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#first attempt at using vs

basuralindo · 9 months

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Hey do you think Jamil has trouble seeing people his age as peers?

Like, growing up having to be a caretaker to a guy literally a few months older than him, always expected to act like the adult in the situation, expected to work with adults and adopt their perspectives and pick up their slack. Do you think he just, forgets sometimes?

I mean we've seen him go into caretaker mode with other sophomores, and the only people I've seen him take seriously are juniors like Vil who also act much older than they should have to (his reactions to Leona look more like a trauma response and I don't wanna get into it here). People like Malleus and Cater still somewhat get the caretaker treatment. Like I just highly doubt that he subconsciously realizes he's actually part of his age group

Aaand that inevitably brings up Azul, who also acts like he thinks he's older than he is. Whether you're looking at it from a shipping angle or not, he reacts to Azul like an actual peer. With older students, he seems more in his element but there's still a status hierarchy which he compulsively reacts to. With Azul he doesn't acknowledge any status worth respecting or see him as someone who needs to be looked after. He just bickers like an equal, in a way that implies he actually does see Azul as a real peer, like subconsciously he's categorized this guy into the same group as himself, who was previously alone on that level (he gets like this more with the twins too, over time, but it seems to start with Azul).

And my favorite part about this is, while that response stems from them both acting more like adults in general, they elicit a pettiness from each other which drags them both down to actually acting their own age, and I just love that. Their characters are perfect foils for each other and it seems to make them both less isolated in a way.

#idk how to fully explain this thought in the azul department #but other than that its... yeah. forced maturity is so fucking isolating #I'm not surprised the only people he seems to hang around with are the fish even though he claims to hate them #since they seem to be in a similar boat with that #jamil viper #on a more shippy note:#I feel like Jamil NEEDED someone who he didn't feel the need to respect. in order to avoid falling into programmed behaviors #he's able to be a person around Azul in a way that nobody else can give him #specifically because Azul CAN keep up. but doesn't command his respect in any way that his employers would force him to acknowledge #and stubbornly refuses to leave despite Jamil being an asshole in his desperate attempts to feel some sense of freedom and control #which results in him wearing himself out enough to calm down and socialize while actually being treated with respect and equality anyway.#And it seems like Azul needed to find someone that he couldn't just attain or control from behind his own walls #he's desperate for the attention of someone who refuses to let him play the role he's developed to distance himself from others #so he has to treat himself more like a real person in order to get what he wants #which is a guy who challenges him enough to prove that it's not just him and the twins vs the ignorant masses #he's spent so long building himself a fortress of wealth and arrogance to protect him from the rest of the world #and now he's faced with the fact that he can't stay in there and still get what he wants no matter how many well practiced tricks he uses #and suddenly they're both just teenagers bickering in school with a peer like everyone else for the first time in their lives #this got off topic

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nerdierholler · 5 days

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Still waiting on supplies so I’m trying to pick out cover fabric. Since I have a ton of fabric I’m just going to try making my own book fabric. Shouldn’t be a big deal. The problem is all of these feel close but not perfect for either Ethan or Wayhaven in general but I don’t want to buy fabric just for this attempt.

Thoughts? I have enough of the two blue fabric folded into squares for maybe one attempt each. Everything else there’s plenty of. The set of 5 black and pink themed witchy/skull/moon fabrics I bought over a year ago to make a quilt but haven’t decided on a pattern.

#life at nerdy holler #twc #I’m also working on the assumption that this book with have issues #because it’s a first attempt #and I’m fine with that #but trying to balance making something I’ll like #vs using what’s on hand even if it isn’t ideal #nerdy makes a book

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jiatism · 3 months

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THE 10 STAGES OF GENOCIDE, AND HOW FAR PALESTINE IS ALONG WITH THEM

This will be using the UN's ten stages of genocide map (as seen above) as a base for each stage.

So far, palestine is within its ninth stage of genocide.

*although I do not believe isreal is a real or valid country, this will be referring to its citizens as "isrealis"

First Stage: Classification.

This stage is about us and them narratives. In the Holocaust it was Jewish vs Germans, in this it is Palestinians vs israelis.

The ‘us vs them’ narrative has been drilled into young israelis' minds for decades and has only gotten worse.

Second Stage: Symbolism

I do not believe there are any symbols to tell an israel apart from a Palestinian person.

Most of the time it is based off their religion, however not all Palestinians are Muslim nor are all israel Jewish.

Instead of symbols, they segregate.

Third Stage: Discrimination

This stage is about taking things away from their target group. israel has taken away their housing, their land, and their property as seen in the west bank.

Fourth Stage: Dehumanisation

Dehumanisation refers to distancing the target group from humans, and making people less inclined to empathize with them.

israel refers to Palestinians as both animals and derogatory words such as "whores" or "monsters."

Fifth Stage: Organization

This stage is about planning the genocide, and training.

Many israeli students are taught in order for them to grow up and become IDF soldiers. They are taught how to kill without remorse and enjoy it.

Sixth Stage: Polarisation

Polarisation is about the media and spreading hate about their target group in media.

The IDF not only go on international TV and talk about palestinian "terrorists" but also spread misinfo on social media.

(see this post)

Seventh Stage: Preparation

When preparing perpetrators use code words in order to make their intentions seem brighter.

israel calls it "land disputes" or "self defense" when it is a genocide fueled by colonialist ideologies.

Eight Stage: Persecution

Persecution is about rounding up their target group and committing mass killings.

israel has rounded Palestinians up into Gaza, an open air prison, and continues to bomb their homes, shelters, and hospitals.

There is nowhere for palestinians to go.

Stage Nine: Extermination

This is the stage we are on. israel is destroying hospitals, relief centers, communities, and families.

They are attempting to find and kill every palestinian. Class of 2024 has been canceled due to all students dying.

This cannot continue.

Stage Ten: Denial

If we continue to let israel kill off Palestine, we will get here. To the point where zionists will deny the genocide entirely.

SPEAK UP. DO NOT LET IT COME TO THIS.

Thank you for reading. The original post can be found under the Twitter/X account @aligaytor_. OP has given me permission to share it to Tumblr.

#palestine #palestine news #from the river to the sea palestine will be free #free palestine 🇵🇸#i stand with palestine 🇵🇸#free palestine #news on gaza #save gaza #gaza genocide #free gaza #gaza #gaza strip #gazaunderattack #i stand with palestine #stand with gaza #genocide #info post

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twentyfivemiceinatrenchcoat · 2 months

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ask me to leave and i’ll stay forever ; satoru gojo

synopsis; satoru is stubborn; even when plagued by such a high fever, he insists there’s no need to take care of him. thankfully, you’re equally as stubborn.

word count; 10.8k

contents; satoru gojo/reader, gn!reader, implied non-sorcerer!reader, sickfic, reverse comfort, sickening amounts of fluff, lots of petnames, satoru gojo vs the mortifying ordeal of being loved, just a tinyyyy bit of angst if u rlly squint, literally just satoru being pampered for like 10k words straight, he’s cute when he’s sick but still manages to be a lil shit <33, he’s also a huge sap you have been warned!!

a/n; what can i say, im a proud member of the ”satoru gojo needs to be babied relentlessly” club <33 he’s just a little guy!! tagging @catchuuu my beloved for being the sweetest enjoy a healthy dose of sick sleepy satoru <33 i am tagging all toru enjoyers in spirit btw i love u all

you’ve never seen satoru like this before.

head buried into a big pillow, white locks tousled and sticking to his forehead — skin sweaty, hot to the touch, with a flushed face to match. heavy breaths fall from his parted lips, blinking in and out of consciousness, squeezing his eyes shut.

it’s nothing like the joyous, loud, cocky satoru you’re so used to. he’s weak. he’s fatigued.

he’s completely, undoubtedly sick.

”really, baby,” he slurs, raspy and dry. still attempting to raise himself up, arms straining under the weight of his shivering body. ”there’s no need f’ —”

unceremoniously, his limbs give out beneath him, and he tumbles right back down; a meek little wince escaping his throat as his face falls back into the mattress. the sound makes your heart squeeze tightly in your chest.

”ah. that’s…” he tries to speak, a disgruntled hum muffled by the sheets. ”… annoying.”

satoru sounds frustrated. you can tell he’s resisting the urge to close his eyes, a little helpless, unable to even move properly, like a fish out of water. he’s still breathing unevenly, still sweating, still burning up — you can practically feel it, from where you’re standing, crouched down by his bed.

you’ve never, ever seen satoru like this. you’ve seen him sniffling during flu season, wrecked with headaches during rainy season. you’ve seen him vulnerable; not many times, but enough that it matters.

but you’ve never seen him like this.

(and it makes you terribly anxious.)

”satoru, please just —” you croak, gnawing at your bottom lip. trying desperately to swallow the worry in your chest. ”don’t overdo it. please?”

you can hear the anxious little timbre of your own voice, and you can feel the frown tugging at your lips. but you can’t do anything to quell the insistent pitter patter of your heartbeat, the ache that accompanies it. satoru’s lying down, still trying to gather the strength to reassure you, even through the feverish haze clouding his mind.

he looks so small.

this wasn’t what you were expecting to see, today. you were expecting to meet up with satoru, and see his happy little grin, those tiny dimples and freckles that only show themselves in the light of the sun. you were expecting to feel the weight of his hand in yours, as you strolled down to the new crêpe stand he’s been wanting to check out since he first found their instagram account.

you were expecting to see him happy. healthy. a little obnoxious, a little annoying — but hopelessly sweet. all the love you could ever need, molded into a human shape. your little angel.

a sigh slips from your lips. you can’t help it; because satoru is just so stubborn, so closed off, and he can be such an idiot sometimes. you knew something was off the moment he sent you that text, asking you oh so charmingly, apologetically, if you could postpone your date for just an hour or so. you knew something was wrong, but he still wouldn’t let up until you brought out the 🥺 emojis.

and then he told you he was fine. it’s all he ever is, apparently.

my throat’s just a little scratchy, is all. wouldn’t want you to miss out on the voice you love so much, yeah?

give me an hour and i’ll be perfect for you. <3

moron.

he’s curled up in a fetal position, trying to stop himself from shivering, muttering little reassurances under his breath that you can’t make out. wearing ripped jeans and a nice jacket, like he was fully prepared to head out like this — like he genuinely thought an hour, some painkillers and a dream would be enough to chase away a fever this severe. like he was so desperate to see you he was fully willing to take that risk.

moron. moron. he should’ve called you the moment he realized he was sick. instead, you had to coax him into letting you come over, with a flurry of sad and cute emojis you know make him go weak at the knees when they’re coming from you.

and here you are. in satoru’s house, in front of his bed, trying to convince him that he is, in fact, sick.

but he just won’t listen.

”just — gimme a couple minutes, honey?” your boyfriend mumbles, barely coherent, stringing words together haphazardly. awfully dizzy. ”i just need the painkillers to kick in, i promise i —”

”satoru.”

there’s a sad tint to your voice, now. unmistakable. one that satoru notices, even through the feverish, muddy filter over his reality.

and it makes him quiet down.

(he doesn’t want to disappoint you.)

as gently as you can, you settle down on the bed, eyes painfully softened. overflowing with care. towering over him, leaning close — to press your lips against his scorching forehead, brushing away his sweaty bangs with a palpable tenderness. your voice soothing, coming out almost as a low coo. you’re frustrated, and exasperated.

but most of all, you’re worried.

”go back to sleep,” you hum, a gentle command. your hand finds his, cold skin meeting warm, tracing circles over his palm. ”i’ll take care of you.”

”there’s no need,” he mutters, instantaneous. so used to denying kindness.

but he curls an arm around your waist, anyway, tugging you closer; a little needy. like you’re much too far away for his liking. finally beginning to settle down, coaxed into resting by the soft touches your grace him with. it’s only a matter of time.

so you keep your lips against his forehead, cradling his slender fingers in yours, murmuring little whispered reassurances. and before you know it, his lashes have fluttered shut, like a white dove landing on the ground. he still looks so troubled, so meek. you can’t resist the urge to soothe him, hand cupping his face, thumb smoothing over the apple of his cheek. you watch him lean into it, eyes dripping with care. your poor baby.

for a couple precious moments, you allow yourself to indulge in the sight. even like this, he looks a bit like an angel, a painting come to life. like one wrong brushstroke could smudge him.

so you’re delicate, as you trace little hearts into his skin, delicate as you maneuver his body enough to peel the layers of clothing off him — leaving him in only an oversized tee and a pair of briefs. satoru can only whine, softly, so quiet you barely even hear him. so disoriented, on the brink of falling into a deep slumber. some part of him is trying to resist, you’re sure, still agonizing over the date he’s missing out on. as if anything matters more than his health.

but it doesn’t work. he can only let out a tiny groan, hopelessly pliant as you tuck him in, pulling a big blanket over his shoulders. you card through his hair, another soft kiss planted on his sweaty forehead — and your hand stays between his locks until you’re sure he’s asleep. his breathing mellows out, his grip around your waist loosens, seeking comfort from you even in his dreams.

you’d crawl under the blankets with him, but you have work to do.

stealing one final glance at your fever-ridden lover, your heartbeat ricochets. he still looks so meek, all warm and sweaty, shirt sticking to his skin. a frown tugs at your bottom lip.

satoru is always so stubborn, refusing to lean on others for support. you wish he had called you immediately, nagged at you to come baby him. sure, you might’ve sighed in faux exasperation, and teased him a little, but it still would’ve made you feel happy. useful. and you would’ve done it in a heartbeat. maybe, if you just prove that you can take care of him properly, he’ll do it next time.

so you stand up, leaning down to press your lips against his forehead one last time, and make your way towards the kitchen.

satoru’s house is spacious. a little too spacious, enough for at least three people to live in comfortably; nice furniture, an expensive sofa in the living room, a large tv you’re almost certain he only keeps around for white noise. such are the ways of the rich, you suppose. he doesn’t invite you over very often, so you’ve never had the chance to get very affiliated with the space. it’s always the other way around — him, waiting for you on the couch when you get home, chirping out an unconvincing don’t even worry about it, baby! when you ask how he got in without a key. or him, showing up at your doorstep in the middle of the night, filling the sleepy silence with jokes to distract you from the bags under his eyes.

(he likes it when you cling to him in your sleep — he sleeps a lot better that way. that’s what he told you, at least, when you brought him coffee in bed that one time. a little glimmer of honesty.)

he stays over so often he might as well just move in, but you aren’t really sure how to even approach that subject. some part of you fears it’d be too much, too intimate, that he’d pack his bags and run away. bringing all his secrets with him, that soft laughter you’ve grown so fond of. so you figure it’s better to let him make a home out of yours, let him curl up on your couch and snack on the candy you hid in your kitchen cabinets. that’s safe for him.

and now that you’ve seen his home up close — if you can even call it that — you think you’re starting to understand his preference. because it’s spacious, yes, but also empty. save for expensive furniture and fake houseplants, there isn’t anything to indicate that the apartment belongs to him, that he feels comfortable there. like he hasn’t even bothered to make it his. like it’s about to be sold, and you’re just one of the potential buyers, checking the place out. admiring the patterns of the floorboards and the walls.

it doesn’t feel like satoru at all.

his own bedroom was another story, a much more pleasant one. a lot more satoru. filled with little trinkets, key charms and souvenirs and silly figurines. a framed photo of three students by the windowsill, an old uniform hanging by his closet, socks strewn about here and there. a dying houseplant. comic books and movie posters and a ps5 you don’t think he’s touched since he finished spiderman 2. a king sized bed, that makes him look like a spoiled little princess when he’s lying in it, next to a cat plushie you won for him at a fair. knowing he actually sleeps with it kind of makes you want to cry.

there’s this particular scent, too, lingering in the air. mellow, nostalgic, the kind that soothes you with just a whiff; a blend between sunlight, expensive cologne, and something sweet. it clings to all his favorite clothes, to his skin. you’d live in it if you could.

something constricts, inside your chest — like thorny vines strangling your beating heart, pressing down ever so slightly. just thinking about it, about him, about his distressed expression as his head hit the pillow. making your way over to his kitchen, getting yourself affiliated with the space, preparing to make a good soup for his fever. the fridge is almost empty, save for sweets and that one drink you like. the takeout boxes on his kitchen table tells you all you need to know.

it only makes you worry more.

luckily, you were clever enough to buy your own ingredients on the way here. chop, chop, into tiny little pieces. chicken soup should help, shouldn’t it? it’s all you can focus on, all you can hope for. anything is fine; you just want to help him, be of use somehow. he does so much for you.

you just want to give some of it back.

satoru’s loneliness is a subtle thing. flexible, alert, slipping away at the slightest sign of knowing eyes. for someone who’s so often surrounded by people, cracking jokes and laughing louder than anyone else, he doesn’t seem to make any noise when he’s alone. he curls into himself, just a bit, and a kind of reminiscence smooths over the contours of his face.

that’s when you see him. that lonely, lonely guy. resigned to his self-imposed isolation, paradoxically yearning for something more. watching as the cherry trees bloom, like they’ll give him the answers he seeks once they bear fruit.

but the moment you come into view, he smiles. knowing you won’t push it — that you’ll let him take his time. that you’ll let him flee, just a little.

still, you can’t help but wish he’d lean on you a little more. you wish you could chase his loneliness away with a pitchfork, but it’s a fickle creature. you somehow doubt he wants to part with it.

all you can do is love him. love him, love him, and love him some more; until he’s had his fill.

(you’re not sure he ever will. it’s a good thing, a very good thing, because you’re almost certain you’ll never run out.)

and that’s why you’re here. in his ghost of a home, his kitchen, pouring water into a large pot. tender, sprinkling love over every single action, every slice and dice, every piece of chicken and veggies thrown into the boiling water. you try and you try, hoping it’ll reach him.

but before you can make another attempt, something reaches you, instead.

two long arms curl around your waist, suddenly, something warm and soft pressing itself against your back. and you almost flinch, completely caught up in the stirring of the soup, unsure of how much time has passed since you began. it jolts you out of your thoughts.

you know who it is, though. never mind the fact that he’s the only other person in the apartment; you know it’s him by his touch alone, the weight of his arms, that particular scent that surrounds him. like memories of summer.

it’s awfully sweet, the way he clings to you, the soft little blissful sigh that slips from his lips. but before you can feel moved at the domesticity of the gesture, worry clouds your senses. he doesn’t even get the chance to speak.

”satoru —” you place a palm on his forearm, craning your head to look back at him. his forehead rests against your shoulder, and his eyes are closed. he’s still so warm, too warm. ”what are you doing here? you should be resting.”

your boyfriend mumbles something, under his breath, something that your ears can’t quite digest. he shifts, a little, as if getting ready to put on some sort of act — to smile and joke, or laugh and tease you. you can imagine what he’d say if he wasn’t in such a feverish state; he’d hug you from behind, a low purr of what’cha up to? whispered right into your ear. then you’d jolt, and he’d giggle sheepishly, satisfied with the reaction.

but now, all he can do is cough. still leaning against you, gripping onto your midriff a little more desperately than usual. you step away from the stove, turning around, making sure your hands never leave his. looking up at him with concern in your eyes, noticing his little frown.

”c’mon, you need to lie down.” you reach for his cheek, cupping it in your palm, and he practically melts into it. enjoying the chilly sensation to his fever-ridden skin. “the soup’ll be finished soon, okay?”

”… you made,” he tries, syllables falling from his lips haphazardly. ”soup —” a series of coughs. they cut him off, and the worry in your chest only deepens.

“don’t push yourself, okay? you’re really sick, dummy.” satoru pouts, but doesn’t say anything, only clinging to you tighter when you usher him away. “let’s go back to your room, alright?”

but he won’t budge. he’s so sleepy, so sick and delirious, putting all his body weight on you. you try your best not to stumble beneath it.

”honey,” you plead, holding him securely in your embrace. his arms around your waist, your hands on his shoulders. ”work with me, please? just gotta get you back to bed —”

”’s…” he whispers, suddenly, a raspy little thing. scratchy, meek, awfully earnest; you wonder if he’s too sick not to be. ”… too lonely without you.”

a moment passes. your breath hitches pitifully, at the base of your throat.

satoru is hugging you so tightly, as if you could disappear at any moment, slip away if he doesn’t keep you close. he’s holding you as if pleading for comfort, for a touch of safety. as if he needs you. if his meek little admission hadn’t already melted your heart the marrow, that thought certainly would’ve done the job.

taking a moment to collect yourself, you inhale, face surely aflame. satoru just nuzzles into your shoulder, too tired to say anything else, wanting to be close to you. it’s a wonder your knees don’t buckle.

gently, you let your hand trail upwards, palm smoothing down his hair. softly, like he’s a clingy, overgrown cat. ”sorry,” you start, just a little breathless. ”i’ll be with you, okay? won’t leave you alone. i promise.”

there’s an earnesty in your words that you doubt you could ever fake. satoru must hear it too, you think, because he finally begins to work with you. allowing you to stumble towards his bedroom, supporting his weight.

but once you make it to his bed, he still refuses to let go of you.

”toru, gotta go finish that soup. ’n make you some tea.” you rub his back, soothingly, as he nuzzles into the crook of your neck. shaking his head and emitting a throaty groan, only squeezing you tighter when you try to guide him under the covers. how cruel of him, to act so cute when said soup is most likely boiling over by the stove. ”please, sweetie? it won’t take long. i promise. you can go back to sleep.”

another groggy huff. you’re both still standing by the edge of the bed, and satoru still won’t let you leave. all you can do is sigh, smearing a little kiss against his neck.

he squirms, ever so slightly, and you get an idea.

so you keep pressing little kisses against his skin, knowing just how to make him melt. feeling him relax in your embrace, snuggle into your chest, so pliant that he lets you tuck him in — as long as your lips stay pressed against his jaw. before he can realize what’s happening, you grab hold of the blanket, draping it over him; his half-lidded eyes blinking up at you. you press a final kiss against his forehead, grabbing the cat plushie from the edge of the bed and placing it close enough for satoru to reach if need be.

”i’ll hurry, toru. be a good boy and stay here, alright?”

a teasing lilt sneaks into your voice, coaxed out by how adorable your boyfriend looks like this; baby blue eyes all droopy, snowy hair messy as it falls across the cushion he’s resting on. blinking sluggishly, grunting a little in response.

when you scurry off the bed and make your way towards the door, you glance back at him. he’s still looking in your direction, with half-lidded eyes, and your chest aches. ”i’ll be back soon, baby,” you try to soothe him. “try to sleep.”

this time, you hurry. body working almost on autopilot, images of your boyfriend still tugging at your heartstrings like he’s arranging an orchestra, moving your legs forward. before you know it, you’re walking back, carrying a tray with both your hands. steam wafts up from the hot soup and the warm cup of tea, shaking a little as you walk, a pair of painkillers in your pocket. just in case he needs more. an eager, pulsating joy rushes through your veins — now you can be with him, tend to him, not leave him alone in a room so like him you wish you could stay there forever.

your footsteps are light, almost careful as they cross the threshold. satoru stirs, waiting for you to come to his side, looking like a kicked puppy in his giant bed. he tries to lift himself up, but it looks like it requires an intense amount of focus, like his elbows could buckle any second.

”careful,” you croon, hurrying over, placing the tray on the nightstand. gently pushing him back down on the mattress. he complies almost instantly, too out of it to put up a real fight. staring at you, as if in awe.

to satoru, you appear almost as an angel, a somewhat blurry figure that he recognizes without looking. your very presence is soothing, like a lullaby in human form. with the hazy filter clouding his mind, he can’t even seem to form words correctly — all satoru can focus on is you. your movements, the lilt of your voice, a cold hand dulling the heat of his forehead.

his fever still hasn’t gone down. you try and muster a smile, but you’re sure it must look painfully coated in unease. crouching down, you place your elbows on the bed, your jaw meeting the mattress. you’re at eye level with him, now.

”hey,” you start, low and comforting. you don’t want to be too loud. ”sorry it took so long.”

using what little energy he has left, satoru crosses the distance between you, inching closer and closer. noticing it, you reach a hand out to cup his cheek — lips quick to find his forehead. a barely audible sigh leaves him, and you smile.

”d’you think you can eat?” you whisper, gazing at him fondly. treating him a little like a baby, maybe, but you can’t help it when he’s like this. quiet as a mouse. ”i made soup and tea… sound okay?”

he tries to make a noise. it comes out sounding like a strange blend between a dissatisfied groan and an affirming hum, but he still ends up nodding slightly. you wonder if indulging you is ingrained into his bone structure.

”… okay. think you can sit up, toru?”

once again, your boyfriend only hums — but he does begin to move, trying to hoist himself up, wobbling pitifully. you help, keeping him steady until his spine meets the headboard. slumped against it, he blinks slowly, feverishly.

”thank you.” you press a chaste kiss against his cheek, before reaching for the cup of tea, the scent of chamomile and lavender filling your senses. you blow on it softly. ”here. it should help with your throat, so try to drink a bit, okay? s’ got honey in it.”

silently, he accepts the cup, bringing it to his lips. when he takes a sip, you catch the slightest hint of a grimace on his lips; even with your warning of careful, it’s hot, you think he must have managed to burn his tongue.

satoru keeps his thoughts to himself, not wanting to worry you. but he can’t say bringing himself to drink it is an easy endeavor, with how sweaty it makes him feel, how it forces him to acknowledge how painfully dry his throat is. how he can’t even taste the herbs.

he wants to be good for you, though.

so he gulps it down, slowly, managing to sip almost all of it until you decide to give him a break. compared to this morning, he already feels just a little better, a little less like he’s in a fever dream. you’re sitting by the bedside, so patient, so caring. he can’t take his eyes off you, even now. clearing his throat, attempting to get used to speaking again. ”thanks.”

the mutter sounds strained, but slightly easier on the ears, easier to make out than before. courtesy of the honey, you assume. gosh, you hadn’t realized you’d begun to miss his voice so much.

”no problem,” you hum, reaching over to tuck a strand of hair behind his ear. “think you can eat something? or is that too much?”

”’course,” he croaks. there’s a slight sense of liveliness in his eyes that wasn’t there before, but before he can continue, he’s caught off by a small coughing fit. harmless, but sufficient in making you worry.

”no need to force yourself,” you soothe, patting down his head, watching as he quiets down. the tea might’ve given him a temporary energy boost, but you still don’t want him to overdo it. “just relax, satoru.”

he hums, weakly, and you reward him with a light ruffle of his hair. then you direct your attention to the soup on the nightstand, still hot, smelling of vegetable broth and fresh chicken and coriander. you bring the bowl down to your lap, and take a spoonful of the soup, blowing on it like you did with the tea. bringing it towards his lips.

”i dunno if it’ll taste very good,” you admit, scratching absently at the back of your neck. ”but it should help with the fever, at least. i’d be happy if you could eat a bit.”

as his lips make contact with the metal of the spoon, satoru can’t help but let himself be swept away. he still feels a little too hazy, too feverish to really comprehend what’s happening; he feels oddly bare like this, vulnerable, a little afraid of what might come out of his mouth if he doesn’t keep it shut. so he opts to accept the treatment he’s receiving, not putting up a fight or making a fuss. not meeting your expectant eyes.

(he feels a little shy, being spoonfed by you. how very unlike him.)

the soup does feel soothing. he thinks he can even get a sense of the taste, how hard you must’ve worked on it. but more than anything, the way you’re acting is like balm to his soul — looking at him so kindly, treating him so tenderly. offering him spoon after spoon with gentle words of encouragement. being babied in such a way makes him feel so oddly content that he’s almost embarrassed. it should be the other way around.

yet here you are, spoonfeeding him soup that you made yourself, because he’s sick, even though he hates to admit it, and you care about him. he allows the information to linger in the back of his head, for a while, wallowing in the comfort it brings him. fully comprehending it would take too much of a toll on him, in this state.

satoru basks in the intimacy of the situation, and so do you. brushing strands of hair away when they stick to his skin, pressing your lips against his forehead to check his temperature. you keep doing it until satoru’s appetite dwindles.

”alright, that should be fine —” you glance down at the bowl, now roughly half-empty. more than enough, you think. ”uhh… how do you feel?”

”… better,” satoru answers, truthfully, the ghost of a smile on his glossy lips. ”thank you.”

for a second, you only stare, saying nothing. there’s something in satoru’s expression that catches you off guard, something that’s a little hard to identify. is it the way the light reflects off his skin, his pupils? the red, feverish flush of his skin? that flimsy little smile? or is it the honesty in his eyes, the way he’s looking at you like he’s trying to convey something he can’t put into words?

as you look at him, take him in, the boy you love so dearly, you can’t help but feel like he just carved open his chest — let you peek inside his ribcage. it’s hard not to feel flustered, in the presence of something so vulnerable.

and he’s thanking you. as if taking care of him is a great burden, a chore, something you’d demand gratitude for. you want to tell him that it’s the bare minimum, the very least of what he deserves. the very least of what you could, should do for him.

you want to tell him that he’s safe, here. that there’s no need to be the strongest, whatever the hell that means, that he can let go of the burdens you know he hides from you. that he can just be your sick, terribly stubborn boyfriend.

”… okay,” is all you breathe out, every other word getting stuck in the back of your throat. ”that’s good.”

satoru’s fingers curl around yours, suddenly, where they lay on your lap. his movements are still a little groggy, disoriented, as he brings your hand up to his lips. they’re warm and soft, especially so in light of his fever. he closes his eyes, white lashes catching the light of the sun, flitting in through the haphazardly closed blinds. your heartbeat stutters.

”… love you,” he mutters. a soft little thing. your eyes don’t leave his face. and your lips part before your brain can instruct them to.

”i love you too,” you blurt out, instantaneous. like you couldn’t bear to keep him waiting, even for a second. ”… satoru.”

he smiles against your skin. he always does, at the sound of those words. you make him feel so terribly, terribly weak, all the time, everyday. you make him feel so human, and he can’t bring himself to think of it as a bad thing anymore.

he’s still cradling your hand when he brings it down to the blanket. ”thanks for coming,” he continues, pushing himself. trying to get the words out while he still has the energy to say them. “you didn’t have to.”

they’re a little clumsy, a little stale on his tongue, but they’re honest. he is thankful — the prospect of being seen like this is discomforting, gruelingly so, but he doesn’t mind nearly as much if it’s you. he’d never tell you, but he did feel just a little lonely, when he woke up this morning. disoriented, enveloped by hot flashes of pain, in a way he’s not used to in the slightest. missing out on your date, too, that he had been looking forward to ever since you decided on a time.

but, as if sensing it, you came to his rescue. the feeling of your lips on his skin was the first sensation he felt, when he woke up for the second time — with you by his side, this time. his guardian angel, carrying the scent of spring with you. a memory of a certain boy, of better times.

(satoru thinks you’re nostalgia personified. he likes to imagine that you met as children, underneath a cherry tree somewhere, but he knows it’s not true. there’s no way he wouldn’t remember you.)

you smile. pleased, at his show of vulnerability, small as it may be. ”i wanted to,” you assure him. equally honest, equally full of double meanings and hidden messages that neither of you need to uncover to understand. ”… i care about you. of course i’d come.”

a light, raspy chuckle; that’s all satoru manages to vocalize. his mind is stuffed, and there’s an ache in his chest, longing to be filled. it’s been there for a while now. but somehow, you seem to fill it up, slowly but surely, almost effortlessly — with every sound you make, every slight movement, every flicker of an expression on your face. everything seems so effortlessly perfect, in his eyes.

the words leave his lips before his mind can think the thought to reel them back in.

”what did i do to deserve you…?”

you blink. a moment passes.

then your eyes soften, considerably so, crumbling at the corners like the cookies satoru loves so much. he’s looking at you, eyes soft in a similar sense, layered over with adoration. you think the love inside your chest might crawl out of your throat and eat him alive.

you give him a chuckle of your own, quivering slightly. terribly fond. this time, you’re the one who drags his hand up to meet your lips; kissing his knuckle softly. his breath hitches.

”i’m the one who should be saying that to you,” you grin, a little weakly. and you mean it. you don’t think you’ve ever meant anything more.

it’s so honest that it strikes a cord right down his heart, more heat than the fever can account for rushing to his cheeks. satoru hopes you don’t notice it. all he can do is squeeze your fingers, lightly, not trusting his voice not to break. silence lingers, and you only gaze at him softly.

”… do you want anything else?” you finally ask, with a tilt of your head. still so eager to assist, racking your brain to come up with anything else to do for him. ”i’ll get it for you, no matter what it is.”

and, truthfully, satoru thinks you’ve done more than enough. more than he could ever make up for. but he’s always been greedy, and there’s one thing, only one thing, one thing he can’t help but ask for. something he craves more than anything. he can’t help but indulge himself, indulge in his selfishness, in the need to feel your skin against his.

so he stretches his arms out, and looks at you with a distinctly needy glint in his eyes. his fingers move in a grabby motion, almost unconsciously, and he might’ve been embarrassed if he wasn’t still so feverish. all he wants is to keep you close, to make the hollowness inside his chest dissipate. you always make that lonely feeling go away.

needless to say, you heed his request. almost instantly, your heart pumping in a steady rhythm, with this visceral desire to keep him close, to protect him. and who are you to resist, when he’s asking you for it himself?

you waste no time crawling beneath the covers, situating yourself right next to your lover. only then do you finally, finally, reach your arms out to pull him close; so close you feel the heat of his skin, the beat of his heart. his cheek meets the softness of your chest, snuggling closer, and you card a hand through his soft locks. his arms reach around your midriff, a perfect puzzle piece, and he releases an audible sigh — deep and satisfied. in his tired, clingy state, he subconsciously throws a leg over yours, trapping you further.

you wouldn’t have it any other way.

finally, satoru can fall asleep. with the fever still clouding his senses, and your nimble fingers smoothing along his scalp, the occasional kiss to his head as he listens to your soft heartbeat, he’s drifted off before either of you know it. melting into you, into your warm embrace, cheek squished against your chest. tiny little breaths fall from his lips, and you feel like you’re cradling the whole world in your arms.

you’re relieved. making yourself comfortable on your back, with satoru sleeping soundly on top of you, hoping he’ll feel better when he wakes up. careful, even with your breathing, intent on letting him sleep. knowing he doesn’t get nearly as much rest as he should, most days.

before long, even you succumb to the cozy atmosphere, gradually dozing off. satoru is always warm, even more so now, and his weight is comforting.

stifling a yawn, you tug him a little bit closer, allowing your eyes to flutter shut. you could use a day of catching up on lost sleep, too.

when you wake up, you’re acutely aware of something poking your cheek.

it’s a ticklish sensation, sort of irritating, and it rouses you from your cozy slumber. disgruntled, so cruelly ripped away from your sweet dreams — satoru was in it, you think. you feel robbed.

still, you can’t be too mad. not when the real deal is right in front of you, eyes crinkled and full of warmth, a teasing smile on his lips. he’s still snuggled into your chest, all cozy and cute, as you lay on your back, propped up by a myriad of fluffy pillows. he looks up at you adoringly.

”well hello there,” he purrs, shooting a giddy little grin your way. still poking your cheek. ”wakey-wakey, sunshine!”

a series of blinks. you stir a little further, the sleepy haze of your brain beginning to slip off, slowly but surely. it takes a couple of seconds for you to remember why you’re here, what happened before you fell asleep.

”… hey,” you greet, at last, stifling a yawn and squeezing your eyes shut. stretching lazily, like a sleepy cat. ”how do you feel…?”

”i’m perfect. better than perfect, actually,” satoru chirps, a little cheeky, hoisting himself up so that he’s hovering above you. a hint of mischief in those pretty eyes. ”you’re a good nurse, y’know?”

you huff out a chuckle. as always, his actions reveal more than his words — you could tell he felt a lot better the moment you saw his smile, heard how he formed his words. “alright, that’s good,” you hum, exhaling softly. ”how long was i asleep? what time is it?”

”i woke up just now, too,” satoru lies, albeit a small one. he did wake up recently, only to spend what he thinks must’ve been at least fifteen minutes staring at you until he physically couldn’t take it anymore. he had to hear your voice, see your smile. it’s a personal record for him; usually he spends less time admiring your peaceful expression, far too eager to speak to you.

”it’s pretty late,” he continues, another small lie. pleased with himself. ”way too late for you to go back, actually. how about you spend the night?”

another blink, your eyelids heavy and droopy as they open and close. then you’re reaching for your phone on the nightstand, and checking the time. a smile is quick to bloom on your lips, teasing and bubbly, as you tilt your head to meet his gaze.

”it’s only four, satoru.”

”way, way too late,” he only reaffirms, flopping down on top of you again, keeping you from leaving. ”god knows what kinda creeps are out there at this hour — much too unsafe. i’m just looking out for you, baby.”

”of course,” you indulge him, a sly little roll of your eyes that makes him pout. ”you know i was planning on staying over anyway, right?”

”well, of course! i wouldn’t expect anything less from my favorite nurse.”

his eyes betray his words, gleaming with a sudden colour of excitement, all glitter and relief. a joy that clogs up his throat like seafoam, and spills out from his lips. you look down at him, for a second, unable to resist the temptation — reaching for his forehead with the back of your hand.

it’s significantly less scalding, now.

you let out a sigh, laced with relief, one you didn’t know you’d been holding in. ”it really has gone down,” you hum, stretching the sleep from your limbs again. “that’s good.”

satoru huffs. ”i said i was perfect, right? don’t you trust me, my sweet lover?”

”i never know with you,” you give him a huff of your own, exasperated. fond. “you said you were just fine this morning, too.”

”i was!” he whines. piling up lie after lie. “i totally could’ve made it to that date, you know. i got worse because you had no faith in my abilities.”

”right. of course.” you shoot him a lopsided grin. ”you just don’t wanna admit the fever beat your ass, huh?”

”see? no faith.” a chuckle slips from your lips, and satoru has to bite back a smile. ”unbelievable. i fought that fever off just for you, and here you are, laughing at me.”

”oh? i thought it was thanks to my top notch nursing skills?”

”well, that too! but it was mostly me.”

a sigh. “whatever you say.” then you’re smiling, once more, unable to help yourself. eyes crinkled at the edges, soft around the corners. ”i’m just glad you’re better. i was worried.”

satoru pouts, again, but you can tell he acknowledges it — your earnest concern. this is how you love, the both of you, through words that never say it all and actions that say the words your mouths can’t fit. decoding the meaning of it all in silent gestures, glints in your eyes. little truth games.

”you really thought a lil’ fever was gonna be enough to keep me down?” he shakes his head once, then twice. and you know that what he means to say is i never want you to worry. “c’mon, now, baby.”

another lighthearted roll of your eyes. ”yeah, yeah, yeah. my sincerest apologies, my strong, stubborn, totally-not-sick boyfriend.”

”don’t you mean your strong, perfect, beautiful, clever, flawless, totally-not-sick boyfriend?”

”don’t think i didn’t notice you sneaking the stubborn out of there.”

”hehe.”

a silent moment passes, something tender filling up the space between your words. satoru’s weight is still so comforting, like a big blanket, his arms enveloping you as he breathes in your scent. you’re so happy that he’s acting insufferable again.

”alright, my honeybee,” he suddenly chirps, breaking the silence, hoisting himself up. ”time to go. we can still get those crêpes if we hurry.”

you blink. once, then twice.

”… satoru.”

”yeah? what’s up?”

you give him an unimpressed look, gazing up at him, towering over you like he fully thought you’d be alright with letting him leave. ”you’re… not going out today,” you deadpan. “you know that, right?”

this time, he’s the one who blinks. once, then twice.

”huh? why not?”

”uh, because you’re sick, maybe?”

”what?” satoru pretends to be shocked, offended, as if he can’t believe you’d even suggest something so outrageous. ”i’m all better, though!”

you raise an eyebrow, thoroughly displeased. all better? ”your fever isn’t gone, satoru. it’s just not horrible anymore. you’ll get yourself even more sick if you go out now.”

”i won’t! seriously!” he insists, looking down at you with a sorry attempt at puppy dog eyes. ”i feel good enough to run a marathon!”

”you’re not doing that either,” you mutter. then a sigh, exasperated. you can’t let this charade go on for too long. ”come on, satoru — don’t be so stubborn. we can go there another time.”

”but —”

”besides, didn’t you say i have to spend the night because it’s too late to go outside? remember the creeps?” there’s amusement in your voice, a light smile on your lips. ”what if they get us?”

”well, they obviously won’t get you while i’m there,” he huffs. ”what, you don’t think i can protect you properly? you’re hurting me, angel.”

you bite back an incredulous laugh. god, he’s stubborn. you’re so in love with him you just barely restrain the urge to pull him in for a kiss.

”sa-to-ru,” you coo, dragging each syllable out, sending a shiver down his spine. ”we’re not going outside. end of discussion.”

”why not, though?” he continues to pout, still refusing to give in. resorting to cheap guilt-tripping. ”don’t you wanna go on a date with me? you don’t want to see me happy, is that it?”

you only sigh, thoroughly exasperated, reaching up to cup his cheek nonetheless. he nuzzles into it. ”you’re such a baby.”

”your baby.”

another sigh, to mask your adoration. at this rate, the back and forth will never end, so you scramble for solutions.

“can’t we just have our date here?” you suggest, after some contemplation. ”i bought some ice cream on my way here. we could watch a movie, or something. isn’t that enough?”

satoru’s eyes bore into yours. contemplative, as he lets the silence linger, gears turning inside his mind. he wants to go outside with you, wants to hold your hand and hear you hum happily as you bite into your crêpe; wants to steal a bite when you’re not looking.

but it is a tempting offer. you could eat ice cream, and binge a bunch of movies, and he could rest his head in your lap. coax you into playing with his hair.

(he’s maybe, just maybe, a little bit tired, too.)

so, finally, he sighs — softly. in resignation.

”… well, i guess that’s fine,” he pouts, allowing himself to fall back into your embrace. his voice is muffled, as he nuzzles into the crook of your neck. ”i wanted crêpes, though…”

”i’ll get you your crepes,” you assure him, relieved to have reached a compromise. ”i can go buy ’em myself and come back. then we —”

”no, no, no!” satoru suddenly interjects. whining, tugging you closer. ”you’re not going anywhere. not without me!”

a sigh, just as adoring as it is fatigued. ”then i’ll… order crêpes, or something. or we’ll eat ice cream today and then crêpes when you’re better. does that sound okay?”

satoru is silent, for a while.

”… okay,” he hums. ”that’s fine.”

”haah. okay, good —”

”however!”

you give him a look, a silent what now? that has him smiling. shuffling a little, in your embrace, planting his jaw on top of your chest and gazing up at you with a grin. ”instead of the crêpes, i want a kiss.”

you blink. exasperated, as an amused chuckle follows. ”so convoluted. you can just ask, you know?” you don’t give him time to answer, eager to appease the pouty man. ”whatever.”

leaning in, you press a chaste kiss to his cheek. sweet and soft. to your surprise, he’s still pouting when you pull away. ”i meant on the lips,” he explains, as if it was obvious.

a tilt of your head.

”… but you’re sick.”

”so?” satoru just pouts, expression practically etched into his face at this point. ”you won’t kiss me anymore? just cause i’ve got a tiny, miniscule fever?” he huffs, turning his head to the right and shutting his eyes. ”if you don’t love me anymore, you can just say that.”

another sigh leaves your lips. he’s so ridiculous. you can’t really deny him, though.

”… fine. it’s your fault if i get sick, though.”

in the blink of an eye, he’s perked right back up. wagging his non-existent tail, closing his eyes and waiting for you to try again. silly.

but you relent. his lips are only slightly warmer than usual, and you choose to see it as the good sign it is, proof that his fever truly is starting to dissipate. you feel satoru relax, melting into the kiss, but before it can drag out too long you’ve pulled away. ”— there. happy now?”

”for now,” he quips, equally teasing. he’s cute, though. a little kiss or two is a small price to pay for the spark of joy in his iris, even if it ends with you sick on your deathbed in a couple of days.

”that’ll do,” you grin, hoisting yourself up with your elbows, carrying satoru with you, his jaw still on your chest. ”wanna go eat some ice cream, mr unreasonable?”

you don’t really need an answer. of course satoru wants ice cream. you’ve never seen him turn down anything sweet — and, lo and behold, he perks up again, getting into a sitting position. like an excited puppy.

”got it,” you chuckle, stopping to think for a moment. “there’s soup left, too. but maybe you’d rather order something? it turned out kinda so-so.”

satoru gapes. ”you kidding? that was the best soup i’ve ever had!”

his exclamation makes you roll your eyes, words so coated in confidence that you almost want to believe him. ”satoru. you don’t have to lie.”

”i’m not!”

”you couldn’t even taste it.”

”i could, i could!” he stubbornly whines. ”i tasted all your love. every single drop!”

you give him a look. he only grins at you, a little teasing, a little giddy. you can’t help but feel a bit embarrassed; averting your gaze with a sharp scoff, trying to appear unbothered. ”yeah? and how did my love taste?”

satoru leans forward. it’s sudden, and you blink, instinctively leaning back in turn. he’s wearing a signature smirk when he stops moving, close enough that you feel his breath on your skin. hot.

”delicious,” he purrs, glancing down at your lips. blue eyes gleaming with mirth. ”best thing i’ve ever had.”

you know he’s just trying to fluster you, so you try to fight against it, but it doesn’t work nearly as well as you’d like — crumbling under his gaze, averting your own with a quiet huff. and he lets you off the hook, satisfied with your embarrassed expression. pulling back slightly, letting you breathe.

as swiftly as you can, you regain your composure. clearing your throat. ”well, you can have more of it later, then,” you make a move to get off the bed. ”let’s go eat ice cream.”

after being caged in by satoru for so long, your limbs are a little stiff, caught under the weight of his boundless love. when your feet hit the soft flooring, you stretch them out, watching satoru follow your lead. still clad in that sweaty shirt.

”you should probably get a change of clothes,” you suggest, exhaling as your muscles loosen up. ”you’ve been wearing that shirt all day.”

”oh? is that an excuse to see me out of it, sweetheart?” satoru grins, fresh mischief gleaming in his eyes. ”you know you can always just ask.”

you huff out a sardonic breath. ”yeah, yeah, whatever. throw on a hoodie or something, weirdo.” you stifle a giggle when he makes an offended noise behind you. “and some pants.”

”you don’t like the underwear?” he looks towards the corner of the room, studying himself in the mirror. “this is an expensive brand, you know?”

”you’re the only person on planet earth who’d give a fuck about underwear brands,” you scoff, a little snarky. ”just — put some comfortable clothes on, okay? i’ll go get the ice cream ready.”

”wait!” he exclaims, attaching himself to you, curling his arms around your bicep. “you’re not allowed to go anywhere without me, remember?”

“… okay, okay. hurry up and get changed, then.”

sitting back down on the bed, while satoru walks towards the closet, you scroll through your phone — refusing to meet his expectant stare. he wants you to look over, you’re well aware, just so he can tease you for trying to sneak a peek. but you’re not falling for it this time.

when he’s done, he’s wearing a comfy hoodie and some sweatpants. it’s a good look on him, casual and cozy. awfully cute. he wastes no time in attaching himself to you, again, an arm linked with yours as you travel to the kitchen; grabbing the pints of ice cream from the freezer, a couple snack bags from the drawers, before plopping down on the couch.

satoru maneuvers you into his lap, and you don’t put up a fight, leaning into him as your back meets his chest. he keeps you locked in place, arms around your waist, planting his jaw on the top of your head. and he relaxes, comforted by your smaller body pressed up against his. holding you so close satisfies a certain protective itch in his brain, never failing to calm him down. a safe haven, of sorts.

you watch the movie and eat the snacks, chattering away, letting the silence linger every now and then. after a while, satoru gets a slight headache, resting his head in your lap and whining for you to soothe him. you do so without any teasing; you’re much too soft for him. and he’s still sick, even if he’s doing better. you couldn’t resist him even if you tried.

so you opt to indulge him.

”baby, i think my fever’s going up again…” satoru pouts, gazing up at you through fluttering lashes. ”can you check?”

you smile, with a raise of your eyebrow. ”this is the fifth time you’ve asked me to check your temperature, toru.”

”just wanna make sure,” he whines. “please?”

with an exaggerated sigh, you lean down, lips once again meeting his forehead — humming against his skin. nope, his temperature hasn’t gone up. just like it hadn’t gone up the last time you checked, or the time before that.

”you’re good.”

”oh, thank god,” he exhales. ”are you sure? like, a hundred percent sure? maybe you should check again. just in case.”

”satoru,” you coo, a teasing lilt on the tip of your tongue. ”you can just ask me if you want a kiss.”

”a kiss? scandalous. i just wanna make sure my condition doesn’t worsen.”

he’s grinning, and you’re rolling your eyes, and both of you know damn well you’re going to indulge him anyway. he sighs in satisfaction when he feels your soft lips on his heated skin.

”hmm…” you narrow your eyes, thoughtfully, before looking down at him with a teasing smile. ”nope. definitely still the same temperature.”

”you sure?”

”a hundred percent.”

”hmm. okay, got it.” he rolls over, burying his face in your stomach. wrapping his limbs around your midriff. “that’s good. just wanted to check, you know?”

”of course.”

”might need you to check again soon. just to be safe,” he chirps, biting back a soft grin. you don’t bother hiding yours.

”got it, got it,” you coo, fingers carding through his messy hair. “anything for my sick baby.”

satoru releases a soft breath, bordering on a giggle. you can’t help but let your smile grow wider, heart brimming with affection. you let it clog up your chest until the movie’s almost over, and you simply can’t help yourself anymore.

”your room is very like you.”

it’s sudden, breaking the peaceful silence, making satoru stir. you’re both starting to get sleepy again. but he blinks up at you, studying your expression before parting his lips.

”… oh? how so?”

“well…” you stop to think. humming, absently fidgeting with a lock of your boyfriend’s hair. ”when i first walked in, i thought the whole house felt kind of empty, you know?”

satoru hums. unsure of where the conversation is going, maybe just a little intrigued. he mostly just likes listening to you talk.

”but then i went into your room, and — it just felt very you. kinda messy, and stuff, but cozy. and a little sentimental.” satoru looks up at you, admiring that certain soft glimmer in your eyes. you meet his stare with a smile. ”maybe it doesn’t make sense? i guess i’ve just been thinking about it.”

he closes his eyes.

there’s something soft in your tone, something silky and simple, and he can tell you’re being sincere. it’s something he likes about you — that willingness to be soft, almost pridefully so, to bare yourself even if you aren’t sure that he’ll return the favour. he likes to think it’s rubbing off on him, slowly but surely; he doesn’t think he’s quite as bad as before. telling you about things that are dear to him isn’t something that scares him, anymore. and even when you see him vulnerable, sick and delirious in bed, he isn’t afraid that you’ll use it against him.

you’re a comfort; his safe haven. a place to rest his weary head. maybe you always have been, even before he really got to know you.

”i like your place more,” he finally admits, lighthearted in its weight. your gaze flits down, but his is still lingering on the tv, not really paying attention to it. ”it feels very… you.”

a smile crawls up to rest against your lips. playing along, your hands finding solace in between his fluffy locks. ”how so?”

and satoru smiles. eyes sparkling with something mellow, like a soda pop cracked open on a boiling summer day. he shifts a little, just to gaze up at you again. ”it’s… homely. warm,” his smile only grows. “and awfully sentimental.”

he lifts a hand up, to touch your cheek. tender, as his thumb smooths against your skin. it’s warm, beneath his touch, heating up with every word he speaks. satoru’s love feels a little like the sun, when it spills out this fervently, like it could burn you into cinders — you think you’d be happy to lie in the ashes. he’s smiling at you, like sunshine, like little dusty specks of light. and he exhales.

”i wouldn’t mind staying there forever.”

the expression on his face is a lovely one. you take a moment to simply bask in it, desperate to etch it into your memory. you don’t think you could forget it even if you tried. how fondly the light of the room embraces him, that soft grin he’s shooting your way, only vaguely teasing. and his eyes, the gateways to his soul, so sincere you can’t look away.

you love this man with your whole chest. you knew before, you’ve known for a long time, but each day you fall in love all over again. it’s all you can think as you look at him, all snug and safe and happy in your lap.

you don’t realize you’ve been staring at him silently until he chuckles, pulling you out of your sentimental stupor. it only flusters you further.

”you’re cute,” satoru croons, still cradling your cheek. tender, soft fingertips against your heated skin. all you manage is a meek little furrow of your brows, but that only makes him chuckle again.

”… you can.”

he blinks. still smiling.

”stay forever, i mean.”

you can’t look at him, when you say it. the words are barely above a whisper, and you aren’t sure if they’re conscious or not. it’d be nice to say they just slipped out, but they feel somewhat deliberate, all the same. you know you mean them, either way. it’s the one thing you’re sure of.

this time, satoru is the one who can do nothing but stare, his expression unreadable. you try not to let your gaze wander to his face, his eyes; but through the peripheral of your vision, you feel like you catch a particular kind of sadness reflected in them. or maybe it’s something closer to yearning, longing. something like that.

”… well,” he finally hums, voice so low you barely pick up on it. ”maybe i will, then.”

you reach something.

you catch a glimpse of it, at least, for just a second or two. something warm and bare, something simple and incomprehensible at the same time. an emotion so strong it leaves you reeling, yet still so light. it’s there and then it isn’t, just out of reach, and you think that if you could only find the courage to curl your fingers around his, then —

a laugh track plays from the tv, snapping you both out of your thoughts.

(the moment passes before you can fully understand it, fully comprehend it. maybe some part of you already has.)

…

satoru chuckles, reaching for another ball of mochi and popping it into his mouth. ”this movie’s awful, huh?”

”yeah,” you’re quick to agree, maybe a little too quick. grinning weakly. ”it’s good in a so bad it’s good kinda way, though.”

he hums in absentminded agreement, still chewing on the soft treat. keeping his gaze steady on the screen, the flicker of emotional scenes he hasn’t been keeping track of, barely resisting the urge to look up at you again. but his heart already feels a little too mushy for his liking — he’s not sure he could take it.

satoru doesn’t get sick often.

his immune system is strong, there’s no denying that. but more than anything, he simply can’t afford to be sick. there are people who need him, people who depend on him, and the idea of being in such a defenseless state — stuck in bed while the world continues to spin, unattended — makes him feel so anxious he could throw up. even sleeping makes him feel a little skittish, sometimes, though he’s gotten a lot better since he started falling asleep with you in his arms.

it’s funny, he thinks. before you, being sick wasn’t something that really existed in his world. if he felt a little under the weather he would simply puff out his chest and down a painkiller or two, waving it off with a flick of his wrist; no biggie, really. he’s satoru gojo, after all, and the world needs his eyes on it.

but then you came along. you came to his rescue, spring in your pockets, and you took care of him, with what he knows to be love. genuine, earnest concern for his wellbeing. his happiness.

yeah — it’s funny, for sure. satoru never thought he’d ever enjoy being sick.

yet here he is, head in your lap, feeling you run your fingers through his hair. kissing his forehead whenever he whines, indulging his little convoluted ploys. bringing him soup, when he gets hungry again, soup you made yourself. he wasn’t kidding when he said he tasted your love through it; it was all he could taste, with his numbed out senses, all he could feel.

you’re so good to him. there’s nothing he would trade for these moments with you, absolutely nothing. he’s glad you came over, after all. glad you’re so stubborn, and oh so caring. satoru can’t help but smile, heart almost stuffed to the brim with gratitude — what could he possibly do with this immense love in his chest?

”i love you so much,” he blurts out, practically beaming. now you’re in his lap, again, and he takes the opportunity to smear openmouthed kisses against your neck. delighting in the little squeak you try to muffle.

”where did that come from?” you blink, squirming a little in his embrace. a movie is still playing on the tv screen, one better than the last — your attention was fixed on it before satoru broke the silence.

”just felt like saying it!” he only chirps, grinning ear to ear. ”i love you. you’re the best thing that ever happened to me,” he murmurs, earnestly, lips against your skin. ”my whole world.”

for a moment, you wonder if the fever is making him delirious. then again, this is pretty standard for satoru; always eager to fluster you, to shower you with love until you’re pushing him away. it’s overwhelming, but you’ve never minded. this is how you measure his love — little gaps between too much and never enough.

”… you’re not gonna say it back?” comes a whine, right by your ear. now he’s nibbling at your neck, little beast that he is, pouting because you let the silence linger for too long. he’s being such a baby about it. but you still rush to reassure him, echoing his words in earnest.

”i love you too, satoru,” you smile, slightly exasperated. craning your neck so that your lips can meet his jaw, and satoru grins, giddy at the attention. ”my whole universe.”

satoru lets out a happy little noise, almost a giggle, sleepy and pleased. his arms squeeze you just a little tighter, like you could never be close enough, even when he’s got you in his lap like this. if he could, he’d keep you there all the time. attached at the hip, close as can be.

even with a ruined date, even after worrying you, he feels well and truly satisfied. because you're here, and you’re watching a good movie, and you’re gonna stay over tonight. when it gets dark out, he’ll get to fall asleep cuddled up beside you, hold you in his arms and feel you nuzzle into his chest. then he’ll pepper your face with kisses to wake you up, and you’ll grumble all sweetly, and he’ll carry you to the kitchen despite your grumpy protests. you’ll eat breakfast together, chatting and enjoying the way the sunlight flickers around the room like a happy cat. maybe he can even make you breakfast himself, to thank you for today.

if the fever’s gone by then, you’ll probably let him outside. then you can go get those crêpes, and maybe go to a park, or to the movie theatre, or a fun arcade, before heading back to your apartment to relax. and then he’ll stay over. the day after, too. and the day after that.

living together with you wouldn’t be so bad, he thinks. it wouldn’t be bad at all, actually.

the thought has been on his mind for a while, now. getting to fall asleep with you every night, eat breakfast with you every morning, see more of your footprints in his life… satoru can’t think of anything he’d like more. maybe he’ll start hinting at it, slowly but surely. if he can lure you into broaching the subject, that would be ideal — but if he has to, he doesn’t mind doing it himself. you’re worth the emotional toll.

you curl into your boyfriend a little further, his jaw now resting cheekily on the top of your head, large palms underneath your shirt and rubbing circles into your bare skin. you have no idea what he’s thinking, no idea about his plans, and he thinks that’s for the best. he knows you’ll indulge him, at the end of the day.

maybe he’ll just ask you, tomorrow. if you say no, he can just blame it on the fever making him delirious.

#save me sick soft sweet sappy satoru….. save me……..#he means the wholeeee universe to me :’3 i love this specific toru sm !! i really do think he’s a lonely sweetie at heart :((#i wrote this fic a LONG time ago but i polished it a bunch so hopefully it doesnt feel rusty !!#i scrambled to come up w a title in time but i think this one kinda slaps idk … im severely sleepy rn so it might. Not be. though 😭😭#gojo satoru x reader #gojo satoru x you #gojo x reader #gojo x you #gojo x y/n #jjk fluff #gojo fluff #jjk x you #jjk x reader #gojo satoru x y/n

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anthurak · 3 months

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So with everything we learned and saw in Episode 4 from Angel, Valentino, Charlie and Husk, here’s a little theory on how the Hotel crew saving Angel from Valentino might play out. Particularly in how Husk’s status as a former Overlord may factor into things.

Because I have a hunch it’s actually going to be Husk, rather than Charlie who gets fed up first and goes out to make a real attempt at getting Angel away from Valentino, given everything we saw between Husk and Angel in this episode. Specifically, Husk aims to lure Valentino into gambling for Angel’s contract.

Now that raises the question of what exactly Husk could gamble with. I see two possibilities:

Option One, Husk full on bluffs Valentino that he still has substantial power as an Overlord and has been hiding it all this time, tempting him with more souls and power. And as we’ve seen most notably in Episode 2, Val in kind of a massive fucking idiot, so I could see him actually falling for this. Essentially, Husk gambles with nothing, save his own soul, for a chance to save Angel.

Option Two, Husk actually gets his power BACK from Alastor. Specifically through fulfilling some mysterious, nebulous condition Alastor set up for him. It could even be that this is what sets up Husk to gamble Val for Angel’s freedom. Alastor returns Husk’s power as an Overlord because he’s curious as to what Husk will do with it now. Which we see, is putting it all on the line again for a chance to save Angel.

Whichever way we get to it, we find Husk in a high-stakes card game with Valentino. And of course, Husk does the classic trope of NOT telling his friends or even the guy he’s doing this for what he’s doing to ‘keep them safe’ and all that. Of course, they do find out. Which will come into play later…

As for the all-important gamble; Husk actually does WIN legitimately against Valentino. However, because Valentino is… well, Valentino he welches on the deal and attacks Husk, and perhaps a recently arrived Angel as well.

Now in the event that Husk was bluffing Valentino the whole time and is actually helpless against a fully-powered Overlord, this would be when Alastor, from afar, actually returns Husk’s own power as an Overlord as some offhand, magnanimous whim. Which of course now allows Husk to actually fight back against Valentino.

What ensues is a full and proper fight between Husk/Angel and Valentino, with all the requisite emotional drama of Angel and Husk admitting their feelings for each other and all of Valentino’s shittiness as a person coming out in force. Maybe like an mlm version of the Bees vs. Adam fight.

However, despite getting his power as an Overlord back, Husk ultimately turns out to not be as powerful as Valentino. Alternatively, perhaps he never gets his power back at all and we just skip to here from Husk winning the bet. Whichever way we get here, Husk and Angel are now at the non-existent mercy of Valentino.

Which is precisely when CHARLIE shows up.

And I imagine what ensues plays out in a flash. Like everyone is only just registering that Charlie has appeared when suddenly everything is on fire. We get only the briefest glimpses, perhaps only in silhouette, of the full-sized horns on Charlie’s head, the great leathery wings coming out of her back and the pitchfork in her hand before she has Valentino by the throat and the mothman starts BURNING, screaming in pain as he is consumed in hellfire.

Basically, I feel that after this episode we are going to see Husk be the one to step up first to try and save Angel from Valentino, given everything we saw between the pair this episode. But at the same time, I think the interactions between Charlie and Valentino, particularly Charlie starting to transform in rage, sets her up as the one who’s going to ultimately put Val down. Specifically via giving us a glimpse at Charlie’s true power.

And I do say glimpse because I imagine the full and proper reveal of Charlie’s ‘Devil Form’ is almost certainly going to be saved for when she’s forced to take on the likes of Adam and the Exorcists, the ones who have been set-up as proper antagonists to Charlie herself.

#hazbin hotel #hazbin theory #hazbin rambling #angel dust #hazbin husk #huskerdust #husk #hazbin valentino #charlie morningstar #devil!charlie #how valentino dies a horrible painful death theory

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writingwithcolor · 5 months

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Not all Second-Language Speakers are Made Equal.

@waltzshouldbewriting asked:

Hello! I’m writing a story that features a character who’s first language is not English. He’s East African, specifically from Nairobi, Kenya, and is pretty fluent in English but it’s not his primary language, and he grew up speaking Swahili first. I’m struggling to figure out if it’s appropriate or in character to show him forgetting English words or grammar. From what I’ve researched, English is commonly spoken in Nairobi, but it wouldn’t be what was most spoken in his home. For context, this is an action/superhero type story, so he (and other characters) are often getting tired, stressed, and emotional. He also speaks more than two languages, so it makes sense to me that it would be easier to get confused, especially in a language that wasn’t his first. But I’m worried about ending up into stereotypes or tropes. For additional context: I’m monolingual, I’ve tried to learn a second language and it’s hard. A lot of how I’m approaching this comes from my own challenges correctly speaking my own, first and only language.

Diversity in Second-Language English

You seem to have an underlying assumption that second language acquisition happens the same for everyone.

The way your character speaks English depends on so many unknown factors:

Where does your story take place? You mention other characters; are they also Kenyan, or are they all from different countries?

Assuming the setting is not Kenya, is English the dominant language of your setting?

How long has your character lived in Kenya vs. where he is now?

What are his parents’ occupations?

What level of schooling did he reach in Nairobi before emigrating?

What type of school(s) did he go to, public or private? Private is more likely than you think.

Did his schooling follow the national curriculum structure or a British one? Depends on school type and time period.

Does he have familiarity with Kenyan English, or only the British English taught in school?

Is this a contemporary setting with internet and social media?

I bring up this list not with the expectation that you should have had all of this in your ask, but to show you that second language acquisition of English, postcolonial global English acquisition in particular, is complex.

My wording is also intentional: the way your character speaks English. To me, exploring how his background affects what his English specifically looks like is far more culturally interesting to me than deciding whether it makes him Good or Bad at the language.

L2 Acquisition and Fluency

But let’s talk about fluency anyway: how expressive the individual is in this language, and adherence to fundamental structural rules of the language.

Fun fact: Japanese is my first language. The language I’m more fluent in today? English. Don’t assume that an ESL individual will be less fluent in English compared to their L1 counterparts on the basis that 1) it’s their second language, or 2) they don’t speak English at home.

There’s even a word for this—circumstantial bilingualism, where a second language is acquired by necessity due to an individual’s environment. The mechanisms of learning and outcomes are completely different.

You said you tried learning a second language and it was hard. You cannot compare circumstantial bilingualism to a monolingual speaker’s attempts to electively learn a second language.

Motivations?

I understand that your motivation for giving this character difficulties with English is your own personal experience. However, there are completely different social factors at play.

The judgments made towards a native speaker forgetting words or using grammar differently are rooted in ableism and classism (that the speaker must be poor, uneducated, or unintelligent). That alone is a hefty subject to cover. And I trust you to be able to cover that!

But on top of that, for a second language speaker, it’s racism and xenophobia, which often lend themselves to their own ableist or classist assumptions (that those of the speaker’s race/ethnicity must be collectively unintelligent, that they are uneducated or low class due to the occupations where they could find work, or conversely that they are snobby and isolationist and can't be bothered to learn a new language). Intersections, intersections.

If you want to explore your experiences in your writing, give a monolingual English speaker in your cast a learning disability or some other difficulty learning language, whatever you most relate with. And sure, multilingual folks can occasionally forget words like anyone else does, or think of a word in one language and take a second to come up with it in the other language. But do not assume that multilinguals, immigrants, or multiethnic individuals inherently struggle with English or with multiple languages just because you do.

~ Rina

#asks #accents #speech #language #languages #bilingual #bilingualism #ESL #immigration #east africa #african #writeblr

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pippin-katz · 8 months

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Alex & Being Bisexual 🩷💜💙

I've seen a lot of people complaining about Alex not having as big of a crisis over being bisexual as he did in the books, but I feel like a lot of people are overlooking the development he does go through.

Henry is the first guy he has felt attracted to that he actually knew prior to getting physically involved.

Alex & Miguel

Nora's asks specifically about men Alex has "been with", not men he's liked or interested him. She means physically, and he knows that too. Alex doesn't even bother with giving any context or details for his high school hook up. His description of his hook up with Miguel is straightforward, direct, and factual, because he doesn't have an emotional attachment to that moment or Miguel.

This, and his interactions with Miguel, gives the impression that they don't really know each other that well. It seems like they met during the campaign, made out in a hot tub, and now occasionally they talk at school.

They don't seem like friends, rather acquaintances after a one night stand, which is pretty much what they did. Their first conversation is mostly Miguel trying to get quotes for his journal and flirting with him rather than any kind of real discussion.

Gifs courtesy of @phakphumm from this post

Alex isn't stupid; he knows Miguel is flirting with him, however he chooses not to acknowledge it. He doesn't discourage him, but he does not encourage him either.

He avoids saying anything about it at all. His expressions after the eyelashes comment show him at a bit of a loss for how to respond. Alex seems flattered by the compliment, but doesn't seem to have any real desire to hook up again.

Everything Miguel says, he says in an attempt to get something out of him, whether it be flirting to hook up and/or get quotes for his journal.

Same thing at the state dinner; Alex isn't fully paying attention cause he's busy staring at Henry, but Miguel opens with compliments, specifically about his memo, which is definitely an attempt to flatter him. Then he starts asking direct questions about the campaign, Alex doesn't answer, and he walks away. They're not really friends.

New Territory

It's one thing to admit being somewhat attracted to the same sex, under limited, physical circumstances. Lots of people often joke about "being straight/gay but I would sleep with this person".

It's another thing to develop an attraction to a person you know of the same sex when you've never had those feelings before. It's not just physical anymore, because you know and like this person outside of that context, and the physical intimacy gains a new meaning.

Alex VS Feelings

This is a new feeling for Alex. This man practically makes out with two women he barely knows without any qualms, but when he's waiting to see Henry? His close friend who he knows and plans to kiss?

He is nervous; not just a little nervous either:

Alex is a pretty confident guy, able to host massive parties and dance without any reservations about it, unlike Henry who awkwardly bounces. He's a fantastic public speaker. Excluding the wedding, which were extreme circumstances, he's able to navigate a room comfortably. We know from the closet conversation that he used to get scared, but it's clear based on his campaign efforts, the DNC speech, and so on that he's grown into his role and can play it well.

Here, Alex can't sit still. He doesn't know how to stand. He's shifting around, almost pacing. He visibly tries to muster up the confidence we know he has, but can't. He's trying to pose, or look confident, and almost gets there, but the second the door opens, he panics and just stands there.

"But that's just cause he really likes Henry!"

Yes, exactly; Henry is his first step towards fully realizing his identity.

Once the tension is broken, Alex is confident again and doesn't hesitate anymore. He may not be completely sure of his identity, but he is completely sure that he wants Henry. Those thoughts take priority when he kisses him. He knows physical intimacy. He knows how to kiss with someone regardless of who they are. He has been with a couple men, and is a man himself, so he knows what feels good. His confidence stays intact during their exchange when they get to his bedroom.

There are very small moments where you can see his nerves poke through.

When Henry pushes Alex over the couch, not only is it surprising to him, it also disconnects them for a few seconds. He has a chance to look at Henry while they're not touching or kissing, no direct distraction.

When Henry starts undoing his pants, he looks up, inhales quickly, blinks a couple times, and swallows; it's almost like he's thinking "okay this is actually happening now". Again, no direct distraction, as Henry isn't doing anything yet, and Alex isn't touching or kissing him.

Both moments go by fast though because he's focused on what he knows, the physical part. He knows he wants Henry physically, so he can focus on that, and deal with the other feelings later.

Alex is aware that he has feelings toward Henry that are new to him. He doesn't know what they mean, and it's nothing even close to what he feels later in Paris and at the lake house, but they're starting to form. He's the one who suggests that he and Henry see each other again, and you would have to be blind not to see the brief disappointment on his face when Henry says it has to be very casual. It's also important to note that this is right after Alex comes out.

The Bisexual Label

While his feelings make Alex nervous, Henry is still his friend and he feels comfortable around him. He's the first person he comes out to; he was unable to say anything definitive about his identity during his conversation with Nora, despite her best efforts to help him.

Henry is the first person he tells and he distinctly shows uncertainty when he first uses the bisexual label:

He's serious about it; not overly serious, but he's coming out very formally. He's nervous, even though he's telling Henry, who he literally hooked up with five minutes ago. Henry already knows he's attracted to men. Alex is not nervous about that; it is clearly the label that he's uncertain about.

Confidence

A lot of people get taken by surprise when they start questioning their identity because they had simply never thought about it before.

The uncertainty Alex has about his identity was initiated by his feelings for Henry. Alex clearly never considered the idea of being in an actual relationship with a man. Without Henry, he may have never figured out that he was fully bisexual. He may have continued fooling around occasionally with guys, never giving serious thought to the other possibilities, unless/until he met someone like Henry who basically smacks him in the face with a mirror.

Being with Henry makes him truly think about himself, and come to the conclusion that he's bisexual. Seeing/dating Henry also makes him more comfortable and confident in his identity over time.

While Alex hadn't acknowledged Miguel's advances before, after he sleeps with Henry, he actively calls him out on it and refuses without hesitation as soon as Miguel puts the suggestion out there. Miguel even says "Well, I don't anymore", confirming that had been his intention in earlier scenes.

He had been trying to hook up with him again, and because Alex never addressed it, Miguel thought that it was possible. Alex may not have addressed his comments, but Miguel could see for himself that they had a positive reaction; he felt flattered and bashful. That response coupled with the fact that Alex did not outright tell him to stop was enough reason for Miguel to think it could happen again.

Also, Alex told Nora that he got the feeling Miguel wanted to hook up again, but that he was a journalist, which does not say he wouldn't be down. He never says he wouldn't want to; instead he expresses his apprehension to the idea due to his job. So for all intents and purposes, before Henry came along, Miguel was correct to think it was a possibility.

This seems to be the first time Alex has ever actually addressed their tension, and it occurs after he starts seeing Henry and using the bisexual label.

Owning The Bi Label

Then Zahra finds him and Henry the next morning. She is kind enough not to tell Ellen immediately, because even if she won't admit it, she does care about Alex a lot and recognizes the importance of something like this. However, she makes it very clear that he needs to tell her ASAP or she will.

When he comes out to his mom, he is significantly more sure of himself when he uses the bisexual label. He laughs and uses the shorten term "bi" which is a small detail but indicates his confidence, compared to how he cautiously said "bisexual" when coming out to Henry. He's not at all nervous to use the term, and says it grinning.

This is also indicative of his confidence in his label because Alex doesn't lead with his sexuality. He leads with meeting someone, and clarifying that it's a man, and that it's Henry. So once they're on the couch talking, Ellen is also already aware that he is attracted to men, but this time, he's prompted about his label and he shows zero nerves about using the term "bi".

Queer Identity

By the end of the movie, Alex is able to publicly refer to himself as having a queer identity. Obviously, he was outed against his will, but he is still able to stand up and acknowledge who he is without nerves about it. He has been with Henry for a year, and he knows who he is, and he’s not ashamed of it. As he says, the leaks were an issue of privacy, not shame. Alex is not afraid to say who he is, and he is queer, he is bisexual. He’s a different person than he was before Henry. He’s learned about himself because of him.

Does he have a complete, computer-error-noise breakdown over it? No, he doesn’t, but he does not immediately start waving a bi flag around either.

Okay, that’s all! This took so freaking long to put together, but I hope it helps people understand how his bisexuality is addressed in the movie. Just because he has a different journey than he did in the book does not mean he did not have a journey at all, and I hope this allows people to see it more clearly! Thank you for reading!

#red white and royal blue #rwrb #rwrb movie #rwrb thoughts #bisexuality #alex claremont diaz #taylor zakhar perez #miguel ramos #henry hanover stuart fox #ellen claremont #firstprince

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paper-mario-wiki · 4 months

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genuine question coming from someone who is trying their best to support palestine but can't stomach condoning hamas's actions. how can you justify the murder of civilians and sexual violence that happened on october 7th? i know the fight for palestinian liberation is more important but they said orders to rape israeli women came from higher up in hamas. how can we support these people?

I will not be debating people in the notes of this post or in followup asks. I am not an authority on this subject, I am an individual giving commentary as I see it.

Do not attempt to follow this discourse up with intent to own me. You will waste your time and look stupid, I promise. Just unfollow and block me.

If your intent is genuine, and you are sincerely confused, then I will tell you that the first thing you must do is understand that your perspective of what happened on October 7th was not your own. It was made by a committee of communications officials and sold to you by news organizations to implant within you a version of what happened so that you would feel this precise feeling of hesitation, discomfort, and desire to withdraw yourself from the discussion. And that version is often full of blatant, contradictory, and easily fact-checkable lies. Israel knows that it doesn't have to make everyone support its cause to get away with it: if they can make enough people look away while they commit genocide, this too is a victory.

The sexual violence against Israeli women by Hamas has been vastly unsubstantiated, especially in comparison to the verifiable claims of IDF soldiers using sexual violence against Palestinian women. Go to any news articles and you will see "Claims of [number] of Israeli women raped by Hamas". You don't see firsthand reports, and you don't see consistent numbers, just people speaking for this group of unnamed and uncounted women. Further, many of the photos and videos of violence happening to women you see typically attached to these articles have turned out to be verified as Israeli soldiers assaulting Palestinian women during previous conflicts.

And that's another important note: previous conflicts. The date on everyone's mind has been October 7th, because that's when Hamas made an attack on the concert. Make no mistake, this was not the beginning of this conflict. And Palestine was not the aggressor.

Here is a graph of people killed as a result of the ongoing Israeli occupation of Palestine from 2002 to 2014. Notice, if you will, the yellow vs the pale blue. Can you guess which color represents which group? Just kidding you don't have to guess, the graph tells you.

After WW2, the European-Jewish population (which was 90% of the Jewish population at the time) emigrated to their holy land after over 1000 years. This land, now Palestine, had been under control by Muslim kingdoms since around 640 AD. The UN created a proposition following the Holocaust, submitted to create 2 states within Palestine: 54% would go to the Jewish population, and 46% would go to the Arab population. The Palestinian representatives rejected this proposal, but the Jewish representatives agreed, and over the next few years there would be a massive displacement of Muslims during what was called the Nakba; a cataclysmic event that saw 700,000 Palestinians (80% of them) displaced from the territory that the Israeli occupying force had claimed.

Since then there has been an ongoing pushing and cleansing of Palestinians over time. The remaining land that was not stolen during the 1948 mandate has been shrinking as Israel tightens its grip on the land and the people, exerting the force given to it by the United States to completely absorb the area. The process of which has been torturous and extraordinarily traumatic on the Palestinian population.

This map represents generations of murder, rape, and torture of Palestinians. A people who had their land forcefully taken from them, and have been made to be unwilling neighbors with their aggressors ever since. There are countless articles of IDF soldiers and Israeli citizens alike abusing Palestinians. Stealing their homes, starving their children, mocking their faith. This form of violent nationalism is born from Zionism, which was created by secular men, and has existed for less than a single century. The ideals of Zionism can only be seen out with the COMPLETE annihilation of the Palestinian people, something the terroristic Israeli force sees to go through with.

Hamas, at the moment, is fighting for the unconditional freedom of Palestine from their colonizers. We are seeing, in real time, the furious spirit of Palestine resisting what some of the worlds strongest military forces are trying to make to be their final death. In that impossible fight, they are seeing victories in urban warfare, and extreme coordination in guerilla tactics that we haven't seen since the Vietnam war. And during all of that, it has still been verifiably reported that they've been treating hostages well, many of them speaking positively about their time in captivity and expressing extreme dissatisfaction with Netanyahu's cabinet, something reflected in the staggering lack of direct interviews with hostages released.

Let's not mince words here, Hamas is absolutely killing people. Hamas is killing as many IDF soldiers as they possibly can, and yes, even some Israeli civilians have died. While it's true that these number significantly fewer than Palestinian civilian casualties, I'm not bold as to claim that that is not horrible. But this too is the fault of purposeful abuse of civilian population centers by the Israeli government. Ask yourself for a moment:

Why would Israel, being so aware of the horrifying whims of the savage Palestinians, allow a massive open-air concert to happen DIRECTLY on an unpatrolled border between Israel and Palestine? Why too does Israel insist on housing Civilian populations as close to Palestine as possible? They've already showed us: the military uses the deaths of their civilians as warrant to punish Palestinians in any way and to any extent they see fit.

Even if we're discounting the murderous occupier civilians shooting at Palestinian families and forcing them out of their life-long homes, it's still horrible to see otherwise incidentally innocent Israeli civilians die. Innocent death is inherently horrible. But even in a world where what happened on October 7th didn't happen, Israel intended to ensure the death, innocent or not, of all Palestinians who resist giving up their land. Hamas, Palestinian resistance groups, and now other Arab states have chosen to fight against this. Millions of people around the globe have chosen to unite and fight for them for this reason as well. It is why I support Palestine.

When a society lets mass atrocities happen in slow motion over decades, those atrocities become normal. And when those experiencing these atrocities fight back with economical blows of violence, it becomes a shocking disruption to the normal for those who haven't been paying attention, or were born into it; something the west relies on, and has packaged and sold as "terrorism" in the past few decades.

The modern Zionistic body of Israel has been a terroristic, murderous entity since its inception less than 100 years ago.

Do not let yourself be swayed into believing that murder, if done slowly enough, is not murder.

#anon #cw rape #long post

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worldsewage · 2 months

Note

Hehe may I ask about evil Callie?

(The evil/brainwashed) Callie here functions a bit differently… as I also use her to explore what exactly mud mouths are… and the octarian’s relationship with their ally, Salmonids…

Explanation under the cut. 🚧

Due to constrained relations between them and the other main dominating species— (salmonid/octarian vs inklings)— most Inklings, namely younger generations, are more desperate to fix and mend the relationship.

(There is plenty more to this! But I don’t want to make this come across as far more convoluted than it needs to be, so here have this for now:📒)

Octavio contacted Callie directly, albeit in secret, telling her that he has plans that would be a step forward in ending the tension between the Inklings and Octarian-Salmonid groups. What he had introduced was a new type of “ink” that would make their species “salmonid friendly”, and he wanted Callie to be the one to be the first public appearance with this new Ink in hopes to reach a wider audience…

Most of that isn’t true— but to Callie— who is a direct descendant of a war leader, was raised as an agent, and lives in a fairly dangerous city zone that floods, that sounded like a better step towards a better life, and she went for it.

This ink is known as MUD— and this “ink” isn’t technically ink at all, as mentioned in a previous post, most inks are a synthetic toxic poison, designed for warfare, but this ink on the contrary, wasn't designed by Inkfish, it was designed by Salmonids.

MUD is a slimy corrosive ink designed to rival Inkfish’s ink, namely in salmon runs and Ink Wasted territories, one that blends into the grounds and spreads out quickly and efficiently much like Inkfish ink, but one that corrodes Inklings by absorbing into them, and leaves salmonids completely safe from any burning effects.

The Octarian were the ones tasked with creating this new bio-weapon, as an added benefit being it would not affect their species, (they would be safe from it regardless, considering Salmon-Runs are an Inkling exclusive event, and Octolings were surprised when they learned about them.)

They tried different methods of testing it, and ultimately, the project failed— Mud uses both Salmonid and Inkling DNA in its creation, and when Mud was being developed, it melted Salmonids like Ink typically does due to its hyper-corrosive nature, but because it carried Inkling + Salmonid DNA, the salmonid’s skin would attempt to mimic the properties of inklings and constantly try to reconstruct itself into the “swim” form, which made Salmonids a walking (or rather, squirming) sludge, these monsters became known as MUDMOUTHS, and are not truly considered alive, since they run exclusively on the Running Instinct that exists in Salmonid DNA.

And in turn, when the ink was absorbed into Inklings— the previously noted “running instinct” would have an almost Kraken-Esque affect on inklings before corroding and splatting them.

The running instinct would work as intended, everything they eat immediately converts to growth in preparation for an arduous journey, they’re extremely aggressive, and they have a desire to return to the salmonid birthplace.

Mud would splat inklings upon prolonged contact, but Inklings who were test subjects for mud were slowly injected with Mud over a course of time. These subjects were disoriented and had a sort of “positive” aggressive attitude that didn’t falter even in the face of family or friends.

They are easy to persuade and it’s unclear if this is due to the pain of getting the ink-content in their bodies replaced by this synthetic fake-ink, or if the running instinct muddles their thoughts. It’s probably a healthy mix of both.

Dj Octavio, kept Callie by his side, since in her current state her mind would be too fogged up to dispute or make sense of what he’s making her do.

He planned on using Callie to stir up trouble in Inkopolis solely for the sake of rising tension. Octavio is constantly searching for reasons to make Inkling’s an enemy in the eyes of everyone who sees them, and painting Callie— a well known public figure; a known descendant of Captain Cuttlefish— as vicious would do wonders for allowing most people to view the Octarian as a force that would more desirably be backed up, it would reinforce their armies. And make them overall stronger if people felt they had reason to target Inklings.

He didn’t get this far due to Agent Four’s interference.

But, he got to accomplish many theft missions using Callie— which included robbing Inkopolis of some of the Zapfish Generators, which are giant machines that are powered thanks to the Zapfish, and thanks to the Zap-Ink— ⤵️

(Above image is from here) — Octavio was able to use said generators to restore power to many of the war-affected bio-domes that have been obsolete for decades, WITHOUT the need for a Zapfish.

But his reasoning can still be dumbed down to a petty move on Octavio’s part— who despite having a safer ground in the domes due to a good trade relationship with Salmonids and a vast space away from water— he still feels bitter about losing the remaining lands. And because of this the Octarian are plenty more war driven, and they are more likely to easily fall to the fervor of these schemes and battles.

#my art #homerun au #callie cuttlefish #marie cuttlefish #dj octavio #salmonids #splatoon #alligator (agent 4)

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essence-inked · 27 days

Text

So I’ve been thinking about rational vs. irrational character decisions.

An irrational decision is great when your story is driven by your character’s personal flaws and struggles, and for crafting situations where your audience knows that these decisions are unavoidable because they are perfectly in character. Having your characters be perfectly able to solve their problems if they weren’t, y’know, themselves, is so very hard-hitting, and can be a fantastic part of a narrative.

The downfall with irrational decisions is that it can make situations seem less dire or make your antagonists seem less dangerous. If your characters are falling over themselves and their own personal issues, then it’s hard to show how the external problems in your story pose a serious threat, because you can’t demonstrate how they’re hard to deal with if your characters aren’t making solidly competent attempts in the first place.

Rational decisions are great for stories where most of your problems are external, like your characters trying to build a spaceship or infiltrate the bad guy’s lair. It’s also key to any horror writing, where you need your characters to be competent in order for your danger to be credible; if your audience spends the entire time wondering why your protagonists aren’t doing very obvious things to solve their problems, it’ll be a lot harder to get a properly spooky atmosphere going. But if your characters are only ever making the most optimal, logical choices without ever struggling, they won’t be very compelling, so just like with irrational decision-making, there’s a time and a place for this.

Ideally, you want some combination of both rational and irrational character choices. And maybe even more importantly, whatever choice a character’s making needs to be one that makes sense for them given everything you’ve already shown in the narrative so far. If the decision feels forced or contrived, then it doesn’t matter if it’s rational or not, because it’s not a choice that fits with the rest of the story.

But, yeah, ultimately, both types of character decisions are useful tools, and it’s less about one or the other being right, and more about both of these tools being useful for different types of situations.

#ink posts #character writing #writeblr #creative writing #writing #writing inked #writing tips #writing advice #storytelling #writerscommunity #writers on tumblr

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