A lot of people on the Borax post are also shocked to learn that people are taking Colloidal silver as a preventative health treatment as well.
Colloidal silver is really big in the wellness industry for two reasons: one, because we USED to use it OTC and therefore people assume it was removed because of corruption-trying-to-keep-us-ill-reasons and two, because it is often touted as an alternative to antibiotics, and useful to stave off flus and viral illnesses (so topical).
Research currently doesn’t support any medicinal use for colloidal silver, and it’s not considered safe to take orally. Silver deposits in your skin and organ seem rather useless to me.
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I feel like a lot of people really dislike the idea of Ghostbur being or seeming “childish”—which I honestly get! Especially when a vast number in the fandom see Ghostbur as nothing more than a silly guy who doesn’t understand things and isn’t mature in the slightest.
That’s frustrating. It really hekkin is. It’s frustrating to see people reduce Ghostbur to that.
And so I think a lot of people who feel hurt or protective over this misconception become very defensive, to the point where they… kinda seem to disregard every childish thing that Ghostbur did. Which… is also frustrating. Not in the same way as people who infantilize him, but frustrating nonetheless.
Because in reality, Ghostbur was childish. He spoke in simple terms, said things like “buh-bye”, very quickly lost interest in a conversation if it was veering in a direction he didn’t like, and pretty much refused to acknowledge anything “bad” or scary or sad—often to the point of hurting others, albeit not meaning to. Those are all fairly childish things.
But Ghostbur also was a very well-developed, very unique, very beautiful character who felt things, who wanted to help people, who loved his friends and his family and his sheep more than anything in the world, who thought deeply and thoughtfully, who understood that not everyone in this world means well or is a nice person, and that some people do hurt and lie, and he also understood that people can change, and that everyone should have a second chance.
Ghostbur was well aware of the way people perceived him—most of the people on DSMP saw Ghostbur as something delicate, something that couldn’t handle the real truth, something that needed to be protected and shielded from anything “too complicated”. Philza, in particular, did that a lot.
Ghostbur was aware that people saw him that way, and he was aware that sometimes people lied to him, and he was aware that every single person on the entire server saw him as Wilbur’s ghost, as Wilbur, as an echo, as nothing more than a clone or a replica. Ghostbur knew that. He freaking knew that. And that hurt him.
Ghostbur felt things far too heavy to bear; he felt the weight, ramifications, and heartbreak that Wilbur’s choices brought down. He felt the continual rejection, the continual casting aside, the continual anger and fear and confusion that everyone always expressed at the sight of him. Of Wilbur’s ghost. Of Wilbur.
Ghostbur felt all these things and more—he watched Friend die, he watched his homes blow up, he saw Logstedshire blow up, he saw L’manburg blow up, he watched Tommy go through hell, he watched Technoblade get executed, he watched Phil forced into house arrest, he watched Phil betray him, he heard Phil’s words on Doomsday, he watched people grapple with greif and anger and sadness and pain, Ghostbur struggled with grief and anger and sadness and pain, Ghostbur struggled with memories that slipped and moments that became muddled, Ghostbur died trying to do the one thing that Tommy wanted the most, and Ghostbur died, but he lived, in a way, and he had to live with the fact that—in his mind—he failed Tommy. He let Tommy down.
And Ghostbur’s stuck with that. He’s stuck with that.
But it wasn’t all painful! It wasn’t all sorrow! There were so many good things too!! Things like Ghostbur finding Friend, and loving Tommy, and loving Phil and loving Techno, and building a house in Exile, and reading books, and learning about Wilbur and realizing that he wasn’t evil—he was just a hero that hadn’t been convinced—and forgiving Eret, and having a library, and taking Friend on walks, and making Tommy smile, and giving clingy duo the compasses, and handing out Blue, and trying to help anyone and everyone in any way he possibly could.
All that happened too. It wasn’t all bad. Ghostbur had some darn good moments on this server. He loved things and he cared about things and he helped people. He tried to help people. He wanted more than anything to help people.
What I’m getting at is this: Ghostbur was an incredible character—still is! He was beautiful, and poignant, and interesting and relatable and completely unique and wonderful… and he was also childish. Or, I should say, had some childlike qualities. I don’t think describing his entire personality as childish is right at all.
Because Ghostbur was more than that, man. He was so much more than that. He was so much more than what the fandom reduced him to. He’s so much more than what most people give him credit for.
And Ghostbur can be both. He was just as developed as any other character, just as human (despite being a ghost) and just as emotional and just as capable of feeling things and experiencing things as anyone else. And he also did some childish things, and went about certain things in childish ways—and that’s okay! That’s okay! I honestly see that as kinda neat, because most characters I come across aren’t nearly as whimsical or odd as Ghostbur is :) So it’s fun to find someone like that.
I think it can become a problem when people either A) don’t see Ghostbur as anything but childish and completely disregard all other aspects about him, or B) refuse to acknowledge any childish aspect about Ghostbur, even when it’s an important part of his character.
I think a balance can be had between the two.
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i just wanna word vomit for a second about chainsaw man chapter 79. major spoilers ahead.
but denji’s final battle with aki really really makes me sick to think about. its the type of thing i read where im not sobbing or crying like i feel like i should be but instead feeling this overwhelming sense of dread.
aki as the gun fiend implies that his body is dead. that being said, he truly dies during the gun devil’s initial attack on makima, as it actually says his name within the death toll. knowing that within itself is already upsetting enough (as he couldn’t have done anything to save himself and seeing his name included on a list of unfamiliar names like that is beyond devastating. the unceremonious aspect of it really makes me upset), but what i think happened with aki is that he was caught somewhere between life and death.
so he’s almost in the place inbetween like and death and is imagining this snow ball fight with denji which serves to fill in for the way his physical body is acting beyond his control. and he’s fighting denji but doesn’t quite understand the urgency denji has in this snow ball fight and it builds up this increasing sense of dread. we see this as life or death, but aki even states that for the first time in his life, he’s having fun because of denji. he’s having fun because of this imaginary scenario he has created as a result of having his body taken over.
then, as aki is about to die and after realizing that denji is crying, he remembers that what he had originally come out to do was play catch with his younger brother. after denji kills the fiend and aki’s body, aki is then allowed to cross over into what is his idea of heaven. aki’s idea of heaven is continuing his childhood from the day the gun devil first appeared and making it as if his family didn’t die.
any traces of denji are erased from that place and he is left playing catch with his little brother as if his “true life” were taken off of pause. i interpret this as aki’s idea of heaven being getting to live a normal life with the people he loves. his entire death sequence kind of emphasizes that his desire has always been to reclaim the part of his life he lost the day his family died. it has, in a way, always been about finding that again for aki. i think its very tied to the injustices in his life and the casual cruelties he committed and witnessed. i think aki’s general belief is that this snow ball scenario (which is entirely made up) is his “true life” or at least the one he should have been owed, while the real world in which his family is dead and he dies a horrible death despite not deserving it, is the “fake world”.
in the final panel of the chapter, aki is seen smiling and playing catch with his little brother and it’s like his life is taken off pause despite the fact that it has ended. solace in death and living the life he was owed. it’s devastating.
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the thing about euphoria is that it's so unbelievably intense, overwrought, theatrical, stylized, glittering, and strange, that arguing about whether it's 'realistic,' 'sensitive,' or 'good representation' would be fucking stupid even if the writers weren't pathologically obsessed with minors getting sexual validation from adults
i genuinely think that's the shows greatest flaw, tbh. like, it's trying to be a gritty, grounded character study and a dreamy arthouse music video at the same time
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This is one that I ask myself a lot. Of these two post punk bands, which band do you prefer, Nick Cave and the Bad Seeds, or Einsturzende Neubauten? And why?
oh gosh hard question!!! hehe
buuuuuuut think i like Einstürzende Neubauten better. they just have that *something* to them, and i've liked almost all of their stuff that i've heard so far. all their stuff is just so different from anything else i listen to, and the range of it, from industrial to like, string section and backing vocals, and songs with a bit of both, it's just ahhhhhh it's so good! they have super heavy ominous ones and absolute bangers and beautiful quite ones and arty poetry ones and and and so much of it is really good!
i love how they can use so many languages in one song, and have really strange sounds that also fit the piece perfectly. i love how a lot of the songs, the music is actually quite simple, but also really complex in that yeah, it might only have one chord, but all those sounds are very specific things and you can't just play it, like you can't just google chords for it cos most of the song is played with percussion and feedback with a bass occasionally hitting a note. the general vibe is just so good. and of course our much beloved Blixa is a really cool person who is also a nice person! there are so few musicians who actually seem like people i'd want to know and Blixa is one of them. and he's pretty cool looking as well. and his lyrics are so good ahhh so may of them are so cool and/or so beautiful. and english is his second language and he can write in it better than a lot of people who speak as a first language like that's next level talent. and the amount of talent it takes to be able to make music so good out of such strange sounds! like anyone could write a chord progression on guitar but to write a song where most of the instruments are hitting metal things like that's just wild. and his unique voice and style and scream and the way he says things are just so gooodd.
the bad seeds are great as well of course! but some of their stuff, i just feel like nick's mediocre songs are just. mediocre. and of course the so many brilliant bad seeds songs with Blixa playing key parts of the song <3
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