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Court Suit
c.1810
France
This three piece suit is exemplary of skilled French embroidery and the silhouette of men's court wear during the time of Napoleon Bonaparte (1769-1821). Bonaparte revived the importance of court traditions when he crowned himself Emperor in 1804. This revival necessitated the recreation of acceptable court dress, which had been defunct since the elaborate and costly court of Louis XVI (1754-1793) prior to the French Revolution. The intricate embroidery pattern is intriguingly mimicked between the waistcoat and coat, reinforcing its status as a full suit. (The MET)
The MET (Accession Number: 2009.300.1001a–c)
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robespapier · 25 days
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Went to a small exhibition at the Musée du Chablais in Thonon-Les-Bains about the three first Empire generals from the area (Joseph-Marie Dessaix, Amé-Pierre Chastel and Pierre-Louis Dupas) and at the end of the exhibit they had tables and chairs with Who's who games, Empire edition 🤭
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empirearchives · 1 year
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View from Grassi's Villa toward the Plauensche Grund near Dresden, by Karl Ludwig Kaaz, 1807
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awallofswords · 1 year
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First sword delivery of 2023 has finally arrived. Not my first purchase this year but the first to reach me.
The top sword is a large and heavy French First Empire era cuirassier officers sabre with the ‘Garde de Bataille’ hilt. The blade is is marked with the Solingen Rose on the spine and retains a small amount of etching. Unfortunately it’s missing its’ scabbard and I will try and get a reproduction one made for it.  The second is a French light cavalry officers sabre with the ‘Cote de Melon’ style hilt. This one is likely from the First Republic era. It has a very stout blade that is proportional to one on a troopers’ sabre. Again the blade was made in Solingen and features the typical talismanic engraving typical of the late 18th Century. 
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A comparison of the French light and heavy cavalry swords to their British contemporaries of the era. 
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blue-and-gilt · 1 year
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Referred to as the ‘Côtes de Melon’, after the distinctive pommel shaped like the ‘ribs of the melon’. This sabre style gained popularity among French officers from about 1800 and remained in use until the introduction of the model 1821 infantry and 1822 cavalry sabres during the Restoration era. 
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Aside from the pommel, the type is distinguished by the simple stirrup hilt with langets and a single quillion. The grips are made from hardwood and can be checkered or have longitudinal groves. Often the knuckle guard has a stylised olive decorative feature. Swords belonging to superior officers would have been silver-plated. 
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The swords of mounted or cavalry officers can be identified by their length and dual suspension rings on the scabbard. Superior officers typically had ornate metal scabbards, while infantry officers preferred shorter sabres with a frog stud for use with the cross-belt.
An officer of one of the light cavalry regiments most likely owned this sabre. The blade is particularly large and sturdy, plus the scabbard has dual suspension rings. The blade is decorated in the typical oriental fashion of the late 18th Century with faux Islamic / cabalistic script and an ‘Ottoman’s head’. There is a lovely Solingen rose on the blade's spine but no other identifying manufacturer's marks.
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The simple ‘baguette’ shaped langets, blade decorations and plain knuckle guard may indicate that this is an early example of the type, or that it was used by an officer of another nation, imitating French fashion.
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Overall Length: 965 mm
Blade Length: 825 mm
Grip Length: 130 mm
Inside Grip Length: 110 mm
Sword Weight: 800 grams
Total Weight: 1050 grams
Point of Balance: 180 mm
Curve: 37 mm
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silkdamask-blog · 7 months
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A special dress to start your day: detail from a First Empire “town dress" with chemisette owned by Empress Josephine @museemalmaison As noted by the Museum, it was preserved by the family of Madame Poyard who looked after the Empress’s wardrobe after 1809.
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Oil Painting, 1805, French.
By Jean-Auguste-Dominique Ingres.
Portraying Madame Rivière wearing a White Dress and Cream Cashmere Shawl.
Musée du Louvre.
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microcosme11 · 2 years
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I don’t know who painted it but I like it. Looks like Josephine, and Isabey in the left background. UPDATE: It’s “Reception at Malmaison” by Flameng.
Thanks @au-pas-camarades!
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charlesreeza · 2 years
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The ‘Abdication Room’ - Château de Fontainebleau
On April 6th, 1814, in this room, on the pedestal table, Napoleon Bonaparte, Emperor of France, signed the Treaty of Fontainebleau, thus abdicating the throne.  He later said farewell to his troops in the entry courtyard of the palace and was banished to the Mediterranean island of Elba.
Photos by Charles Reeza
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Napoleon Bonaparte, is marveled by the technological wonders of the modern world, like a modern man should. Dressing in a casual batchelor way, watching TV.
And preparing his speeches in the morning, before going out to concur the world once again.
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ruubesz-draws · 14 days
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When bae is angry at you
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empirearchives · 1 year
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Neoclassical dress, First French Empire, Napoleonic era, c. 1810, white cotton and muslin. (La Gazette Drouot)
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vaguely-concerned · 2 months
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sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go
#the locked tomb#harrowhark nonagesimus#john gaius#harrow the ninth#this is why I don't buy john as misunderstood and initially well-meaning AT ALL#this is a pattern you see with him again and again and again -- right down to his interpersonal relationships#(and indeed it's in the more grounded interpersonal relationships you can most clearly see him as he is I think#the fantasy death empire of a thousand years doesn't register quite as viscerally because it's like. heightened; not quite real#but the emotional violence and manipulation that surrounds him? oh boy that is EXTREMELY real and scarily well-observed)#there's a premeditation to so much of what he does (contracts with planets that only end 'in the event of the emperor's death' anyone?#yeah john we get it you're hilarious and I wish you weren't)#the greatest trick john ever pulled was making anyone think he's just a lil guy. what does he know he's only god#when you first read the book the complete callousness of the other adults is so horrible that john seems like an oasis of care#(though you start to get this uneasy feeling when that care never seems to translate to like... relief or soothing or resolution)#and it makes it feel almost obscene when you find out what's actually going on#it's the mercy & augustine enabler hour but at least they're completely honest in their cruelty there#while john is -- well he sure is being john huh#this is just me being angry with him btw philosophically I don't think this is how the story will or should end#(with john slam dunked right into hell that is)#it's just... harrow is so vulnerable. and what he does to her is so insidious and fucked up#john is very deeply human. unfortunately the capacity to quite simply suck so much is deeply human too
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kagoutiss · 9 days
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pelican town, ‘72
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Oil Painting, 1805, French.
By Jean-Auguste-Dominique Ingres.
Portraying Mademoiselle Caroline Rivière in a White Dress, Yellow Gloves, and Fur Stole.
Musée du Louvre.
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vvtshh · 3 months
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wdud when your friend gets height boost over the year
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