#fox broadcasting company

[noodlerock56]

Burgess Meredith as Oswald Cobblepot/The Penguin in “Batman 1966”.

Credit: Fox Broadcasting / DC Comics

#batman #the penguin #dc comics #batman 1966 #fox broadcasting company

[mateushonrado]

First logos of the Big Four US TV networks

Status Post #10986: NBC, CBS, ABC and Fox.

#nbc #cbs #abc tv #fox tv #national broadcasting company #columbia broadcasting system #american broadcasting company #fox broadcasting company #comcast #paramount global #the walt disney company #fox entertainment #1939 #1941 #1948 #1986 #big four tv networks #american television #us tv #big four

[courseyoulovemeyoudontknowme]

Home Alone: The Holiday Heist (2012, Peter Hewitt)

12/12/2023

Home Alone: The Holiday Heist, also known as Home Alone 5, is a 2012 television film directed by Peter Hewitt, the fifth chapter of the Home Alone saga that began with Home Alone. It first aired on November 25, 2012 on ABC Family. In Italy it was broadcast on 3 December 2014 on Sky Cinema.

The Baxter family moves from California to Maine for the Christmas season. Finn Baxter and his older sister Alexis are two techophiles who isolate themselves from their parents Curtis and Catherine by spending their days playing "Robo Infantry 3" and using their cell phones respectively.

Development of the film began in March 2012 as co-production between ABC Family and Fox TV Studios. The two production companies previously co-produced Home Alone 4 in 2002. The film was shot in Winnipeg, Manitoba.

#Home Alone The Holiday Heist #Fiction televisiva #2012 #Peter Hewitt #home alone #freeform #italy #sky cinema #california #maine #technophilia #Fox Broadcasting Company #Home Alone 4 #Winnipeg #Home Alone 5 #Television film #List of Christmas films #comedy film #jodelle ferland #malcolm mcdowell #debi mazar #Eddie steeples #History of Freeform #25 days of christmas #home alone 3 #Doug Murray #Ellie Harvie #Peter DaCunha #edvard munch #ed asner

[dennistamayo]

The shows should move to ABC right now!

Due to the fact that Bob Chapek is now the current Disney CEO, new episodes of The Simpsons, Family Guy & Bob’s Burgers will move from the Fox Broadcasting Company (Fox) to the American Broadcasting Company (ABC) sometime this year. ABC hasn’t aired any prime time animated shows ever since The Goode Family in 2009, because ABC airs animated TV specials nowadays. Since 2 years ago, Freeform aired reruns of both The Simpsons & Family Guy after the Disney/Fox merger. Disney+ streamed all episodes of The Simpsons 2 years ago. Family Guy however is still streaming on Hulu (owned 67% by Disney). American Dad! remains on TBS while current shows such as Duncanville, The Great North & HouseBroken remain on Fox. 1 year & 9 months ago, Disney renamed 20th Century Fox Television into 20th Television to avoid confusion with the Fox Corporation. As of today when I’m writing this post, the COVID-19 pandemic affected American television so ABC whenever or not move new episodes of 3 aforementioned animated shows from Fox this fall. Let’s see after the premiere of the upcoming 3rd season of the Animaniacs revival on Hulu.

#fox #fox broadcasting company #the simpsons #family guy #bob's burgers #move to #abc #american broadcasting company #2022

[onlydylanobrien]

‘SNL 1975’ Finds Its Garrett Morris, Dan Aykroyd, Chevy Chase And John Belushi

By Justin Kroll, Anthony D'Alessandro January 30, 2024 10:00am

Lamorne Morris playing Garrett Morris, Dylan O’Brien playing Dan Aykroyd, Cory Michael Smith playing Chevy Chase and Matt Wood playing John Belushi

EXCLUSIVE: Lamorne Morris, Dylan O’Brien, Cory Michael Smith and Matt Wood have joined the cast of Sony Pictures’ SNL 1975 that will be directed by Jason Reitman and based on the real-life behind the scenes accounts of the opening night of Saturday Night Live. Morris will play Garrett Morris, O’Brien will play Dan Aykroyd, Smith will play Chevy Chase, and Wood will play Belushi. The original screenplay is written by Reitman and Gil Kenan.

On October 11, 1975, a ferocious troupe of young comedians and writers changed television forever. SNL 1975 is the true story of what happened behind the scenes that night in the moments leading up to the first broadcast of NBC’s SNL. It depicts the chaos and magic of a revolution that almost wasn’t, counting down the minutes in real time to the infamous words, “Live from New York, it’s Saturday Night!”

The screenplay is based on an extensive series of interviews conducted by Reitman and Kenan with all the living cast members, writers and crew. Reitman, Kenan, Jason Blumenfeld, Erica Mills and Peter Rice are producing.

Morris can currently be seen in FX’s fifth season of Noah Hawley’s hit drama series Fargo as North Dakota Deputy Witt Farr. He joined the cast of Netflix’s Unstable for season two opposite Rob Lowe. Prior to this, he starred as the titular lead in the hybrid live-action/animated Hulu series Woke, inspired by the life and art of cartoonist Keith Knight.

O’Brien was most recently starring in Ponyboi, which premiered as one of ten films in the U.S. Dramatic Competition at the 2024 Sundance Film Festival. Up next, he will be seen in the feature films Caddo Lake, from the writing-directing team of Logan George and Celine Held and producer M. Night Shyamalan, and Anniversary, a thriller co-starring Diane Lane, Kyle Chandler, Zoey Deutch and Phoebe Dynevor. His other credits include Searchlight feature Not Okay from writer-director Quinn Shephard, the critically-acclaimed crime drama The Outfit, opposite Mark Rylance, Zoey Deutch, and Johnny Flynn; Paramount’s Love and Monsters and the popular Maze Runner franchise

Best known for his role on as the Riddler on the popular Fox series Gotham, Smith can currently be seen as Julianne Moore’s son in Todd Haynes’ May December. He most recently starred as Varian Fry in Anna Winger’s limited series Transatlantic opposite Gillian Jacobs and Corey Stoll for Netflix. Smith has also worked with Todd Haynes in both Carol (as private investigator Tommy Tucker) and Wonderstruck.

Wood has appeared in the original Broadway cast of Spongebob Squarepants and as husky kid icon Augustus Gloop in the Broadway First National Tour of Charlie and the Chocolate Factory. Television credits include Law and Order: SVU, Instinct and Difficult People.

Morris is represented by CAA, Entertainment 360, The Lede Company, and Myman Greenspan Fox Rosenberg Mobasser Younger & Light. O’Brien is repped by William Morris Endeavor Entertainment, Principal Entertainment LA, and Lichter, Grossman, Nichols, Feldman, Rogal, Shikora & Clark. Smith is repped by Circle of Confusion. Wood is repped by BRS/Gage Talent Agency.

Source: deadline.com

#dylan o'brien #news #snl 1975 #dan aykroyd #snl 1975 cast

[dotthings]

So The Winchesters and Kung Fu are done at CW. I'm not shocked by either news.

And about The Winchesters, particularly, CW Nexstar can't afford The Winchesters. This isn't because TW was a flop or didn't perform big enough in streaming. It charted near GoT and TLOU levels for months internationally, and was decent on US streaming as well. (Don't listen to any gaslighting stupidity from antis about this).

This came down to licensing fees and CW Nexstar insisting on a cap of $1M/ep on everything.

I said WBD and CMP and everyone wouldn't want to kneecap TW's budget to fit CW's needs.

The Deadline article says The Winchesters will be shopped, that per their sources, WBD has been preparing to shop it

Yeah. Because they were never going to accept such a low licensing fee from CW Nexstar for a property as valuable as SPN. WBD knew.

According to Deadline WBD tried to shop Kung Fu already and couldn't find a place for it. Truly sorry about that. I think there was more story there--but I was right about it being valuable to WBD.

The S3 finale of Kung Fu was a strong episode closure for the series, so that's a satisfying 3 season closed story to enjoy, if anyone wants to check it out. Highly recommended. And keeping up those streaming numbers helps demonstrate a demand for that kind of series--genre series that are centered on female characters, all PoC cast, with queer leads, with magic and myth and kickass fight scenes. I'd love to see more series like this even if I can't have more Kung Fu.

SPN may be done at CW but that doesn't mean that WBD is done with SPN. I think The Winchesters will most likely land on Max, along with any future SPN shows.

And if anyone else has noticed--all of CW Nexstar's acquired shows (mostly Canada) are not genre. There's one show with a slight supernatural element but it's really more of a crime thriller. Everything else is drama.

This is part of an overall slide on linear big broadcast networks. ABC, NBC, Fox, CBS, they don't care about genre. They have almost no genre series. CW Nexstar is following common business practices and tailoring its lineup like the big networks. More drama. Bet they'll start developing lawyer-cop-firefighter-doctor series.

This isn't a knock on drama, I have some drama shows I love a lot and many are made well. But I'm mostly a genre fan who loves genre tv and I think it's a mistake for these companies to ditch genre.

The thing is...they're ditching drama not because genre isn't lucrative. Genre is HUGE. There are big genre IP's and I'm sure any network would love a slice of that pie. But they really can't afford it.

Bottom line: CW Nexstar couldn't afford SPN.

#The Winchesters #spnwin #Kung Fu

[allthecanadianpolitics]

In early March, I was featured on a Hershey Canada limited-edition chocolate bar for International Women’s Day. I was humbled to be a part of the ad campaign and hoped my inclusion would send a message about celebrating women in all our diversity.

Instead, it sparked a global campaign to boycott the company. Within days, I was targeted by figureheads of the American far right. Matt Walsh deadnamed me and called me a “vile, woman-hating extremist” to his 1.8 million Twitter followers. Brett Cooper dug up my pre- and early transition photos. Tucker Carlson—then still on Fox News—mocked me with out-of-context quotes from my Twitter and Instagram feeds and equated me with fascists. The day after Michael Knowles broadcast a segment about how “Hershey’s Transes Their Chocolate” on his Daily Wire show, he gave a speech calling for the extermination of “transgenderism” from public life.

The coverage was relentless. Scores of articles appeared in right-wing publications, and thousands of obscene messages poured into my Twitter mentions, DMs, and email inbox. Memes and caricatures of me were shared on social media. I was called a fag, tranny, groomer, and paedophile. I was encouraged to kill myself and threatened with physical violence. [...]

Continue Reading.

Tagging: @politicsofcanada

#cdnpoli #transphobia #queerphobia #reactionary politics #hate crimes tw #crime and punishment in canada #suicide mention #Fae Johnstone

[exeggcute]

interesting (and damning) peek behind the curtain. definitely recommend reading the whole thing, but since it's long-ish(?), here's my main takeaways:

[CNN's current guidelines] include tight restrictions on quoting Hamas and reporting other Palestinian perspectives while Israel government statements are taken at face value. In addition, every story on the conflict must be cleared by the Jerusalem bureau before broadcast or publication. CNN journalists say the tone of coverage is set at the top by its new editor-in-chief and CEO, Mark Thompson, who took up his post two days after the 7 October Hamas attack. Some staff are concerned about Thompson’s willingness to withstand external attempts to influence coverage given that in a former role as the BBC’s director general he was accused of bowing to Israeli government pressure on a number of occasions, including a demand to remove one of the corporation’s most prominent correspondents from her post in Jerusalem in 2005. CNN insiders say that has resulted, particularly in the early weeks of the war, in a greater focus on Israeli suffering and the Israeli narrative of the war as a hunt for Hamas and its tunnels, and an insufficient focus on the scale of Palestinian civilian deaths and destruction in Gaza. One journalist described a “schism” within the network over coverage they said was at times reminiscent of the cheerleading that followed 9/11. […] “Many have been pushing for more content from Gaza to be alerted and aired. By the time these reports go through Jerusalem and make it to TV or the homepage, critical changes – from the introduction of imprecise language to an ignorance of crucial stories – ensure that nearly every report, no matter how damning, relieves Israel of wrongdoing.”

and then a telling contrast with CNN's own reporting 20 years ago (under different management) and israel's response at the time:

CNN’s founder, Ted Turner, caused a storm when he told the Guardian in 2002 that Israel was engaging in terrorism against the Palestinians. “The Palestinians are fighting with human suicide bombers, that’s all they have. The Israelis … they’ve got one of the most powerful military machines in the world. The Palestinians have nothing. So who are the terrorists? I would make a case that both sides are involved in terrorism,” said Turner, who was then the vice-chairman of AOL Time Warner, which owned CNN. The resulting storm of protest resulted in threats to the network’s revenue, including moves by Israeli cable television companies to supplant the network with Fox News.

[siryouarebeingmocked]

LMGTS: "Why do you make me grift you?"

Youtube video: HBO Max renamed their streaming service to Max. This is silly.  

Top Comment:  Piracy was dead, until streaming companies revived it.  

Me: Yes, clearly the pirates had nothing to do with it.  

Me: It's not like there's a popular comic justifying pirating a show because of mild inconvenience, or lots of people pirated Crysis 1 just for benchmarking.*    

Me: This is when people usually qu-  

Another top comment: See, like Gabe Newell said, piracy is a service problem, not a price problem.  

Me: 

  Seriously, just admit you think you deserve a product without paying for it. Going "piracy is justified *because* people tried to charge money for this thing that cost money to make" just makes you sound like a dick.    

I guess that's why people have to dress it up.    

Also, the top comment under the first top comment was "Capitalism."     What exactly does digital piracy have to do with private ownership and trade of goods and services?  

By definition, it's circumventing someone's ownership rights.     

It's like saying actual, physical pirates were just a part of the economy, instead of parasites leeching off the system.   

 Also also, you can't say "piracy is an issue of underserved customers" and "pirates were never going to buy the media anyway, so they don't represent a loss" at the same time. Those are mutually contradictory.    

And yet they're both popular piracy defenses.

Also also also, piracy has never been dead. People pirated and bootlegged shows on broadcast and on digital, from the jump. Heck, people freeboot random videos and post them on other sites for revenue, often without even adding commentary.

*I’ve seen people say that piracy was Crytek’s fault for “bragging” about how good looking the game was and how high the specs were. 

Which is kind of like sneaking into a showing of Avatar 2 because you hear the movie is very pretty, and then saying it’s Fox’s fault for making the movie pretty.

#piracy #lolgic #stupid #let me get this straight

[crossdreamers]

British report shows that almost one in four Gen Z women do not see themselves as straight

Almost a quarter of British Gen Z women don’t identify as straight, according to a new report, with more than twice as many identifying as bisexual compared to other age groups.

Gen Z women are, statistically speaking, the most sexually exploratory demographic, with 24% not identifying as heterosexual..., and 78% being interested in one or more emerging sexual trends—more than 2X as interested as older women (34%).

Generation Z is normally defined as those born between 1997  and 2012.

Shifting gender roles

The report also shows that the gender stereotypes of the brutal man versus the emotional woman are dying.

“The ideals of masculinity that you see in the media are very different from the reality of being a man. We are very emotional. We can cry. For all the assumed bravado, men are quite shy and vulnerable,” says Martin Robinson.

People may disagree on the value and morals of porn, but let us put that aside for the moment. What the numbers show is that young women use porn as frequently as men, which proves that women are not more sexually timid or “pure”  than men.

Today, nearly as many Gen Z women have watched porn alone in the past year (51%) as have Gen Z men (55%). This highlights a stark generational divide with the Boomer generation: only 9% of Boomer women have watched porn alone in the past year compared to 55% of Boomer men.

If you wonder why homophobic and transphobic activists so desperately try to uphold traditional gender roles, this is why. The bigots are sensing that their beloved stereotypes are based on age old prejudices and that these traditional beliefs will go extinct unless they can reestablish them by force.

A richer language for sex and identities

Alix Fox, Journalist, Broadcaster, and Sex Educator, says the broader spectrum of sexual identities and experiences can also be credited to the fast-evolving language surrounding sex: 

“My personal belief is that there have always been people with proclivities towards sexual identities and relationship models outside the heterosexual, monogamous, mainstream ‘norm’...Nowadays however, greater knowledge of terms like ‘pansexual’, ‘demisexual’ and ‘consensually non-monogamous’ means it’s easier to describe and discuss these feelings, and there’s enhanced appreciation of their legitimacy.”

So this is not about a “LGBTQ conspiracy” or a “transgender cult” seducing young people into wickedness. Instead an increasing openness and an enriched vocabulary make it easier for people to accept who they truly are. Younger people are not experiencing the same kind of fear driven social conditioning as the older generations.

The study was carried out by the British branch of Hims & Hers Health, Inc., an American telehealth company that sells prescriptions, over-the-counter drugs and personal care products online.

Download the report here!

Photo:  MesquitaFMS

#sexuality #bisexual #gay #gender #gen z #gender roles #lgbt #lgbtqa #lgbt+ #queer #culture

[noodlerock56]

A conservative propagandist hosting his web show on a hate speech network following his dismissal from regular TV. What are the odds?

#conservatives are the problem #fox news #tucker carlson #fox broadcasting company #news corp #20th century fox #twitter is garbage

[odinsblog]

I’ve seen tweets on Twitter and posts on Tumblr with blaming Reagan for the rise of Fox News because he vetoed the Fairness Doctrine.

And then again, I’ve also seen some objectively smart people play the role of devils advocate and try to refute this particular argument.

The truth is slightly more nuanced.

It’s true that the Fairness Doctrine was written at a time when most people did not get their news from cable news outlets. And it is also true that Reagan’s veto definitely did not help. But what David Cay Johnson and most neoliberal centrists miss (or aggressively ignore) is the fact that it was Bill (big government bad, deregulation good) Clinton who helped Republicans.

Without Clinton’s massive deregulation pushes of the 90s, we would be in a much better position than we find ourselves today.

PLEASE remember ALL of how we got here: This disaster is a direct result of the Telecommunications Act of 1996, signed into law by Bill Clinton. Among other things, the bill brought deregulation to the cable industry, deregulated price controls on how much cable companies could charge consumers, and lifted the national cap on radio station ownership. In the spirit of “pragmatic” compromise, “less government” and more “free market” competition, the legislation obliterated the rules that once placed ownership restrictions on broadcasters. 

The Telecommunications Act fueled media consolidation, and now over 90 percent of the media is owned by just six companies. Ninety percent of the top 50 cable stations are owned by the same parent companies that own the broadcast networks, which should destroy the notion that cable is any real source of competition. The bill was a giveaway to big business, but it was sold to the public as a consumer friendly bill.

Media consolidation is a threat to democracy. Corporations like Fox News and Sinclair Broadcasting Group are legally using lies, propaganda, disinformation and “alt facts” on an unsuspecting public.

The other disingenuous argument that David Johnson is making is that "people have a constitutional right to believe lies and to choose to be deceived" ..... Yes, but does the government have the right to be enabling those lies? Should the government really be facilitating privately owned, mass media corporations lying to the public??

Reaganism is and was bad for America. Clintonism made it worse in many many ways.

The simple answer is to reinstate a modern version of the Fairness Doctrine and also repeal the Telecommunications Act. Deregulation hurts citizens and consumers. We need more, not less, government regulation of big business.

#politics #fairness doctrine #telecommunications act #bill clinton #ronald reagan #neoliberalism #media consolidation #fox news #clintonism #reaganism #deregulation

[freddycarterus]

I am posting this for notes purposes, because we are going to be contacting many of these companies to pitch SIX Of Crows! ;)

The following companies are looking for new TV pitches for development & production.

Campaign - Production Companies

20th Century Fox Television

20th TV, Fox and MyNetworkTV

2C Media

3 BALL PRODUCTIONS

3 Ball Productions/Eyeworks USA

3 Ring Circus

360Production

40 Partners

720 PR

8790 Pictures,Inc.

ABC Cable Networks

ABC Entertainment

ABC Studios

Abrams Artists Agency

Adept Entertainment

Alan David Group

Alchemy Television

Alchemy Television Group

Alcon Entertainment

Allan McKeown Presents Ltd

Allan R. Smith Productions

Ambush Entertainment

American Media Television

Anne Carlucci Productions, Inc.

APA

Arclight Films

Arjay Entertainment Television

Artist International

Asylum Entertainment

AT IT Productions

Atlas Media Corp

Automatic Pictures

Avalon Television USA

Axelson-Weintraub Entertainment

Banner-Caswell Productions

BBC Worldwide

BCII

Beth Grossbard Productions

Big Cattle Productions

Big Hill Pictures

Boulevard Pictures

Boxing Cats Productions

Boz Productions

Brian Graden Media

Broken Lizard Industries

Buck Productions

Buck Productions Inc.

CAA

Cakehouse Media

Capestany Films

CartoonNetwork

Cataland Films

Cavelight Films

CBS

CBS Entertainment

CBS Films

CBS Interactive

CBS Paramount

CBS Paramount Network Television

CBS Studios International

CBS Television Distribution

CBS Television Studios

Central Artists

Champion Entertainment

Clear Pictures Entertainment

Codeblack Entertainment

Codeblack Films/Lionsgate

Collins Avenue

CoLours TV

cosmic pictures

Creative Chaos Inc.

Creative Convergence

DASH Networks

DatsEntertainment

De Line Pictures

Digital Alchemy Entertainment Inc.

Disney Channel

diverse talent group

Dragonfly Film and TV

E'lan Productions

Echelon Studios

Echo Lake Productions

Echo Production Company, Inc

Edmonds Entertainment

Edward Saxon Productions

Electric Entertainment

Elkins Entertainment

Ellman Entertainment

Enchanted Rock Pictures/MTS Entertainment

Endemol USA

Endgame Entertainment

Ensemble Entertainment

Entertainment Studios, Inc

Epic Level Entertainment

Epiphany Pictures

Espiritus Productions

Evatopia

Eventime Productions

Evolution Entertainment

Eyeworks Belgium NV

Fauci Productions, Inc.

Faultline Films ltd

Film 44

Film Garden Entertainment

Firehorse Pictures

Fireworks Enterprises

Fisher Entertainment Group

Forward Entertainment, llc

Fox Broadcasting

Fox Interactive Media

Fox International Channels

Fox Searchlight Pictures

FOX Sports

Fox Television Studios

Frontlot Productions

FX Network

Generate

Goliath

Grand Productions Inc

GRB Entertainment

Greene & Associates Talent Agency

Greenspan Kohan Mgt.

Handmade Films

Harper Winslow Productions

HBO

HDNet

Here Media

Homerun Entertainment

Honest Engine Films

Hope Enterprises, Inc.

Ideas Unlimited - TV (Denmark)

Idiomatic Entertainment

IKA Collective

Imbroglio Pictures Inc. / Scott & Cooper Entertainment Ventures

Innovative Artists

insomnia media group

Inspire Films and Television

International Creative Management

Intuitive Entertainment

IWV Media Group, Inc.

Jackamo Television Ltd

Jane Street Entertainment

Jeff Ross Entertainment

Jupiter Entertainment

Just SInger Entertainment

Kaplan-Stahler Agency

Ken Ehrlich Productions

Kickstart Productions, Inc.

Kingfish Productions

klasky csupo, inc.

KoldCast TV

Komixx Entertainment

Konigsberg Company

Kritzer Levine Wilkins Griffin Entertainment

Laika Entertainment

Legion Entertainment LLC

Lionsgate

Lionsgate Television

Little Dog Productions

LITTLE STUDIO FILMS

Litton TV

Lucky 8 TV

M Creative Group, Inc.

Madeline Films

Madhouse Entertainment

Madison Road Entertainment

Magical Elves

Magnet Management

Magnolia Entertainment

Mandeville Films Inc

Mandt Bros. Productions

Mango Tree Films

Manville Media

Mark Yellen Productions

Mashaal Media Corp.

Mass Hysteria Entertainment

Matrixx Prod.

Mayhem Pictures

Media 8 Entertainment

MGM

Michael Berk Productions

Michael Grais Prods.

Michael Levy Enterprises

Microsoft Corporation

Moniker Entertainment

Moxie Pictures

MPH Entertainment, Inc.

Mpower Pictures

Mt. Vernon Entertainment

myriad pictures

National Geographic Digital Media

National Lampoon/ Comedy Cocktail

NBC/Universal | Mun2

Neon Television

Network Entertainment Inc.

New Wave Entertainment

Noble Savages

Nu Image

Nu Image / Millennium Films

Nu Image/Millennium Films

Oceanside Entertainment

Ocular Production Inc.

One Entertainment

PalmStar Entertainment

Panic Productions, Inc.

Paradigm Agency

Paramount Digital Entertainment

Paramount Network

Paul Schiff Productions

Paulist Productions

Phoenix Pictures

Pie Town productions

Planet Grande Pictures

Planet Pictures

Playboy Entertainment Group

Plymouth Rock Entertainment, Inc.

Pogo Pictures

Popular Arts Entertainment

Porchlight Entertainment

Port Magee Pictures, Inc.

PorterGeller Entertainment

POW! Entertainment

preferred artists

Principal Entertainment

Principato Young

Principato-Young Entertainment

PrizmHead Pictures

Rain Management Group

Rainstorm Entertainment

RDF USA

RDS FILM

Red Baron Films

Reel Entertainment

Reid Media Group, Inc.

Revelations Entertainment

Reyes Entertainment

Right Brain Media

ROAR

Rob Gallagher Literary Management

ROBBINS ENTERTAINMENT GROUP

Rudolph Films Inc

S.L Entertainment

SB Productions Inc.

Scream Films (UK Based)

Shatner Universe

ShineReveille International

ShootersTV

Sidney Kimmel Entertainment

Sigh Griffin Management

Slate of Eight Productions

Smash Media

Smoke and Mirrors Creative / Pandemonium Films

Solar Films Inc

Sony Pictures

Sony Pictures International TV

Sony Pictures Television

Sony Pictures Television International

Sony Pictures TV

Sony Television

SPEED Channel

Sports Branded Media

Starz

Starz Media

State Street Pictures

Station3

Storytime Films

Stowaway Films

Telecast productions

Tell Tale Productions

test

The Corsa Agency

THE GERLER AGENCY

The Gersh Agency

The Gersh Agency, L.A.

THE MAK COMPANY

The Sterling/Winters Production Studios

The Televisionaries

The Terminal

The Wolper Organization

The Wolper Organization / WBTV

Thousand Hills Productions

ThunderBall Films, LLC

Touchdown Television

Trevino Enterprises

Trilogy Entertainment Group

TV Guide Network

Twentieth Century Fox Television

Twentieth Television

Underground Films

Underground Films and Management

Union Entertainment

United Talent Agency

Universal Studios

UTA

Valencia Corp

Venture IAB

ViacomCBS

VPR Media

Walt Disney Company

Walt Disney Studios

Walt Disney Studios Motion Picture Production

Washington Square Films

Wayans Brothers Prod.

Weller/Grossman Productions

Wide Angle Productions Group, Inc.

Wildbrain Entertainment

William Morris Endeavor

Wolf Moon Films

Zero gravity

Zero Gravity Management

Zilo Networks Inc.,

Zucker Productions

#six of crows #shadow and bone #campaign

[tagomago]

The Symptoms is an American animated sitcom created by Matt Groening for the Fox Broadcasting Company.[1][2][3] The series is a satirical depiction of American life, epitomized by the Symptom family, which consists of Homo, March, Fart, Litre, and Maggie.

[trkstrnd]

IF ANYONE NEEDS IT

this link seems to be working for any non-US viewers/peso pls without cable!

i hope you guys are able to watch LS with us!

#911 lone star #911 lone star stream #911ls #911ls season 4 #season 4 #lone star

[psalm22-6]

So I think I have my answer as to why the 1935 film was seen by so many Americans over the years and that is basically because 20th Century Fox made a deal with a company called the National Telefilm Associates, Inc. so that 79 20th Century Fox films could be broadcast on 22 different stations. [Source]

#les miserables #lm 1935