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anim-ttrpgs · 2 days

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Promotional art by team artist @chaospyromancy

Eureka: Investigative Urban Fantasy is a neo-noir investigation-focused RPG with (as you can probably guess from the title) a supernatural twist. Eureka fills several voids we have noticed in the TTRPG space. Eureka supports investigation to a degree we haven’t seen before, ensuring that searching for clues is a granular and player-driven process, but also ensuring that the whole story doesn’t grind to a halt after one single failed investigation check.

Though most PCs will be mundane humans—or perhaps because most PCs will be mundane humans—Eureka also supports playing monstrous PCs, such as a vampire, in a way we have never seen before. This isn’t just a watered-down stat bonus, it’s like playing an almost entirely different game, with all the monster’s strengths and weaknesses to account for while solving the mystery, plus the added incentive to keep it a secret from the other PCs as well as their players.

If you like or are interested in Call of Cthulhu, Monster of the Week, Dresden Files, X-Files, Kolchak: The Night Stalker, Apocalypse Keys, or Gumshoe, you’ll probably find something in Eureka to really enjoy.

Eureka: Investigative Urban Fantasy is kickstarting from right now until May 10th! Back it while you still can!

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If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

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ars-matron · 1 year

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I really need to talk for a minute about this new mobile update and how much I as a legally blind person hate whatever the hell is going on with the photos and how it's making this app nearly impossible for me to use

I'm not sure the same thing is happening on the desktop version but for those who may not know in the app whenever you tap on a photo it used to just pop up and you could double tap to enlarge it and zoom in and scroll around and all was great.

A double tap now likes the photo and it must be pinched and pulled to zoom in and out. A mild annoyance, and nothing compared to the rest of the update. If you scroll up, which I do frequently when trying to navigate an enlarged photo, it will send you to ANOTHER photo based on the tags of the post.

That's right, a completely different photo!!! A feature no one asked for and no one wants!! This isn't facebook, or instagram, and maybe tiktok but I never had that so this is a guess. When I click on the photo I only want to see that photo (or in the case of multiple photos in a post I want to be able to easily scroll side to side for those). I do not want to be taken to another post!!! Also if you scroll too far to the left you are then sent to the profile of the person who reblogged the post. I do not know why. Who wants this feature? Is it a feature at all?

As someone who only taps on a photo because I cannot see it and I need to enlarge it, this is beyond a simple annoyance. I cannot navigate the photo like I need, there's a hair trigger on whether it sends you to a new post completely or if you are sent to the profile of the reblogger. Neither, again, are things I want. this leaves me having to back track a lot, re-zoom the photo as it reverts back to normal, and hope dearly that this time I can just read the damned text before it freaks out again.

I haven't seen anyone else talk about this outside of the tags, but really this is making the app unusable for me, and I'm sure for many others.

@staff I know you guys haven't cared about your disabled community much in the past (other photo updates that stopped allowing me to zoom into gifs is proof of that) but please don't make this app unusable for me. I would rather not have to leave.

#staff #tumblr update #tumblr #thanks tungle #I really hate it #please put it back #it's worse even that instagram or facebook because at least I can stop those from moving on and well #I feel like I singed up for that sort of thing with them

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ambrosiagourmet · 2 months

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Did Laios have a plan

... when he made his deal with the Lion? How much of it was intentional and how much of it was out of his control?

Well. If I'm being honest I don't really want to try and provide a definitive answer to that question, because I think the ambiguity is, itself, part of the story. I've gone back and forth a few times myself, and I don't think either category - "fully intentional" or "fully coincidence" - is entirely true.

That being said, I would like to point out a few things that I've seen taken for granted as true. Things that, imo, are much more about the character's perspective, or about what the character WANTS people to think (well, that's really just the Winged Lion).

Consider this not exactly an argument for "Laios masterminded everything from the start and saved the world with his cunning," but more... "Laios considered what he was doing more than people give him credit for." Make sense?

Alright then, let's go:

So to start with, I want to show every time (that I could find, at least) that the question of 'does Laios have a plan' gets brought up. This is specifically after his Ultimate Monster Form is revealed, to be clear - the question isn't about if he has a plan in general, it is if he has/had a plan when he made this specific deal with the Lion.

Here they are:

You'll notice, in all of these instances, there never really is an answer given to the question. Either because there is no way to get one, or, with Kabru at the end there, because he explicitly doesn't let Laios answer. There's even a bit of an arc here: we start with a sort of desperate 'I've mostly given up but maybe this isn't as bad as it looks,' then get a more optimistic 'maybe we really are saved,' and finally end on 'it all worked out in the end, so we maybe don't need to know.'

But, as much as there is some genuine growth in Kabru's 'accept the outcome, rather than dissecting the truth,' I also think it says a lot more about him than about Laios. Kabru is the one trying to handle his questions and his uncertainty - as he said, he wants to confirm his judgement of character. He wants to feel like he had control over things.

And he lets that go! But he also doesn't actually get the truth, either, and his implied assumption here (that Laios, the wide-eyed monster-lover, probably just followed his desires), still relies on his judgements and assumptions about Laios.

But okay, these bits are all focused on the characters theorizing about Laios. How about we look at the character who actually tells us the facts ("facts"): the Winged Lion.

The Winged Lion has quite a bit to say about Laios and his monster form.

He says that Laios hates humanity, and would rather be a monster

I've talked about this a bit already, but the Lion makes a lot of claims and assumptions about Laios that aren't necessarily true.

First of all, let's just make sure we clearly establish that the Lion is being manipulative here. That may seem obvious, but it's important to understand that there is a difference between 'the truth' and 'a version of the truth specifically framed to prey upon your deepest shame and insecurities about what you really want.'

To point out a few quick-and-dirty contradictions here:

If Laios really hated all other humans, then the Lion wouldn't hinge so many of his other arguments on Laios' love for Falin and his friends.

the Lion claims that Laios "[doesn't] even care enough about the future of [the] world to express an opinion about it," even though Laios has literally expressed opinions on what he wants for the world, to the Lion's face.

In general, the Lion does not make a distinction between urges and choices (see, for instance: him using Marcille's subconscious fear of the canaries as a way to keep her from stopping the monsters from attacking in chapter 86).

I'm not saying there is not a piece of truth here, but also... we are not our darkest thoughts, and we especially are not those thoughts as defined by someone who wants to hurt and control us.

But let’s move on to the stuff the Lion claims about Laios once he has been turned into his monster form.

2. He says that (or rather, acts like) Laios is under his control

The Lion really enjoys grandstanding about how Monster Laios is an ultimate tool he has control over. He gloats about making Laios fight the others, and has him smash through the magical barrier.

But smashing the barrier is kinda the only thing that Monster Laios actually does for the Lion. He doesn't attack anyone. He doesn't hurt his friends, despite Chilchuck thinking that Laios has "turned completely into a monster." And he certainly doesn't simply let the Lion go through with his plan to eat everyone.

This barrier smashing is actually an interesting and odd thing for Laios to have done specifically, so remember that one. I'll come back to it later.

But, yeah, to the original point... despite the Lion's dramatics, all that Monster Laios does is pose, smash up a magic barrier, and then eat him. Not exactly under his control.

AND SPEAKING OF EATING THE DEMON...

3. He frames Laios attacking and eating him as thoughtlessly violent

This one is pretty funny to me, and the Lion keeps it up for the whole scene. I'm not sure how much of this is his genuine understanding of the situation, and how much is him intentionally framing things in the most insulting manner, but like... truly. The ego involved in this. To see someone who has, multiple times, tried to stand against you - someone who has literally wished for your non-existence, to your face - to see this person attack you, specifically, and have your first reaction be 'huh, I guess he's a reckless weirdo to the core???'

Incredible stuff.

And this part, too:

He claims that Laios can't recognize anyone, that he's out of control. And yet, the Lion is the only person that gets eaten here. He is Laios' singular target.

Hell, Laios even specifically attacks one of the bodies that is actively hurting Chilchuck. I don't know if that was entirely intentional on Laios' part, but I do think it's notable.

The Lion torments Laios' friend, and when Laios does something that interrupts that action, the Lion reframes it as unhinged violence. I don't know, there's something here about the way that cruel people only talk about the things people do to resist them as violent, and ignore the violence that causes such resistance in the first place.

In any case, the main point is that the Lion insists on treating Laios like an unthinking animal during this fight, despite the fact that Laios is clearly trying to accomplish something here.

And what exactly is Laios trying to accomplish? Well, the Lion isn't entirely wrong. Laios is trying to eat something. He tells us as much.

And truly, everything Laios does as a monster points to this. He had a goal. And he accomplished it.

Let me back up a moment. I need to explain smashing the barrier.

So, Laios first starts considering how to kill the Lion when he is confronted with the fact that his only other choice would be to kill Marcille. Immediately and entirely discarding that solution, because of course he does, he tries to wrap his head around what defeating the Lion would even look like.

He clearly continues thinking about this, as a nearly identical conversation happens a few chapters later, when Laios is once again told that killing Marcille is the only way forward.

Only, this time, he's started to come up with an idea for how to do this impossible thing.

Harkening all the way back to the Living Armor chapter, Laios draws on the same lesson - if the Lion has made itself part of the world, if it has made itself into something alive, that means he can kill it. And eat it.

But there's an important extra detail to this. If he's going to try and kill (and eat) the Lion, he needs to strike when it’s vulnerable. He needs to strike when it's eating.

This is why he smashes through the barrier. Again, nothing else he does as a monster really benefits the Lion. He doesn't attack anyone else. The only command he obeys is to smash the barrier. Because the Lion has to think he has won for Laios to be able to eat him.

Beat him. For Laios to be able to beat him.

The question of why Monster Laios wanted to eat the Lion is, I think, the most ambiguous part. Was he curious? Hungry? Did he fight for his own life, for his friends, or for all of humanity? Did he know how to win because he had planned everything from the start, or because he was driven by an unquenchable instinct to do whatever it took to survive?

I don't know that it is possible to say for sure. But I do know that the Lion underestimates Laios, through it all. He underestimates Laios as a human, and he underestimates Laios as a monster.

And in the end, after he is bested, even then I don't think the Lion ever gets Laios. I don't think he understands how much Laios means his words about the Lion being burdened by hunger...

or what Laios cares about most...

or what meaning there is in life, for him.

So I don't buy what the Lion is selling about Laios, generally speaking. I don't buy that Laios didn't ever know what he was doing, and I don't buy that he was nothing more than a hungry beast.

Well. I mean. He was a hungry beast. But he was a more than that too. He was the Devourer of All Things Horrible. And he didn't just happen into that title by chance.

#dungeon meshi #delicious in dungeon #laios touden #winged lion #dissecting how the Lion's negging works is a great exercise in understanding manipulation honestly #dungeon meshi spoilers #dunmeshi analysis

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elizakai · 3 months

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I like thinking about their more canon adjacent dynamic (character wise)

MINI ANALYSIS TIME

Because while I love the soft interpretations, even WITH those let’s be real; that’s not how they’d act off the bat

Horror would be extremely judgmental (fair) and hate Dust for what he did. He’d despise him and probably be very passive aggressive. Making jabs and making his disdain apparent when they have to interact. I think getting a read on Dust is also difficult and would piss Horror off. Horror is unpredictable and has a sadistic streak, if he was mad or manic and had Dust in a corner he’d have no qualms about manhandling the guy. (And Dust probably wouldn’t do much to stop him.)

Meanwhile, Dusttale’s creator was asked once how Dust may feel if he met Horror, to which they said he feels bad for Horror. He likes him, sees him as someone who went through something horribly undeserved. In my mind Dust is somewhat protective of Horror.

I interpret these clashing of dynamics as Horror’s just utter disdain for this guy, and Dust’s resigned acceptance of Horror’s judgment. He’d agree with him if he were to judge himself, but I think a part of him wants Horror’s approval. He doesn’t EVER expect to get it, but Horror is….

While he’s seen hell, he’s almost a less tormented version of Dust himself. Deep down they are the same. Horror has suffered greatly, but even still hasn’t hit the deep end dust has, and I think he’d want to protect that sort of innocence he’s granted. One could think of it as him protecting a piece of himself he himself has already sacrificed. And wanting APPROVAL from him, wishing to be forgiven, craving that small piece of validation or understanding as he tries to reconcile with himself.

Horror’s formed opinion makes sense, he agrees with it, and simply wishes he disagreed, that he could have proof of himself being a FRACTION worthy of forgiveness or understanding.

The judge in both of them has both formed an opinion of the other, and they happen to differ greatly. Horror sees Dust as an abuser and Dust sees Horror as a victim.

I like to imagine that, while reluctantly thrown into the same general vicinity, Horror would grow to be more understanding (again if we are going with a PROGRESSIVE plot line) and come to understand that, yes, he wasn’t WRONG, but there is nuance to the situation. They both have a very grim understanding of what it’s like to be trapped. I think he has the capacity to understand Dust better if he was given time. His hands aren’t clean after all, and he knows what it’s like to be forced into a situation and to feel backed into a drastic decision. He knows what it’s like to lose your autonomy and to feel your mind break itself under pressure.

I think the simple fact that Dust wouldn’t TRY to change his mind or justify himself would be part of why Horror could come to understand him. He’s devestated by his actions, he is by no means a sadist.

Horror coming to understand Dust and sort of reconcile/forgive him I think would be rather BIG for Horror, especially if you factor in other situations he now has to consider. (For example, his Undyne and her drastic attempt at freeing the undergroud…) reconciling his OWN arguably cruel decisions he has made with pure intentions, when he feels there’s no other choice (like his Papyrus and tricking him into doing something so outside of his beliefs, to protect him)

It would also be healing for Dust to get that reconciliation with Horror because again…Horror’s opinion actually may MATTER.

And in the same way that Dust may see Horror as a sort of person to be protected from further harm, Horror would probably pick up on all of the VERY bad habits Dust has that (in my observation at least) are EXTREMELY similar to his own habits/past habits (isolation, obsession, deprivation, paranoia, bringing harm to self etc) and I could see him being sensitive towards those and trying to prevent it worsening (it’s a sore subject💔) Horror is shown to prioritize taking care of those he cares about, even when he’s a bit mad, and he has the capacity to grow an understanding for someone he doesn’t like initially :))

I think they have potential to be VERY good for one another, Horror (while being fucked up) encourages (and maybe forces) better habits and actually has an opinion that matters to Dust, and Dust is inclined to be VERY loyal (Horror needs someone to show him loyalty.) to anyone who cares to give him the time of day, as it’s far beyond what he’d expect, and he’s got the sympathy/protective streak towards Horror as an actual in character detail.

And from there it would be wonderful to explore their dynamic in whatever way you like to interpret it🤫💥

I could go on but I’ll stop here, if you read this all CONGRATS!!!

Share your thoughts I love it

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yumeka-sxf · 4 months

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Spy x Family CODE: White - FULL MOVIE SUMMARY [SPOILERS]

Now that I've finally read through the entire novelization of CODE: White, I'm ready to share a full summary of everything that happens - basically spoil the whole movie for those interested 😅

But before I get to the summary, a few notes:

I didn't translate every line from the novelization as that would have taken way too long. I go into more detail for scenes I was particularly interested in (like Twiyor scenes), or scenes that were easy to translate. But I still made sure to mention everything that's important to the story. If I gloss over some parts more than others, it's either because they were difficult to translate, or I didn't think they were that important. But even so, the "summary" still ended up being way longer than I anticipated!

I have not seen the movie myself yet, so everything in the summary below is based on the novelization only (of which there were two versions released, with slight differences between them). Obviously the novelization is an accurate adaptation, but there is a chance that a few things are different between the novelization and the actual movie, and/or the novelization may have left out some dialogue or minor scenes.

And lastly, it goes without saying but BEWARE OF MAJOR SPOILERS BELOW! Not only that, but please be considerate of where you share these spoilers. Remember to properly tag this post if you reblog it and think twice before you share any of this information on other social media. Most people don't want to be spoiled to this degree!

Again MAJOR SPOILERS BELOW!

The movie starts with an introduction to the characters – we see Twilight carrying out a mission where he has to disguise himself as someone's wife. Meanwhile, Yor is doing an assassination mission. They both come home at the same time and are greeted by Anya. Bond has a vision of Anya and Loid getting sick from Yor's cooking, so Anya suggests that Loid cook instead.

At Eden, Henderson tells the students about the cooking contest and how the principal will be the judge. Loid is on the roof, reading Henderson's lips. A falcon flies overhead and drops him a note with an F cipher. He goes to meet with Sylvia at one of the WISE hideouts. She informs him that she has another big mission for him, but when he objects that he couldn't take on something so big in the midst of Operation Strix, she hands him a photo of a man and child. She explains that the man is Major Depple of the Army Intelligence Department who has a lot of important people backing him, and since they hadn't made enough progress with Operation Strix, the higher-ups decided to pass it onto him.

As Loid leaves, he bumps into Fiona. Her hat gets blown away with the wind and he reaches to catch it, just as Yor and her coworkers are across the street. From where Yor sees them, it looks like Loid is kissing "the mysterious woman." Loid and Fiona have a fake conversation – he compliments her hat, she says it was made overseas, etc – while they're actually doing their secret "spy talk" (like they did when she first visited him at home). He tells her what's happening with Operation Strix, and she tells him that she had tried to warn him that it shouldn't have been left up to ordinary citizens who don't know anything, and that she should take on the wife role. Meanwhile, Camilla and co. tell Yor about the three signs of cheating: one, an increase in travelling; two, a change in clothing taste (to match the taste of his new lover); and three, suddenly giving gifts (because he feels guilty).

Later that evening, Yor is still feeling anxious about Loid's possible "lover." When Anya gets home, she tells them about the cooking competition. Loid recalls from his data that the principal's favorite is the melemele pastry. If Anya could get a stella from the competition, that could help get him back into Operation Strix. He says that he read in the school newspaper that the melemele in Frejis is supposedly the best, so they should go there and try it for themselves via a family vacation over the weekend. Yor thinks back to the "increase in travelling" sign of cheating that Camilla told her about. Loid tells her that only families are allowed at the Frejis restaurant they're headed to, so she decides to go, though she's still conflicted about whether this is actually a sign of cheating or not.

They have some family time on the train to Frejis, though Loid still makes Anya study. They play cards and get food (Anya has a corn dog, Yor has a sandwich, Loid has a hamburger). After coming back from the bathroom, Anya notices a key by one of the sinks. Bond is with her, and through him she sees a vision of the future – in the vision, she goes to car 8 and opens a trunk with the key while overhearing two men mention that it's a key to a treasure of the Republic.

Back in the train car, Loid brings up Anya's terrible handwriting while Yor mentions that they had practiced handwriting the other day. Loid says that Yor's motherly side is really coming out, which causes Yor to get flustered and makes her think that it's not her skills as a mother he could be dissatisfied with but perhaps her skills as a wife. She gets even more flustered when she notices a couple across the way kissing and starts nervously moving her lips, to which Loid asks if something's wrong. She stammers that her lipstick didn't warm up and is itchy, then says she's going to look for Anya since she's taking a long time.

Meanwhile, Anya and Bond find the luggage compartment and locate the trunk from Bond's vision. When Anya goes to grab it, Bond tries to stop her. At first she thinks that she shouldn't just do whatever she wants with other people's stuff, but then she remembers that the men in the vision said it was a treasure of the Republic, a treasure that could possibly help achieve world peace. She opens the trunk and is disappointed to find just a chocolate in it. But when she hears the two men, Domitri and Luca, open the door, she gets startled and accidently knocks the chocolate out of the trunk. It bounces off of Bond's nose, and when she tries to grab it, it falls into her mouth. She hides when Luca and Domitri come in to look for the trunk.

They describe the ship sticker on it, and when they find that it's been opened and the chocolate stolen, they say they're going to kill whoever took it so the secret won't get out. When Anya accidently makes a noise, the men take notice. Domitri takes a flower out of his pocket and points it towards the dim light in the car, saying that his "flower fortune telling" will tell him who's hiding. They then notice Anya escaping into car 7 and give chase. They lock her in car 6, but when she starts screaming for Papa and Mama, Yor breaks open the locked door. She asks Anya who the two men are and Anya says that they're chocolate thieves who were being mean to her. Yor beats them up (after telling Anya to cover her eyes) just as the train arrives at Frejis station (Anya seems to feel bad that she sicced Yor on them when she was the actual chocolate thief). When they get off the train, Loid says that they should start heading to their destination (as Yor starts building a snowman). After they get their luggage and leave, Luca and Domitri emerge from the car they were in and say they need to contact the colonel.

The shop that has the melemele is called "Restaurant Rubble and Bonds." Since pets aren't allowed in the restaurant, they leave Bond outside when they go inside to eat. After ordering food along with the melemele, the waitress tells them that they're getting the last melemele. Bond watches them from the window, but then a waitress comes over and feeds him the special pet plate, which he happily eats. As the Forgers are eating, Loid tells Anya that she shouldn't eat with her hands, and that using a knife and fork are proper manners. Yor watches and notices the turtleneck sweater Loid is wearing, which makes her realize it's something that he never wears. She then thinks of Camilla's second sign of cheating, a change in clothing taste. The chef comes over and tells them how the war in Frejis was mostly fought in the sky, and the aircraft displayed at the front of the station belonged to a two-man team famous for shooting down planes during the war.

There's a brief scene where Yuri overhears his coworkers at the SSS talking about Frejis, and he of course wants to go since he knows Yor is there now. But the boss won't let him, so he makes a bit of a scene.

Back at the restaurant, the chef continues to talk about the war and how he lost everything at that time. His decision behind making a restaurant catering to families was so people could experience the homemade food that he remembered his mom used to make. Loid can't help but relate the chef's backstory to his own. The melemele is finally ready and brought to the table.

Just as Anya is about to dig in, Colonel Snidel and some other soldiers enter the restaurant. The waitress and chef try to tell them that only families are allowed, but Snidel says that the military have authority in this area, even when it comes to food, and could close down the restaurant if they wanted to. They order the melemele, and when they're told that there isn't any left, one of the soldiers takes the melemele from Anya. Loid politely tells the soldiers that his daughter was really looking forward to eating it and if they could possibly order a different dessert. Snidel asks if they're tourists that came here to eat the melemele. Loid replies that they travel around trying delicious food. Snidel challenges Loid to a competition – if Loid wins, he'll give them back the melemele. The competition involves trying the three cakes that were placed on the table and correctly naming every type of sugar in them. Even though Loid correctly names them, Snidel also mentions the exact number of grams, making his answers the most accurate. Everyone's bummed that Loid lost, but he says that they could try coming back again. However, the chef tells them that they won't have more until Monday, which is when the Forgers have to be back in Berlint for the cooking competition. Yor asks the chef that if they provide their own ingredients, would he make it for them, and he agrees.

The Forgers go to the Frejis marketplace to get the ingredients from the list that the chef provided. Having already memorized the list, Loid moves at super speed to every shop and quickly finds most of the ingredients. When he goes looking for the orange syrup, a man from a cosmetic shop asks if he'll buy one of the many lipsticks there for his wife. He picks one out, mentioning how back on the train Yor had said that her lipstick wasn't working out and if this one is a nice color. She's embarrassed at first, but then agrees that it's a nice color and accepts…but then she's reminded of Camilla's last sign of cheating: suddenly giving a gift (meanwhile Loid is just thinking how putting on the happy couple appearance is part of the mission). With all three signs of cheating having taken place, Yor says that she's going to the bathroom and dejectedly walks away. Loid wonders if she's just tired from the trip and if she'll be okay. Anya then calls Loid over to a shooting game booth that has the orange syrup as one of the prizes. After attempting the game and failing, Anya reads the booth owner's mind and realizes it's rigged. Loid gets suspicious as well and is able to masterfully shoot down the orange syrup while also exposing the owner's scam.

Loid is ready to look for the last ingredient, but then Anya runs off to ride the mini train. Yor rejoins them, having put on the lipstick while she was in the bathroom. Loid says it suits her and asks if she'd like to get a drink somewhere. They go to a café booth where Loid orders coffee. But Yor, thinking how she needs to confirm the whole cheating thing with Loid and can't open up without the help of alcohol, orders several cups of heated wine. She finally gets drunk enough to ask Loid if he has a lover.

From the train, Anya looks over to see Yor grab Loid's scarf and pull him to the ground. Anya freaks out about "Papa and Mama flirting." They're both on the ground now, with Yor hovering over Loid before she finally passes out. She wakes up on a bench, where Loid asks if she's okay. She apologizes for what she did, but thinks that Loid will definitely want a divorce after what happened. When Anya reads her mind, she thinks of what Becky told her about divorces and how they cause families to fall apart. She then hears the ferris wheel attendant calling for people to ride, saying that it'll be a happy, "flirty" experience. Anya tells Loid and Yor that she wants to ride the ferris wheel, but then ushers them onto the gondola without joining them, much to their surprise. She tells them to get "flirty," to Loid's dismay. Yor tells Bond to look after Anya.

Yor realizes that she must look really bleak right now and it's making Anya worry. Loid asks if she's okay and she again apologizes for her behavior earlier. Loid replies that she's been acting weird for a while, causing Yor to finally admit that she saw him with his "lover"…someone with a large hat. Tears start welling in her eyes, so she covers her face with her hands to hide them. Realizing that the person she's referring to was Fiona, Loid explains that she wasn't a lover, just someone who needed directions to the art museum. Feeling embarrassed about her mistake, Yor looks away from Loid and out the window. She sees Anya and Bond below, the former waving happily at her. Yor waves back before mentioning if Loid could want a divorce, to which he light-heartily replies "no way." Yor says that she's lacking in a lot of ways, not just as a mother but as Loid's wife. Loid then takes her hands in his, looks straight into her eyes and reminds her of the promise he made via their marriage proposal.

He says the marriage vows again before stating that he has no intention of breaking his promise. As Loid gets closer to her, Yor's face reddens and her heart races until she finally breaks – she smacks Loid on the cheek, sending him flying out of the gondola (which had reached the ground). But he adjusts himself in midair and lands gracefully on his feet. Yor grabs their belongings from the gondola and hurries out. Upon seeing Loid's swollen cheek, Anya panics that Papa and Mama were fighting and the Forger family is over. Loid and Yor object to this, with Loid saying that they weren't fighting. Anya then says that they were flirting, but they object to that as well, faces red with embarrassment. Anya just grins at them.

The clock tower bell chimes, signaling 5 o' clock. When Loid muses that it got so late already, Yor apologizes that it was due to her passing out from drinking too much. Loid asks if she and Anya will go back to the hotel while he gets the remaining ingredient, cherry liquor. He thinks to himself how it's something rare that would not likely be sold at a store, so he'd have to get it through illegal means, which means that Yor and Anya can't accompany him.

Snidel gets out of his military vehicle in front of a flying battleship. He's greeted by several soldiers who tell him that route negotiations with the Arbo Republic have ended and adjustments to Type F have been completed. Snidel suddenly shoots and kills one of the operations leaders, claiming he's a traitor who leaked military information to WISE. Luca and Domitri then arrive and inform him that the microfilm was eaten.

Meanwhile, Sylvia meets with a bunch of WISE agents at their Berlint hideout. She tells them that they lost contact with their Frejis agent, suspecting that Snidel has taken action. She says that if the microfilm reaches the Arbo Republic, it could lead to an all-out war between the East and West. She doesn't think their agent had gotten the microfilm, but she knows Twilight is currently in Frejis, so he may be their only hope. She orders a couple of the male agents to meet with Twilight at Frejis and get the microfilm. However, Fiona interrupts and requests that Sylvia leave the mission to her instead. Sylvia objects, but Fiona is already leaving the room and on her way, thinking over and over to herself "A mission with senpai, a mission with senpai, a mission with senpai…"

Back at Frejis, Loid looks everywhere for the cherry liquor – he sneaks into a moonshine factory and even the wine cellar of a wealthy man, but still can't find it. He calls Franky at his tabacco shop in Berlint, inadvertently interrupting Franky's flirting with a pretty girl. He asks Franky if he can get the cherry liquor and that he needs it by tomorrow morning. Franky says he'll try but it would take him half a day to even get to Frejis, but Loid had already hung up.

At the hotel, Yor unpacks while Anya admires the hotel amenities ("Hotel TV!" "Hotel toilet!" "Hotel bed!") She then takes her toys out of her bag – among them are crayons, a sketchbook, a rubber duckie, and a toy gun. She pretends to shoot Bond with the gun, then points the gun at Yor and asks if she's the "boss." At first Yor is uneasy about partaking in Anya's game, but then she gives in and pretends to be the boss who wants the treasure. This makes Anya even more fired up and she says "Let's battle, polite lady boss!" The three of them continue playing.

Loid returns to the hotel and finds Anya's drawings of the ferris wheel and shooting game booth on the table. Anya's sleeping on the sofa while Yor puts a blanket over her. Loid says that he's going out again because he found the liquor at a neighboring town. Since it's a bit far, he's taking a car that he's borrowing from the hotel. Anya wakes up and calls Loid a liar since he said he would be back soon but came back so late. He apologizes, but then she reads his mind as he thinks about the fact that if Anya doesn't get a stella soon, Operation Strix and their family will be over. Anya says she wants to come along with Loid, but when he turns her down, she sadly goes back to the bedroom with Bond. When Loid starts to leave, asking Yor to take care of Anya, Yor asks him how many seats there are in the car he borrowed. He answers five. She then asks if they can all go together, since it's a family trip.

In the bedroom, Anya hugs Bond while thinking about the sad state of the family. Bond suddenly has a vison of the cherry liquor behind the cash register of a store at the plaza. At first Anya wants to tell Loid about it, but then she thinks that her secret would be revealed if she did (Loid would say "How did you know that? You can read minds? And Bond can see the future?") After realizing she can't tell him about it, she looks towards the window...

Meanwhile, Yor tells Loid how happy it made Yuri to be with her all day for special occasions like birthdays and family outings, and that it's the same with Anya. Loid thinks back to how happy Anya was when they were doing things together on the trip, such as playing trump, playing in the snow, and eating at the restaurant. He picks up the toy gun on the table and thinks back to how grateful Anya was for being able to play "spy" at the old castle. As he returns the gun to the table, Yor tells him how Anya was looking forward to so many things on this family trip, like eating sweets and playing together. She says she understands Anya's feelings since she's made Yuri feel lonely before. She tells Loid that Anya was really looking forward to being with him and how lonely it is to be separated from your family. She asks again if they could all go together to get the liquor at the next town, even though it's passed Anya's bedtime. When he starts thinking of the possible harm of bringing Anya with him, he pushes those thoughts aside and agrees with Yor.

Suddenly, room service knocks at the door. When Yor says that she didn't order any, Loid looks through the peep hole and sees Fiona disguised as a maid. He then says that he forgot to order a large bathrobe and steps outside. In the hotel corridor, he asks Fiona why she's here. She repeats "room service" while actually saying "it's a mission" in spy talk. Loid says that she can talk normally since it's just the two of them, and asks if she could be quick since he's also on a mission. She starts blabbering internally about how she's alone with him – LOVE!

Back in the room, Yor hears a noise from the bedroom, and when she goes to look, the window is open and both Anya and Bond are gone. Meanwhile, Fiona explains the mission about the microfilm to Loid. When she mentions Colonel Snidel, Loid thinks back to his encounter with Snidel and the military back at the restaurant. Yor suddenly comes out of the room and tells Loid that Anya ran away through the window. She had left a note behind, but when Loid goes to read it, the handwriting is extremely messy – he can make out the word "sorry" (misspelled).

Anya and Bond arrive at the shop in the plaza from Bond's vision. She buys the bottle of liquor and happily walks with Bond back to the hotel, thinking that now the Forger family will be okay. At the same time, the military is looking for girls that match Anya's description, using a picture that Luca drew of her. Bond starts barking when he notices Luca and Domitri pull up in a car behind Anya. Anya and Bond try to run away, but Luca pulls Anya into the car. Bond bites Luca's arm but gets pushed away. As they drive off with Anya in the car, they run over a can in the road that hits Bond in the head. Bond howls sadly as he watches the car disappear. Back at the battleship, Snidel says that it will depart as soon as they get the microfilm.

Loid and Yor run through town calling for Anya. They find Bond collapsed on the side of the road. Loid asks if he's okay and if Anya was with him. Bond barks and tries to gesture about what happened, but Loid and Yor can't understand him. However, Loid notices something in Bond's mouth – Luca's armband that he had bitten off. Loid recognizes it and is in disbelief that Anya got caught up in the military.

Then Fiona, still disguised as the hotel maid, pulls up in a car nearby and calls to Loid saying that he dropped something. In "spy talk" however, she says that he should prioritize getting the microfilm over Operation Strix. Loid thinks for a minute, then says loudly (so Yor can hear) "Ma'am, I would like to ask a favor…"

Meanwhile, Anya is brought before Snidel. Upon seeing him, she shouts that he's the guy who ate her dessert. He says that more important than the melemele, she ate their chocolate. She then states that he's the boss of those thieves. Luca and Domitri reprimand her for not using polite speech in front of the colonel. Snidel asks if she's been to the toilet since. Anya reads his mind as he thinks about how they hid the microfilm in the chocolate, and it's better to wait until she poops it out before killing her. Anya then realizes that the chocolate she ate on the train had the "treasure" inside, and if she poops, she'll be killed. Anya then nervously says that she's so cute that poop has never come out of her body, but then admits that she's lying upon seeing Snidel's cold gaze. Snidel instructs Luca and Domitri to take Anya with them and inform him if she poops. Anya begins holding her butt and starts shaking in fear. Domitri asks if she has to go, but she says she's just cold. She knows she mustn't poop or she'll be killed, but the more she thinks about it, the more she has to go!

Back at the Frejis plaza in front of the station, Loid boards the old fighter plane that was parked there. He's able to operate the communication device and listen in on signals from Snidel's flying battleship. He manages to catch some of Luca and Domitri's conversation with Anya, including them saying that she's in this mess because she ate the microfilm. Upon realizing that Anya ate the microfilm, he breaks into a cold sweat, but quickly regains his composure as he gets off the plane and meets with Yor, who was waiting worriedly outside. He tells her that he thinks Anya is with the military, since he heard from the radio signals that they seem to have taken custody of a girl around five years old. Yor asks why Anya would be with the military. Loid knows that he didn't have any time to come up with an explanation, so he cuts the power cable on the plane and climbs back into the cockpit. As the propellers begin spinning, he asks Yor to stand back and tells her that he'll return soon. Yor thinks back to the two men who attacked Anya on the train and realizes that they might have been from the military, but she can't tell Loid about that or he'd know that she beat them up. She recalls what she said to Loid earlier: that they should all go together because it's a family trip. As the plane leaves, Yor jumps onto it and forces open the door at the bottom. Loid continues to pilot the plane into the Frejis sky, unaware that Yor is also on board.

Back at the WISE hideout, Sylvia thinks to herself that "the fate of the world depends on getting that microfilm…we're counting on you, Twilight."

Back at the battleship, Anya is trying hard to resist the urge to go to the bathroom. She moves her body back and forth to try and hold off the urge, which only makes Luca ask if she has to go. She says no and that she's just doing a dance she learned at school.

Meanwhile, Fiona infiltrates the Frejis air traffic control so she can communicate with Loid on the plane. She tells him the location of Snidel's battleship. Loid compliments her on being able to get the information so quickly, causing her to say that she's ready to be his lifelong partner anytime and asks again if he'd let her have the wife role for Operation Strix…but the communication line had already been cut.

Back at the battleship, Anya is still doing her "dance" to resist the urge to poop, but she's practically at her limit (Luca and Domitri had also prepared a duck-shaped potty for her). She's sweating, tearing up, and her stomach is rumbling. When she feels her consciousness wavering, a bright light suddenly fills her eyes. She finds herself standing in a beautiful meadow filled with colorful flowers and poop shaped clouds overhead. She hears a voice and looks up to see a divine-looking old man surrounded by light. He has a poop shaped crown and he's holding a staff with a poop shaped top. He tells her that he's the god of poop.

He says, "You've fought well, warrior Anya. You've tried your best to protect world peace but...enough is enough." He puts his hand on her shoulder. She can feel his compassion flowing through his palms. "Relax your butt and rest, warrior Anya. Let's go to the peaceful garden of the toilet!" Anya tries to fly through the sky like the poop god, but ends up falling into the ocean. However, she's saved by waves of toilet paper that lift her towards a temple lined with statues of the poop god. A toilet is enshrined in front of the statues. The poop god gives a shout, and the toilet paper carrying Anya turns into a giant duck potty. The poop god waves his staff and the duck speeds out of the water, heading towards the bathroom above the alter. The lid of the toilet opens with another shout from the poop god and the duck moves faster. Finally the duck bursts into a ball of light and Anya falls, laughing, into the shining toilet.

Back in reality, Anya finds herself on a bed in a room on the battleship. After hearing her mutter to herself about "what's the god of poop?" Luca excitedly asks if she's ready to poop and puts the duck potty on the bed. As soon as Anya looks at the duck, she comes to her sense and says, "no, I'm good." While Anya stays with Domitri, Luca reports to Snidel that Anya still hasn't pooped yet. Snidel tells him to cut open her stomach. Luca is taken aback by this and tries to protest, but after Snidel presses him, he reluctantly agrees to do it.

Meanwhile, Domitri is trying an exorcism ritual to get Anya to poop – he makes her lay on the bed with a banana, corn, and a pineapple along with coffee beans between them, all the while singing a song about "yellow three." When Luca returns, he asks Domitri what he's doing. Domitri replies that according to his coffee fortune telling, "yellow three" is lucky. Luca then tells him Snidel's orders and asks if Domitri would do it. Since neither of them want to, they decide via rock-paper-scissors, and Domitri wins. Anya reads Luca's mind about how he's going to cut open her stomach while Domitri holds her down. She starts shaking and thinks of Papa and Mama.

Meanwhile, Loid flies the plane close to the battleship and contacts them on the radio. He says that his plane is in a state of emergency due to a fuel system failure and would like to request an emergency landing on the battleship. When one of the soldiers tells Snidel that an unknown aircraft is requesting permission to board, Snidel demands that they shoot it down. Loid steers the plane out of the way of the sudden hail of bullets while Yor, still hiding in the back, hangs on as the plane starts shaking violently.

Back on the battleship, Domitri holds Anya while she screams for Papa and Mama. Luca approaches with a knife.

Back outside, Loid desperately steers the plane to avoid the gunfire from the battleship, including homing missiles. In the back compartment, Yor isn't able to see what's going on, so she thinks to herself that Loid's driving is…rough. Loid manages to dodge the missiles, but one of them explodes next to him, causing the fragments to fall on the plane and damage the left wing. He knows that crashing is inevitable, so he steers the plane towards the battleship. The impact of the plane crashing into the battleship shakes the room where Domitri, Luca, and Anya are in. They all lose their footing and fall, causing Domitri to let go of Anya. She then runs away and through the hallway while they give chase.

Loid jumps out of the cockpit with his bag of spy tools and onto the battleship as the plane crashes. He thinks to himself that he first needs to confirm where Anya is and heads through a narrow passageway. Meanwhile Yor makes her way out of the back part of the plane only to be greeted by a huge gust of wind. She's surprised to be on the outer part of a battleship. She peeks inside the cockpit to look for Loid, but he's not there. She remembers that Loid said Anya was with the military, so she must be on the battleship somewhere. The opening to the bottom of the battleship is too narrow, so she decides to go via the top, breaking into a fast sprint.

The soldiers find the plane wreckage and Snidel gives orders to search for survivors. When one of the soldiers tells him that there's a woman running along the outer part of the battleship, he thinks he's joking. But then he looks at the monitors and sees Yor for himself. He commands that they kill her, since she decided to come aboard using that plane, that makes her an enemy. The turrets at the top of the ship begin firing at Yor, but she swiftly dodges them. One of the soldiers readies a grenade, but she takes off her coat and throws it at him, causing him to lose his balance and fall backwards. When the soldier falls through the deck onto the catwalk, the grenade falls from his hand. Yor gets away just as the grenade explodes, causing the area around the hatch where the soldiers were firing to burst into flames. The soldier watching from the monitor shouts "Explosion on deck 3A!" When she encounters the soldiers, Yor politely says that she came to pick up her husband and daughter, but the soldiers were already unconscious from the explosion. She heads further into the ship. The fire continues to spread through the battleship. Snidel commands the soldiers to go put out the fire, and when asked what to do about the woman, he says to send out Type F.

Meanwhile, Anya is still running away from Luca and Domitri (while still holding her butt). She manages to elude them by slipping into a room without them noticing. She listens by the door, and when she hears that they went off to look for her elsewhere, she breathes a sigh of relief. As she turns around, she notices a toilet in the back of the room. Tears start welling in her eyes…after a long and painful battle, she finally won.

Loid hides in a small room while soldiers are running through the corridors. He wonders to himself what the explosion was and if the plane crash could have possibly damaged the ship's hull. He peeks through a gap in the door and notices an officer who appears to be a captain based on the number of stars on his badge.

After giving orders to the soldiers, the captain walks towards the door. Loid pulls him in, knocks him out, and gags him. He then steps out of the room, now disguised as the captain, wearing his clothes and donning a mask with his face.

The sound of sirens are blaring through the battleship. Yor notices the soldiers desperately trying to put out the fire and apologizes to them. She again says that she came to get her husband and daughter and asks if there's anyone who knows where they are. One of the soldiers looks up and shouts "It's that woman!" The soldiers begin firing at her, but she jumps out of the way, grabs a nearby fire extinguisher and throws it at them, knocking them down like bowling pins. She's confused as to why they're shooting at her, then thinks that they could be part of the bad guy group that attacked Anya on the train. She picks up two knives that the now unconscious soldiers dropped. She then thinks of Anya being in trouble, without anyone protecting her, and her face becomes clouded with anxiety as she tightly grips the knife in her hand.

Meanwhile, Anya happily bursts out of the bathroom with a refreshed look on her face, toilet paper rolling down her feet…only to bump right into Luca and Domitri. Domitri stands proudly with toilet paper around his feet, boasting about his toilet paper fortune telling. Anya's face goes pale. Snidel is informed by one of the soldiers that the child has been secured, and he commands that they bring her to him.

As she continues looking for Loid and Anya, Yor arrives at the entrance to the air cell and pries open the heavy door. She's met with a blast of hot air. The fire has spread all over the spacious room. As she goes further in, she feels a murderous intent behind her. As soon as she starts to look over her shoulder, gatling guns begin firing at her. She jumps out of the way as bullets are showered on her. She goes further down in the air cell just as a gigantic figure appears, slowly moving towards her with heavy footsteps. She politely asks who he is, but Type F doesn't answer. He reaches towards her but Yor kicks him to the ground, only to have more bullets fired at her that she subsequently dodges. She pulls out the knife and pounces on him, managing to knock off his helmet. She asks him to stop attacking but instead he presses his forehead against the knife, making a very inhuman metallic sound, breaking the knife. The arms of his cloak, that had been engulfed in flames, burn off to reveal that he wasn't holding gatling guns, but his arms themselves are guns. The rest of his cloak burns off, revealing a body made entirely of weapons. After he calls Yor an "intruder," she readies the other knife, realizing she has no choice but to fight him.

Meanwhile Loid, still disguised as the captain, gives orders to the soldiers to help them put out the fire. When one of the soldiers asks where the hostage is, Loid questions him and he explains that she's a child about five years old and that officer Domitri took her to the bridge.

At the bridge, Anya is tied and gagged in front of Snidel. Snidel is upset that they missed getting her poop, but Luca says that it could still be in the sewage tanks. Snidel says that it could also still be in her body, which makes Anya even more afraid. Snidel tells them to keep her in the room downstairs and he'll "take care of her" once all the chaos on the battleship is over, while also ominously adding that he brought an extra big knife to enjoy kebobs. He then orders them to go into the sewage tanks and find the microfilm or else he'll cut them like kebobs too.

After leaving Anya in the room, Luca and Domitri grumble about how they're in such a mess because of some greedy kid, and Luca groans that he's still sore from being bitten by the stupid dog. Suddenly Loid, still disguised as the captain, gets the jump on them and knocks them out. He wonders why Anya isn't here since this should be the only bridge on the ship. He enters the room where Snidel is and says that he's going to report on the status of the firefighting operations, but Snidel dismisses him, saying that he's busy now.

In the room below, Anya can read Loid's mind but she can't move or talk due to being tied up and gagged. She realizes that she's tied to a telephone pipe that leads to the room above, so she slams her head against the pipe to get Loid's attention. Just as Loid is deciding to back off so as not to make Snidel suspicious, he hears the banging in the pipe and notices a hatch right below it. He realizes that Anya must be under there, so he pulls off one of the buttons on his uniform and pretends he's going to pick it up when it rolls near the hatch. However, Snidel says "wait, captain" and asks him when he began to smell like...a city. Snidel then immediately shoots at Loid, who manages to dodge, but the bullet grazes the face mask that he's wearing. Snidel continues to fire at Loid, who hides behind a console in the room. Snidel asks if he's the traveler from Rubble and Bonds and says that he shouldn't underestimate the nose of a gourmet like himself. Realizing he's been found out, Loid tears off the captain's mask. Snidel and the other soldiers begin exchanging gunfire with Loid.

Back in the air cell, Type F continues to shoot at Yor, his gatling gun arm having now turned into a grenade launcher. She narrowly dodges his attacks and grabs a fire extinguisher set (with an axe) from the wall. They end up crashing down through the floor, with Yor slamming the axe onto his chest as hard as she can. However, this only reveals a firearm magazine in his chest hatch. The magazine sends bullets into the gatling gun. He aims at Yor again but she jumps away in time. As they stare each other down in the flame filled room, she wonders what she can do against an enemy who can't be damaged by knives or axes.

Meanwhile, Loid continues to exchange gunfire with Snidel and his soldiers. Snidel opens an attaché case with a gas mask and grenade that he calls "Type G." Anya reads Snidel's mind about the grenade being a poison gas grenade that he's been developing and wants to test out. She starts panicking, trying desperately to break free from her binds so she can warn Loid about the poison gas. An image of Loid covered in wounds as he tries to save her flashes in her mind as she thinks "It's Anya's turn to save you!"

Snidel pulls out the pin from the Type G and throws it over to the console where Loid is hiding…just as Anya breaks free. As the rope suddenly breaks, she falls and rolls across the floor, hitting her head against a console in the back of the room. A green light illuminates on the console. Suddenly, the windows in the bridge open and gas starts getting blown all over, much to the confusion of Snidel and the soldiers. Loid uses this opportunity to make a move.

As the gas eventually leaves the room through the open windows, Snidel's men are shocked at what they see through the dissipating gas – their leader Snidel wrestling with…another Snidel! One Snidel tells them to shoot the imposter while the other says that he's the real one. Loid (disguised as Snidel) thinks to himself that since Snidel is the only one with a good nose, he just has to fool the others. Snidel brandishes his knife and threatens to tear off Loid's "imposter skin" and turn it into pork scratching. But Loid gets the upper hand and manages to grab Snidel and cause him to lose his balance, saying that his "imposter" skin isn't so flimsy that it could be cut off by the likes of Snidel. He wraps his left arm around Snidel's neck and tightens his grip, causing Snidel to drop the knife in his hand.

The soldiers are still confused about which is the real one as Snidel's body falls to the floor. Loid says "Do you think I'd lose to a fake," fooling the soldiers into thinking he's the real one. He tells them that they're to head to the Arbo Republic as soon as possible and that they're abandoning the ship. He commands them to use the land route instead. Carrying the body of the real Snidel, the soldiers leave with shouts of "all personnel abandon ship!" When he's finally alone, Loid takes off his Snidel disguise.

Meanwhile, Type F's right arm is overheating but he tells Yor it's no use waiting until he runs out of bullets. Even though his chest plate was torn off earlier, all Yor has left is a broken knife…until she feels around in her pocket and pulls out the lipstick that Loid had bought her. She lowers the knife and tells Type F "this is your last warning, please stand aside. I only came here to get my husband and daughter." But Type F just says that they should all perish together along with the future of the East and West. He then readies another round of bullets. Yor dodges and makes a wide circle around him, dragging the lipstick along the floor. She slashes at his chest with the knife, causing the knife to break. As he jeers that a knife won't work on him, he looks confused for the first time when he notices a line drawn around him with the lipstick, leading up to his chest. She says that she heard that lipstick is half oil. He tries to shoot at her again but it's too late…the flames along the railing run down the lines of lipstick, igniting the weapons embedded in his body, causing him to explode. After confirming that he's been destroyed, Yor continues on her way.

Back on the bridge, Loid opens the hatch to the door where Anya is and jumps down. She's overjoyed to see him as he asks if she's okay. She clings to him and buries her face in his chest. Just then, something falls out of her pochette – the cherry liquor. She tells him it's what Papa was looking for and he realizes that's why she ran away from the hotel. Upon realizing this, he can't help but smile, and Anya smiles too when she reads the thoughts he won't say. Just then they hear a loud explosion. Loid holds onto Anya as the ship shakes from the explosion. "Anyway, we better get out of here" he says.

Meanwhile, Yor opens the hatch at the top of the air cell and makes her way to the outer part of the airship where she sees Loid and Anya. They're both surprised to see her. "Mama!" Anya says as she runs to Yor, who gently hugs her while asking if they're both alright.

Loid asks the same of Yor while also asking why she's here. After hesitating a bit, she admits that she came on Loid's plane and that since it was an "outing," that they should have gone together. She then asks if the people on the airship are actually the military. Loid pauses since he can't tell her the real explanation, but then Anya speaks up about how she ate their important chocolate on the train and that's why they were after her. Loid thinks to himself about how they must have hid the microfilm in the chocolate, but he can't tell that to Yor. So he says that chocolate theft is rampant in cold regions because people believe it will keep them warm...they'd even steal from a military ship. Yor believes him and comments that there's a lot of scary people in the world. They both scold Anya for what she did: Loid asks what the heck she was doing eating that by accident (while in his mind he's glad that she's safe) and Yor says that she shouldn't do whatever she wants with something that belongs to someone else. Anya guiltily says "sorry" and they both can't help but smile at her. They hear more explosions and Loid says that they need to get off the ship. Anya points towards the window and they realize that the ship is heading right towards the city of Frejis. Loid begins operating the device on the console. Yor asks if he knows how to operate it and he says that he knows how from when he did it as part time work when he was a student. Yor is impressed, but Anya knows he's lying.

Down in Frejis, people notice the large, burning battleship descending towards the town and begin running all over in a panic. On the battleship bridge, the ceiling blows off, causing an extremely strong wind to blow. Loid realizes that the propulsion system and lifting platforms are dead, and wonders if it's even possible to make a safe landing or even change course. Behind him, Yor and Anya are holding onto each other while the latter shouts "You can do it, Papa!" Loid says not to worry since the rudder is still intact. However, when he grips it, he can hardly get it to move and the ship is still losing altitude. Debris from the broken ceiling rains down on his head, causing him to lose his balance. Just then, he feels something on his right hand…Yor's hand. And on his left hand, Anya's. "Please let me help, too" says Yor, "Anya too!" says Anya. Working together, the three of them are able to move the rudder little by little.

The Frejis clock tower looms before them but they're able to steer the ship so that it narrowly avoids colliding and only grazes the side of the clock tower. The ship continues to lose altitude, heading towards the surface of a large frozen lake. Yor hugs Anya close to protect her as the ship shakes violent from the impact of the landing. The battered ship glides along the surface of the water at high speed, whipping up a cloud of steam. The frozen water crashes onto the ship, putting out the fire. On a hill not too far away from Frejis, Bond and Fiona stand near Fiona's car and watch with bated breath as the battleship crashes into the lake. "Senpai…" "Borf, borf, borf!"

Back at the ship, the Forges escape from the collapsed bridge and onto the roof. They look in wonder at the pretty scene before them of the glittering ice particles shining against the city lights like diamond dust. Suddenly, water that had collected on the deck roof pours onto them like a waterfall, leaving them soaked. They're perplexed for a moment before Anya bursts out laughing with a "waku waku splash!" Then Yor also laughs. As he watches the two of them laughing, Loid smiles softly.

Suddenly Anya sneezes and Loid notices something in her mouth. Loid realizes it's the microfilm, smaller than a fingernail. He wonders if it had somehow gotten stuck in her teeth. When Yor asks what it is, he clutches the microfilm in his hand and replies with a smile, "it's a return ticket."

The next morning at Berlint, Yuri listens to the news at his desk at the SSS: "The flying battleship that landed in Lake Frejis last night appears to have been an accident during a training flight. The committee has announced that it has already begun interviewing the manufacturer and the military." He remembers that Frejis is where Yor said she was taking a trip to and he wonders if she's okay. His lieutenant then opens the door and requests some documents. Yuri asks why the SSS has to be the ones to clean up this incident, and the lieutenant replies that if the people found out that the military was behind it, that would be troublesome. After the lieutenant leaves, Yuri muses to himself how it seems that WISE intervened in the incident though there's no solid information. He wonders how they could have possibly done it, then thinks "it must have been him…Twilight."

At the WISE hideout, Sylvia reads the newspaper headline which states that there were no survivors of the battleship incident. She compliments Loid, saying that even though the SSS put out the fire so to speak, he managed to not leave a trace of the Forgers' involvement. Loid replies that yes, the Forgers were just enjoying a normal family vacation. He takes out a wine bottle from his bag. Sylvia peels off the label, revealing the microfilm. She then tells him that he's back in charge of Operation Strix, much to Loid's surprise. She hands him a photo of Depple at night with a strange woman and says that his affair was exposed and he was disowned by the father of his wife. Loid smiles slightly when he notices that the woman with Depple in the photo is a WISE agent – in other words, he had fallen into their trap.

Afterwards, Loid meets up with Yor, Anya, and Bond at the park by a fountain. Yor asks how his patient was and he replies that it wasn't a big deal considering they called him out of nowhere. Anya asks Loid why there's no fish in the water and he flatly replies because it's a fountain. She then calls to Yor, taking her hand and leading her to the fountain. As Loid watches them happily talk about something, and Bond following along and enjoying himself, Loid lets out a sigh, but his expression is surprisingly soft. He thinks that even though he's able to continue Operation Strix, he can't let his guard down and needs to keep focusing on acquiring stellas. Anya reads his mind and is overjoyed that the Forger family isn't finished. Loid says that they should go home now since Anya has to "train" to make the melemele for the cooking competition tomorrow. Even though they weren't able to eat a real melemele, they at least have the ingredients for one. Anya asks to hold Loid and Yor's hand as she happily chants that she's going to make a yummy pastry. When Yor says that she'll help too, Loid and Anya politely turn her down. They then head home together.

At the Eden classroom, the students are preparing their cooking ingredients. Becky says that she's going to make an orange layer cake that she learned from training with her pastry chef. She asks Anya what she's going to make. When Anya replies "melemele," Damian overhears and comments that it's an old pastry. Anya tells him that if she makes something good, she wants him to have it too. Damian's face reddens as he shouts that he'd never eat anything she makes. With a shocked face, she asks if he really hates it that much. This makes Damian's face redden even more as he shouts that he'd vomit if he ate her food. He runs off with Ewen and Emile following. Becky comments that he's the worst while Anya thinks that the friendship scheme is a failure. Just then, Anya and Becky turn towards the direction of an explosion sound.

Later that day, Anya shows Loid and Yor a note from school saying that the school kitchen broke down so the competition was postponed and the judge was changed to the vice principal due to scheduling conflicts. Anya laments that since it's not the principal, the melemele won't work. Loid thinks for a moment and says that he remembers reading in the school newspaper that the vice principal is crazy about the berry pudding from the southern region. He asks if they should go, and both Yor and Anya agree. Loid opens a map and points out the southern region. He says it's warm there so they shouldn't need a lot of luggage. Anya is excited about going to the ocean and wonders what playing cards she should bring while Loid thinks it would be a good opportunity for her to learn how to swim. Upon hearing all the talking, Bond comes over from where he was sleeping and gives a happy "Borf!"

Meanwhile at Frejis station, Franky trembles in the cold and shouts "Hey Loid, I bought the cherry liquor!!!"

-----

Afterword: Congratulations if you've read this far! When I first started this project, I honestly didn't think I would write this much for a "summary" 😅 I thought it would just be a few paragraphs tops. But as I translated, I was like "oh, this is interesting, I should write it down!" And I just kept going with that and didn't want to stop! Some may wonder why I would want to spoil myself to this degree, but for me, reading about the movie (in a language I'm not fluent in) is still no replacement for actually seeing it for myself - the novelization doesn't convey every line of dialogue, character action/expression, voices, etc. But now that I know what to expect, I can get myself hyped for the scenes I'm looking forward to seeing while also not getting my hopes up for something I won't see. I don't care to do this for most things, but I'm the opposite when it comes to my hyperfixations like SxF! I'm also not going to give my thoughts on the movie until I see it for myself. But I will say that based on the novelization, even though I thought a few things could be better, overall I think it will be a ton of fun and can't wait to see everything in full animated glory!

Again, please remember to be cautious about where you share spoilers and to properly tag posts on social media. And if you end up sharing large portions of this summary elsewhere, a shoutout to my blog would be nice...I spent many hours working on this!

#spy x family #spy family #sxf #spyxfamily #loid forger #yor forger #anya forger #bond forger #twiyor #sxf spoilers #sxf movie #sxf movie spoilers #sxf code white #spy x family code white #sxf anime

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shadowshrike · 14 days

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Interfering with Halsin's Portal

It's pretty well known that there are a few situations you can get in where Halsin is well and truly angry rather than disappointed or worried, but I don't think a lot of folks know one of those situations is if you mess with his portal to the Shadowfell. It's a heartwrenching bit of acting. It's also fundamental to the plot of my in-progress fic Girdled Roots, so I figured I might share it with the other Halsin-lovers out there who have never seen it.

EDIT: Please be aware this is datamined dialog and may not be visible in game. It appears to be intended to trigger if the player attempts to enter the portal, which I don't believe is possible in the final game, or at least I couldn't find a way in the most recent version. Sharing this is simply to enjoy the incredible acting and get some plot bunnies moving, not to make any commentary about the game's canon.

Halsin's Initial Reaction

Halsin: No! Stop! Halsin: It's gone... that was our one chance. You've doomed this place to darkness! Halsin: I warned you - told you this was my burden to carry. Why didn't you listen?

The pure rage and despair is visceral. Prior to this, Halsin mentions this portal has been a century in the making, but he's so calm and measured (even upon success) that it is easy to dismiss just how much agony has plagued him as he hoped to make things right. This chance is everything to him. It has guided his every action for a century. It is a hundred years of work, prayer, and guilt to rectify the horrific fate of both land and people that came to nothing because a stranger he trusted refused to listen to him.

The portal breaking is the only time we hear Halsin speak the truth of its importance to him without a hint of emotional regulation. He is wild with pain. This man who is always thoughtful and slow to anger in the face of horror with the wisdom of age and suffering to guide him has become too overwhelmed to show any kindness.

Player response

The player is given several different ways to respond, and Halsin's reaction varies a surprising amount depending on how understandable their reason is. In most cases, he states that he needs to be alone afterward.

Option 1: I'm sorry - I acted on instinct. Halsin: Words won't repair what's been done to this land. Nothing will... I need to be alone.

You can hear the ache in Halsin's voice, but he's somewhat understanding of this response. He projects more sadness than unchecked rage. The player has admitted to making a mistake, and Halsin isn't the type of person who hold onto vengeance when an apology has been made, but he's not naive or people-pleasing enough to say "it's okay" or offer comfort either. The safest thing for everyone is for him to step away to grieve when there is nothing more to be done.

Option 2: I did all the work here - I couldn't just let you take the glory. Halsin: Glory?! There's no glory here. Now there's nothing here - only shadows and the total absence of hope. Halsin: There is nothing more to be said... I need to be alone.

Pure fury radiates from Halsin's response if the player focuses on the idea of being some grand hero rather than actually caring for the outcome. What the player did was an unforgiveable act, dooming everything that Halsin holds dear, and you have the audacity to complain about not getting glory from it. Again, he steps away, but this feels more like he's doing it because he believes you're worthless to reason with rather than because he needs a moment.

Option 3: I saved your grove - I figured it'd be best if I handled this as well. Halsin: We were this close to healing these lands. Now your arrogance has torn open the wounds once more. Halsin: There is nothing more to be said... I need to be alone.

Halsin is still frustrated with this response and unmistakably angry, but it's significantly toned down from the idea of wanting to go through the portal for glory. More like he thinks you're a self-important idiot than a truly terrible person.

Specialized player responses

There are also three special responses you can give if you have a particular class or diety.

Druid: I thought my powers were equal to yours. Halsin: It wasn't just power this needed - it was wisdom, understanding. I suffered along with this place for years trying to understand the curse... and it seems I will continue to do so. Halsin: There is nothing more to be said... I need to be alone.

Interestingly, he responds much more intensely to a druid than some of the other player choices. It might be in part because he feels like a druid should know better. He lectures the player like an Archdruid would initiates in his Grove, alternating between angry and explanatory, trying to get the player to understand why they were wrong and the sheer magnitude of their error. He ultimately ends in a much more resigned place here rather than personally resentful. Like a father-figure being forced through further life trials because of a child's foolish indiscretion. Frustrating, but inevitable.

Selunite: I trusted in Selûne to guide me through the shadows. Halsin: My friend - I wish you had trusted in me.

This is probably Halsin's most simple response with the least vitriol. He fully understands this answer, even if he's disappointed by it. The fact he calls the player 'friend' suggests a certain tired acceptance of this being a natural behavior for a Selunite trying to do good. We don't see this calm in other responses where Halsin was surprised by the player's choice.

Sharran: The Shadowfell is no place for non-believers - I couldn't allow you to soil it. Halsin: I should never have trusted an ally of the Dark Lady.

If you've ever taken Halsin along with Shadowheart in Act 2, then you know he is absolutely scathing toward her and her faith. He likely isn't as angry if a Sharran breaks the portal because it is utterly predictable. It merely confirms a truth he already knew and talked himself out of. That Sharrans cannot be fully trusted in matters of their goddess, even if one was good enough to rescue his people from the goblins.

#halsin #baldur's gate 3 #bg3 #analysis

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helianthus-tarot · 17 days

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SELF: What do you think will make you happy

The reading could be talking about things you think you need to have to be happy, or things you already have in your life that you are keeping because you think they will lead to happiness. Of course these 'things' can also be habits, actions, mentality and so on. The piles have similarities, so take your time; read the question to yourself and choose a pile.

I posted the extended version on my Patreon which includes what will actually make you happy ❤️ There are other 50+ fun and juicy readings on Patreon so definitely check it out!

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Instructions: Focus on the topic and ask yourself the question. Choose a number/picture that you feel the most drawn to or that you can’t stop looking at. Trust your intuition. May the message resonate. Let me know which pile you choose! Feedback is appreciated!

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PILE 1

What do you think will make you happy: 10 of Cups. 6 of Wands (why). The Chariot, 3 of Wands Rx (how).

This is interesting to me because usually this kind of energy does not appear for Pile 1s in my readings. For some of you, this may be something you’ll believe in the future; I kept saying ‘what will you think’ despite wanting to phrase it like the title. Your idea of happiness is pretty tied to relationships and feeling connected. Some of you think that a marriage or soulmate-like connection will make you happy, being in a union with someone who loves you will make you happy, and/or being able to build a family of your own, having kids or more kids will make you happy. For others of you, you think you’ll be happy if you have a community of your own, if you have a group of people with whom you can feel belonged; you think that having a friend group, a found family, or having a lot of connections will make you happy.

This belief probably has something to do with public/social image and external standards. It’s like society saying ‘you are successful if you have this and that’, and you adopt this belief and make it yours. Other people have it, so you feel like there’s something wrong with you if you don’t have it. It is seen as a sign of success, a sign that you are ‘making it’ in life, a sign that you are doing the right thing, or that you are living as you should be. Some of you genuinely desire connection(s), and society’s standard with regard to being in a relationship or having a big group of friends just makes your desire for connections stronger, i.e. the world just further affirms your belief that you need relationship(s) to be happy.

Some of you desire connection(s) because it makes you feel better about yourself, you think having it will make you feel better about the image you are presenting to the world (how the world sees you and your life), i.e. it’s ego-based. Some of you may also like the idea of being popular, of being one of those people who has a lot of friends and whatnot (something about this kind of life seems very idealised). It’s like seeing an influencer’s life and thinking how great their life is; they have a loving partner, many people love them, etc. Some of you probably do this, some of you want to be someone who other people can look at and say things like that about.

How does that belief influence you; it makes you have a one-track mind, it makes you focused on something specific (in this case, your connection(s) or the lack of it). You focus on this with stubbornness and persistence that are maybe misplaced, that are maybe better applied on a different path. ‘All or nothing’ energy, ‘either I get this or I will be less happy’, or ‘I need this to be happy and I want it so much’ kind of energy. There’s that slightly desperate and impatient energy to The Chariot. It’s like, you focus on it so much that you don’t consider or see other ways of being, other paths to choose. So it happens at the expense of other possibilities, it makes you miss those other possibilities/paths.

This can also make you more likely to force a connection or feel impatient when you haven’t got it yet, it can make you see a connection through a biased lens, make you stay in connections that aren’t good for you, or make you accept people who are not truly aligned with you, and anything similar to these. This pile also reminds me of people who ride or die for people who aren’t good for them, it reminds me of people who think it’s a virtue to withstand negative situations/treatment in a connection because it ‘proves’ how strong their love is and because they want it so much; I’m not saying every one of you do these, your pile just reminds me of these situations.

EXTENDED VERSION IS ON PATREON! What will actually make you happy? ❤️ And what steps can you take to feel happier? 🫂 There are also other 50+ fun and juicy readings on Patreon so definitely check it out!

PILE 2

What do you think will make you happy: 8 of Wands, 10 of Pentacles. The Lovers (why). Ace of Cups Rx, Queen of Wands (how).

This is a bit similar to the previous pile, but the previous pile is more emotional and idealistic. Your pile is more materialistic (I don’t mean this in a bad way) and concerns itself with longevity, things that last, something of quality. You think having these things will make you happy. Some of you are probably very career-oriented, full of aspirations and ambition, wanting to create a legacy for yourself, something of quality that you can be proud of; you think it will make you happy if you do these and get these things. For others of you, it’s similar, but the aspiration is more oriented towards having a particular relationship; a quality, long-term relationship or marriage (with children and grandchildren, for some of you, something traditional or old school love). There’s also a feeling of ‘if it doesn’t last, or if it isn’t the way I want it to be, I don’t want it’ vibe to you. It could be either that you think it’s important for something to match how you want it to be, or you think that you can only be happy with it IF it matches how you think it should be.

So this may also be the group of people who avoid getting into a connection if it doesn’t show a sign that it will last (or if it doesn’t meet your 10 of Pentacles standard). Some of you avoid romance completely, because marriage doesn’t last anyway. Some of you probably apply the same principle to other parts of your life, not only romance. It’s like, you dismiss things that are transitional, things that are temporary, things that don’t match the requirements, things that don’t fit your end goal. You have this belief because you value yourself and your needs, you know what you want and you don’t settle for less, doing this makes you happy (or you think so). Some of you also like the idea of a soulmate connection, so you are quite focused on meeting The One, or The Right Person, and may ignore those who you think don’t match the image you have in your mind. It can make you very self-focused, putting things/people in your life into ‘what serves you’ and ‘what doesn’t’ boxes. Some of you could dismiss or drop things/people too fast, too soon.

Some of you may also think that it will make you happy if you grow up (almost like shoving your innocence and naivety into a box), and focus on what’s actually useful, what can bring more gains in the future. Focusing on future stability, your requirements, the overall longevity of a path, et cetera, is not problematic. But it can be a problem if it comes from a desire to avoid pain and disappointment, or a skewed belief about how you should act in this world to be happy. It’s also a problem if it makes you closed-off. I feel like you are not totally wrong here, it’s probably correct that these things (quality things, things that last, stability, going after your goals, etc) can make you happy. But what may need some adjustment here is how you go about it, what you do when you do it, the mentality/motivation that is driving that behaviour, and/or what you are actively avoiding when you are in this energy.

PILE 3

What do you think will make you happy: The Sun Rx. 3 of Cups (why). The Lovers, Justice Rx, 7 of Pentacles Rx (how).

I wonder if many of you feel like you have to hide yourself in some way, your true self I mean. Some of you think that if you keep to yourself, if you tone down your personality, if you hide who you are, if you only show parts of you that are palatable — things will be better for you. Not necessarily that you will be happy, I don’t think you believe that either, but you probably think it can make life easier if you just don’t show yourself to people. This belief probably stems from your social experience and past interactions; people around you, friends or peers you have had. Some of you have been criticised, or picked apart, or your uniqueness, quirks or flaws have been cruelly pointed out. So gradually you started believing that it would be easier if you just hid those parts of you. A lot of you also desire a soulmate connection, not necessarily romantic, it’s mostly about the desire to have someone who understands you, and loves you for who you are, and who is compatible with you (because you haven’t met this type of person often, if at all).

Now this ‘hiding yourself’ can manifest in different ways for different people. Some of you probably just avoid social connections, avoid being in a group, avoid connecting with people. Instead of choosing to engage, you simply focus on seeking and waiting for the right connection or the ideal connection. This could make you end up not putting much effort into connections that you already have in your life. Because you don’t feel connected to those people, you could have a habit of ghosting them or not returning their effort. This is giving off the “I like deep talks, I don’t do small talks and avoid people who do” “we don’t share any similarities anyway” vibe, I’m not saying everyone who chose this pile acts like this. But some of you probably use that kind of belief as a defence mechanism to avoid showing up and making an effort to connect with people as who you are. Your rejection of others could stem from your belief that you won’t be accepted for who you are if you show yourself, so some of you create reasons why you don’t want it either (like my examples just now), or why it’s better if you don't show who you are to people. In reality, other people could actually be interested in getting to know the real you.

For another group of you; you guys actually participate in social situations and may keep some ‘friends’ or acquaintances, but you ‘hide’ yourself when you are among others, showing only the palatable sides of you, the nice and appropriate sides of you, the sides of you that you think people want to see, or that you think people can handle. The issue with this is you are not ‘attending’ as yourself and people can’t see you as a result. This can make it more difficult for people who are compatible with you to form meaningful connections with you, because they can’t see you. This reminds me of a short comic about two people (?) with blue skin choosing to wear masks, they didn’t want to show their blue skin because they thought it made them look different and weird. But wearing those masks only made it difficult for them to notice their similarity with each other, they kept missing each other in life. They would have connected with each other faster if they had seen who they were from the very beginning. It’s like that.

Some of you are perfectionists; you only allow yourself to show what you think are beautiful enough, perfect enough, ideal or good enough to show to the world. Like I said, some of you don’t actually believe doing thatcan make you happy, but you think it can make your life easier, or that it can make your interactions with the world more pleasant.

PILE 4

What do you think will make you happy: The Hierophant, 8 of Wands, 4 of Swords Rx, 8 of Pentacles. 6 of Swords, 5 of Wands (why). 9 of Pentacles (how).

This is a bit similar to Pile 2. A lot of you have this specific idea about how you should behave, what you should do in your life, how you should approach your life — but it’s very restricted and responsible, overly so. It’s like someone who believes they have to work hard and do this or do that non-stop in order to be happy. It’s like those people who believe they have to get into a university, then get a job in whatever typical or common field like medicine or engineering even when they actually don’t like these things, because these are what they should do, this is the normal path that everyone walks on. Something like that. Like rules, limitations or standards you put on yourself because you think that’s how things should be done for you to be happy. For some of you, this is related to a specific situation or life challenge that you are healing from at the moment. You want to move on from this thing desperately, so you tackle the challenge with this belief that you should stay strong, be mature about it and keep walking to get out of the situation.

This belief probably stems from what you have learned from your surroundings, or from always having to deal with challenges on your own in your life. Some of you are independent, overly so, or you are used to having to rely on yourself, or you are used to being the person other people rely on, the person who has to set an example or who has to take care of things. It’s giving the first child energy; who tells themself to behave responsibly, be mature, do what you need to do. There is a lot of forced maturity and restraint in this pile, like, you are making yourself work and keep working without rest, to be stern or to be tough through it all. You think this will eventually lead to happiness, somehow. Some of you also collect material achievements as rewards or as validation that you are doing ‘the right thing’, or that you are on the right path; whether or not these things truly make you happy, as long as they look pretty and presentable and valuable, you’ll use them as validation and as a reason to keep doing what you have been doing.

Some of you may not often let yourself process/dwell in your negative thoughts or negative feelings (about your situation and the challenges you are going through, or have had to go through). But it’s like putting a lid on a boiling pot of water, the water is still boiling, you just can’t see it, it’s still there. Some of you believe that you can preserve your happiness if you keep those things at the back of your mind, not dealing with them just yet, not succumbing to them just yet, because you need to be responsible and tough right now. That’s the feeling here. A lot of you are also exhausted, I think, battle-worn, overworked.

It’s not that you think doing these things are making you happy at the moment, I think you are focusing on the future, you think at the end of the tunnel there’s happiness and you just have to keep walking on this specific path, because that’s just how it is. ‘It is what it is’ can represent the vibe of this pile very well, ‘it is what it is, you cope, you push through’. I wonder if some of you are asking this question about your person instead of yourself, especially if you are a hetero woman, because I’m feeling masculine energy. Although this pile can also be about women (or people in general, really) who have had to rely on themselves a lot.

#pick a card #pick a pile #tarotblr #tarot readers #tarot community #divination #pick a picture #free tarot readings #pick an image #free tarot #pac #love tarot #self love #healing #shadow work #spiritual healing #spiritual journey

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sanctus-ingenium · 6 months

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Just wanted to ask, please forgive me if you've already answred this, what program do you use? Your art fucks HARD and like. I was looking at your art of the two moths over the city they die in and I was hit with the wave of "oh that looks really fucking fun actually." Like i know my art program can't do some of those effects and like, I'd love to try fucking about with them.

hi there, thank you! all my art is done in procreate and paint tool sai

because you mentioned that drawing in particular i thought it would be fun to break it down and show ppl what exactly went into each part of it so check this out

sketch & lineart - the brushes come from georgbrush.club and the urban sketcher is my most commonly used lineart brush, it has a nice irregular shape. the square brush is nice for big blocky sketches.

the cityscape was REALLY hard but basically I got a photo of the skyline of florence, traced some basic building shapes, then bullshitted the rest using the vertical symmetry/mirror tool to cut down on the amount of work (so i only had to sketch one half of the city). then for lineart I turned off vertical symmetry, turned on the two-point perspective tool, and got this:

the rose windows were made using the radial symmetry tool.

I didn't like it being so flat, so I used the liquify tool to make a kind of fish-eye effect (limited success tbh). I liked how it looked but the buildings in front needed something to cover them up to make the liquification less obvious...

first pass colours. I felt they were very washed out, aside from the sun which i loved. I use the spectra brush (default procreate) for skyscapes a lot, I love the texture. Although the clouds were filled in using the lasso selection tool, I softened the edges using the square pencil again and added texture using true grit sampler grainy brushes. The translucency effect comes from my setting the brush as an eraser. The sun rays come from the radial symmetry tool.

Blocking in the moths' colours was done with the urban sketcher again.

Something people may not have noticed is the labyrinth hidden in the sky! yeah I had a bunch of versions where it was more obvious but I found that it clashed a bit and was too busy, so I made it subtle. But yes. I searched for "royalty free labyrinth" and picked one.

The toner grit brush is one you've seen before if you've looked at any art on tumblr lately (this is such a popular brush) and it's from the true grit fast grit set. The pointillism brush is from the true grit free sampler pack, like my grain brushes.

I added shadows to the moths, increased saturation overall, and changed the clouds to a translucent blue (you can even see in the sun where I forgot to block in the sun itself because the clouds over it used to be opaque lol). Moon rays were drawn using the radial symmetry tool but this time with rotational symmetry off. I also moved the moon down closer to the moths because I felt that it was a bit far away, and this served to visually divide the drawing into three equal parts, so I chose to lean into that and divide the sky colours too, to show passing time, or an endless moment - morning, evening, night, etc.

And then the oroborous, I tried a few different effects on it because I wanted it to be very clearly separate from the main scene - I settled on a dot matrix newsprint texture, using procreate's onboard tool, and some heavy chromatic aberration. This is because the oroborous isn't real, it's purely symbolic and the moths' demise started when they became photographers so I liked the print media aspect there as well. The story itself is about grief without closure, cyclical violence, and sunk cost fallacy, while everyone explores an endless labyrinth, so an oroborous fits I think

what makes art fun to me is thinking up ways I can tell a story using just a single image. and sure a lot of it will be lost to an audience who isn't familiar with the characters or backstory but i want to leave enough in there that even complete strangers to my work will be able to construct a narrative about what's happening here, rather than it just being a cool image. that's my goal.

Finally I exported it to sai on my pc to give it a once-over. this is really important because the retina display on an ipad is oversaturated on purpose, to make everything look amazing and vibrant. but what this means is that on other screens, your work might look washed out. it's especially bad at displaying yellows! so i look at it in sai on my pc and i make minor adjustments, in this case I actually added another multiply layer on the moths and an overlay on their non-shadowed parts to increase the contrast there.

finally if you've read this far, I played a little trick with the caption of the drawing. yeah, THEY die... but only one of those moths is a theythem pronoun haver... the other has to survive. he isn't given a choice in the matter.

#fr you will never catch me trying to mystify my process i will explain literally everything #brushes

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buckttommy · 1 month

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Why do you like Shannon so much?

because i look at her as a whole. she wasn't just eddie's wife. she wasn't just christopher's mom. she was a woman in her own right. and she was... she had a whole life in front of her, you know? not even at the point when she died (but that too), i mean she had her whole life in front of her at the point where she got pregnant. and we know how that was for eddie, you know? we can see, at least in some ways, the effects of christopher's birth and existence on him and how those things shaped who he was and who he became but shannon, in some way, only exists to further his story. and that's fine because, like, he's the main character. but what we do know about her is just so tragic.

think about every teenager you know. every teenager you ever knew. how many of them are ready to be mothers? how many of them are ready to be mothers to disabled children? how many of them are ready to be single mothers to disabled children? how many of them are ready to be single mothers to disabled children while their own mothers are dying of cancer, while their mother in laws are not offering support, and while they're constantly living with the fear that this is forever? because that was her reality. if eddie died overseas, that little glimpse of her life without him would have been her Entire existence for the rest of her life. and i don't know about you, but even as 20-something, that entire existence seems so daunting and overwhelming.

i don't support her for leaving christopher. she fucked that boy up, as we can see now (and have seen over the years) and she shouldn't have abandoned her son, period. have whatever feelings you want to have about your husband but don't bring your kids into that shit. you know? but when i step outside of just that aspect and look at the entirety of who she is? someone just as young and confused and scared as eddie was without receiving any of the grace and understanding that he did inherent, at least, to the fact that he was a soldier at war? i just. man. it reminds me of that poem. you know? they fuck you up, your mum and dad / they may not mean to, but they do / they fill you with the faults they had / and add some extra just for you. and it's just, like, how many choices led them to where they all were/are? all of them.

how many choices from how many people led shannon to getting pregnant by her loser boyfriend? where was her dad? texas dads don't typically let their daughters go get knocked up in high school, btw, so where was he? was he dead? was that, too, something she had to shoulder on her own/with her mom, or did she just never know him? how many choices led her to saying "enough is enough" and walking out? how many sleepless nights? how many tears? how many doctors appointments and arguments and mean words thrown back and forth led to it all just becoming too much? when did she decide she didn't want to be the bigger person anymore? because she didn't decide it the moment she left, that was when she just finally put those feelings into action. she decided it long ago. just, like, how many different choices for how many different people led to all these different versions of all these characters that we know so well?

we'll never know. at least not where shannon is involved. but we can see it in the main characters, so exploring the tragedy of shannon diaz as a viewer, and as a woman, and as a former teenage girl is just. so interesting and so compelling and so sad on so many different levels, like. she deserved better. not just her character, but she, as a woman, deserved so much better. she deserved so many more chances to be the woman/person she thought she wanted to be. when she was a little girl growing up in religious texas, i highly doubt her vision for her life included being lonely, angry, sad, and divorced. and i think the writers (and eddie) do a great job of honoring her as a human being and as a mother. she was not perfect, by any stretch of the imagination, but that's what makes her so good and so sad and i just. i just love to probe deeply into who she is even if we'll never get confirmation in canon because i think, if nothing else, the character deserves that much

#jack answers mail #shannon diaz

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9800sblog · 10 months

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pick a card tarot reading - which version of you will meet your forever person?

what's your character development before they come along? or have they already arrived?

from left to right, up to down: red nails - pile 1, yellow helmet - pile 2, kitty - pile 3, pool - pile 4

pile 1

cards: knight of swords reversed, 7 of wands, ace of swords, ace of cups, 10 of cups

this is one of your happiest chapters, the end of a book that has a sequence, a teenager in the end of a coming of age movie. you're not prepared for your whole life or done developing, but you have gone through rigorous moments already. this is a new beginning, you're stronger, smarter, happy, but irresponsible or scared. you think you're better than everyone, you have better ideas and values, you might be right, but there's no need for a fight, you're a rebel in a small idle town. you are unique, you bring freshness into the world with your talents and experiences but you may not have the exact type of support you need to succeed with those right away, your person will be that support, you're gonna have to rely and trust on them to be the backbone of your newest story. you're a little cynical, sarcastic and defensive. you may be very into a specific social fight but not know enough about the subject to actually take part in it. you know this is your person because they're gonna go against tradition to take care of you and make sure you're safe and happy.

gilmore girls vibes! the whole show and all characters fit this description, if you see yourself in them at some point in your life, that might be when ;)

pile 2

cards: king of wands, 2 of cups, 5 of cups reversed, 2 of swords reversed, the hermit

introspective, experienced and major respect to the elderly, understands the value of interchanging informations and respecting others' boundaries. probably a loner tho, you have accepted your fate as the old neighbor with 5 cats, whatever these cats may represent for you. ironically, you're so comfortable alone that you're attracting many people to you. you're someone that others are curious about, you're different than the rest and they wanna hear your opinions on different things, you may be the quiet kid that somehow got friends without saying 2 words. you're seen as wise and confident, you feel like it's a lie, that you ain't nothing special, you're just different from this batch but there are others similar to you out there; that's your person. your person has these same life experiences and you'll know it's them because you've never met someone as similar to you before. they'll probably surprise you because you're so used to being alone you plan a whole future of loneliness.

pile 3

cards: page of wands, the emperor reversed, the world, page of pentacles reversed, the devil reversed

childlike wonder, you're almost crude, if this word can be used for people. someone who refuses to grow up and be an adult for whatever reason. you're probably focused on inner child healing - that may be as simple as watching childhood movies, playing on an inflatable bed or more thoughtful as allowing yourself to make mistakes and exist as a regular person. this is giving me the feeling of summer, so this may be a version of you who knows how to have fun and forget responsibilities or goes to your family's for a while and allow yourself to be taken care of. you engage in worldly behavior without any shame, it's literally harmless in this case, it's good and healing to your soul. if you have a position of power, you'll have stepped down from it because it's too much pressure and you wanna enjoy life more. you'll know you wanna be with them forever because it'll feel easy, they are perfect, an angel sent from above and you may feel a little inadequate at the time, but you'll get over it because you're cool as fuck.

pile 4

cards: the magician reversed, 4 of cups, queen of swords reversed, judgement reversed, the star reversed, 8 of cups reversed

your whole life is upside down, this is probably a depressive episode. you don't have patience, energy or hope even for the near future, you may be physically sick too. you know you're worth more than this, you wanna change but you think you don't have the resources. you feel lazy and bored, harsh on your words with yourself and others, you may have a creative outlet that you don't share with the world yet, it may be the thing that's gonna change your life. you're scared to show people you're unwell, but you desperately need help and you feel like you're making a wish on a dead star. your person shows up during your darkest time to help you get out of it, they'll give you that nice butterfly feeling, tingling on your tummy and warm on your face ^^ you'll know this is your person because you usually like nobody, including yourself, but this soul is just like yours and you think they're the most beautiful thing you have ever seen in your entire life, maybe too good to be true - they're not. you like the same things and match very well, this person deals with emotions in a different way than you and you will start seeing the world in a different perspective.

#pick a card #pac tarot #future spouse reading #pac #tarot game #free tarot #Spotify #nirvana

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the-catboy-minyan · 1 month

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why so many people don't recognize that their antizionism is antisemitic, in my opinion:

(disclaimer: this is not an educational post, it will not have sources for claims, and is not meant to be read as the objective truth. it is solely my observation and opinions. civil debate and criticism is encouraged in both the notes and reblogs, I will do my best to answer those and correct my post if necessary. edits will be highlighted in pink, if this is a reblog, press the original post to see the most updated version. English is not my first Language, I might have used the wrong words for some terms.)

The Meaning Of Zionism:

this section is meant to highlight the difference between

firstly, they falsely believe the term Zionism means supporting genocide or Netanyahu's government, when most Jews don't use the term Zionism that way. Zionism has many different meanings and subgroups, as Jews love to argue (/j but Judaism encourages debate and personal interpretation), but all meanings are built on the original idea of "Jewish self determination in their indigenous land/creating and maintaining a Jewish country somewhere in the world" (yes, technically believing giving Israelis land somewhere else to be Israel is a form of Zionism, I've seen that take). the methods for creating and maintaining the lands differ, so is the belief of what land should be considered Israel, but all forms of Zionism rely on that core belief. while Zionists may support those things, that is not an integral part for Zionism, and many Zionists oppose those ideas and condemn them.

in addition, they falsely believe Zionism is in favor of illegal occupation and apartheid, which only specific subgroups of Zionists (extremely right-wing Zionists) are in favor of. Zionism is, again, mostly about an end goal (establishing and maintaining a Jewish state (which currently means in Eretz Israel)), and people will have different opinions on how to achieve it, including extremist and racist opinions. all movements have people who hold extremist beliefs, and are usually condemned by other members of their movement, Zionism is no exception.

they don't see Zionism as Jewish. I mean, there are more Christian Zionists than there are Jews in the world! of course it's not Jewish! lets ignore the fact the movement started by a Jewish man, was widely popular in Jewish communities and is what led to the establishment of Israel as a Jewish state.

now, let's for a moment ignore the misinterpretation of the term and assume that by saying Zionists, they refer only to people who support Netanyahu, illegal occupation in places like the west bank, war crimes committed by the IDF, etc. regardless of the Zionist's religion/ethnicity/race. (keep in mind that while that's their assumed intentions, their antizionism will still ultimately include self-identified Jewish Zionists who are strongly against these things)

Antizionist Activism and Beliefs:

have you heard accusations of antisemitism and the response "I'm not antisemitic, just antizionist"? this section will highlight the reasons why many antizionist actions or claims are seen as antisemitic by many Jews.

No Zionists Allowed: as in, excluding zionists from public, private, and online spaces. this tactic is used today to exclude many groups deemed problematic, "no [queer]phobes allowed", "no racists allowed", "no men misogynists allowed", etc. which is why on the surface, it doesn't seem antisemitic. yet this exclusion tactic is derivative from historical exclusion of ethnic groups, groups that were seen as evil/violent/sinners/subhuman were ostracised from society and denied access to public/private spaces. signs like "no blacks allowed", "no gays allowed", and, of course, "gentiles only".

Zionists Are Nazis: comparing any "evil" group to Nazis is common, they're so overly exposed to ww2 stories, especially ones that paint Nazi germany as pure evil cartoon villains, that they have no idea what the term Nazi actually means anymore. Nazism is based on race theory and antisemitism, it's the creator of the term antisemitism to make it sound more scientific instead of discriminatory, in Mein Kamph, Hitler wrote that almost every "issue" in the world is the fault of Jews. comparing the extremely antisemitic, supremacist, racist, homophobic, ableist, etc. ideology of Nazism to a Jewish movement for self determination is in fact antisemitic. (it is also wrong to throw the term Nazi around for any reason, but especially for a Jewish movement)

Zionists Control The Media/Government/etc: the belief that there's a secret organisation controlling the media is an old conspiracy theory, which comes from the genuine fear of your government feeding the people propaganda to sway their opinion in favor of the government to let it do what it wants. it's is good to believe the media is biased, as it's written by humans who are inherently biased, but to outright claim the entirety of media is untrustworthy when it's not hailed from a dictatorship is a harmful belief. this is what antivaxxers believed during the pandemic, what conspiracy theorists believed for centuries, and believe it or not, it's at least partially derived from the antisemitic belief of Jews controlling the banks and conspiracies like The Protocols of the Elders of Zion.

Rid The World Of Zionists: again, there are many other activist groups that believe their enemy should be eradicated, that if they believe in or have done xyz, they deserve their rights to be taken away from them and to die. this is dehumanization, and an oppression tactic. the moment you say "this type of person doesn't deserve rights because they're evil", the moment people are gonna start getting falsely accused of falling into that type with the purpose of silencing them or getting their rights revoked. + the before point of political exclusion being derivative of ethnic/religious/racial exclusion. we've seen many people getting accused of being secretly Zionists for even mentioning the hostages.

Zionists Want Genocide/Are Bloodthirsty (a reminder that this is under the assumption that Zionists blindly support the current Israeli government and the IDF's war crimes): this is both straight up a variation of blood libel, and extremely hypocritical.

blood libel started as the antisemitic accusations that Jews kidnapped Christian children on Passover to creat Matzot, while no one beliefs are that extreme anymore, the underlying belief that Jews are violent and enjoy murder still exists, and was shifted to be about Israelis. the "it was self defense!" accusation that claims Israelis are just itching for their enemies to strike first to get the opportunity to respond violently and use self defense as an excuse, for example.

hypocritical as in, this goes hand in hand with the belief that Zionists should be killed. "Zionists support genocide so they should all die a violent and gruesome death" is a take I've seen MULTIPLE TIMES - and being said completely seriously, not in the comedic tumblr way of "my blorbo is cringe? wrong, killing you with hammers :3" - and is extra hypocritical when they very strongly oppose the idea of "Hamas are terrorists who committed atrocities therefore they should all die" (and ftr I don't claim they should support that).

there are people who believe that violence is necessary for an end goal, extreme violence even. that doesn't make them bloodthirsty or violent people, it makes them radicalized. there are some Zionists who believe the only way to maintain safety in Israel is to not only eradicate Hamas, but to eradicate Gaza, as they believe that all the people of Gaza are brainwashed to be violently against Israel and pro martyrdom (as in suicide attacks), and thus a threat to Israel's safety. there are some antizionists who believe the only way to free Palestine and bring safety to Gaza is to eradicate Zionists, as they believe that all Zionists are brainwashed to hate Palestinians and to be pro illegal occupation and ethnic cleansing, and are thus a threat to Palestine and their human rights. both of these beliefs are radical and false.

Zionist Blocklists: this is mostly an online problem, but Zionists have been doxxed IRL (and I don't mean individuals, massive lists of hundreds of alleged Zionists) for the same reasons those blocklists exists. people are gathering usernames of "Zionists" online to "warn other users" from interacting with them, with the disclaimer of "I'm not telling you to harass them, don't interact, just block". not only does it encourage to never hear the opposing side, thus pushing you further into an echo chamber of only voices that agree with you and never actually learning from the source what are the opinions you oppose, it ultimately creates a neat little list of people to harass because of the before mentioned dehumanizing belief that evil people deserve violence against them. suddenly sending death threats is easier than ever, and it's justified since these are allegedly evil people. you're not encouraged to double check if these people are actually Zionists, there's no explanation as to why they're on the list, you just have to trust the op.

Boycotting Zionist Companies: The Idea of boycotting companies or other organisations that support unethical causes is also, again, not new. People boycott companies that donated to anti-lgbtq organisations or that relied on slavery for their product creation. and yet the companies who are being boycotted are

Israeli companies, which are not necessarily supporting the Israeli government, it would be like boycotting every Chinese company because of the Uyghur genocide.

companies which helped Israel in some way, like McDonald's, which donated meals to Israeli soldiers during the start of the war (this is again a reminder that the majority of McDonald's income is real estate). there are arguments to be made to justify these type of boycotts, as they're similar to other justifications for different causes, yet unless these companies have directly funded the IDF's weaponry, the arguments for boycotting is flimsy at best.

companies which mentioned the hostages, like Paramount, which ran an Israeli ad for the release of the hostages. mentioning the hostages is not the same as condoning war crimes, it's recognizing there are innocent Israelis wrapped up in this conflict, just as supporting a free Palestine is not the same as supporting Hamas.

organisations that allowed Israel to participate, like Eurovision. there's just no reason to disallow a country to participate in a songs competition due to being in a war.

events that happen "while Israel is bombing Gaza". American events like the Oscars that happen on a set date and have nothing to do with Israel have no reason to be boycotted just for happening on the same day a war is happening.

Starbucks. why is Starbucks being boycotted? it had done nothing in support of Israel, literally fucking none, it's being boycotted for supporting Palestine wrong, once, on October. it doesn't operate in Israel, it never said anything publicly in support of Israel, there's literally 0 reason to boycott it????????????

anyways. while there are different reasons and justifications for every company or event, there's this silly little thing that happened in Nazi Germany that was boycotting Jewish business, in response to the "anti-nazi boycott". the Jewish boycotts were unsuccessful on paper, but ingrained the Nazi idea of Jews being inferior.

The Harm It Does For The Jewish Community:

The Overlap: the majority of Jews are Zionists, not in the sense of supporting genocide, but in the Jewish meaning(s) of believing a Jewish state should exist or is in some way beneficial for Jewish safety. by excluding and silencing Zionists, the antizionist crowd are excluding and silencing the majority of jewish people. a Jewish person who wants to integrate back into their circles has to refute their Zionism in fear of being seen as a genocide supporter, a Jewish person who refuses to hide their beliefs will be labeled evil and be ostracized. actual right-wing zionists would stay away from these spaces anyways for being leftist/centrist spaces, thus the exclusion is effective only on leftist Jews who dare believe Israel should exist.

"Zionism Isn't Judaism": is a claim many antizionists make, yet time and time again we see synagogues, Jewish schools, and Jewish neighborhood get targeted by antizionist protests. Jewish spaces are being attacked, even if you claim it is by a minority, these are still actions that are largely ignored by the antizionist crowd and aren't being condemned. you know, by the people who believe that silence is violence?

Can't Have A Single Positive Opinion About Israel: you have an Israeli relative that enlisted to the IDF? they should have refused servitude and gone to jail, you're a genocide supporter. You've done a birthright trip and it was nice? ew, everyone knows every inch of Israel is full of illegal settlements and apartheid, genocide supporter. you talked about the hostages? propaganda, genocide supporter. Israel passed a pro lgbtq law? pinkwashing propaganda, genocide supporter. you don't think Israel is an occupying terrorist force that oppresses their own citizens and deserves to be burned to the ground? genocide supporter, from the river to the sea!!!

Eretz Israel (not the State of Israel) is an integral part of Judaism. most of our holidays are about Israel in some way, some our traditions require Israel as a place, we bury our dead with soil from Israel, we vow to never forget Jerusalem during our weddings, we celebrate our agriculture and our miracles which happened there, our ancient holy cites are there, so are our ancestors (for ethnic Jews). many Jews are going to have at least a single positive or even a neutral opinion about Israel, and see it as a Jewish land.

The Israeli Identity: since people see Israel as an illegal settlement, apartheid, genocidal, terrorist state, etc, they also see Israelis as complicit in those crimes. every Israeli they meet is going to immediately be a criminal, Israelis are not a "real Jews" (that makes half the Jewish population fake), in the case Israel is dismantled and Israelis are forced to "go back to where they came from", will those countries accept them with open arms? or will the boycotts continue? what about Mizrahi Jews which hailed from the Arab world? do you think they'll even be allowed to live after their country's crimes against Palestine? will the Houtis let them when their flag has "death to Israel" on it (most Mizrahis are Yemeni)? if citizens are the same as their government, would that mean every Russian immigrant is an evil spy who wants to murder Ukrainians? just some questions to think about.

in conclusion: I'm tired. I've been writing for 3 hours. bye.

#antisemitism #israel #am yisrael chai #leftist antisemitism #antizionism #antizionism is antisemitism #← when done in the ways I've explained in the post #antisemitism on tumblr #tumblr antisemitism #zionism #jewish zionism

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hazelnut-u-out · 2 months

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Rick and Morty does an awesome job at highlighting generational trauma cycles. The fact that Beth adopted Rick’s parenting style and approach to marriage (and even IDOLIZED him/the abuse) without realizing that her biggest character flaws come directly from him is super interesting.

I honestly think splitting her into two different versions of herself— one who chooses to be more like her mother and one more like her father; one who stays and one who leaves— was a good choice. As someone who relates a lot to sentiments like ‘my parent idolizes their parents/I’m angry with my parents for what their parents did to them/when I’m angry with my mother, but then I remember she’s just a girl’, the Beths are a powerful representation of not only what I see in myself, but also an experience of motherhood I have little insight into on my own.

With all of their parallels, I like to think Beth has moments where she— like her father— says to herself, ‘Holy shit… I’m a terrible mother.’

I’ve never thought about it before, but Beth truly resents feeling ‘trapped’ in motherhood. She views it as something Jerry did to her instead of something she also partook in. I’m not saying that Jerry didn’t do that intentionally, but I am saying that Beth made choices there, too, and it’s unfair of her to hold contempt for her children (mainly Morty) because of that.

It makes me wonder what her relationship with Diane was like. Diane might have felt like Rick trapped her into motherhood and then took a backseat, too. Did Diane resent Beth for taking away what her life could’ve been? Did Diane blame Beth for her decision to be a mother?

On the other side of the coin, we have Morty. He’s like his dad in a lot of innocent ways, but that concept terrifies him because he’s seen the malice behind that harmless facade.

Part of him hates his mom for never wanting him— for never caring for him or protecting him— but that’s a part of himself he buries. He knows, at the end of the day, his mom is just a girl who desperately wanted her dad to love her.

‘I love Daddy!’

People talk about how much Morty is like Jerry all the time, but I’ve NEVER seen a post about how similar he is to Beth. (Please tag me if you have, so I can hype it up!) He spends all day everyday cripplingly aware of just how little his parents want him. He feels their rejection and neglect. He buries those feelings to protect them; or maybe because he’s so aware of their disdain for him that he believes they just might discard him if he’s too much work.

…Sound familiar?

Sometimes I wonder how much of Morty’s efforts to protect Beth from Rick’s actions and people pleasing to make Beth and Rick’s relationship just a bit easier comes from a certain relatedness he feels to his mother’s experience of rejection/abandonment.

‘Rick, I can handle it if you go, but you’ll break Mom’s heart, and I won’t forgive you for that.’

He loves who some may consider unlovable.

But, holy shit, is that kid angry.

Angry at people he can’t justify holding accountable because… Fuck, they’ve been through a lot, too, haven’t they? How could he possibly justify hating someone he could so easily become?

I can only hope we get some more of Rick’s relationship with his parents. I’m dying to know about it.

#rick and morty #rick sanchez #morty smith #beth smith #sorry i’m having a moment #back on my constant analysis bullshit

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cutielights · 2 months

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Hey pookie!! I luv ur work sm and I was wondering if u could do a rottmnt boys x spider woman reader ab them reacting to her stopping a collider like miles did? Idek if u watched into the spider verse but maybe something like that if not u could wing it if you'd like tysm hope u have a good day/night! ❤️

>>:] yes. For the purposes of writing, im going to act as if you were a spider person for at least a year before this. Not supposed to be Miles’ story, but pretty similar (if that makes sense)

i waNT THE THIRD MOVIE. Frikin dying of miles morales deprivation over here, hand over the sunflower boy with in tact parents

@moonchhu THE OTHER SPIDER PERSON ONE TAG LIST

That Really Big Earthquake

LEO

“Heyyyy, I haven’t seen you in twenty four hours which truly is a record for us, I missed you, did you miss me? I bet you did right? Go on tell me aaaalllll about it.”

“So, I was just kinda minding my own business, y’know, thwipping and thwapping and going about being an awesome hero when I bumped into myself? Kinda. They looked like me, but they were different, and didn’t look like me, but, I knew they were me! Because my spider sense went off and they could do stuff I could do, but also some different stuff! And then we freaked out for a little bit before I went to auntie May to show her and she showed me four more other me’s who were hiding out in her basement and then we tried getting them home and we had to sneak about in this fancy restaurant wearing bow ties, and we cried and they went into this collider thing, also it turns out my favourite cousin was working for the evil genius corporation and he’s dead now and it feels like my fault, I’m so totally fine don’t worry about me. Howwasyourday?”

“Haha, what.”

“Stopped the collapsing of the multiverse.”

“Oh it sounds so simple when you put it like that.” Yeah okay sarcasm queen

Made you some tea after that, let’s just, take a breath for a minute, m’kay?

He has decided it’s a self care day now, at least he did after thoroughly checking you for injuries

How you do not have a concussion will always escape him, not one broken bone? Seriously? After all that?

Please remind him you’re an actual super hero and not a pane of glass

“Wait what was that about your cousin?”

RAPH

“Hey! How was your weekend?”

“Crazier than yours.”

“Okay, Bet.”

One explanation later sponge bob narrator voice

“Wait, so you’re telling Raph, that huge earthquake that happened, happened because of you and five alternate versions of yourself?

“That’s excluding a lot of things I just told you but, I am telling Raph that, yes.”

Huge bone crushing hugs are in order, according to him at least. And I mean, is he wrong?

Not letting you out of his sight for ages, please, Raph, let them go home

“Why are you so worried? I did it, I won!”

“It’s more the fact that it happened and less the fact that you’re mostly fine.”

DONNIE

Othello Von Ryan: Stay home, S.H.E.L.LD.O.N has picked up on some strange (possibly universal fabric destroying) activity. Also there has been some earthquake activity in the area you were in yesterday, not that I have a tracker on you. Because I don’t.

Only Two Legs: I handled it don’t worry :D

Othello Von Ryan: ?

Othello Von Ryan: Traverse to My Lab.

“Heyyy Deee.”

“Stop. Explain. This better be your attempt at humor.”

There was silence for a long while after you had messily glued together words to describe the past 24 hours, before he took a deep breath.

“First, How dare you stop the multiverse from collapsing without me that’s incredible rude. Second, therapy. Third, that earthquake and power surge destroyed My Lab, thankfully I have backup backups to my backups, but I couldn’t use the internet for an hour straight.”

“Y- You’re more concerned about the internet?”

“Not what I said. Now let me check you for a concussion.”

MIKEY

“Hey they took down those art displays.”

“The what?”

“Oh you weren’t here, BUT there was these reaaaallllyyyyy cool art statues along this street! Look, hey, look, I took pics!”

“Oh cooollluuuhhh that’s not an art display that’s five different fire hydrants merged into each other.”

“Haha yeah it does kinda look like that doesn’t it? I thought it was supposed to be a dog.”

“Mikey, no-“ You pulled him aside into an empty alleyway, trying to explain what had happened over the past twenty four hours.

It was an interesting experience, but you got there eventually.

Best believe this boy is giving you the biggest hug ever, and then buying pizza.

Oh, and Dr Feelings is going to be paying you a visit. Multiple. You can’t escape him.

“So they weren’t art displays?”

Speedily bulk writing and scheduling rn bc im going on a holiday with zero internet.

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faeryarchives · 3 months

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I have no idea if your requests are open or not so I apologize if they're closed 😭🫶

But could I request the octatrio with a fischl reader (female if possible ♡)

I love the octatrio sm rn and I rarely see any works with them so I just had to request

hi hi anon of course! do you think they would accidentally create an elemental reaction whenever floyd pokes oz 🧐

octavinelle with a fischl-like female reader!

a mysterious girl called "prinzessin der verurteilung" travels with oz, a night raven. through her unique abilities, eccentric character, and hard work, she has become a rising star among the guild's investigators, earning all the recognition. and yet she still fares mostly on her own

༉‧₊˚. azul ashengrotto

you were an unpredictable and quite eccentric person! its true that you have a quite different way of talking from others but it made you stand out!

"you dare to call my familiar and grim as monsters?! you must prepare your self, because it is time for retribution!"

"where did you get that bow?!"

"mein fraülein, if i dare to say so - that isn't one of your lines. but thank you for defending me."

your achievements in the school mainly were praiseworthy, azul knew for a fact that you were a strong one that he didn't want to come across with

until you got roped into the octavinelle issue and instead of looking at him with disdain - you were even willing to help him out?! maybe those rumors about you were true at all

as being someone who will willingly go out their way to help others in your own way, even if you come out harsh

what bothered azul most was how you were quick to intervene his plans as well as helping him with his problems

"why are we walking around school? where is oz?" "my dear familiar is taking his good rest. as for the reason of walking around - well i heard from a little bird that you are having a hard time on something. would you like to accept her majesty's help?"

surely and slowly, he was beginning to see right through you, even without oz's interpretation and to be honest? you weren't so difficult to understand at all

the most likely to spoil you rottens by letting you do as you please whenever you went to go visit their dorm

"didn't you mention before that you like reading? you can borrow some of my books here because it just so happens that i am an avid reader myself!" "...! i-i never thought that you were keeping that in mind, thank you azul."

as time goes by, the bad rumors surrounding you gradually dissipative → students will think twice of talking shit about you because this comes as a package deal for being friends with the octavinelle dorm leader.

༉‧₊˚. jade leech

"one is aware that fate has brought me into this path. hm-hm, may the glory of the prinzessin bring light to this wicked world." "oh my, how bold of you to address our world as such!"

true, jade couldn't really understand how you were able to say such things in front of the whole school and shrug it off

he is the type of friend that would take his time to sit down and listen for you for hours and even ask some questions about your previous adventures

"you met your evil twin?" "it was more like a shadow version of me, and oz here decided it was fun to leave me for her." "*gasp* i take full offense to that!" "oh my god, the prinzessin's most beloved familiar is a traitor."

jade knew for a fact that you were entirely different from the octatrio so he tries to steer you away from trouble as much as possible but with your friends and sometimes even floyd, maybe sometimes are not just possible

don't tell the other two but if you would pick someone trust the most to see you behind your act - it would be jade

knowing how observant he is, you wouldn't be surprised if he had seen through you already but you trust him enough and that's all you need

"hmm, this is troubling..."

"what seems to be the problem?"

"it looks like one of the students broke the contract and went hiding among his peers."

"that sounds like a problem, but no worries we can assist you."

color him surprise after seeing your investigation skills 😮 the task that should've took a day to complete got immediately solved less than half a day

and your fighting skills are extraordinary! from that day on, you would get extra allowance every time the octatrio need your help

while you seem capable of yourself, jade took it as his and floyd's responsibility to look after you because you were still kinda an airhead

"(name)..."

"i forgot the stove was still on..."

as you hail into their world as an outsider, he will do his best to provide you the best experience until you bring the glory of the prinzessin among them - after all, that is what friends for

༉‧₊˚. floyd leech

you are such an interesting fishie! or are you a bird? did you just turn into a bird? can you teach him that too?

it was like he finally met someone on the sam wavelength because floyd surprisingly went along with your act - taking the role as your confidant

"ne, ne (name) - can oz talk to other birds?"

"my dear ozzie?"

"'cuz if he can talk in human language can he understand animal language or he is just built different?"

if you think that sometimes you can't understand yourself, you couldn't understand floyd even more!

each of his random question just made you wonder your whole existence because this man will text you at 2 am asking "what would you call a male ladybug?"

"If peanut butter wasn’t called peanut butter, what would it be called?" "for the love of everything, floyd it is 2 am..." "yeah? so what would it be called though?"

being with floyd is like being hit with an uno reverse card and honestly - you were having fun!

it was like you were relieving your childhood with the eel and with his random outburst it motivates you to be more open about yourself

from time to time it was funny to see him trying to chase after oz, trying to ask your familiar over and over again if he could do the same thing

"i am afraid it would not be possible." "but we haven't even tried it out yet?" "why are you wrapping your hands around m- no, no, no we are not going into the water!"

news flash, they did. 😭

anyways! he adores you and oz and never fails to give you your daily hugs

as said before - floyd sometimes gets you in trouble by breaking rules and getting involve in the punishment but hey! some times its okay to let loose but not just too much.

still, you friendship may be a little unexpected to others and floyd knows that you are similar yet also different from each other but he will try to make your stay more bearable than letting you suffer all alone

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genderkoolaid · 5 months

Note

I'm sorry, I don't understand how gender liberation and gender abolition are different. Isn't the goal of both to get rid of all gender stereotypes and masculinity/femininity and let everyone do what they want? /gen

So first off I wanna say these are my subjective understandings of these terms; some people agree with me but I've seen others who use both "liberation" and "abolition" interchangeably.

My definitions:

Gender abolition = getting rid of gender entirely, creating a completely genderless society Gender liberation = ending gender as a tool of control, allowing people to engage with it on their own terms

Gender abolitionists view gender as being inherently harmful, while gender liberationists view gender as being neutral and capable of being used in positive ways. An abolitionist standpoint may be that nothing should be considered masculine or feminine; everything should be gender neutral. A liberationist perspective may be that while nothing is inherently gendered, people can self-define "masculine" and "feminine" (or anything else) as long as they are not forcing others to live by those definitions. I started identifying with liberationism instead of abolitonism because I felt that abolitionism can easily end up as a form of cultural colonialism. I feel that when we understand gender as a social construct, we can take control over that construction and shape gender in more healthy and liberating ways. The beauty of being a sapient person is that we can reflect on our cultural creations and consciously construct and re-construct ideas like gender as we learn more about the harm of genderism and sexism.

I think both kind of have a "do what you want" mentality, but abolitionism looks more like "nothing is masc or fem, so you can do whatever and not think about gender" whle liberationism looks like "anything can be masc or fem or literally anything else, so you can decide how you want to engage with gender." Both would probably reject gender stereotypes like "men do x/feminine people do y" since both acknowledge that gender isn't an inherent trait (although inherent traits may lead people to identify with a certain gender).

Its hard for us, right now, to imagine a version of gender completely dissociated from the harms of genderism and sexism. But I believe that it is possible for gender roles to exist in a post-gender world, where someone engages in these roles not out of habit or expectation but because they have Seen The Truth (that its all made up) and decided to play with it anyways. Either way, a society based on gender abolition or gender liberation would have a fundamentally relationship with gender and sex than we do, so its hard to say exactly how these may look when put into practice- ultimately I think that it would depend on whether or not the people in a given community have the collective desire to continue constructing gender.

#m.#ask box

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