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#feeling unimportant
unwelcome-ozian · 1 year
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red-white-black · 8 months
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When the only one who cares about your birthday is the goddamm google assistant
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My friends were supposed to come over but they all cancelled for actually legetimate reasons.but it's the second time it happens and they keep seing they'll make it up to me but I am loosing faith.... Why am I so unimportant to them? WHY ARE THEY SO MUCH MORE IMPORTANT TO ME THEN I AM TO THEM?
WHY IS MY ENTIRE LIFE BUILT ON THIS FUCKING DYNAMIC I HATE IT, I AM SO DONE.
I am hurt
MY PARENT ARE OFF ON A TRIP AND WILL MISS MY BDAY, LIKE EVERY YEARS MY BIRTHDAY IS MORE DISSAPOINTING THEN THE LAST
FML
YOU KNOW WHAT I AM NOT EVEN GONNA TRY TO ORGANISE ANOTHER THING AGIAN FUCK IT. IF THEY DONT I WONT.
IF THEY DONT TEXT FIRST I WONT.
I DONT CARE THAT I'LL BE ALONE I HAVE ALWAYS BEEN I WAS JUST HIDING IT.
I AM HURT FUCK YOU
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bigothteddies · 1 year
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I think being worshipped and thirsted after would cure me actually
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veliseraptor · 1 year
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sometimes I think people think "narrative parallels" means "exactly the same" and like...that's not the point, actually, the point with narrative parallels is that they're variations on a theme that are meant to illuminate something about each variation. a narrative parallel that is just a precise reiteration of another thing isn't saying anything. it's just redundant.
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cowboysmp3 · 10 months
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ok not to be insane but the whole tom putting the bidding sticker on greg situ is SO indicative of their entire relationship bc its all about Tom’s desire for control and ownership over something (due to him feeling powerless and out of control in his relationship with shiv). Him putting that sticker on Greg wasnt just a hehe ill look after you way it was much more ‘I own you. You are reliant on me now and I OWN you’. Which is a sentiment that is the very FABRIC of their relationship, calling back to the ‘I will not let go of what is mine’ water bottle scene. Obsessed actually
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detectivenyx · 9 months
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i hate cinemasins so much you would not believe
#it's an easy formula. i get it.#ha ha plot hole! it must be bad because plot hole!#[plot hole is intentional and explained 10 minutes later]#[plot hole contributes to themes of film]#[plot hole is not actually plot hole if you employ even the most rudimentary of reading between the lines]#[plot hole is thing unimportant to the scene as a whole]#it lets you feel smart without actually having to put the legwork in#'smart' isn't even the right word. 'mildly observant'.#but because of this fucking loser and his stupid little ding sound effect#films have to be spelled out for people or they'll go 'OOOOGH PLOTHOEL????'#'WHY THEY SHOOT THE DOG AT START OF DAS DING? PLOTHOLE DING'#'WHY NO CONCRETE ANSWER FOR QUESTION PROPOSED BY TEXT? DINGGGG'#[THINK!!!!! THINK DAMN YOU!!!!!!! THINK FOR YOURSELF!!!!!!!!!!]#if your critique could be easily slotted into a cinemasins video go back and think about WHY#is it a question answered by the text???#and im more frustrated it took THIS LONG to repair my brain scorching!#even with kokichi's critique video im not happy with it because i did go back and look at him closer#i still don't fucking like him or think he was very well executed but i understand exactly why he was executed the way he was#and so many fanfics who took my critique on board and are like 'i can fix this!' just cinemasins the shit out of him#he needs Standard Character Arc and he must be A Hero#NO!!#you missed even the point i was making back then!!!#it was that his redemption was completely arbitrary! and though it didn't do it well it was intended to poke fun at EXACTLY THAT!#the The Villain Needs Redemption because that shit was all the fucking rage and people were doing it shit!#and it all goes back to this jackass and his stupid monotone voice and his attempts to enable a generation of media illiteracy!#and it WORKED! our ability to analyse narrative got fucking sacrificed on the altar for His Paycheck#and he's a shitbag who makes fun of women with breast cancer#long post
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eriochromatic · 7 months
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Do you have any speedpaints or process posts? I am absolutely in love with your coloring/lighting style!
If you don’t, would you ever consider making one?
Thank you for your time! ❤️
aaa thank u so much!! unfortunately my computer is quite old so recording speedpaints really take a toll, but here’s a breakdown of my process!
I do a couple different styles but its really just two different approaches (merge + paint OR line art -> flat colors -> shading), and then i just mix and match depending on mood haha
painting style:
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cel shaded style:
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combination:
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hopefully that was helpful!! the painting style is the fastest for portraits and becomes slower the more overlapping elements there are lol (which tends to happen for half or full bodies) which is when I tend to switch to the cel shading style bc I'm impatient haha
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mrghostrat · 3 months
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i was hoping to stream this afternoon but i woke with my shoulders hurting so bad that i have absolutely zero capacity for anything. to the point where i experienced my first autistic rumbles in the supermarket 🥸 but i have adhd meds now so maybe we can try tomorrow.
zita's suspected i'm on the spectrum for a little while now, but i've always been on the fence about it. there's a lot i don't relate to. but most of that is bc i have so much learned behaviour, and i mask really well. when i try to break down how i think for autism diagnostic quizzes, my gut reactions DO fit the bill, but they are so so so buried under 30 years of life experience that feels like it comes naturally.
but i am an introvert. an extreme introvert. even while living alone with my best friend, who i get on perfectly with and feel zero need to mask around, i still need to excuse myself and be left alone in my room from 10pm at LEAST.
so i only really unmask when i'm dead alone. even though i dont feel like i'm putting up any kind of front around of zita, i still do, automatically. the only time i see myself completely bare is when i'm alone and it's silent and there is absolutely nothing challenging my comfort.
sooooo hoooooo boy waking up in pain, with zero capacity to even finish a thought, still empty of ADHD medication because of the fuckin manufacturing shortage (thankfully today's trip into town was to finally pick some up! but that wasn't until noon), i got to see a side of myself i don't know if i've ever actually seen before? maybe as a kid but i can't remember specifically that far back?
i've been short tempered and overwhelmed and exposed to sensory nightmares whilst home alone before, but it's usually so quick bc i'm at HOME and i can adjust the situation and i never think much of it. i felt like a bluescreen at that supermarket today, popping in for less than 10 things across 3 aisles.
it was so busy. there were so many people. i felt dread just to walk through it, so aware of my own body and the space i had to inhabit. but par for the course so far. what was less par for the course was having to stop and look at my list every 3 steps, unable to put together a course of action in my head: chicken is on the far left, so we grab that first and get broccoli on our way to the soup aisle. but the broccoli is right there. do i grab that first, go get the chicken, but then double back from where i just came? i might get myself some bananas too, how do i fit that into my path—
i had to keep stopping and looking at my list because every item i thought of made me forget the previous one i just looked at. eventually got fed up with myself and went to the closest thing and started there, regardless of whether i'd have to double back or not. that's what trips me when i take these quizzes n shit. i can get over the hump and do the task in the end, so that must mean i'm totally allistic! no autism here.
i remember thinking "jesus christ this is bad" when i was on my way to get zita's soup (if you've read this far, thank you and kisses to you, pls send some loving vibes to zita by reading her fic i just reblogged, bc she's got a cold and is miserable today) so i was kinda aware i was having a bad sensory day. as expected: there were a lot of people there, and i was in pain. but i just short circuited looking at soup. zita gave me the brand name and soup type of 3 cans she wanted. and i went to the aisle i've been to a thousand times, found the brand, and just stared. it was all stew. all chunky brothy things with bits in. not a single creamy soup in sight, so, the soup must be somewhere else.
i came to that conclusion immediately but i couldn't. process it? or like, what to do with that information. the soup is somewhere else. OR IS IT? keep looking at this shelf to make sure, your eyes are tired, you might've missed it. there's like 20 different cans of campbells here, just keep reading them left to right until soup appears. still no soup? read them again, you might've missed it. maybe campbell's is out of soup? read every other brand here until you Don't see soup, then you can walk away and try somewhere else. but if you don't see any soup, read it again because you might've missed it.
thankfully it took all of 30 fuckin seconds for a store employee who was shelving next to me to see my glazed fuckin stare and ask if i needed a hand with anything. and i stammered through some "haha my silly eyes today!! haha thanks! sorry, thank you!" as she happily pointed like 3 metres down the aisle for me, while my internal monologue immediately raged like "wtf why would they put the soup that far away but also barely far away at all, what's the point, bad design 😡"
got soup. check list: packet of gravy. zita told me the gravy was in the same section as the soup. it was not. i walked up and down that aisle five times and there was no gravy. i just. i had completely forgotten how to problem solve. it was the strangest, most frustrating experience. like i was looking at an empty word document in my brain, with a little flashing cursor and everything, so i knew it hadn't frozen over. it was just empty.
i even had the thought "just walk up and down the aisles until you find gravy; you have to do this all the time" and even had ideas of which aisles to start with. but my brain said no. we're not going to walk around aimlessly, even if we have a neat little structure and path to follow. we were told (by myself, too) this would be a quick in out trip, pluck the known items off the shelf and beeline straight for the checkout. so meandering down aisles was for some reason non negotiable. i wasn't in a rush. i had nothing to do today. i barely even felt a rush to get out of there, as busy as it was. it just wasn't an option.
so rather than start solving that problem i just jumped to the next thing on the list. strepsils. text to ask what kind she wants, have a whine about my broken brain, ask if she knows where the gravy is. remember when i pass the hair brushes that i broke my hairbrush this morning and need a new one!! oh and i've been wanting new hairclips too. look at me picking a new hairbrush and poking through the hairclips for one that i know will feel comfortable against my scalp, i'm not autistic because i can change my plans and make decisions on the fly.
oops didn't mean for this post to be an entire play by play of my thoughts through this extremely bland grocery shop. i cannot believe how long i stood there choosing soup. the line at the self checkout was so long and i felt the dread kick up again. barely/silently whispered "oh god" to myself when i realised the line, but repeated it about 20 times to feel the tap of my tongue against the roof of my mouth before i realised i was doing it. stop that, don't mutter to yourself. but i'm standing still in a line and there's nothing left to (ineffectually) problem solve, so the second i stop i notice a weird little slice in the plastic around the trolley handle that i can't stop flicking my thumbnail against.
OK. we need to stim. heard, chef. just click your piercing ffs. your mouth might look weird when you do it but at least everyone can see you're just clicking your teeth against your piercing, rather than talking to yourself or damaging public property.
something made a noise, can't even remember if it was a child or a trolley or what, some loud sharp single high pitched screech a few metres away, and i jolted so hard i thought i felt like i was going to throw up. finally think, fucking hell i'm autistic today. my back hurts. which is making my head hurt. i want to go home and take my vyvanse.
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mothidocandart · 3 months
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My brilliant shining thing
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I feel
so fat....
So annoying...
so unimportant...
so ugly....
So unlovable...
So disgusting...
so complicated...
so superfluous...
so undesirable...
like a problem....
Okay.
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hephaestuscrew · 5 months
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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deeppoints · 5 months
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Why do I exist in the shadows of your world, unnoticed and unimportant to your heart?
s.b
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red-white-black · 2 years
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Today, I turn 22....
When I was little, I really loved my birthday.
But now, it's just, a disapointment and a temporary flash of my non importance.
I probably have my expectations too high... but it feels more like I spend the day battling my ego to ask for attention and shout of the rooftop that it's my birthday... while down playing that it doesnt matter, when the people I wanted to notice didnt.
I need to lower my expectations, I need to lower my ego.
It's really paradox, my ego is sooo big, yet it's hungry like it's always been starved.
I should learn to be happy with what I already have.... but I know that if I dont do the first step, no one will organize anything for me, no one made the effort to prepare something for me without me asking.
That's what's bottering me, I wish I didnt have to ask for things, attention, cause if you really wanted to give them I wouldn't have to ask.
At least that how I do it.
I am just sad, today, because today is the day I am most aware of how alone I feel.
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kyyuuuy · 4 months
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no acesan this time, sorry guys...
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veliseraptor · 10 months
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re: that post i just reblogged about 'cozy horror'...i know better than to expect anything approaching decent commentary from the mary sue these days but this article really is just. sending me this morning. (thank you for sharing, @bereft-of-frogs! this was a good diversion from being angry about work stuff to being angry about something else.) starting off strong with:
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local writer has been introduced to novel concept of broader horror genre!
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ah yeah that instantly makes sense to me particularly as a segue after mentioning midsommar and the witch, two movies that i would definitely describe as "cozy"
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the cozy horror novels of t. kingfisher, like the one with the description of an animated deer skull hovering outside a window at night that still freaks me out to remember? those ones?
my favorite part though might be the author's confident assertion that this is all about gender really:
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because boys like icky bad horror that's difficult and intense and girls like nice cozy horror with happy endings and low stakes. ah yes. feminism!
if this becomes a thing i am going to perish. isn't taking over the sff environment with cozy feel good fluff enough, must the world take this from me too, it's hard enough to find horror i like already
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arcane-strangeness · 2 days
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whats your is one thing that you feel strongly about a fandom/media you like that no one else gets?
Aloy, from the Horizon video game series (Zero Dawn, Forbidden West) is a rat, in the way that she's constantly weaseling her way into spaces she isn't supposed to be in and causing problems on purpose. whether that's clambering around the vents in the GAIA base, climbing absurdly high buildings with zero regard for safety (much to Alva's concern, in the Leviathan quest), or brute forcing her way through social interactions (so many questions, she needs to know everything always all of the time), the outcast lifestyle definitely had a lasting impact on her lmao
she is not the voice of reason among her friends, she is the voice of "i'll do it till it's done even if it kills me" much to the concern of EVERYONE around her. someone make this girl take a break because giving her one is not gonna be enough for her to take it. she fought what was essentially a god to her, fell 30-50 feet into water below, swam a decent ways away while being shot at by essentially alien laser guns, was sucked underwater by a current, bashed into several things, thrown off a cliff face in a waterfall, bashed around some more, knocked unconscious, and still tried to get up walk around and keep going a day after the fact. the only reason she seems like a somewhat rational person is because everyone else on the goddamn planet has lost their minds. i love her <3
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