hopes of returning her health and along with it the ability to bear children. Unfortunately devil deals being what they are, they ended up with Ember who the devil stole from her birth parents.
Her mom was a high elf and her dad a half-elf, and her mom's side of the family were quite vocally anti-Tiefling. Because of her mother's health problems, however, they couldn't just sever contact with her parents because they relied on their money to cover the cost of healers, expensive potion ingredients and the like. They couldn't be trusted not to be a threat to Ember though, so the decision was made to disguise her as their biological daughter throughout her childhood.
Here's an age chart!
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
As a result, Ember didn't even know she was a Tiefling until she was around 4 or 5, when she began to present as a sorcerer and accidentally undid the disguise spell (she ends up a bard thanks to her mom, but her control of magic comes from sorcery).
Before the events of the game, the most time she ever spent as a Tiefling was when she was 13- when her mom died and her dad disappeared, the disguise spell having relied on her mum's magic. She went through hell for a while after that and as soon as she could learn how to cast the spell herself, she jumped at the chance and went back to living as her old half-elf self. So when she gets taken by the Nautiloid, it's her being forced to actually live as her real self and as a Tiefling for the first time. As a result she doesn't have great control over her tail, because she's just straight up not used to having one.
She also spends a lot of Act 1 jumpscaring herself whenever she walks by a mirror lmao.
I do plan to do some comics that are set earlier in the game at some point, and those ones will explore more of her backstory. What I've done so far has just happened to be set in Act 3, after she's already sorted a lot of her shit out. I just have no idea when that'll actually be!
302 notes · View notes
its-your-mind · 2 months
Text
*deep breath in*
the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏
let me explain.
so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.
Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home
Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.
Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.
Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.
Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.
Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.
Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.
And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.
Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.
There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.
Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.
Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.
The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”
Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar
198 notes · View notes
bitcell · 6 months
Text
the ordem paranormal universe masterpost
ordem paranormal is a ttrpg universe created by cellbit. it started in 2020. as of today, ordem paranormal has 4 seasons, 2 spin offs, and the first one-shot to be aired on september 23rd.
ordem paranormal takes place in a universe with two dimensions: the normal and the paranormal.
the normal dimension is where we live as human beings, while the paranormal dimension is a completely different place, where everything that seems like the impossible can become real, like spirits, demons, among other kinds of anomalies connected to the after-life. those two places are separated by a layer called the membrane, the membrane stops the normal and the paranormal from coming in contact. however, the membrane can be weakened by fear of the supernatural, making horrendous and dangerous monsters enter our reality. this phenomenon usually happens in specific locations, prone to the perception of fear, like abandoned hospitals, old houses and deactivated sanatoriums.
all across the world, different groups have formed, looking for ways to weaken the membrane, trying to destroy it and blend the two dimensions, with the objective of seeking their own wishes, or even, fulfilling a bigger purpose. the members of this groups are called occultists. to stop chaos from being stored, a secret global organization was created: ordo realitas. common people who live double lives to stop the acts done by occultists, which aim to increase the contact between normal people and the paranormal, increasing their fear, and consequently, weakening the membrane and allowing the paranormal to cross over.
official campaigns
Tumblr media
-> the first campaign aired on february 29th, 2020, and it's called ordem paranormal: iniciação (initiation) it has 5 episodes that are around 4 hours each and all the episodes have been translated to english.
"this story begins in the early hours of february 29th, 2020, when the neighborhood of “nostradamus school” hears a terrifying scream coming from inside the building, the same place which hours before had been consumed by the flames of a fire. this leads ordo realitas to summon their rookie members to investigate the scene, where the presence of paranormal activity is suspected."
Tumblr media
-> the second campaign aired on april 11th, 2020, and it's called ordem paranormal: o segredo na floresta (the secret in the forest) it has 16 episodes that are around 4 hours each and all the episodes have been translated to english.
"on april 11th, around ten o'clock in the morning, a team from ordo realitas has a meeting scheduled with the man known as senhor veríssimo. everyone goes to veríssimo's room and there he introduces them to team kelvin, a team of veteran agents who were sent to investigate a strange murder case involving a spiral symbol that ended up mysteriously disappearing without any prior notice."
Tumblr media
-> the third campaign aired on october 31st, 2020, and it's called ordem paranormal: desconjuração (deconjuration) it has 20 episodes that are around 4 hours each and the episodes are currently being translated into english.
"the santo berço (holy cradle) was destroyed. the restructured ordo realitas now operates from an underground base. from there, the man known as senhor veríssimo commands a legion of agents who, with the help of more intense methods, seek to save the world from the growing threat of the occult. with a new formation, the team receives a mission of searching and rescuing one of the order's most important agents who disappeared while investigating a strange occult branch, known only as the order of deconjuration."
Tumblr media
-> the fourth campaign aired on september 4th, 2021 and it's called ordem paranormal: calamidade (calamity) it has 13 episodes that are around 5 hours each. it has not been translated yet.
"with no sign of any interference with the balance, a new lead makes ordo realitas start to act again. an old case, reporting on an entity described as "o diabo" (the devil), brings together a new team of agents. together, they must further investigate the case as they continue their search for the power of the calamity relics."
the official campaign has been on a hiatus since calamity.
spin-offs
Tumblr media
-> the first spin-off aired on june 25th, 2022 and it's called ordem paranormal: o segredo na ilha (the secret in the island) it has 8 episodes that are around 5 hours each. it has not been translated yet.
"on an isolated island, there is a huge mansion, built by a painter who mysteriously disappeared more than 20 years ago. an art appraiser is hired to spend a few days inside this mansion, looking for valuable paintings inside. to do this, he decides to take his family on the trip. after all, what could go wrong?"
(for the qsmp enjoyers, this is where montelyson/romero richas comes from)
Tumblr media
-> the second spin-off aired on october 29th, 2022 and it's called ordem paranormal: sinais do outro lado (signs from the other side), it has 7 episodes that are around 4 hours each. it has not been translated yet.
"the paranormal doesn't come to our reality easily,, but things weren't always like that. the year is 1997, several cases of disappearances happen in the south of brazil. a group decides to investigate the disappearance of their mentor, a paranormal hunter who has extensive research into aliens, mysterious and dangerous creatures. however, something or someone, more powerful and unknown, may be behind all this."
you can watch the spin-offs without watching the official campaign, because although they happen in the same universe and some characters may show up on these stories, they are not connected to what happens on the main story, although the spin-offs may contain information about some things from the official campaigns.
one-shot
Tumblr media
-> the first one-shot is going to be aired on september 23rd, 2023, and it's called ordem paranormal: quarentena (quarantine) and it will have 1 episode. this will be the first ordem paranormal session in english/spanish and it won't be connected to the main campaign, just in the same universe.
"at the offices of a multinational company called “panacea industries”, five people, looking for ways to make quick money, decide to carry out the scientific test of a new medicine. but perhaps the true intentions of this organization are not so clear when you look at it from the other side."
this is an update from EquipeT about the translations:
Tumblr media
368 notes · View notes
cuties-in-codices · 4 months
Note
Where do you find these manuscripts? Is it like a website or do you find it randomly??
hey, thanks for the curiosity! lenghty answer below the cut :)
1)
medieval manuscripts are typically owned by libraries and showcased on the library's websites. so one thing i do is i randomly browse those digitized manuscript collections (like the collections of the bavarian state library or the bodleian libraries, to name just two), which everybody can do for free without any special access. some digital collections provide more useful tools than others (like search functions, filters, annotations on each manuscript). if they don't, the process of wading through numerous non-illustrated manuscripts before i find an illustrated one at all can be quite tedious.
2)
there are databases which help to navigate the vast sea of manuscripts. the one i couldn't live without personally use the most is called KdIH (Katalog der deutschsprachigen illustrierten Handschriften des Mittelalters). it's a project which aims to list all illustrated medieval manuscripts written in german dialects. the KdIH provides descriptions of the contents of each manuscript (with a focus on the illustrations), and if there's a digital reproduction of a manuscript available anywhere, the KdIH usually links to it. the KdIH is an invaluable tool for me because of its focus on illustrated manuscripts, because of the informations it provides for each manuscript, and because of its useful search function (once you've gotten over the initial confusion of how to navigate the website). the downside is that it includes only german manuscripts, which is one of the main reasons for the over-representation of german manuscripts on my blog (sorry about that).
3)
another important database for german manuscripts in general (i.e. not just illustrated ones) is the handschriftencensus, which catalogues information regarding the entirety of german language manuscripts of the middle ages, and also links to the digital reproductions of each manuscript.
4)
then there are simply considerable snowball effects. if you do even just superficial research on any medieval topic at all (say, if you open the wikipedia article on alchemy), you will inevitably stumble upon mentions of specific illustrated manuscripts. the next step is to simply search for a digital copy of the manuscript in question (this part can sometimes be easier said than done, especially when you're coming from wikipedia). one thing to keep in mind is that a manuscript illustration seldom comes alone - so every hint to any illustration at all is a greatly valuable one (if you do what i do lol). there's always gonna be something interesting in any given illustrated manuscript. (sidenote: one very effective 'cheat code' would be to simply go through all manuscripts that other online hobbyist archivers of manuscript illustrations have gone through before - like @discardingimages on tumblr - but some kind of 'professional pride' detains me from doing so. that's just a kind of stubbornness though. like, i want to find my material more or less on my own, not just the images but also the manuscripts, and i apply arbitrary rules to my search as to what exactly that means.)
5)
whatever tool or strategy i use to find specific illustrated manuscripts-- in the end, one unavoidable step is to actually manually skim through the (digitized) manuscript. i usually have at least a quick look at every single illustrated page, and i download or screenshot everything that is interesting to me. this process can take up to an hour per manuscript.
---
in conclusion, i'd say that finding cool illuminated manuscripts is much simpler than i would have thought before i started this blog. there are so many of them out there and they're basically just 'hidden in plain side', it's really astounding. finding the manuscripts doesn't require special skills, just some basic experience with/knowledge of the tools available. the reason i'm able to post interesting images almost daily is just that i spend a lot of time doing all of this, going through manuscripts, curating this blog, etc. i find a lot of comfort in it, i learn a lot along the way, and i immensely enjoy people's engagement with my posts. so that's that :)
146 notes · View notes
kchloewhite · 1 year
Photo
Tumblr media Tumblr media
characters from my pitch that recently got rejected from a nick program. </3 know that even if just for a brief moment, a y2k cyberpunk magical girl series was possible. you can read more on my site tho!
449 notes · View notes
froglegsblogs · 8 months
Text
Tumblr media Tumblr media
An idea I had for triton aging
154 notes · View notes
ierotits · 2 years
Text
okay time for a rundown on the significance of pounamu/greenstone in māori culture, seeing as its less than a month until tourists can come back to aotearoa
pounamu is the name for jade, nephrite, or greenstone in te reo māori. its a stone which is mostly found in the arahura river, but also other places in te wai pounamu/the south island. this stone has an important significance to all māori, but especially ngāi tahu and other south island tribes. pounamu is the name given to all of this stone found in aotearoa, but any greenstone found outside of the country cannot be called pounamu. the stone is a connection to our land, our history, and our ancestors
pounamu is taonga, and is regularly carved into small shapes for necklaces. these necklaces can be bought throughout aotearoa, and make a huge profit annually. luckily, in 1997, all rights to pounamu were returned to ngāi tahu, meaning no one else can legally take the stone from rivers, carve it, or make a profit from it. many māori wear pounamu necklaces, but its not something that only māori can wear! many pākehā and tauiwi wear it as an acknowledgement to tangata whenua, to acknowledge the land
if youre visiting aotearoa, i absolutely encourage you to buy pounamu. there are, however a few key things to consider
1. you should never buy pounamu for yourself. you can buy it to gift to someone else, and you can wear it if you have been gifted it, but never buy taonga to wear yourself. this carries back to the traditional usages of pounamu taonga as a trading/gifting item. we would gift it to other hapū, or it was given to individuals within hapū or whānau.
2. make sure it is ngāi tahu pounamu. this is easy to check when purchasing it! ngāi tahu have put together a system in which every piece of pounamu that is carved or sold by ngāi tahu has a code which can be put into their website to trace the origins of the stone, and who carved it. if you are buying pounamu that doesnt have this code, it is either stolen, or more likely, it isnt pounamu at all and its jade that has been grown outside of aotearoa and imported to profit off our culture. the only time you will have authentic pounamu that does not have the traceable code is in the case of being gifted pounamu by a ngāi tahu iwi member who collected and carved the pounamu themselves
3. not all pounamu is nephrite! mine for example is bowenite, which we call tangiwai pounamu. our tūpuna didnt distinguish between these different types of rock, they are all considered pounamu and none is any less precious than any other
4. check the meaning of the shape your pounamu has been carved into. the last thing you want is to be purchasing something that means something you dont realise...
otherwise, if you have checked everything, please do buy pounamu for people! the profits go directly to tangata whenua, and its a beautiful and meaningful gift
when our borders open, come for a visit if you have the means, and do what you can to immerse yourself (respectfully) into our culture
2K notes · View notes
mamamouches · 10 months
Text
SAGAU except they're aware of what goes on when you go into the character menu???
Particularly when they pray as you hop onto the artifacts menu to raise em, whether is for for them, another character to which some might try to purposely mess the rolls up bc oops! looks like they can't use that now! :) guess they'll have to wait., or just to make space for more bc HOW IS YOUR ARTIFACT STORAGE FULL ARE YOU OKAY??? Σ(・∀・;)
Whenever you raise their artifacts they kinda feel bad if it rolled into the wrong subs when you raise it with them and would either apologize or say that it'll roll better on the next one, they know it will!! (it did not 😔)
That or they don't bc they felt silly and wanted to spite you so guess you gotta do a few more runs to try again teehee 😗👉👈 they eventually roll a ridiculously amazing artifact at some point, but just this once!
(or y'know the opposite where there's always this one character you always use to raise artifacts bc they always get the best rolls and best subs? yeah imagine them celebrating w you at how good the stats rolled too!!)
Kinda like how if you try to make gear in tkrb there's a chance of it shattering (therefore failing) instead of being able to create one and when that happens the character you brought with you for those will say things like "oh no, it broke! i'm so sorry :(" or "i-it's okay!! let's try again...!" or you just flat out hear sobbing noises bc your new feather low rolled all 5 into defense FLAT 😭 BASICALLY THAT YEAH
169 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
For the next tutorial, Lydia Deetz won by a whopping 80% on the community poll! That’s more than fair, of course. After all- what’s a Toon-juice without his gothy little pal?
Surprisingly, I sometimes find Lydia harder to draw than Beejtlejuice since she’s got a LOT of little details- but she becomes easier the more you draw her! (It often takes me at least three or four tries before I feel like I got her correct, bur she’s definitely a loving challenge for me 😂💪)
39 notes · View notes
Text
FFXIV culture and geography questions!
Trying my hand at one of these lists! Reblog if you want people to send you a number, or just answer them all for character development reasons. I'm not the boss of you.
Is your WoL/OC of a species considered native to the area where they grew up? Are they an immigrant? A refugee? A member of an established diaspora? Did they grow up moving around?
Most of us are travelers, but does your WoL/OC currently have a particular place they consider 'home'? Is it the same as where they grew up? If not, what makes it home for them?
How does your WoL/OC relate to the culture of their species as established in lore? Do they consider themselves a typical example of their kind? Are they in touch with their heritage? How does this affect their interactions with others of their own kind?
Is the city associated with your WoL/OC's starting class the place where their journey actually began? Did they actually come to it from outside as shown in the game, or were they born there? Do they feel welcomed or alienated by the city and its culture?
Which, if any, of the major cities or cultures does your WoL/OC consider to be their childhood point-of-origin? Why did they leave? Do they go back and visit? How do they feel about coming from this place?
Has your WoL/OC ever canonically fantasia'd to another species? Have they considered doing so? If so, what made them choose that species? How does that affect their relationships with those who were born as the species they changed into?
199 notes · View notes
pixiestickie · 10 months
Text
⚠️CW: EMETOPHOBIA⚠️
*disguises angst by plastering memes on it* *disguises angst by plastering memes on it* *disguises angst by plastering memes on it*
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
132 notes · View notes
cubesugarss · 3 months
Text
Tumblr media
hey guys!! fill out my form!! rbs very appreciated!!
42 notes · View notes
felizusnavidad · 5 months
Text
"i don't think i'll ever understand musicals the way you do" is something i've heard from one of my friends a couple of days ago when i told him i'm about to cross the whole country just to see one of those (my favourite one!) live in theatre. and i can't blame him. if you'd have told me a year ago that i would do something like that, i'd probably have laughed in your face. life is so unpredictable. i guess i have changed a lot. and i could write thousands of essays about how musicals helped me get through the shittiest period of my life, but we are not going to talk about this today. today we are talking about in the heights, the first musical i got a chance to experience live in theatre, hopefully not last. so grab a cup of coffee and make yourself comfortable, this is going to be the longest essay you've ever seen, friends.
a little warning: spoilers. a lot of them actually. so if, by any chance, you haven't seen/heard it yet and you are going to, don't read it.
first thing i feel like i need to mention is that they had this mini bar inside the theatre and you could order a lot of different drinks there and one of them was called abuela's coffee. i heard one lady explaining to someone that it's actually coffee with condensed milk. my jaw dropped and i was like CAN I STAY HERE FOREVER, PLEASE? for those who don't understand why, here's a quote from the first song:
USNAVI: abuela, my fridge broke, i got café but no con leche ABUELA CLAUDIA: try my mother's old recipe: one can of condensed milk
so this was my first "OH! THEY GET IT!" moment (a little note here: i had a lot of oh, they get it moments, mostly because i don't have any people around me who understand musicals the way i do... honestly, you'd have to live inside my brain). that was the first time ever when i could actually be in the room where it happens with all those people who get it and care about it as much as i do (mostly actors and people responsible for the whole show tho, but we will get to this later).
let's get to the show. so when i finally went inside and i saw the stage, i already had tears in my eyes (don't judge me please). usnavi's store, abuela's door, daniela and carla's salon, all those puerto rican, cuban and dominican flags (one couple behind me was trying to figure out which one is which and it was funny because i knew and i wanted to scream)... listening and memorizing the whole soundtrack is one thing. being able to experience it all live is something else. all those things around me were so familiar and this was the first time in months (MONTHS! OR EVEN YEARS!) i felt really understood. after all, it was all like a little celebration of lin's story (the one i love with all my heart) and i truly felt like home. so that was another OH! THEY GET IT! moment.
i don't think i'm going to talk about every single song here, that's not the point. i will talk about my favourite moments, but also about things that didn't work very well in my opinion (again: this was a polish version so all the songs were translated into polish. and they did a really great job here, surprisingly. but it wasn't perfect, more about that later).
one thing you need to understand is that i will never be normal about musicals so of course i had to burst into tears at the very first song (i don't even know why, i think i was a little bit too excited). i was actually crying in the most random moments like when i first saw nina or at the end of carnaval del barrio because I KNEW WHAT WAS GOING TO HAPPEN NEXT (who the hell cries at carnaval del barrio when everyone is having the time of their lives lol, me apparently).
ok, so the first song. the choreography, oh my god. it was everything. the translation was also pretty good here, i need to say this was probably one of my favourite moments. imagine me leaving today giggling like a child when usnavi came on that stage and started rapping, i was in heaven. also, i have to admit, the cast was amazing. i could never imagine anyone better for this role (and again, i am talking about polish actors because everyone knows who's the best usnavi of them all). he was cute and charming and awkward and so adorkable and also really handsome. he was actually perfect in my opinion.
i kinda lost my mind when i saw nina for the first time. first of all: i already knew who was going to play her and let's just say i fell in love with this actress before i even saw her live on that stage. this was important to me, because (as some of you know) nina rosario is my favourite character. and oh my god, she was an absolute perfection. what a voice, sweet jesus. i'm being serious, this girl is so talented, give her every award (i honestly hope i will have a chance to see her again one day, i'm just crazy about her). and breathe was so good! polish version was amazing, i was so scared they would screw it up, but they didn't, so all's good (this song is very important to me, ok?). also, she's a phenomenal actress, i could feel all her emotions for real. and of course i cried, what did you expect?
i don't have that much to say about benny, except that he was really cute and he had amazing chemistry with nina, so once again, the casting was really good. i mean, he is not chris jackson of course, but i have decided i'm not going to compare all those actors because everyone knows at this point how much i love OBC, i was trying to have an open mind. vanessa was also pretty great, amazing voice and her dancing skills, wow, just wow. i could talk about all those actors for days actually, but i'm not going to do that, so i will just quickly mention that i absolutely loved daniela and carla, abuela claudia made me cry, sonny was the funniest character in the whole play and i don't think i will ever recover after piragua guy's performance (i was the only person in the audience who was laughing when he came on that stage, they don't get it, ok? polish people have no sense of humour and that's a fact). actually, there were a lot of funny moments (obviously) and i was the only person who was laughing, god help me.
so let's get to the first thing that was a little disappointing for me. you will not believe it, but it was actually... 96,000 (this is one of my favourite songs and i seriously can't live like this). it's not the translation tho (it was honestly fine), it's the voice overlapping part at the end (again, the best thing ever, just listen to we don't talk about bruno from encanto and non-stop from hamilton and you will understand why it works so well in every lmm's song). the thing is, you could actually only hear vanessa's part and i wanted to die, because EXCUSE ME. i always sing usnavi's part and you could barely hear a word from it. but apart from that, the rest was fine, the choreography was amazing and it's just something i needed to mention because i had thoughts about it.
paciencia y fe! ok besties, i have thoughts, again. abuela claudia was absolutely incredible, also, her relationship with usnavi is something that you can't see in the movie version (they were so sweet i wanted to curl up and die. i knew about it before, i saw slime tutorial with obc on yt, ok? i'm pretty sure lin would be mad at me for watching bootlegs lol. i just wanted to say this). the translation didn't work out at the very end of the song tho, because when in the og version abuela sings about the "winning ticket", everyone knows already she won the lottery. i don't remember polish translation exactly, but it was something with double meaning, depends on how you interpret it, and i'm 100% sure people who didn't know the plot just didn't catch it. the rest of the song was absolutely beautiful tho.
when you're home. i was so afraid of this one, because i am totally crazy about this song (did i ever mention lin wrote this one after one of his first dates with vanessa? no? yes? ok i'll shut up about this now). oh, they did a really great job with it and it's a relief. i have nothing else to say, except that i was crying like a baby, but this song always makes me cry so what did you expect exactly? one of the best moments for sure. again, nina and benny's chemistry was absolutely incredible.
as much as i loved the club, i was actually really disappointed with one part, which is usnavi's famous "jealous i ain't jealous, i can take all these fellas, wHaTeVaaaaa". i've been waiting so long for this! and they messed it up with their stupid cringy translation which i don't even remember at the moment but usnavi was actually mad at benny and he cursed? ANYWAY. the rest of the song was great and the choreography was absolutely phenomenal, oh vanessa! let me get the next one! (i love her so much, she was amazing here). a little note from me: no one was laughing at the "no hablo ingles" part, NO ONE BUT ME!!! THEY DON'T GET IT! WTF! i was so mad (i am aware of the fact that most people probably didn't even know this story before and they just wanted to see a musical, not THE MUSICAL, which is totally fine. but sweet jesus, where is their sense of humour? they left it at home or what?).
and blackout was that part where the voice overlapping effect worked very well, so all's good. actually, one of the best moments for me as well. people were actually so confused when all the lights went down, but that was just so amazing. all the panic! everybody was screaming, crying! WE ARE POWERLESS! THE END OF ACT I!!! oh, i had the time of my life.
i had this weird feeling that they didn't exactly know how to translate most of hundreds of stories so they just made this song shorter than it actually is. which is fine i guess. honestly, it's better than bad translation, so i can forgive them. what i absolutely can't forgive tho is that the audience wasn't laughing at US NAVY. polish people, you have no fucking taste. i said what i said. and then again, usnavi and abuela's relationship was so sweet this song actually made me cry (mostly because i knew what was coming but also, i was just this weird girl who was sitting there in the second row and was crying at the most random moments).
ok, guys, honestly. carnaval del barrio was the best moment from the entire musical. oh, how much i want to experience it again! daniela was absolutely incredible, carla was so sweet, piragua guy stole the whole fucking show for me (seriously guys! he was just so amazing!). also, those little details i have never noticed before? i can't even tell if the same thing happened in the original version (the quality of that bootleg is actually terrible), but benny dancing with american flag somewhere in the background was so fucking funny and i don't think i will ever get over that part where at the end they were all still dancing and celebrating and nina and usnavi just ran away as fast as they could because... because you guys know what just happened. also, this is the moment i started crying.
i was so scared of it. let me tell you one thing, i experienced abuela's death at least fifty times and i still cry every single time. so atención is something i have to mention, because all the emotions and kevin's shaky voice made me burst into tears right away, and this time i wasn't the only one because i saw a lot of people crying when they realized what happened (i also heard a lot of OHs when he said abuela passed away, so yes, most of them didn't know this story and they were surprised). and alabanza was something else. believe me when i tell you i am writing this with tears in my eyes, i have never cried so much in public. this was the moment i was the most scared of and i was absolutely right because holy fuck. i was a mess. all the actors with those candles singing alabanza a doña claudia! (yes, they didn't translate it, all the spanish parts were left like in the original version and i am so grateful for that), it was just so sad and so beautiful. and this time i was actually like oh, they get it now (everyone was speechless and people were crying).
everyone must know at this point how much i adore champagne and i wasn't disappointed (thank god!). once again, usnavi was absolutely adorable here and people were actually laughing this time (also thank god!). how do you get this gold shit off? (my favourite line from the whole musical) was translated really well and the moment when usnavi and vanessa kissed! with all lights on them! this was so emotional and the audience reacted so well! we were all clapping (it was so funny to pretend like i didn't know it was gonna happen haha i was just as excited as all of them and once again i was like OH! THEY GET IT!). 10/10, would recommend.
if you think i wasn't crying during the last song, think again. one thing i absolutely hate about the movie version is that they actually changed the graffiti that made usnavi stay in washington heights, but i'm not gonna talk about that and i'm not gonna talk about vanessa also being there in the movie. in the original version it was a portrait of abuela claudia made by graffiti pete and oh boy, i lost my mind (i knew about it but i still lost my mind because it was absolutely beautiful). i got the feeling it was a little rushed in our polish version, but i can forgive them because it still made me cry. also, at the very end, usnavi did not only finally acknowledge he's home, when the song was over he pretty much told the audience that we are all home right now and may i just say... i felt that. i was home. they made me believe for the first time in my life i was where i belong, and somehow that was everything.
one thing about me is that this is actually all new to me. this was my first musical i saw live in theatre (and also lin's first child, which is exactly how it was supposed to be i think), and believe me when i tell you i've never had this much fun in my entire life, not even at all the concerts of my favourite artists. it was worth every money. it was worth spending 11 hours on the train and 11 more on my way back home, which by the way we should normalize (people are doing crazy things just to see their favourite artists on the stage and it's considered normal, so why can't we consider THIS normal?). anyway, i don't expect anyone around me to understand it the way i do, but i feel like i really found my thing, and it's all because of lin-manuel miranda, our beautiful puerto rican genius. he made me believe musicals can be cool and i truly wish i could thank him for that one day.
and like i said, in the heights is my favourite story with my favourite characters and i listened to it so many times i have memorized all the little details. experiencing it live is something completely different tho and i think it's safe to say this was the best night of my entire life. even tho most of the people in the audience didn't really get it, i finally felt like i was a part of this world created by my favourite genius and for the first time ever i felt understood. so i think i can say that now: i found my island, guys, i'm there, i'm home!
31 notes · View notes
Note
Can I ask some advice. I was pro choice for years but recently became pro life but now I’m struggling with the realization that all my pro choice friends have really hateful attitudes towards babies and even disabled people that I didn’t notice when I was pro choice. I want to say something but doing so would admit that I changed my mind and I’m afraid they won’t want to be friends with me; they don’t have nice thoughts on prolifers and I don’t want them dismissing me as a brainwashed prude
Hello, thank you so much for your ask! Also, in case nobody else has told you, welcome to being pro life! It is extremely brave of you to make that change when everyone around you has a different view point. As far as advice for talking to them, it is definitely really tough, and I don’t have all of the answers.
My number one piece of advice is to come at it with love and remind them to do the same. A lot of times people who feel very strongly about something feel attacked when they are confronted about it, and it’s important to state out loud that even if you disagree with them, you still love them.
As someone who has been in similar situations regarding different beliefs, if you do feel like you need to speak up about it, you don’t necessarily have to start a debate doing it. A lot of times I’ll say something like “Hey, that’s a human person you’re talking about there” or “That’s not cool, how would you feel if someone said that about you,” which tends to get them to drop the topic.
As far as having a conversation about it, let them come to you and be genuine about it. Explain your points using science-- don’t use religion to convince them if they aren’t religious. Remind them (and remember) that both sides are usually coming at this out of a desire to help women, so we can agree on a lot of concrete solutions that aren’t abortion, such as crisis pregnancy centers and better care for moms. You could also point out that in a lot of ways, abortion is extremely misogynistic and does much more to hurt women-- for example, it’s much cheaper to pay for an abortion than it is to pay for the support the mother will need, so many in society would rather do that then provide women with what they need. 
Another thing to remember is that a lot of pro choice woman have had abortions, and in today’s society, people tend to judge their self worth based off of the actions they have done. So if they have done something “bad” they consider themselves “bad” and they can’t fix that. It means that a lot of those women are going to be more resistant to pro life arguments because they don’t want to be bad, and because if they admit that the unborn are humans, then it means they killed their baby.
This is really tough to deal with, and there is no good answer to it outside of the Sacraments. But I would take the time to remind them that just because you do something wrong, it doesn’t make you a bad person. Yes, there is nothing we can do to undo that mistake, but that doesn’t mean that saying it isn’t a mistake is the right answer. Remind them that you love them (and if they are religious, remind them that God loves them and that they can and will be forgiven).
I know this is long, but I hope that it helped!
160 notes · View notes