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#fowler
withered-tears · 27 days
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Extremely dumb transformers headcanon:
Cybertronians with car/car-similar alt modes have cupholders, but they dont know what they are.
Its basically like an appendix/wisdom teeth situation of "why the heck our bodies still have these" except its been so long they LEGITIMATELY have no clue what possible purpose they have.
Then one day Bulkhead gotta drive Fowler super early in the morning for a mission, and Fowler by reflex puts his shitty coffee cup in Bulkhead's cupholder.
And Bulkhead straight up goes like that cat with a flower hat meme, THE PROPHECY IS TRUE kinda freezes in place goes all oh my fucking primus it all makes sense now
Fowler is starting to think he accidentally got into a regular ass truck cuz Bulkhead been frozen in the parking lot for like five minutes
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ahhhsami · 5 months
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Mizu’s Womanhood
I keep thinking about how well Mizu’s story was written. A huge factor that makes me love the show is how they show Mizu’s abilities during fight scenes, but don’t forget that she is a woman. On the surface level people could see these fights as amazing action sequences, but there’s so much story being told at the same time. And that’s what makes an action sequence truly great (Warrior HBO is another example of amazing storytelling through fight choreography. Ah Toy's fight against Cleaver and Hammer comes to mind right away when comparing). 
We start off by seeing Mizu tear through young men in Shindo Dojo. Her skills are showcased as agile, flexible, fast, and based on her ability to use her body in ways that are fluid. She’s tested as soon as Taigen enters the picture. He’s physically stronger than her, shown in a multitude of ways throughout the action sequence from him throwing her to him pushing her down to her knee, but she’s still more skilled. She uses his weight against him, which she will do in every fight during the series. Mizu beats him due to her agility and speed. On top of that, it is the first time we see a man assume victory be his downfall. And it will happen on multiple occasions.
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Episode 2 comes around and Mizu is tested again, but this time by 4 opponents and one who is significantly larger and more trained (Chiaki). Mizu's smart, evaluates her situation, and changes her surroundings by jumping down onto the cliffside. It doesn’t put her at an advantage, but at least she’s not at a severe disadvantage. It allows her to fight mainly one-on-one which changes her circumstances. But it doesn’t win the fight for her. What does is her resilience, adaptability, and skill once more. Once again, in the fight, the man opens himself up for a counter during the finishing blow. Chiaki ran forward, his guard completely down because he was sure he’d won like Taigen.
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Episode 5 is where we get to see Mizu struggle due to overwhelming numbers. She’s forced into a corner, but the weapon that saves her is the Naginata. Naginatajutsu has been most associated with female samurai. The added range was a huge advantage and allowed women to protect their homes when their samurai husband were gone. I love that Mizu's first time using the weapon extensively was in a situation where it wasn’t her own life on the line, but also the women of the brothel. It showcased the connection between the Naginata, women, and protection in a beautiful way. Also, her using it during these circumstance felt like she was reclaiming the weapon from the traumas she had experienced during Mikio's betrayal. The parallels of Mizu not just being demonized for her blue eyes, but also for being a woman was stunning in this episode.
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In Episode 6, we see Mizu almost lose to the big club man (Okiyama). We see her completely overpowered by the size difference. Okiyama can pick her up easily, throw her, and she’s unable to parry him properly. For the first time we truly see the difference between a man’s strength and hers (which will also be present against Fowler). The fact that both Fowler and him pick her up, and attempt to crush her with their bare arms is so powerful and as a woman, it’s a striking parallel to the real world and the powers of men. She was going to lose the fight if not for her last ditch effort, that also could have resulted in her own death with the bomb. It shows her willingness to sacrifice everything for the quest she's on. And at the end of the episode, Fowler manhandles her completely. It doesn’t matter that she’s injured, it doesn’t matter that he has a gun. What matters in that scene is that he takes pleasure in using his power. He destroys the weak and he lords over them. He uses women as sex slaves. He cares for no one but himself. He is the perfect representation of what Mizu as a woman has to fight against. 
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There’s no fight scene in Episode 7 of note, but what is important is Mizu’s acceptance of her appearance, whether it be the blue eyes and sharp features, or her womanly features, all of them had once been sources of pain for her. The heart sutra scene is stunning and one of my favorites of the entire series (even if her little toesies were most likely being burned to be so close to the makeshift forge).
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And finally Episode 8. We get to see her fight Fowler. I have multiple gripes with the structure of this fight, but it still represents Mizu’s womanhood in a way that continues the flow of the series. Mizu has to use everything to take down Fowler and even when she does she is still overpowered by him. He mirrors Okiyama, easily lifting her and using his strength over her instead of skill. And the line “your bones break like a woman’s” shows the societal norm that men associate with women being weaker, fragile, and unable to withstand what men can. It's fitting of the time period, but also current day too.
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But hubris is the man’s downfall in this series because as soon as he lets his guard down, she takes her chance. She breaks free, her rage, need for vengeance, and essential reason for being at this point drive her to beat him. The single line “Oh my dear, that’s your white half showing,” doesn’t just target her being mixed race, but also being a woman. Fowler doesn’t let up there though, he calls her eyes pretty. And not just because they’re blue, but because they’re of a woman’s. He brings up unwanted daughters and digs the knife deeper. And these last lines from Fowler represent everything that Mizu has been combating, everything that has been driving her. There’s so much to her character. The writing in this series shows how multiple compounding factors contribute to a person's drive. And in this instance, it shows how being a woman and half-white has lead to Mizu’s self-hatred and it’s beautiful in such a destructive way. 
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lovesick-pearl · 2 months
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genderbend Fowler lives in my head rent free +Shindo
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dolls-self-ships · 4 months
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they’re lesbians, Harold Fowler
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unteriors · 7 months
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E 7th Street, Fowler, Indiana.
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burstpop · 3 months
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Tessa Fowler
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sushikeii · 1 month
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Ohhh no brutish white man
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dreamlanddoll · 3 months
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argue with your mum
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lovesick-pearl · 2 months
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hear me out
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supercrushx · 5 months
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Tess Fowler
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