Court Suit
c.1810
France
This three piece suit is exemplary of skilled French embroidery and the silhouette of men's court wear during the time of Napoleon Bonaparte (1769-1821). Bonaparte revived the importance of court traditions when he crowned himself Emperor in 1804. This revival necessitated the recreation of acceptable court dress, which had been defunct since the elaborate and costly court of Louis XVI (1754-1793) prior to the French Revolution. The intricate embroidery pattern is intriguingly mimicked between the waistcoat and coat, reinforcing its status as a full suit. (The MET)
The MET (Accession Number: 2009.300.1001a–c)
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Went to a small exhibition at the Musée du Chablais in Thonon-Les-Bains about the three first Empire generals from the area (Joseph-Marie Dessaix, Amé-Pierre Chastel and Pierre-Louis Dupas) and at the end of the exhibit they had tables and chairs with Who's who games, Empire edition 🤭
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View from Grassi's Villa toward the Plauensche Grund near Dresden, by Karl Ludwig Kaaz, 1807
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First sword delivery of 2023 has finally arrived. Not my first purchase this year but the first to reach me.
The top sword is a large and heavy French First Empire era cuirassier officers sabre with the ‘Garde de Bataille’ hilt. The blade is is marked with the Solingen Rose on the spine and retains a small amount of etching. Unfortunately it’s missing its’ scabbard and I will try and get a reproduction one made for it.
The second is a French light cavalry officers sabre with the ‘Cote de Melon’ style hilt. This one is likely from the First Republic era. It has a very stout blade that is proportional to one on a troopers’ sabre. Again the blade was made in Solingen and features the typical talismanic engraving typical of the late 18th Century.
A comparison of the French light and heavy cavalry swords to their British contemporaries of the era.
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Referred to as the ‘Côtes de Melon’, after the distinctive pommel shaped like the ‘ribs of the melon’. This sabre style gained popularity among French officers from about 1800 and remained in use until the introduction of the model 1821 infantry and 1822 cavalry sabres during the Restoration era.
Aside from the pommel, the type is distinguished by the simple stirrup hilt with langets and a single quillion. The grips are made from hardwood and can be checkered or have longitudinal groves. Often the knuckle guard has a stylised olive decorative feature. Swords belonging to superior officers would have been silver-plated.
The swords of mounted or cavalry officers can be identified by their length and dual suspension rings on the scabbard. Superior officers typically had ornate metal scabbards, while infantry officers preferred shorter sabres with a frog stud for use with the cross-belt.
An officer of one of the light cavalry regiments most likely owned this sabre. The blade is particularly large and sturdy, plus the scabbard has dual suspension rings. The blade is decorated in the typical oriental fashion of the late 18th Century with faux Islamic / cabalistic script and an ‘Ottoman’s head’. There is a lovely Solingen rose on the blade's spine but no other identifying manufacturer's marks.
The simple ‘baguette’ shaped langets, blade decorations and plain knuckle guard may indicate that this is an early example of the type, or that it was used by an officer of another nation, imitating French fashion.
Overall Length: 965 mm
Blade Length: 825 mm
Grip Length: 130 mm
Inside Grip Length: 110 mm
Sword Weight: 800 grams
Total Weight: 1050 grams
Point of Balance: 180 mm
Curve: 37 mm
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A special dress to start your day: detail from a First Empire “town dress" with chemisette owned by Empress Josephine @museemalmaison As noted by the Museum, it was preserved by the family of Madame Poyard who looked after the Empress’s wardrobe after 1809.
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Oil Painting, 1805, French.
By Jean-Auguste-Dominique Ingres.
Portraying Madame Rivière wearing a White Dress and Cream Cashmere Shawl.
Musée du Louvre.
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I don’t know who painted it but I like it. Looks like Josephine, and Isabey in the left background. UPDATE: It’s “Reception at Malmaison” by Flameng.
Thanks @au-pas-camarades!
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The ‘Abdication Room’ - Château de Fontainebleau
On April 6th, 1814, in this room, on the pedestal table, Napoleon Bonaparte, Emperor of France, signed the Treaty of Fontainebleau, thus abdicating the throne. He later said farewell to his troops in the entry courtyard of the palace and was banished to the Mediterranean island of Elba.
Photos by Charles Reeza
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Napoleon Bonaparte, is marveled by the technological wonders of the modern world, like a modern man should. Dressing in a casual batchelor way, watching TV.
And preparing his speeches in the morning, before going out to concur the world once again.
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Oil Painting, 1805, French.
By Jean-Auguste-Dominique Ingres.
Portraying Mademoiselle Caroline Rivière in a White Dress, Yellow Gloves, and Fur Stole.
Musée du Louvre.
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