#for non japanese-speaking fans | Explore Tumblr Posts and Blogs

hannieehaee · 25 days

Note

Hello! What abt svt & their reaction/rls to foreign staff members? As in maybe translators that are with them on tour?

you being a foreign staff member

content: these are mostly implied to be platonic, fluff, foreign reader (non-korean), most of these reactions assume you speak english and korean as an additional language, etc.

wc: 881

a/n: i loved this concept honestly!! id love to write a longer fic about a language barrier fic or a translator staff member :0

masterlist

seungcheol -

being leader, he sometimes would feel the brunt of taking on interviews and such in english, not always being able to understand what's being asked of him. he would turn to you before and after any interviews or social interactions that involved english to clarify anything he didnt understand. would have a lot of respect and admiration for you, thinking you to be super smart for being able to translate so effortlessly.

jeonghan -

would sometimes strike conversation in japanese just to throw you off. he'd even ask joshua to teach him some phrases in english to throw you off even further by suddenly switching languages. would do the same with jun and throw some chinese at you too. however, he would still converse with you in korean often to get you to accompany him and a few of the members during outings in order to translate.

joshua -

he'd be happy to have another person to speak english to, always seeking you out whenever he got tired of not being able to speak his native language. since the two of you both had korean as an additional language you'd learned, the two of you would relate a lot and mutually gravitate towards each other.

jun -

he has a tendency of going live on weverse and going back and forth between korean and chinese, even teaching carats a few phrases in both languages. this makes me think that he might seek the same from you. he would ask you to translate phrases into whichever language you knew and would even teach you stuff in chinese back.

soonyoung -

he's always trying to learn new words from his the comments on his weverse lives, so i think he would come to you with that same curiosity. he would be fascinated by how easily you went back from one language to another and ask you to teach him how you do it. would be super cute about it too, following you around whenever you were assigned to go on tour or to events with them and rambling questions at you.

wonwoo -

he mentioned in a fansign recently that he wants to learn a lot of languages, so i think he would be somewhat fascinated by you and how well you spoke korean despite it not being your first tongue. would maybe even seek you out directly to strike conversation about linguistics.

jihoon -

he's expressed before that he thinks his english is bad, so he might be a bit shy to speak it. he might look to you for help whenever he happened to go out or find himself in social situations overseas, sticking by you in order to avoid awkward social situations. he would be forever thankful to you for always helping him out and would come directly to you any time he needed help or wanted to learn something new in that language.

seokmin -

he's so outgoing he would probably not even need you to direct yourself at him in korean to become friends with you. since you'd be around a lot, he would do his best to make you feel comfortable while also getting your help in learning a bit more english to communicate with carats. to him it'd be a two birds one stone type of situation; he gets a new friend and gets to find new ways to talk to his fans.

mingyu -

super interested in interacting with you. he loves to learn and is always hoping to strike conversation with new people he meets, so he would have tons of questions for you as to what words to say and how to say them. being the friendly guy that he is, you two would likely become fast friends due to how often he came to you with questions.

minghao -

he's said before he wants to learn english and how hard he's been working towards it, so he would come to you with any questions and even asking you to tag along if he were ever to want to go out during tour. he'd become friends with you very easily and exchange his knowledge in chinese for your knowledge in english.

seungkwan -

he'd be immediately curious about you, seeing as you didn't seem to be a regular staff member. upon finding out you were a translator he'd try to communicate with you in broken english, completely forgetting that you'd obviously know korean. after that, he would consistently ask for your help in learning important phrases in english and praising you for your expertise at speaking multiple languages.

vernon -

as someone who had to learn korean as a second language very young (and then retain his english language after moving to korea), he would probably relate to you a lot and befriend you very easily. he would seek you out to dust off his english and the two of you would likely hit it off right away.

chan -

being the future of kpop, of course he needs to know a bit more english, or at least that's what he tells you any time he comes to you with yet another inquiry as to what some random post he saw online means. he knows he can just use an online translator (or ask an english-speaking member), but he would trust your judgment more.

#seventeen fanfic #seventeen x reader #svt fanfic #svt x reader #seventeen #svt #seventeen imagine #seventeen oneshot #seventeen reaction #svt reactions #svt imagines #svt oneshot

449 notes · View notes

sprintingowl · 4 months

Text

Picaresque Roman

I'm a fan of the Japanese ttrpg design scene. My first non-DnD game was Golden Sky Stories, and I really click with the prevalence of d6s and oneshot-oriented play.

However, my ability to speak/read Japanese is so immensely bad that it changed the trajectory of my life, so I generally have to keep my fingers crossed and hope for translations of the systems I'm excited about.

Hence, when Picaresque Roman came out in English, I scooped up a copy as fast as I could.

Picaresque Roman: A Requiem For Rogues is a competitive pvp tabletop rpg. Probably the closest equivalent to it is werewolf/mafia, but it's not that exactly.

The broad premise is that you're criminals in a hidden city and you're working together in an uneasy truce to take down a big juicy target. All of you are ultimately in it for yourselves, and one of you is a traitor---however there's no mechanic that lets you kill other characters.

Instead, you can gather information (everyone has info cards, which include things like their traitor status), forge truces (or force truces), and shake down each other (or the target) for cash or victory points.

It's a full-fledged rpg, with classes and skills and an action economy, but everything happens in little vignettes. You pick an action, you roll or talk, and that's your turn for the cycle.

It's tightly designed enough that you could play Picaresque Roman without any roleplaying at all and it would still be fun, or you could put a bit of flourish on every action you take and play out quick scenes when you make a truce or rob your target.

I think this might be one of those games where all it really needs is a box and a board and it'd cruise right past people's hesitation around roleplaying and become as popular as Gloomhaven. As is, I think it's a *good* rpg for introducing other people to rpgs, especially if they already vibe with gangster dramas, Guy Ritchie movies, the Yakuza series, or stuff like Black Lagoon or Akudama Drive.

#ttrpg #ttrpg homebrew #ttrpgs #ttrpg design #indie ttrpgs #rpg #indie ttrpg #tabletop #dnd #rpgs

525 notes · View notes

teeth-cable · 28 days

Text

I need more people to talk about how just like the POC designs, the writing is terrible at clueing the audience what race and ethnicity the characters are.

Beside stereotypes, the racial coding in the writing is little to non-existence. The characters don’t have mannerisms from their cultures, speak in slangs or idioms relating to their group from their time periods, or make cultural references.

Without having to rely on outside sources (Livestreams, looking up VAs, leaked audition sheets, etc), the only characters I would successfully guess would be Vicky, Val, and Velvette, and even then, it doesn’t mean the racial coding is good.

Vicky is the only one from this list whose racial coding isn’t atrocious. I can tell she’s Latino because she curses in Spanish, but that’s it. This is admittedly nick-picky , but I wish when cursing she would have used Salvadoreño specific slang and curse phases to signal she’s Salvadoreña.

Val, I can tell is Latino too, because of his accent and him cursing in Spanish, but it’s egregious. The accent fluctuates so much, it’s strong, then weak, then strong again. Not sure if the VA was struggling or if this was an intentional direction given to him, though the fact, I and other people were confused, at the direction, speaks for itself. Another issue with his accent is how it’s sexualized, contributing to the Latin Lover stereotype of his character.

Velvette, I won’t sugarcoat it. I wouldn’t even guess she was supposed to be black though the writing or the majority of her designs until the finale. The finale, the last episode of the season and the only time she has textured hair with her screen time being around two minutes and sixteen seconds in total.

Visual designs isn’t where race coding ends. This is important to remember because it ignores the good coded characters (King Dice from Cuphead, Darwin from TAWG, the Funk trolls from Dreamwork’s Trolls) and how Viv failed and could have done the racial coding better.

For Viv, she has to rely on other coding methods too because there are characters who aren’t humanoid enough, or even humanoid at all, for visual coding to work. There really isn’t anything I can say to explain why the race coding sucks beside Viv doesn’t care about representing POCs.

I wanted to create this post to highlight how Viv fails at coding in every aspect. The fandoms and critics shouldn’t praised her for giving Velvette textured hair or darkening Sera’s skin from her leaked audition sheet. We need to stop praising creators, especially white ones, for doing less than the bare minimum (The bare minimum being making POC characters look POC) when creating POC characters, or worse, justify it. I’ve seen people tried to justify the terrible POC designs by using one of Carmilla’s daughters as an example, as if one decent POC design in a sea of ashy and euro-centric or erased features for the majority of the POC cast suddenly invalidates the criticisms.

I’m also getting tired of the fandom making posts questioning why people have and still draw the POC characters as white, as well as people harassing artists for accidental whitewashing. I’m hate the whitewashing too but in this case, it’s different because this is Viv’s own fault due to her poor racial coding. Not every fan will have the same intense knowledge you do or even should, to know what a character’s race or ethnicity is, that’s Viv’s responsibilities as the creator.

Mind you, these were the human designs we had before the show aired. Alastor being mixed creole and Niffty being Japanese yet they look white as hell here.

#꧁rambles꧂#hazbin hotel #hazbin hotel critical #hazbin hotel criticism #hazbin critical #vivziepop critical #vivziepop criticism

222 notes · View notes

hxhhasmysoul · 4 months

Text

jjk tags and fags - translator assigned genders / fandom assigned genders

The people who translate this manga and anime just can't fucking help themselves with constantly assigning genders to characters.

Yuuji is not gendering Uraume in any way in what he says in the manga:

And he says the exact same thing in the anime: Ore dake hyoyketsu ga amakatta Sukuna kanren dana. That roughly translates to: The ice around me was half-hearted likely due to the connection with Sukuna.

He doesn't mention Uraume by name, which is very typical in Japanese which is a very context reliant language. But in the context it is clear that he is referring to Uraume's connection to Sukuna.

Uraume's gender is ambiguous on purpose, Gege is very deliberate in this.

Uraume of course isn't the only one.

______________________________________________

Other characters and their tags and fags.

Kenjaku

People who know them closely, like Tengen, always refer to them without gendering them. Sometimes the people who don't know them well gender them according to presentation like Takaba, or like Chousou who heavily associates Kenjaku with Noritoshi Kamo. And also those who think Kenjaku is Getou.

The fandom is super bad about Kenjaku, people insist on calling them he/him and making really homophobic and transphobic comments regarding their motherhood. Or the Getou fans just erase Kenajku and pretend that everything Kenjaku does is actually Getou...

_______

Tengen

She literally in open text says how she wants to be gendered. People use the preface where she says that technically as a cursed spirit she doesn't have a gender to pretend the next line doesn't matter. When the opposite is actually true. Even if Tengen could decide to forego having a gender after her evolution, she says nah, grandma, don't call me a guy. And then proceeds to indulge in masc presentation, Queen!

I personally get more annoyed when people use they/them for Tengen than he/him. The he/him people usually just read casually and remember all the times the translators called Tengen master and they haven't really paid that much attention to her scene with Yuki. But I've seen people use they/them on purpose to ignore Tengen's words.

_______

Kashimo

Kashimo is never gendered by the other characters. They use the personal pronoun "ore", which is associated with men but not used by them exclusively. It is rather harsh sounding pronoun, and as @/cursedvibes says it fits Kashimo who speaks in a crude and masculine way. Kashimo's modern day presentation isn't very gendered looks wise though.

But presentation =/= gender. Regardless if it's looks or speech.

Fandom will say well in the past life they looked like a guy and it's just rude to assume based on that :/

Also even if, maybe new life new gender who knows.

If Gege was trying to obviously gender Kashimo the 3rd person pronouns were right there yet remained unused.

_______

Kirara

I've written about Kirara's pronouns before.

I read Kirara as a woman and I explain why in the post above. I don't mind non binary readings because it's really not super clear.

And I don't even have some huge issue with people calling Kirara a high femme boy, though I personally don't read her like that at all.

As long as it's done in a kind and not transphobic or homophobic way. But alas the fandom is there to disappoint quite often.

_______

Angel

I don't know how are people confused about her gender this far along. I didn't remember that her gender was revealed when she actually started interacting with the other characters because Tengen'd spoken about her many chapters earlier. But Angel is very clearly gendered as "she/her". And she's been in the story for many chapters now.

#jjk #jujutsu kaisen #uraume #kenjaku #tengen #kashimo #kirara #angel #i hope i haven't forgotten anyone important #translator shaming #jjk manga

323 notes · View notes

fishing-lesbian-catgirl · 1 month

Note

is there a way to experience arknights that doesn't involve playing a gacha game? i kinda wanna see what it's deal is the girls in it are really hot

Yes there is!

There’s an online tool that lets you read the visual novel story sections: https://akgcc.github.io/cc/story.html. It lets you read the main story, event side stories, operator records (mini stories focused on specific operators), it even has modules (upgrades to operators that cost a lot of resources but also give you a short story blurb when you unlock them). It usually takes a bit for new stuff to get added, so it can’t really let you read along with the current ongoing events (unless you can read Chinese, the CN server is 6 months ahead of the global server and I think the story reader gets updates for their stories but I haven’t checked, it might just be the ones on global).

There are 2 8-episode seasons of an Arknights anime covering the first 2 parts of the main story. They’re called “Arknights: Prelude to Dawn” and “Arknights: Perish in Frost”

There are a handful of official manhua covering various groups of characters, including one for the main characters at Rhine Lab (American science company with a lot of well meaning characters working for a flawed corporation with ethics issues) and one for Blacksteel (the mercenary group with Franka, Liskarm, Jessica, and Vanilla, who I’ve been posting a lot about. The new event side story is about Jessica so that’s why. The mangadex fan translations of this one were tagged as “girls love” and then the official translation made it even gayer, highly recommend for foxgirl dragon girl yuri). As well as a few others. There’s even the mostly lighthearted Rhodes Island test kitchen series about different operators making different foods from their cultures and backgrounds and stuff, it’s very cute. Official translations are here https://www.arknights.global/comic but for the ones that haven’t been fully translated you can usually find them fan translated on mangadex.

Speaking of mangadex, there are also 2 other comic/manga/manhua things you can read. There is the light hearted 4 panel series “Arknights Operators!” that has short, usually comedic, comics about various operators and their lives on the Rhodes Island land ship. I don’t think it’s explicitly canon (it has a gag about Hoshiguma bumping into door frames bc she’s so tall, but her “canon height” is 5’11” [no one likes the canon heights]) but it’s pretty fun and cute.

And what I think is the last thing I have the mention is the Arknights anthology manga series. It’s explicitly non-canon as the comics are all made by guest artists, but it is officially published by Arknights. It was only published in Japanese but scanlators have translated a large portion of it and it’s very good.

#Arknights #if you want side story recommendations or anything I’ll gladly give my input #there’s a lot. I’m probably missing something from this list too

215 notes · View notes

rassicas · 23 days

Text

hi guys! im back. i went tokyo for a few days. got back at 7 this morning after taking an overnight 7 hour bus ride.... that i did not sleep on bc i cant sleep in moving vehicles. this will be something closer to a proper blog post i guess. splatoon related convention? experience below

i've kept my mouth shut about my plans to go because its not as well known on the english side of the fanbase and i didnt wanna make people too jealous sorry LOL , but i went to splaket 22! it's an unofficial, splatoon-only doujinshi market/artists alley. this was my first convention-sort-of event ive been to since i was... in high school. i also dont really get to meet many other hardcore splatoon fans irl. i was nervous about it because i don't know a whole lot of people on the JP side nor do i have a lot of confidence in my japanese speaking/listening, but in the end it was SUPER fun. i wish i couldve talked a bit more to the artists i did encounter to comment on what i liked about their works but. Skill Issue very few non-japanese people at this event of course but one of the only english speakers i saw i called out to bc they were wearing a shirt with this exact image printed on it no video and no photos outside of designated areas were allowed so i got like. zero pics of my own. but there was a lot of cosplayers i saw! oh and here's the Loot Haul. a few doujin, a clear file, stickers, microfiber cloth and a keychain. im surprised at how little i got, i think i shouldve gone a bit crazier with it

the one with Tao Blu and oonie in the top left (by sachikazerick) I came across by chance and bought because it was cute, featured splatband characters, and also because it all in some familiar inkling language (the last point of which i told the artist as i was buying) when i finally got home and saw the back credits...

SMALL FUCKIN WORLD LOL (i tweeted at the artist afterwards to let him know i came by the table and to thank him for using me and my friend's inkling language fonts!) though truly, i think ardnin deserved the credit more rather than me since he made most of those fonts! ah well, still cool to see more and more fan works using deciphered inkling language. top middle book is a story with some salmonid characters that i havent read yet but im looking forward to it, the art is lovely. top right one was the first thing i bought. the artist is rk_splaworks, whose art i love, and we've been mutuals for a few years and have talked a bit here and there! i was so fucking nervous to meet them in person since my japanese sucks LMAO but they were happy to meet me too and we got a selfie together yippy <3 also havent read their doujin Yet since ill have to rub all my brain cells together and huddle over the dictionary, but i want their oc lore

ok that's all i'll say, next splaket is...june 22. very soon....im already thinking ill. go again. yknow. while im still in japan and all that. i guess ill have to study harder on my jp in the meantime teehee ...i doubt it, but in the off chance anyone following me is going to the next splaket in june lemme know!

#much of this is me cross posting my tweets from the past few days and then some #rassicas speaks #ive forgotten to make a tag for my non-ask original posts so i guess thatll be it #anyway ill get to work on translating that famitsu interview teehee

150 notes · View notes

thechekhov · 3 months

Note

Favorite Japanese dish?

Bonus question: have you ever tried to make those fluffy pancakes? I hear is easy to do in rice makers.

Mmmmmm that's hard.

I'll list several that come to mind, but they're by no means the end all be all.

Fair warning: If you're easily squicked out by non-western foods, then you may want to read with caution from here on out because I won't censor myself.

First of all, soba.

Specifically the cold stuff. I love it because it often comes with tempura, which is also great.

I love sashimi as well - I'm honestly a huge fan of raw fish in general and usually prefer to to cooked fish.

And speaking of raw meat in general - I also love something called basashi. It's kind of a famous local cuisine around where I live.

Though this type of meat CAN be cooked, I prefer it raw. It's horse! It's horsemeat.

I'm also a fan of nameko soup because I love mushrooms. Most Americans would probably hate this because of the runny texture, though.

As for the fluffy pancakes you mentioned....

I gotta admit, I'm not a huge fan of them. 😅

I've eaten them before in cafes and they're kinda overhyped in my opinion. They're just very airy pancakes. They're not especially different, they're just more fluff than substance in my opinion, and eating them was akin to eating plain white cake with a few strawberries on top.

Then again, I may be biased because when I make pancakes, I like to not cook them all the way through so they stay gooey in the center....

So maybe other people who really love fluffy cake would love them! Who knows. Make up your minds, I guess.

#chekhov answers #japanese foods #chekhov irl

181 notes · View notes

auyuyu006 · 2 months

Text

Johnshi HCs

I'm sorry most of these aren't explicitly romantic I just have so many HCs about the two of them it's driving me crazy.

Johnny holds Kenshi by the waist, Kenshi holds Johnny by the shoulder or the bicep. After some time Kenshi starts to go for his hand instead.

Johnny is on his phone all of the time. Kenshi will either avoid the internet for a week or plays chess on the computer at the kitchen table for a day straight without talking to anyone (secretly uses Sento for this).

Kenshi has good spirits (literally) when it comes to his blindness, but can get very defensive when others pity him for it. Johnny is the only other person he will let touch his blindfold, take it off, or wash it.

Kenshi doesn't love the name "Johnny Cage" and thinks that "John Carlton" suits him. Johnny thinks that it sounds like an "old man's name"

Kenshi would visit Johnny on set sometimes but not say or do anything but sit in the background and watch him in silence until he was done.

Speaking of that- Kenshi had a good time filming in Outworld for Johnny's movie (made him feel like an action hero), but absolutely refused to watch the parts he was in.

Kenshi thought Johnny's movies were mostly cheesy before and after meeting him. However, he ended up rewatching all of them and got excited when there was news he got cast for a new one (before they started to officially date).

Johnny was a pretty good student growing up who made A's and B's as per expectations of his parents but hated school because he got picked on. He got into a decent university where he ended up falling in love with physics. He accidentally became famous around the time he was 20 (maybe he got street casted and went viral?) and had to balance acting with school to get his pHD. He is that school's most famous alumni.

Kenshi was mostly homeschooled by his parents and did not show much attention in academics in his youth due to his intense upbringing in the yakuza. This is something that he regrets but accepts that it wasn't really his choice to begin with. However he is quite knowledgable, knows broadly about history and literature, and can speak multiple languages (Japanese, Chinese, Korean, English, Spanish). He also learns braille relatively fast after losing eyesight.

Kenshi thinks it's so hot that Johnny has a pHD but also thinks its so strange he doesn't do anything with it. (It's a backup plan so he can write textbooks if his career tanks)

Johnny is great at drawing due to it being a hobby growing up stemming from him being a major comic book fan. Kenshi isn't very artistic however used to be able to do mediocre calligraphy (a skill he learned from his parents) before he became blind.

Kenshi breaking into Cage Mansion the second Cris left was admittedly pretty awkward for him (but he was too distracted by Sento to rly care).

Kenshi tries to not let it get to him, but he is saddened by the fact he cannot read properly anymore. Johnny tries to support him by buying him every audiobook in every language he understands. Kenshi will sometimes ask Johnny to read to him mostly because he loves the sound of his voice.

At first, Kenshi tried to get Sento to help him with daily tasks (cooking, cleaning, etc.), but after talking to Kuai Liang he tries not to rely on Sento on anything non-kombat related.

Kenshi has a slight lisp (I'm sorryyyy this isn't rly a hc but you can hear it in his intro dialogues he still sounds like a badass tho i think it's super cute thank god for Vic Chao)

Johnny makes their home a "smart home" a.k.a 30 Alexas in every room of their place, and a Samsung fridge he can live tweet from while making green juice.

Kenshi sometimes used to drive with Sento in the back seat and got arrested for it one time. Now he gets told off by Johnny for it every time he tries it again.

Kenshi will only drink milky coffee (lattes, cappuccinos, etc.) and prefers tea. Johnny hates coffee and tea and pounds red bull in the morning.

Kenshi used to care a lot about his personal style and mostly only wore suits and dress attire. After losing his eyesight, he didn't care as much anymore and just focused on wearing things that were comfortable (sweatpants, sweaters)

Johnny buys Kenshi soft fluffy things to wear all the time. Kenshi always says it's unnecessary but ends up wearing it anyway.

In MK1 Johnny is 32, and Kenshi is 39 (I like the idea of Kenshi being old it just makes sense to me). It both amuses and horrifies Kenshi that he's dating a white man 7 yrs his junior.

Johnny calls him "old man Takahashi" and Kenshi just goes along with it and says "get off my lawn you punk" or something LOL

I think Kenshi was more of the brawny "tough guy" of the yakuza than the suave, seductive type. He has more of an awkward and stony personality. And the fact that he was desperate to get out makes me think he wouldn't entertain the "flirty" role of the job. (a.k.a Kenshi is BAD at flirting unlike a certain someone)

Johnny sometimes helps Kenshis clunky azz samurai gear on before he engages in kombat. Johnny is also the reason Kenshi sometimes gives up and just wears a suit.

Kenshi shops like an old Asian dad. LOVES Costco, will eat all of the samples. Will buy everything on sale even if he doesn't need it. Will not take Johnny with him because his megastardom ruins the peace of being unrecognized. Has taken Raiden with him though. Will use Johnny's credit card. Johnny is dismayed that he hasn't taken a liking to Erewhon and Whole Foods

When Johnny isn't there with him at night Kenshi will play his movies and fall asleep to the sound of his voice

Kenshi will have sex with the blindfold on. He will fall asleep next to Johnny with it off.

Kenshi doesn't like sleeping with the blindfold on, but was worried it would scare or disgust Johnny in some way. It doesn't and it never did. In fact, Johnny appreciates the intimacy that it creates.

#Johnshi #Johnshi hcs #Johnny cage #kenshi takahashi #johnny x kenshi #mk1 #maybe i'll write more of these #johnshi isn't even my fave mk ship lol #these are so kenshi centric #now you know what character i have projected onto #mk brainrot

224 notes · View notes

dayurno · 3 months

Text

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

two hours later edit: you're allowed to reblog this! sorry about the confusion

#this has been so upsetting to notice but 🥹whatever #there is a different kind of bitterness to thinking about how ten years have passed #and we are getting new content that changes and maybe even rectifies many of the ways we see and interact w aftg #and none of it not a bit of it addresses the racism #how it’s been ten years and the only thing we really get to show it is a book about a ship between two white men the fandom came up with #after seeing them be Suggested to interact in canon #i understand not wanting to hurt nora sakavics feelings by asking her about this #but imagine how tired we are. Imagine how tired we are #do you know how bad it feels to read through nicky’s worst moments in aftg #and know that he was written this way because he looks like me?#do you understand how exhausting it all is. can you imagine?#the fandom has been so quick to undo the criticism fans of colors have been making since day one #and for what. for what! my doves. for what?#have we come out of it any greater? have we done anything but lie to ourselves?#and anyway this is not some mindless pessimism #this is not me telling you that aftg is bad and you cant love it; cant have it mean anything to you #this is me saying that when we acknowledge these things it makes us better readers and better people #nora sakavic if you are reading this from whatever hellhole america you find yourself in #grabs you by the shoulders. This is not the end #this is not something to sit back and feel bad about #you have opened the floodgates of hell with tsc. kick the door in and release a revised version of aftg #there is a real material way for you to make this better. it is possible and it will not kill you #i would read a revised aftg. my mutuals would. many many many many fans would #making mistakes is not just a human right its a human inevitability #but we do not have to let ourselves get defined by them. We can do hard things #lets go of nora sakavics shoulders. anyway. where were we #aftg #txt #tsc

160 notes · View notes

cupcakeslushie · 5 months

Note

Ok, love the comic, not meaning to seem critical here, just a bit confused on how you're doing things.

I know you don't care much for Leosagi using Usagi Yuichi, so you're using Miyamoto, but I'm always unsure of how the name works. I was under the impression because of the way Japanese names work that Usagi was the family name and Yuichi and Miyamoto were their "first" names. But I've seen that switched around here and there and I'm not sure if it's from Western confusion or intentional. And the turtles in any iteration he's in always just refer to him as "Usagi" so of course that might add to any confusion anyone might have.

I noticed in the short Leosagi comic you posted that Usagi refers to Miyamoto as his "last name" after Leo uses it to address him, and im not sure if you meant it as last in terms of it comes after Usagi when spoken properly as "Usagi Miyamoto" or if you mean it as its his family name and Usagi is his name name, as it would be with the proper order for an American name.

🙏 Apologies for my confusion, I just see this happening everywhere and never know what to think.

You probably see it happening everywhere because it’s never once been straightforward, since even his first TMTN appearance lol. Further confusion probably comes, because as far as I know, Yuichi is a Japanese first name, while Miyamoto is a surname, so idk how they explain that over in the Netflix show.

Heck in a lot of Usagi’s TMNT appearances, his name was Usagi Yojimbo—which isn’t a last name at all, but a job title, basically meaning like hired bodyguard, but to be fair this was later corrected back to Usagi Miyamoto (Anglicized). It’s a mess.

SO, to answer your question. I cannot speak to Yuichi, or how they’ve done it for his show, but the original Usagi by Stan Sakai was modeled after Miyamoto Musashi, an actual real life samurai. So in the non-Anglicized comics, his family name is Miyamoto, as seen below.

I don’t blame you at all for being confused. I’ve been a fan of the character for years, and even still have to stop and think before I type cause I’m just goofy like that lol.

#rottmnt #rise of the tmnt #miyamoto usagi #ask slushie #samurai rabbit

134 notes · View notes

bakuhatsufallinlove · 6 months

Text

re: 405

This is gonna be long.

First, I'm bringing this post back around to remind people that kocchi is a pronoun of ambiguous plurality.

This means that an interpretation of "we" is just as correct as an interpretation of "I." Readers may interpret it differently, but on simply linguistic grounds, they are of equal validity.

You will often see this kind of ambiguous language used in Japanese, even with characters that are forthright. The reason is one part cultural expectation that the listener will read between the lines, and one part a willingness to accept two things as simultaneously true. This exists and is frequently found in English as well, there just isn't a direct parallel for kocchi itself.

What I want most out of writing this blog, aside from personal enjoyment, is for people to understand that there can be more to a story for you to engage with, think about, and be moved by, when you step outside the boundaries of your own language and culture.

I think that is a much more interesting space to be in than a gotcha-laden approach of trying to prove something wrong or bad.

But if we are going to talk accuracy, the fact is that the fan translation many people have been upholding as superior has just as many problems as the official one. It takes just as many creative liberties, they are simply different ones.

The fan translator centered an "I" reading and, rather than using either of the two pronouns provided by the text ("OFA" and あいつ, meaning "that guy"), added a narratively-charged word ("nerd") that did not exist in the original and which (as far as I can tell) Katsuki has never used when speaking to villains. As a translator myself, I really disagree with that second choice. The official clearly missed the callback, but noticed the theme of "everyone who has faced AFO until now" and went with "we." The rest was just style over substance which prioritized edgy language to capture the aggression of the line; this falls squarely in line with what Viz has consistently maintained as its in-house aesthetic. It's disappointing, but unsurprising to me.

Fandom oscillates pretty violently between vilifying the official English release and fawning over it. Whole fan theories are built upon nitty gritty bits of the official release's phrasing; people will get excited over how homoerotic a line sounds, and it's because of how the official translator worded it, rather than any innate implication in the original Japanese.

If you do not speak Japanese, your experience of MHA is fundamentally dependent on the work of translators. I respect that everybody has their personal tastes or hopes for how the series will go, but it is deeply demoralizing as a Japanese speaker and translator to see fans who don't speak any Japanese at all act as though their opinion has the same weight of authority as people who do.

You are entitled to your preferences, but please recognize that they are based in taste, not personal knowledge. Not all Japanese translators will even agree in their interpretations, but it weirds me out that some non-Japanese-speaking fans will use this fervor to spread misinformation far and wide that proclaims as inaccurate perfectly good official translations, simply because the choices don't suit their own tastes.

The lists of "times the fan translations were better" I've seen mostly contain instances where the fan translators took greater liberties than the official release did, and some fans just happened to like the liberties that were taken.

We all reasonably hated the "best friend" fan translation of chapter 359, but somehow that isn't a point forever against fan translations the same way mistakes in the official release are?

At this point, it makes me wonder what the point of writing about linguistic nuance is, if the interest is primarily not in learning but in being told what you want to hear.

I know posting this won't win me any favor with anybody, but it's how I feel. I'm bummed about 405's last line in the official. I do hope it gets revised. But the vibes around translation details are getting decidedly unfun.

One last thought: if you well and truly want to experience MHA unfiltered, learn Japanese. I mean this sincerely, I'm not trying to be a jerk. We live in an age where it is easier and more possible than ever to acquire a new language, talk to people around the world, and absorb yourself in culture and history.

If you want to remove middle-men and develop your own relationship with a work unfettered by the tastes, biases, or choices of others, learn the language. It won't be easy, but I can guarantee you won't regret broadening your horizons and discovering even more beautiful stories in the world.

#mha 405 #mha manga spoilers #mha spoilers #bnha spoilers

143 notes · View notes

prosciuttoon · 20 hours

Text

Toshiro/Shuro is overhated

(mirror of my thread on twitter)

ever wanted to talk abt something so bad but u have so many thoughts so u cant even begin to organize a sentence. thats me abt shuro and its why i cant give my thoughts on him. i NEED to get this out of my system bc its takign up so much memory in my brain i need that space for thinking.

so i was really surprised to find so much hate for him even tho he seems pretty normal and rational out of the whole cast. ive deducted that its mostly abt his laios fight and that the ppl who hate him probably had bad experiences w social cues and relationships w neurotypicals bc of that. theres no way to avoid it bc its pretty much Right In Your Face that laios is ND. but thats not the only factor in why their relationship is rocky. its also the culture barrier. u have to understand toshiro was raised as JAPANESE NOBILITY ofc he would be a little conservative

also culture shock. idk if u know this but jp culture is very Mind Your Own Business like a lot of other asian cultures . ofc hes gonna be weirded out by a stranger invading his space. also his names not even Shuro. its just yt ppl not pronouncing his name right and settling for whats easiest.

img src: fan translation by savaralyn2 , i think its from the adventurers bible Complete Edition bc i dont remember it in the old one

ok you get the gist of the culture aspect of it. lets go into the ND/NT clash aspect of it. yes i understand its pretty hurtful to never be told when youre acting inappropriately. i am autistic too lmao. but you have to understand that shiro is one guy and he even does realize that repressing things is one of his fatal flaws. again. asian culture. non confrontational. that sorta thing. but these are genuine frustrations. if i were him id be annoyed too but id speak out about it. set boundaries. bc im blunt. shiros not. he was taught crazy strict manners (hierarchies, respect, politeness, etc).

his problem isnt ableism its a culmination of culture barriers, how he was raised to behave, and terrible lack of communication as thing caused by "all of the above" plus he just generally keeps to himself a lot which means repressing frustrations that will explode leading to a pathetic fistfight while hes starved, exhausted, and dehydrated. also. if he was ableist he would hate laios. he doesnt hate laios. at the end of the day, they are friends. NT and ND ppl can be friends u know. there will be rifts (like their fight) but you just have to communicate misunderstandings. theyre gonna be fine lol

anyways that was my whole spiel abt it. i think i got everything out that i wanted to? my head still feels a little full so i may add more later when i remember something

also i think its a little unfair to rule out the possibility of laios and him just being 2 very different kinds of ND bc its very common for misunderstandings to occur even then. EVERYONE IS DIFFERENT BUT WE NEED TO COMMUNICATE TO UNDERSTAND EACH OTHER! but for the sake of interpreting the Fight as a commentary on NT social rules and ND frustration, ill say toshiros NT. will we ever know? hes so far in the sidelines... youd really have to dig in the extra content to see the intricacies of his character.... please give him a chance

#dungeon meshi #delicious in dungeon #toshiro nakamoto #shuro dungeon meshi

57 notes · View notes

scenikeight · 1 year

Text

What My Father Wanted was to Kill God: Reflecting on the cycle of Rebuild of Evangelion

It's been two years now, since Evangelion 3.0+1.0 hit Japanese cinemas for the first time.

I think many of us chose to say goodbye to Eva on that day, too, leaving satisfied. I can't fault anyone for this. But there's a part of me that stings knowing that 3.0+1.0 has been left relatively un-combed-through in comparison to the other films, and I don't feel right leaving it this way. Today, I want to dissect "loop theory" - what it was before 3.0+1.0 came out, in what ways we missed the mark back then, and finally, what the resolution of 3.0+1.0 meant for the story. I want to understand what it meant to kill God.

This article was heavily inspired by "What was loop theory? Investigating the truth after Evangelion 3.0+1.0", by Japanese fan-channel Eva Fan. If you want to understand the meta angle of Rebuild better (i.e. "why does Rebuild even exist in the first place?"), please watch the NHK Professional documentary on Anno and the production of 3.0+1.0 (not "The Final Challenge of Evangelion" version on Amazon, although you should watch this one too because they're both great.) The meta of Rebuild is outside the scope of this article.

SECTION 1: WHAT WAS LOOP THEORY?

If you're already familiar with the basis of loop theory, you can probably skip this section and head to section 2. This is gonna be a lot of recap. I, for one, have never been a huge fan of the idea of "loop theory". This isn't to say that I've ever disagreed with the conclusion that Rebuild's world is stuck in a loop, more that I felt like painting it as a "theory" is seeding more ground to bad faith actors in the fandom than necessary. However, I'm using the term here to refer generally to different theories about the loops, namely those regarding Kaworu and potential connections with End of Eva. Now that all of the disclaimers are out of the way... ESTABLISHING OUR BASES, PART 1: THE MESSENGER

From the moment he's introduced, Kaworu's entire purpose in the first two films seems to be establishing the loop to the audience. His familiarity with previous versions of Shinji is front and centre in the very first line he speaks.

Some relevant lines from Kaworu in 1.0, 2.0 and 3.0. Full sized image here.

While at this stage, we lack information on how much Kaworu knows, we are at least aware of his knowledge of previous iterations of the Eva world in that first line there: "The Third one again". This is compounded at the very end of 2.0, in which he declares that "this time" (as opposed to previous times, presumably failed attempts), he will make Shinji happy. In 3.0, there's a moment in which he seems to confirm to himself his musing in NGE of having been "born to meet" Shinji (notice the lack of のかもしれない "probably"), and following some more ambiguous lines we'll skip over, at the end of a long speech about parts of ourselves remaining in the world even after we're gone, he suggests he and Shinji will see each other again just before he dies.

These lines lead some fans to believe that the loops were in some way or another, under Kaworu's control. This iteration of loop theory suggested that the loops exist so that Kaworu, who remembers the events of NGE, can achieve his goal of "making Shinji happy".

ESTABLISHING OUR BASES, PART 2: THE RED SEA

Non-exhaustive chart of potential connections between Rebuild and NGE/EOE, compiled by users on /a/ board in 2011. Full sized image here.

There are several environmental aspects of Rebuild's world that seemed to suggest a connection to The End of Evangelion, most obvious amongst these being the red sea. As Kaji explains in 2.0, the seas were blue prior to Second Impact. Flashbacks to this event reveal that it bore slightly more in common with EOE's Third Impact than NGE's Second; note the presence of the Black Moon in the comparison above. Early on in 1.0, there's a shot that shows cross-shaped white outlines in the red sea, that appear to be remnants of EOE's crucified mass production units. The moon in Rebuild also has a large, red streak on its surface, that could be the bloodstain that was left there by Lilith in EOE. Additionally, Shinji's SDAT in NGE always looped the same two songs, shown under the track numbers 25 and 26. In Rebuild, Shinji's SDAT's track number begins at 27, and goes up from there (it seems to represent the relationships he forms with other people). Some iterations of loop theory suggested that Rebuild was set directly after End of Eva, and that the events of Second Impact as remembered by the cast were actually EOE's Third Impact. Additionally, though its relevance to any canonical NGE content is tenuous (tenuous, but not irrelevant when it comes to Rebuild; see the bonus chapter), Sadamoto's NGE manga also ends with a kind of timeloop.

From the epilogue chapter of Yoshiyuki Sadamoto's Neon Genesis Evangelion manga. Full sized image here. After Instrumentality, the epilogue flashes forward to a long time in the future, where the crucified Evas are seen as some kind of relic from an unknown time. We see Shinji, Asuka and Kensuke reincarnated, and Shinji and Asuka meet for the first time, with some sense that they've seen each other before.

Full sized image here. This ending could be seen as an explanation of sorts of what's going on in Rebuild; the characters have been reincarnated a long time after the fact, while elements of the old world remain as part of the environment.

ESTABLISHING OUR BASES, PART 3: DOUBT

It should go without saying that, even at the time, these particular conclusions had holes in them. (This is to say nothing of the hundreds of other iterations of loop theory; if we went through every whacky headcanon explanation people posted on Reddit under the guise of it being any kind of genuine theorization, we'd be here all day)

Sequel Theory, especially past 3.0, required you to ignore contradictory information being presented in the same scenes the evidence being drawn on was. The comparison image I included earlier (it pre-dates 3.0's release, but was certainly spread around long after the fact) suggests that the Four Adams as they appear in 2.0's flashback could have been the Mass Production Evas (of which there are 8, not 4!). Two of the lines from Kaworu it included also don't support this line of reasoning; both "This time..." and "You don't change" imply multiple previous loops, not a singular. And while we haven't mentioned them so far, the coffin he emerges from in 1.0 being one of several was also something people were aware of back then. Speaking of Kaworu - Shinji's Happiness Theory doesn't seem to line up with the way he goes out in NGE, either. He asks Shinji to kill him with the goal of achieving true freedom; it doesn't seem like he's looking for a next time, but rather an ending, away from his destiny as an angel. It doesn't really follow that Rebuild's loops would be a journey he'd set himself on willingly, rather a circumstance he's put into by some other force.

SECTION 2: PAYOFF

3.0+1.0 responds to the foreshadowing of previous entries in a way that's kind of inconclusive, on its face. I'm going to save the potential answers for the next section; for now, let's just go over the information we did get, including some things you may have missed. PAYOFF, PART 1: OUT IN THE OPEN

Kaworu describes Gendo as being the origin of the cycle. Full sized image here.

Our first piece of confirmation, and first in-universe mention of the loops (or "cycle"/"circle"), is this line. "Gendo was the center of Instrumentality this time", the "this time" implying there have been other Instrumentalities with other person/s at the center. "Origin of the cycle" may indicate that Gendo is in control of the loops as a whole, or it may instead indicate that different people start them, perhaps through Instrumentality.

Asuka wakes up on the beach. Full sized image here.

After coming to terms with her feelings, Asuka "wakes up" in the same spot she was lying at the end of EOE, wondering if she was asleep. This is still in the anti-universe, but as was established by Gendo earlier on in the film, the Evangelion Imaginary and the anti-universe as a whole manifest as parts of one's memory. Asuka is our POV character for this section with her, so she must recall having been here. Maybe you could interpret "was I asleep?" as Soryu, specifically, having woken up.

Selections from Kaworu's Instrumentality. Full sized image here.

Anything that focused on Kaworu here was always going to be the juiciest in relation to the loops, but it's surprisingly upfront even then: There have been multiple previous loops, and Kaworu is not in control of them, he just continues to exist without agency over them like all of the other key players do. (That's both of our aforementioned Theories disproven in one scene!)

Kaworu introduces the "Book of Life", Kaji clarifies the details. Full sized image here.

We're also introduced to a new concept here, the "Book of Life". There's very limited information on what this does, but at least Kaji is here to fill in some details Kaworu conveniently leaves out, as he likes to do (that, if nothing else, Shinji and him meeting over and over again is something Kaworu has power over.)

Rei and Shinji discuss the birth of a new world. Full sized image here. Most of Rei's instrumentality scene exists to wrap up the other aspect of Rebuild's narrative we're not talking about here, so I'll skip past all of that to this: with Unit-01 and the Spear of Gaius, Shinji is capable of creating a new world, through a power known as Neon Genesis. It may be worth noting that Shinji has to clarify that he isn't going to rewind time or revert the world, just create a new one on top of the existing. This may establish a precedent for characters in control of Instrumentality being able to do both of those things.

PAYOFF, PART 2: A CLOSER LOOK NGE has a LOT of references to the years its set in. Even beyond the on-screen text, there's plenty of instances of plaques and other signs with the 2015 date on them. Rebuild, however...

Yui's grave as it appears in 2.0. Full sized image here. The only time we ever see a date in the first three films is here, on Yui's gravestone in 2.0. It's partially obscured by flowers, and may appear at first to read the same as her NGE grave did. On closer inspection, though, you can clearly see there's a 0 in front of 2004.

This could be what the gravestone has written on it. Full sized image here. One time could mean anything, but it becomes a pattern when we see more dates in 3.0+1.0...

The manufacture information on the railway track turntable in Village-3. Full sized image here.

The plaque on the AAA Wunder. Full sized image here.

Looking at that date given on the railway turntable, the earliest date 3.0+1.0 could take place is the year 12001. This, combined with the physical evidence present in the first two films, seems to imply that Rebuild follows the same rules established in the Sadamoto manga, that the loop isn't necessarily a reset of the world, but rather a continuous stream of time in which the characters are reincarnated. It makes sense Sadamoto would use this as the basis for his ending, too - he worked on the first two films, and the Mari bonus chapter clearly demonstrates that certain aspects of Rebuild were solidified during their production. Furthermore, the scene in which Shinji asks Gendo what he wishes for has more visual references to EOE than you might think...

Gendo grasps his right arm, as if he remembers the time he lost it. Full sized image here. The arm thing is obvious, and the line he says there could be about EOE, but you might notice something else in that image on the left there. There's a picture of Shinji in the background. That image comes from one of the flashing sequences in EOE's Third Impact, in fact, the entire sequence is overlaid on top of that shot of Gendo.

This shot in 3.0+1.0 versus the same sequence in EOE. The encode of 3+1 I was using was dropping frames here, so I had to cut some of it out. Video mirror here.

By the way, adult Asuka's official name, as used in every piece of merchandising she's been in so far, is just "Asuka Langley", not "Asuka Langley Shikinami" or "Asuka Langley Soryu".

Good Smile Company's "1/7 Scale Figure: Asuka Langley". She has a fair few figures, all of them with this name. Other merchandise never calls regular Asuka this. Full sized image here.

Rei holds a doll of Tsubame. Full sized image here.

The same thing ends up happening with Rei in-universe. The version of her with long hair is clearly Rei from 2.0, who has been inside the entry plug this whole time, but when we see her on the stage, she's holding a baby doll. It has Tsubame (Hikari and Toji's daughter)'s name written on it. It seems to follow that different versions of the same character end up re-joining into one during instrumentality, be that cross-loop like Soryu and Shikinami, or in-loop, like Rei and Sokkuri (Lookalike). This would appear to go beyond just regaining memories of previous loops, as Rei and Sokkuri existed in the same loop independently of one another.

SECTION 3: A PROPOSAL

And now, to get into the real meat of the issue. ...Whose doing was this, exactly?

Here's the thing: Kaworu, we can already rule out. We know it wasn't him. The next most likely candidate you might think of is Gendo, but... is he, really? Because Gendo died in EOE (perhaps not physically, but regardless), killed by Yui, but ultimately of his own volition. He had come to terms with himself when he died. He doesn't seem like someone who would have still had unfinished business. Then, what of Shinji? Well, I think it's the same deal with him, too. Shinji might not have found his place in life at the end of EOE, but he also doesn't seem like he was clamoring to start over, after all of that. In their video, "What was loop theory? Investigating the truth after Evangelion 3.0+1.0", Japanese Eva fan, Eva Fan (lol), of Minna no Eva Fan fame, gives us a different answer:

It was Yui.

Yui entered the Eva experiment for Shinji's sake. Full sized image here.

Yui's motives in NGE may have been left mostly up to the audiences' interpretation, but I don't think there's any doubt she loved her son more than anything.

As Unit-01, she becomes God at the end of EOE, accepting the burden of being the eternal proof of mankind's existence. She leaves Shinji behind, knowing that he still hasn't found his place in life.

A PROPOSAL, PART 1: YOU WERE WAITING FOR THIS MOMENT

Yui leaves Shinji as he comes into his own. Full sized image here.

The end point of the loops and emergence into the new world: Shinji makes the decision to create a world that doesn't need the Eva. Shinji and Yui, previously one being, separate. Shinji breaks the curse of the Eva, becoming an adult, and now away from his mother, emerges into the real world.

As explained by Gendo, the anti-universe, the end point of Rebuild's story, is also the beginning, and somewhere Yui, at one point, resided.

The beginning and the end are one in the same. Full sized image here. The anti-universe is "the one and only place fate may be bent to one's will". Shinji, in his parting words to Yui in EOE, tells her he thinks he'll keep making the same mistakes over and over. To quote Hideaki Anno: Eva is a story that repeats. In the aforementioned Eva Fan video, they suggest that the anti-universe may in fact be the world of NGE (perhaps, the world inside of Unit-01). Yui creates a new world through Neon Genesis, one which resembles the old, to tell the story of Shinji anew. To give him another chance to grow. For as long as Eva is Shinji's story, it is Yui's; her goal was to bring Shinji a bright future, after all. The act of piloting the Eva sees the child return to the place they resided before birth; back into the comfort of their mother's womb. In Rebuild, the “mother” seems to become all but irrelevant - Yui Ayanami may reside inside Unit-01 but this is never touched on in the same way; Asuka’s mother doesn’t seem to even exist, and her original seems to reside inside Unit-13. The existence or non-existence of a mother’s soul inside of an Eva dictates nothing about who can synchronize with it (see: Unit-02, Unit-08, Unit-13, etc). However, taking a step back, it’s almost as if the reason why the presence of the “mother” is missing from the material world of Rebuild is because the entire series takes place within the world the mother created. If Shinji entering the cockpit of an Eva unit in NGE is returning to the womb, then what is Shinji doing by existing in the world of Rebuild?

In deciding to create a world that doesn't need the Eva, Shinji is accepting life without his mother. The parting of mother and son represents the break in the loop. He emerges into the new world, reborn as an adult.

INTERJECTION: WHAT’S IN A NAME?: YUI IKARI/YUI AYANAMI

Rebuild’s Yui’s name isn’t Yui Ikari (at least, her maiden name isn’t) - It’s Yui Ayanami. In NGE, Gendo took her surname when they married. In Rebuild, Gendo already had the surname Ikari, and Yui Ayanami took his.

I think fans have been generally puzzled by the purpose of this change, but this interpretation - that Yui Ikari from NGE is the heart of the loop, the God that created the world and the God that Gendo would kill at the end of 3.0+1.0 - would seem to explain why this is the case. She’s Yui Ayanami because she’s a copy - like Rei is - of the original Yui. A Yui created by Yui Ikari. This also may explain why the date on Yui's grave says "02004" - after all, it's the grave of Yui Ikari, not the grave of Yui Ayanami.

Rei of NGE is more than just a clone of Yui, she also holds a piece of Yui’s soul (in the form of emotional memory), while Yui herself resides in Unit-01. Therefore, it stands to reason that Yui Ayanami is not really an individual, but rather someone who holds a piece of Yui Ikari’s soul - I think even more so than Rei (who undeniably is an individual). Yui Ayanami may function as a kind of messenger for Yui Ikari, who holds the knowledge she has and steers the story in the direction it needs to go. There are many players in Rebuild who are more like symbols than characters, and I think this is a huge part of why Yui Ayanami is not a character like Yui Ikari was.

For the sake of brevity, I’m going to use “Yui Ikari” to refer to Original Yui, and “Yui Ayanami” to refer to Rebuild Yui, unless stated otherwise, for the remainder of this post.

A PROPOSAL, PART 2: ...WERE YOU THERE THE WHOLE TIME?

Kaworu himself wasn't brought into Instrumentality in EOE directly. Rather, the fetus of Adam was, through Rei intaking Gendo's hand. If souls like Rei and Sokkuri are capable of rejoining into one in Instrumentality, I wonder if the presence of Kaworu in Instrumentality can be explained by his soul rejoining with that of the Adam fetus. He definitely appears as Adam there, the same way Rei is Lilith. Which brings us to this:

Shinji and Gendo upon seeing familiar souls: "Were you there the whole time?". Full sized image here.

Gendo offers Shinji the apology he never got to hear in EOE, and then realizes: Yui's soul was residing in Shinji. Instrumentality likely reconciled the souls of Yui Ayanami (the individual who became Unit-01 in this timeline) and Yui Ikari (the soul who lived on as God, and in her son), the same way it may have reconciled Kaworu and Adam's.

For as long as Yui's soul resided in Unit-01, and in Shinji, her story was not over. For as long as Shinji was stuck in his loop of making the same mistakes over and over, Eva's story was not over. For as long as the Eva exists, Yui will, and End of Eva leaves Yui there, in space, as the eternal proof mankind existed at all.

If 3.0+1.0 says "goodbye to all of Evangelion", it must be the end of Yui Ikari's story, too.

INTERJECTION: WHAT’S IN A NAME?: “SHIN EVANGELION”

The Japanese title of Evangelion 3.0+1.0: Thrice Upon A Time is シン・エヴァンゲリオン劇場版𝄇, (Romaji: Shin Evangerion Gekijouban𝄇, English: Shin* Evangelion Theatrical Edition𝄇”).

There are three points of interest in this title:

Shin - The use of “Shin” here falls in line with the titles of Hideaki Anno’s other recent films: Shin Godzilla, Shin Ultraman, and the upcoming Shin Kamen Rider. While I’m not really the best person to explain this as I’m not really familiar with the source material, the other Shin films are based pretty heavily on earlier works in their respective franchises (I believe both Shin Godzilla and Shin Ultraman have sequences that are recreations of scenes from the original movie/series). Shin Eva also, obviously, does the same thing with NGE and EOE scenes. *According to an interview with producer Akihiro Yamauchi on Shin Godzilla, the title of “Shin” was chosen for the film due to the variety of meanings it conveys. In all four titles, it is written ambiguously, and could be read as “new”, “true”, or “God”, amongst other things.

Evangelion - NGE’s title and Rebuild’s title are actually spelled differently. エヴァンゲリオン is the spelling of Evangelion used in NGE, ヱヴァンゲリヲン is the spelling used in Rebuild’s title (not the in-universe machines, for the record). They’re pronounced the same way, but Rebuild’s spelling uses characters that are a little archaic (if you want to get technical, it could be romanized as “Wevangeriwon”; note the use of “wo” instead of “o” just like in Kaworu’s name, and you probably get it.) Shin Evangelion uses the NGE spelling, not the Rebuild spelling, which makes it sound like “Shin Neon Genesis Evangelion Movies”, not “Fourth Entry in the Rebuild Franchise” (in fact, “Evangelion Gekijouban” comes from Death and Rebirth/End of Eva’s Japanese names). Earlier posters for this film in English gave it the NGE font rather than a Rebuild style logo, which pretty accurately represents how this looks.

The symbol at the end - The symbol at the end of the title, is a symbol that’s used in sheet music. This could be read two ways - “Shin Evangelion Gekijouban: End”, or “Shin Evangelion Gekijouban Repeat”; If you assume 𝄇 is one symbol, then it’s a “repeat” sign (tells the player to repeat a section of the sheet music). If you assume it’s a colon and then a subtitle, then it’s an “end” sign (𝄂, signifies the end of the piece.)

A PROPOSAL, FINAL PART: TO KILL GOD

Full sized image here. Gendo's goal in NGE and Rebuild is the same: To be reunited with Yui. In Rebuild, he will become God through the use of the Key of Nebuchadnezzar and trigger the Additional Impact with himself at the center, so he can see her again in Instrumentality. But there's a second aspect to this plan... Killing God.

Gendo lays out his intentions. Full sized image here.

I think it would be naïve of me to suggest that Gendo had any intention of ending things when he said this. These lines obviously pertain to something else (I think all of this is covered in the process of beginning the Additional Impact anyway), and it's made clear that he goes into Instrumentality as stubbornly as he always is. He fully intended to destroy all of the spears, so nobody would have any way of manipulating or ending Instrumentality, so he could live peacefully with Yui for the rest of time.

Whatever it might have meant there... "Killing God" takes on a completely different meaning by the end of the film. Yui Ikari is an existence that will live on indefinitely; someone who will never die, even long after humanity is gone. In becoming Unit-01, she alone will wait in the universe forever. She once resided in the anti-universe; the Promised Land, the one and only place fate may be bent to one's will; she created the world of Rebuild of Evangelion, the beginning of everything. Yui did all of this to give her son a better life. To let him try over and over again until he broke the curse of the Eva, and emerged into a brighter future.

She, Unit-01, Evangelion as a whole, could not rest until Shinji grew into his own. Gendo comes to the conclusion during Instrumentality, after bleeding his heart out to his son, that he isn't any closer to reuniting with her.

Full sized image here.

But after acknowledging Shinji's adulthood, accepting his own fragility, and resolving their story...

Full sized image here.

...He realizes she was right in front of him this whole time.

Full sized image here.

With this, Gendo exits the train - the same train his story began, the train station he abandoned Shinji at all of those years ago - his story is over. He no longer seeks eternal life with Yui. As Shinji breaks his own curse of Eva and is reborn out of the comfort of his mother's world, and into a world of his own creation, he says goodbye to all Evangelion.

Full sized image here. Gendo, in peace at the end of his own long journey, is willing to let Yui sleep. And so, he kills God.

Full sized image here.

#evangelion #rebuild of evangelion #neon genesis evangelion #analysis #yui ikari #gendo ikari #shinji ikari #kaworu nagisa #yui ayanami #evangelion 3.0+1.0 #shin evangelion #shin eva #nge #eva #loop theory

455 notes · View notes

lutiaslayton · 4 months

Text

Professor Layton and the Illusory Forest

ＰＡＲＴ　０１

〚ＦＩＲＳＴ〛〚ＰＲＥＶ〛〚ＮＥＸＴ〛

Disclaimer: This is a fan-translation for the Japan-exclusive novel Professor Layton and the Illusory Forest. The original novel was written by Kei Yanagihara under the supervision of Akihiro Hino, and belongs to Level-5.

This translation only aims to be a pleasant read for non-Japanese fans, nothing more: I made a few deliberate changes while translating in order to get the writing style closer to what is usually found in English fanfictions, as the Japanese storytelling can sometimes be different than what we are used to.

Somewhere in this world lies the Book of Fate.

This book knows the destiny of all humans.

Whoever has it in hand will rule the world… Past, and future.

Surpassing time and space, one could control everything.

And yet, if someone acquires it… The world will slowly fall to ruin.

The heavens will judge those who would attempt to lay their hands on it despite these warnings.

Chapter 1: A Wedding Under Attack

“The ‘Book of Fate’… Hmm.”

The glowing light of a fireplace illuminates the profile of a man engulfed in darkness.

This man is wearing a mask. The cloak on his shoulders is rather gaudy, and whenever the flames flicker, they make him look like some sort of clown. Despite this, his attire looks strangely fitting, when placed within the setting of an old English study.

His old butler humbly clears his throat, urging him to continue with an encouraging look.

The masked man speaks quietly. “At the west end of England lies Neverlace, a land inhabited by curious forest people.”

“Neverlace, you say?” the butler repeats in a whisper.

The man nods. “Legend has it that there is a forest haunted by strange phenomena within Neverlace, and that those who step foot in it will never come back. As if they were possessed by it.”

The butler bows his head lightly. “The people of England have all been familiar with forests from an early age, and have known to both admire and fear them. This is the kind of story that everyone loves to hear.”

From behind his mask, the man gives a mischievous wink.

“Oh, but there is more to it. Hidden in that forest is the Book of Fate… A book which knows the fate of all of humanity.”

The butler shakes his head sadly.

“I do believe that this haunted forest really exists. But a book that knows the future, now…? You should not be surprised that I find this tale quite dubious.”

The masked man says: “It may be hard to believe, indeed. But if it were true, what would you do? If such a book really existed, anyone could control the fate of humanity as a whole.”

The butler straightens his back and retorts with dignity:

“With all due respect, I believe that such a thing should only be used in the name of the divine, master.”

The masked man, named Descole, replies with a chuckle:

“This is precisely why I must have this book. No matter what it takes.”

　⇚　　　　　　　⇛

#layton's book club #jean descole #professor layton raymond #illusory forest #professor layton and the illusory forest #illusory forest novel #translation

129 notes · View notes

demonslayedher · 3 months

Text

Not-very-spoilery thoughts on the movie release of Pillar Training (+SSV conclusion)

Behind a cut anyway just in case!

--Very nice to hear familiar background music brought back--Yuukaku themes when Uzui & his wives appear, Mitsuri's "Koi Kogare" BGM when she has a good batch of lines, Giyuu's BGM as he's like, "bye"

--I am very happy with the new OP, both sound and imagery-wise.

--One very short clip in particular made me, a fanfic writer, very very happy, but then there was more gratuitous focus that reminded me of another one of my best fanfics. The rewards of writing fic as closely based on canon as I could get them gives me the satisfaction of feel liking like canon-based imagery honors my fics by extension.

--Speaking of imagery in general, Ufotable is finding lots of ways to try to harp on the idea that everyone's wishes to destroy demons find their accumulation in Tanjiro, the Sun Breath user and first person in centuries to unlock the Mark. It is perhaps a little clumsy at times, but hey, that's a theme I like in this series.

--I was sad that Suma sounded so different, and had to look up afterward if she still had the same seiyuu. She does, but I think they might have given her totally different vocal direction so that she wouldn't sound too similar to Mitsuri

--Japanese crowds tend to be very quiet at movie theaters, but people could not contain their giggles at many of Mitsuri's lines

--I had the honor of sitting next to a huuuuuuuge fangirl who before the moving was saying stuff to her friends like, "(Hanae) Natsuki-san was at USJ the other day, and since it's a VR ride, you know, you have to wear the goggles, and I think, what if I wear the pair that he wore??? You know?? Our faces??? Would be so close?????" and then at the review of previous seasons at the beginning of the show, she started crying the instant the Mugen Ressha part started. Not loud crying, but crying.

--You can tell everyone was waiting for the "welcome back" scene, and although I thought Zenitsu would steal the show in that scene, it was indeed Nezuko. In the seiyuu greeting that was broadcast across all Japanese theaters on the opening day, Shimono-san noted that he thinks the audio was turned down on his performance of that scene. I think it was probably was too.

--So much happy daily life in this episode. If you have any friends who complained about last year's theater showing being a let-down because it was just regular anime episodes instead of a Mugen Train style movie, please tell them to just sit this one out and spare us their complaints. Most of this showing was just Tanjiro having a nice time after having a panic attack over Nezuko (oh, and like, killing Upper Moon Four, that too).

--Shinobu's hair seems distinctly longer. Giyuu's hair seems distinctly fluffier.

--Ufotable has put a lot of touches into humanizing Amane

--I wish Ufotable would stop trying to drive the "Zenitsu thinks Aoi is happy to see him (just because Aoi is a girl)" point. First off, yes, Zenitsu being a creep to girls is played up a bit in the anime. Second, the first fanbook states that the only kind of girl who is not so much his type is the Aoi-type.

--Also, on the promo art, I like the design they gave Shinobu's sword, but that's ignoring the fact that the four engraved kanji characters are on either side. Go ahead, Ufotable, hire me as your canon double-checker. EDIT: Oh wait, that is its sheath. Lovely, carry on.

--That said, the original filler they gave us? Gold star. Excellent. So happy with it. One... well, two tiny nitpicks that don't bother me much but stating it here would spoil it.

--One more non-spoilery thing to say about that filler: the people at Ufotable were probably like, "our fans are nerds. We already give them this, this, this, and that to nerd over. You know what else they are probably nerds for? Yeah. Let's give them that." Thank you, Ufotable. This nerd accepts and loved it.

--Tiny Nezuko filler as they set the stage talking about Muzan is probably looking for her? LOVE THAT TOUCH, at every level.

--Shinobu does have multiple goldfish, but they look a bit different?

--Genya's makes the best face in this whole episode

--Speaking of Genya, in the seiyuu greeting they had actors in big chibi costumes of the Kamaboko gang come out... PLUS GENYA. Giant chibi grumpy Genya was so, so, so, so freaking cute. Also, his seiyuu Okamoto got to join the stage with everybody and was talking about how he always used to scroll through his social media seeing the other seiyuu at KnY events and he was like, "sigh... sure looks like everyone is having fun..."

--Hanae Natsuki and his wife are big Genya fans, though, it seems

--Okamoto had a lot of trouble performing young Genya in the flashback, especially the emotional screaming. The desperation Genya always displays as he fights? That was Okamoto. --Meanwhile, Matsuoka always looks very overwhelmed at these things. I think having to embody the spirit of Inosuke terrifies him.

--IT WAS SO GOOD TO HEAR INOSUKE AGAIN

--Those actors in chibi costumes? The Zenitsu and Inosuke ones embodied them SO WELL. I don't usually care for those giant mascot character costumes, but these were legit so much fun to watch, like with Inosuke going right up into the cameras and Zenitsu trying to pull him back and then the two of them pushing and shoving. Zenitsu acting like he is being bullied and Inosuke showing off his muscles. I loved them. I am very sad that I will not be in town when they travel across Japan and come to my area.

--Also, the baritone voice of Oyakata-sama's personal crow? LOVED IT.

--Himejima at the the Pillar Meeting is such a statement. The new promotional material has a tag line that prominently uses one of the kanji in his name ("cry out"), and I feel like this is set-up for him to have a lot of impact later on in this season. Here's hoping!

--I am probably gonna go watch it again in a couple weeks, ufufufu

--Which is worth it for that KIZUNA NO KISEKI REMIX WHICH SOUNDED SO COOL IN SURROUND SOUND, OH MY GOSH

56 notes · View notes