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Yes, hello! I’m trapped with my father in our house in Coral Lake! It’s flooded — there’s alligators everywhere. Please send help! Please, can you hear me?

CRAWL (2019)
DIR. ALEXANDRE AJA

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You may think you know my story. You’ve heard it ends in madness, hearts broken, blood spilled, a kingdom lost. That is a story. But it is not mine. I did not lose my way. I did not lose myself to vengeance. Instead, I found my way to hope that one day I would tell my own story. As one day, you, my love, you will tell yours.

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SNOWPIERCER (2013) dir. BONG JOON HO

Order is the barrier that holds back the flood of death. We must all of us on this train of life remain in our allotted station. We must each of us occupy our preordained particular position. Would you wear a shoe on your head? Of course you wouldn’t wear a shoe on your head. A shoe doesn’t belong on your head. A shoe belongs on your foot. A hat belongs on your head. I am a hat. You are a shoe. I belong on the head. You belong on the foot. Yes? So it is. In the beginning, order was proscribed by your ticket: First Class, Economy, and freeloaders like you. Eternal order is prescribed by the sacred engine: all things flow from the sacred engine, all things in their place, all passengers in their section, all water flowing. all heat rising, pays homage to the sacred engine, in its own particular preordained position. So it is.

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Life carries most people along. So much happens, so little is made to happen. But life is consequence. You throw a glass, it breaks. You cut someone, they bleed. You kill someone, they’re gone. I was always taught that consequences are to be feared. Every decision I make, every second of my life is based on what someone else wants or needs — it’s like a fucking straitjacket.

Rebecca Rittenhouse as Maggie in Into The Dark, 1.01 “The Body”

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