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#gaang learning about it from zuko? sure
ljesaw · 1 month
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it’s with depression that i fear i have to say, i think for a long time (too long really), zuko doesn’t reach out to his uncle during his retirement in ba sing se, not even for the much needed guidance he could use, because he considers it part of the exhaustive list of reparations the fire nation (and he himself) owes
#zuko: he deserves peace too that’s what this is all for#and you zuko? your peace? (he doesn’t know the meaning of the word in relation to himself)#i’m sure iroh reaches out often. lots of letters#but for one zuko’s swamped and pushing himself past his own limits with his responsibilities besides#and for two he’s just as guilty about his treatment of his uncle as his treatment of the gaang if not probably moreso really#it is of course horribly misguided and i expect iroh would eventually show up on his doorstep like you IDIOT boy of mine—!#but until then. zuko is in fact being a self sacrificing and self hating idiot#i also think this is largely true to his character because he has no idea how to uphold normal and healthy relationships#obvi particularly familial#and zuko always deals in extremes when it comes to everything he does#so rather than outright cruelty and insults….he swings in the opposite direction and overcompensates….#by shutting iroh out completely#and justifying it as ‘he deserves peace and i do not’#which is completely incorrect of course on all levels#but he’s still learning and his development arc doesn’t end at the finale of book 3#ebb and flow. like water one might even say teehee#idk if this is canon to the comics i’m not super familiar with them except for a few plot points and quotes#it just breaks my heart that zuko still doesn’t understand that it is harmful to withhold himself from people who care about him#than it is to supposedly protect them from knowing him and being close to him#he makes me so emo hes so emo i love him so much
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wilcze-kudly · 6 months
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The Gaang being 'bad parents' didn't ruin their characters.
I've seen this argument tossed around a couple times and it's honestly one of my least favourite criticisms of lok.
Katara (and Sokka but we have no confirmed kids for him, which seems unrealistic with how much game he had) lost their mother as children and their father was forced to abandon them when they were barely starting their teens. They were raised by their grandmother with little to no peers of their own age.
Aang did not know his parents and a huge chunk of his childhood was him being groomed into taking up the mantle of the avatar and mastering airbending. He also was isolated from other kids his age. His closest parental figure was Gyatso who was more of a teacher than a father. Also the Air Nomads were literally wiped out so that adds to the trauma pile.
I really don't think i have to talk about Zuko's family life here, but at least he had relatively positive parental figures in the form of Ursa (though i do have a burning personal dislike of ursa) and Iroh. Despite this his struggle around the subject of his family and his trauma relating to his upbringing was a focal point of his character arc.
Toph was raised in isolation by her asshole abelist parents who did not listen to her, sent people to capture and bring her back and then disowned her. (If my cursory understanding of 'the rift' is correct, I need to actually read it because i am unreasonably obsessed with the Beifong family.)
Where, pray tell, were they supposed to learn proper parenting skills? On their brief stint as child soldiers? While fighting a war as literal children?
There is the argument that they must've matured later in their lives, of course. But you can only recover so much from copious amounts of childhood trauma.
Being a bad parent doesn't necessarily make you a bad person. Sure it makes you a failure in an incredibly delicate and important aspect of human life but it doesn't make you a bad person. And saying that it does takes a lot of nuance out of the conversation.
Like, do you know how easy it is to fuck up a child?
Especially that the ways the members of the Gaang 'fucked up' as parents feel mostly in character.
Bumi was going to face some struggles with self worth due to being the firstborn child of the Avatar and arguably one of the most powerful waterbenders in history, while being a nonbender himself. That much was unavoidable, no matter how his parents approached the issue.
And Aang was obviously going to be over the moon when Tenzin was born. Think about it. He's literally the last of his people. He has no one else 'like him'. No one else to pass down the traditions, the teachings that Gyatso and everyone else he cared about and who were horrifically murdered to. Aang is getting older and he feels like his culture and history and his entire life before he got trapped in that damned iceberg will die along with him. And then Tenzin is born and Tenzin can take up the mantle that had been thrust upon Aang.
I'm going to withhold my judgement on Izumi and Zuko, since we barely know anything about them. She seems well adjusted but that's all i can say right now. But Zuko has also been shown to be extremely, painfully aware of how fucked up his family is and has clearly been putting in a lot of work to unscrew what his ancestors have screwed up.
Toph situation feels very tragic to me,because it's obvious that she thought she thought she was doing better than her parents. She gave her daughters the freedom to do what they want, to not feel opressed and trapped like she had. How was she supposed to know that she was making her girls feel like she didn't love them? (Here's another post of mine about the Beifong family and how they just feel like they're cursed or something at this point.)
TLDR; I get annoyed by people saying that the Gaang being 'bad parents' ruined their characters, because to me it felt like it actually enhanced them.
Neither Aang nor Toph acted out of malice or a lack of love. On the contrary, Toph was trying not to repeat her parents mistakes, accidentally committing a bunch of her own. While Aang probably didn't even realise that he was neglecting Kya and Bumi.
But just loving your children doesn't always make you a good parent.
I think these flaws only add to them as characters. It makes them feel more real.
It's unrealistic and, frankly, just plain boring to go 'oh the Gaang were all good people so they would be good parents too.'
The Gaang were a gaggle of traumatised children forced into saving the world, because the adults around them failed them, that then grew into traumatised adults who have no idea how to be good parents.
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ivonhart · 1 month
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I’m rewatching ATLA (not the live action) and was starting to think about my next long story
it would be a zuko x fem lavabending!reader
the reader would be the daughter of a high ranking firebender and a colony earthbender
right now i’m not sure which parent should be which but they were gonna have a little love story and stuff which ends with the reader
the reader’s earthbending parent will be a secret and the reader would not be allowed to bend when she’s with her firebending parent to ensure she stays safe
blah blah stuff happens and around the time zuko gets banished she and her family would be made and yada yada
I want to make the reader a lavabender because it’s a mix of both fire and earth (would eventually learn more stuff from toph — they gonna be like sisters 🗣️)
the reader will have gone with zuko and iroh after he gets banished and stays with them till ba sing se (after zuko betrays them she will go with the gaang)
I’m not sure what type of personality she should have but I’m leaning towards something that would be like iroh — calm, collected and stuff
I’m not sure if or when I’ll start this story cuz I’m just spitballing rn
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the-badger-mole · 3 months
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Aang was a kid who was the sole survivor of a genocide. Why doesn't that factor in your opinion of him?
I've talked about this before, but his age and tragic backstory are irrelevant. ALL of the main characters are children with tragic backstories, and they are more empathetic, have more growth, and their tragic backstories...actually matter.
Listen, for all people whine about how often Katara talks about her mom (which isn't really that often), it's clear how her mother's death shaped her as a character. It's clear how witnessing her mother's death formed her worldview, and Kya sacrificing herself for Katara made a mark (she never turns her back on people who need her? COME ON! That is obviously her trying to save people the way she couldn't save her mother). Even her wanting to learn how to fight and not heal (which is an insane battle advantage, btw) speaks to her trauma around not being able to defend her mom.
Even Sokka's trauma around the loss of his father and not being deemed old enough (big enough/ strong enough/ smart enough) to go with Hakoda and the other warriors come through in his recurring need to prove himself (coming up with the big battle plan for DoBS, breaking his father out of prison, learning swordplay, etc.). It's woven so neatly into the narrative. His trauma matters to his story.
Toph is the least developed of the Gaang, and her issues with her parents have more impact on character than the destruction of the Air Nomads have on Aang. Heck, Zuko's entire arc hinges on compound traumas.
Meanwhile, Aang's trauma....? What trauma? Yes, the loss of the Air Nomads is a tragedy, but we, the audience, only know it's a tragedy because we have real world knowledge telling us so. Personally, I was in 3rd or 4th grade when I began learning about the Trail of Tears, and in kindergarten when I began learning about slavery (I was born in Harlem. The kindergarten I went to taught us accordingly). When I saw ATLA, I had a frame of reference for the genocide of the Air Nomads. But it didn't really seem to bother Aang all that much. Oh, sure, it did come up when it was convenient to the plot, but it mostly seemed to be a way for Aang to expound on the superiority of Air Nomad philosophy and society to whoever he's talking to. Aside from that, and his first rush of feeling when he found out what happened to them, the loss of the Air Nomads doesn't seem to effect Aang all that much. If he doesn't care about his tragic loss, why should I?
Aang is a fictional character. I don't have to extend the same pathos to him that I would to a real life person. It is the writers' duty to make me feel for him, and they did not. The way he's framed is the issue. And here is where I really start retreading things I've said before, but I think it needs to be repeated (again and again and again). Aang is not framed as someone who has a lot of growing up and learning to do. I could give him a pass on his worst traits because he's a child and still growing, but the show doesn't frame him that way. The show wants me to see him as a precocious imp who's wise-beyond-his-years but still has a cheeky lil' mischievous streak. It's not trying to frame his lying to the quarreling tribes in The Great Divide as a bump in his journey to becoming an effective leader bridging different people together. It wants the audience to laugh at him getting one over on the foolish tribes who absolutely went back to fighting as soon as Appa was out of sight. The show isn't framing his desperation to get the village in Avatar Day to like him as a foolish pursuit he needs to get over if he wants to be strong in the face of adversity. It wants us, the audience, to feel bad for him because his charm isn't immediately bringing the people over to his side. It wants us to be indignant that the villagers don't see how important Aang is and wont' support him. The show isn't framing Aang's non-con kisses with Katara as bad because it hurt her. It isn't making a point to that Aang needs to care about her feelings. It wants the audience to feel bad for Aang and hope for Katara to come around because he's A Nice Guy™️©️®️. Aang is never shown to be a particularly good friend to any of the Gaang, let alone him being kind to strangers just because that's his heart. All of that I would allow to be just him being a dumb kid with growing to do if the show hadn't made it clear that Aang was perfect and didn't have to change, and in fact the world should change for him.
Aang's age and tragic backstory are irrelevant because the show made them irrelevant. All they left us with was a Gary Stu character who hides his selfishness under a thin veneer of cheerfulness. It's not good enough.
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sapphic-agent · 8 days
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Why & How Katara is the Strongest Waterbender
The ATLA fandom is funny. Because if there's one member of the Gaang whose skills are continuously doubted, it's Katara's.
No one hesitates in saying that Toph is the strongest Earthbender in the world. Aang has always been maintained as a natural prodigy. Sokka's strategic intelligence and cleverness are never in question. Most people are positive that Zuko would have beaten Azula if she hadn't targeted Katara and hail him as a swords master.
But for some reason, it's always Katara whose proficiency is either called into question or severely downplayed.
Some are skeptical about the legitimacy of her becoming a master in a short time. Others are certain that her victories are due to plot manipulation. Both of these arguments that ATLA is a kids' show which pushed it into giving her the win.
(Funny how ATLA is the greatest piece of media ever read until it comes to anything pertaining Katara's character lmao)
So I wanted to take a minute to talk about the progression of her waterbending skills and how she became Master Katara.
Pre North Pole
The first time we really see Katara practice waterbending is in The Waterbending Scroll when she decides to show Aang her limited very skill set. She noticeably has a difficult time with her bending, whereas he seems to pick it up rather quickly.
As we know, Katara has never met another waterbender before. She has no idea what their bending is supposed to look or feel like. And that's reflected in the moves she shows Aang.
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I want to draw attention to Katara's stance here. She's stiff, even a little awkward. She's standing where more like an Earthbender. We see this repeated when she's practicing the Water Whip.
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Even later when she does perform the Water Whip correctly, there are still traces of this.
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You know how Iroh learned to redirect lightning watching Waterbenders? Well, my assumption (at this point I'm 80% sure it's meant to canon) is that Katara learned most of her bending by watching Aang and the Earthbenders they met around the world.
It makes sense, right? They would have been the closest thing to Waterbenders she could have learned from. She even asked Aang to teach her in the first episode. So the start of her bending began with incorporating the forms of Air and Earth.
And we see the results of that in her fight with Pakku.
Fighting Pakku
Katara's fight with Pakku is a great demonstration of his visually. He's a master, so he's already proficient at "push and pull." Katara is not. She's done it before, but it's not her go-to style when she's fighting. And we can see it in this fight.
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Again, her stance is firm. She either blocks his attacks or bats them away. She doesn't reinforce and redirect them like he does hers. She isn't fighting like a Waterbender, she's fighting like an Earthbender.
Not to say this is a bad thing. Pakku himself even admits that she's good even though they both know she can't beat him.
Why am I bringing this up? Because one thing about Katara that's overlooked is her adaptability. When she didn't have a waterbending teacher, she made do with observing Earthbenders. She picked up Pakku's teachings even better than Aang had. And going forward from here it really begins to shine in her bending.
She completely dominates Pakku's other students and Zuko (twice). Why? What makes her so special compared to men who have been training their whole lives?
Because water is the element of change. By being so proficient in adapting (not just in her bending, but openly embracing different things and experiences and people), Katara unknowingly embraced the mentality of her element.
(It's actually a funny twist of fate because you could make the point that the North held its other Waterbenders back by being so bound to and unflinching in their traditions. It would explain why none of Pakku's students even stood a chance against her)
If you think about it, you could draw parallel to Yue explaining the history of Waterbending to Katara to the Sun Warriors explaining fire as an element to Zuko. In both cases, you can see that they're able to see and understand their element in a new light. Although it's more of a realization moment for Katara as she already knew about pushing and pulling and it's more of a lesson for Zuko who was taught something completely different.
Katara vs Azula (Round 1)
You know how I said people attribute her wins due to plot manipulation because ATLA is a kids' show? Well it seems like Katara vs Azula is the scene they focus on the most for that.
But let's be real, this isn't a fluke. The show purposely draws attention to Katara prowess and skills during this fight.
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Azula is someone who's always in control. She's someone who goes into fights with full confidence. But she is completely thrown off by Katara's abilities here.
And this is something that persists throughout the entire fight. Katara completely overpowers her. At no point during the fight did Azula have the upper hand against her.
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And remember, this is Azula's fight. She's the one who imprisoned Katara and Zuko. She's the one who attacked Katara and Aang to begin with. Sure, she was probably counting on her manipulation of Zuko working and him backing her, but there was no guarantee that he would be able to get away from Aang long enough to help her.
And right after this, Aang really struggles against Azula. He doesn't own the fight nearly as well as Katara does.
So, we know it isn't a fluke. The creators intentionally made Katara outclass Azula here. She's canonically the superior bender between the two of them. And that's not a small feat by any means. Azula at this time is one of the best Firebenders alive, probably fourth (after Ozai, Iroh, and Jeong Jeong (she could possibly be above Jeong Jeong)).
So what was the reason for this? Why was Katara able to outclass Azula so effortlessly?
Well here's where Katara's mastery of the meaning of her element comes into play again. She understands and excels in the concept behind water. Always changing, always adapting. She embraces water to its fullest capabilities (which also includes incorporating other elements into it; water would actually be the best element to do this with). The entire fight, she's switching stances and forms and keeping Azula on the evade. Whatever Azula throws back is dealt with without an issue.
And as we know, Azula (and most Firebenders) misunderstand fire as an element. She uses it solely as a destructive force, but it's also energy, life, and passion. This is also part of the reason Zuko lost so easily in the Northern Water Tribe; he also had the same issue. Katara's proficiency in water as not just a weapon, but an element, gave her the advantage over Azula she needed.
Katara vs Hama
A debate that comes up a lot is who's the better bender between Katara and Amon. To that I have always said Amon was taught Bloodbending, Katara just did it.
Let me reiterate: NO ONE TAUGHT KATARA BLOODBENDING. Hama explained the concept to her, yes, but never actually taught her. In fact, she did not expect her to pick it up without guidance. In her own words, "You should've learned the technique before you turned against me."
This was a technique that took Hama decades to learn. Tarrlok and Noatak were trained relentlessly. And Katara just... Did it. No guidance and no build up. This supports that Katara's adaptability and versatility in her bending is unmatched. She's able to comprehend and perform advance concepts with no training or teaching.
Now that we got that out of the way, this fight is so comprable to Katara vs Pakku. This is the second time she's fought a master and we can see how much she's improved. So much so that she doesn't even struggle against Hama.
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At this point, she's mastered "push and pull." She's able to take everything Hama throws at her and send it right back with little to no effort.
But she takes it a step further.
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Instead of redirecting, Katara completely stops Hama's onslaught. This undoubtedly is something she picked up from Earthbenders. It certainly isn't a Waterbending technique, yet somehow she made it into an effective move.
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Look at Hama's face. She's completely thrown off by this. This was not something she ever expected out of any Waterbender. She was completely unprepared for Katara to be able to outmatch and overpower her.
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Katara completely surpassed her, solidified by using the technique she invented against her.
I was going to talk about Katara and Azula's second fight, but there isn't much to add there. I already compared the difference in their skills talking about the first fight, and the Agni Kai is an escalation of that. The outcome of the Agni Kai was already decided and confirmed in the catacombs.
And that my friends is how and why Katara is the best Waterbender in the world
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Can I ask your top 10 fav fics ever (from any fandom, if you don't mind)?
Also, just curious, is there a story behind your name "that-nerd-who-writes-fanfiction "?
Top 10 fics, in no particular order, (these are all complete, in English and most have just a touch of angst. Also there’s no smut, it’s just not something I enjoy reading)
things lost in the fire by earlgreylover98
ALTA fic In which Zuko isn't sure Ozai knows which side of his face he burnt off and it sends him spiraling, the gaang finds out about his scar. It's a super great one shot, 5,067 words
Drinking Buddies and Diaries by dove_dove
Good Omens fic where Muriel reads Aziraphel’s diaries and Crowley finds out some stuff about his angel. 31,115 words
The death song of arthur pendragon by hanyuism
Merlin fic, Orpheus and Eurydice but make it Merthur, the angst is amazing, 6,827 words
Two Feasts and a Bard by emerillon
Merlin fic, pure Mercelot fluff, completely destroyed me, I’ve reread this an unhealthy amount of times. 2,785 words
Possessed by Emrys by ooh_look_the_void
Merlin and Gaius tell Arthur that Emrys is a magical entity who possesses people to interact with the mortal realm so Merlin can use magic. It gets a bit out of control when Merlin isn’t the only one getting possessed by Emrys. 10/10 fic had me wheezing. 14,759 words. (You do need an account to read it but well worth it)
Kilgharrah Moves to Camelot by ticketyboo00
In which Kilgharrah learns to actually be a decent person, gets therapy and is surprisingly a good brother figure to Merlin. 55,918 words
i know why the birds sing your name by ironfamjam
Arthur is banished from Camelot, Merlin follows him, together they unite Albion and find a family along the way. It’s really cute, Merthur and background Gwencelot. I can’t remember if there were a few mild smut scenes but they were skipable I think. 113,376 words.
Merlin in disguise by Theroundbartable
5 Times Merlin disguised himself. And 1 time he stops hiding, Gwaine being Gwaine, Arthur being smitten, Merthur. 21,576 words.
For Want of a Nail by 0hHeyThereBigBadWolf
Fleeing from Essetir in the bloody beginnings of the Purge, Hunith finds herself on the doorstep of Leon’s family (Hunnith’s old friends) so Leon and Merlin are raised as brothers. Also needs an account to read, but one of my all time favourite fics 234,831 words
the cute guy next door (might be a villain) by Alesyira
Mha fic Shinsou is an underground, undercover pro hero trying to find a lead on a case that may or may not involve the socially awkward guy living next door, (Midoriya) Misunderstandings ensue
And shit that’s 10. I have so many more so let me know if you want any others. I’ve got a few Yuri on Ice fics, a lot more mha and toh, one or two Sasaki to Miyano, Seraph of the end and Sherlock fics. I’m still getting into Song of Achilles fics, but there’s a few of them and a few crossovers too.
And for my name, there’s a kinda long story behind it, but the short version is my grandad used to call me Nerdy or clever or anything like that, he always said being smart and working hard to be smart was the best thing a person could do and I really looked up to him as everything I wanted to be when I grew up. Then when I came online in lockdown during Covid, it was just a whim that stuck to go by Nerd, or ThatNerd on Ao3 but the user was taken so I added bits till I found something available. After he died, it became more sentimental but generally it was just a lockdown thing that stuck.
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thunderandsage · 2 months
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netflix avatar ep. 2 thoughts (spoilers!)
overall:
the framing: plot-wise focuses on the kyoshi warriors episode but philosophically there is soo much going on here
the clumsy exposition is gone! i repeat, the clumsy exposition is gone!!
I am struggling to find ANYTHING bad to say about this episode. genuinely enjoyed myself and at times forgot i should be reviewing. 9/10
details:
zuko and iroh intro was so good—the dialogue was a lot more natural here and lots of characterization going on
yesss katara having both save-the-world and the ambition to become a better waterbender as motives! the actress is still a little lukewarm with tone but its getting better
MOMO
a grave for gyatso and aang holding back tears—jesus this kid can ACT
zuko and iroh comedy duo yesss
SUKI MY LOVE
ok the exposition is getting better—suki’s mother explaining the kyoshi island’s isolation is very naturalistic, makes sense in-context and sets up good contrasts of philosophies
sokka and suki awkward interactions as they should be in their full turtleduck glory
okay but aang and katara splashing each other is so cute! they’re just kids! they’re each the last of their kind with a burden to keep tradition going but they’re just kids!
okay but suki questioning the ways of her village’s life contrasted with her pride as a kyoshi warrior is an incredible addition to her character
SUKI AND SOKKA FIGHTING AS FLIRTING and yet they’re still both such losers 😭 (affectionate)
aang’s struggle over how to keep control of his powers… hmm i sense future conflict
sokka copying the training through the doors and then being invited in leading to romantic tension with a fight/dance… they’re such big dorks (lovingly)
at this point its getting hard to draw up points because im getting so immersed
the taking-off-the-makeup for a heart-to-heart is such a classic and i love it, a little heavy handed with the romance but at the worst its just sweet
KYOSHI!!! and they’re very accurate with her utilitarian philosophy which makes excellent contrast to Aang
commander zhao appealing to the island’s isolationism to get what he wants and the setup is so smooth!!! ok and is that suki’s mom indirectly saying that aang isn’t an outsider? and the wink and the fight—
“how many have already been hurt because you haven’t been there” kyoshi you’re supposed to be an earthbender where did this burn come from???? damn???
HOLY SHIT the framing of the attack of the waterbenders as ANOTHER GENOCIDE my mind is entering the avatar state
the focus on non-benders vs benders has made this fight really good and we see sokka using moves he learned from suki! battle couple!!!!
ok i thought it was a little dumb at first but katara’s flashback to her mother’s death makes her hesitancy actually kind of work
KYOSHI IN BATTLE KYOSHI IN BATTLE KYOSHI IN BATTLE
ok but aang making sure to bow back is such a small but precious detail
im not usually a fan of romances but that sokka and suki kiss was sweet
the gaang bantering on appa
“somehow the avatar has returned” (so sorry i just had to do that ONCE)
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oneatlatime · 3 months
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Any predictions for season 3, or are you planning to dive straight in?
You're not the first person who's mentioned s3 predictions, so I'll give it a shot, but I'm really not sure if I have anything to use to make predictions. S2 ended in a very final, end of arc kind of way. Lots of things have been tied up. I don't even know where they're all flying off to. Back to the Southern Water Tribe, since the Earth Kingdom's a bit of a bust? The Fire Nation's out of the question, the Northern Water Tribe probably has mixed feelings about seeing them again, maybe the Eastern Air Temple? Although even that might not be safe, since Aang's travel plans to said temple to meet the Guru were known by various Earth Kingdom generals. And that stupid King.
I think the Fire Nation contingent are going back to the Fire Nation, and I am looking forward to a Zuko with eyes at least somewhat open interacting with FN citizens/nobles/military etc. who are still completely drinking the kool aid. I think it's going to suck for Zuko. Should make for good TV though. Lots of conversations where both people are saying entirely different things while thinking they're talking about the same thing.
I said it before, but I'm worried for Iroh. He's for sure arrested, but is he going to be executed? Obviously I don't want that, but unless Iroh still has enormous popular support, and the Firelord's grasp on power is incredibly shaky, I don't see how permanently eliminating a traitor (from a FN perspective) can be avoided. Then again. Kids' show.
As for the Gaang? In broad strokes, Aang still needs to learn firebending to fully Avatar himself, then he needs to defeat the Fire Lord (who is quite the homebody apparently - seriously, where is this guy?). So next season Aang will shake off his lightning hangover, find a firebending teacher, defeat the firelord. He'll probably have to commute to the Fire Nation to find the Fire Lord first. No idea what he'll do in between those things. Perhaps inadvisable shenanigans? That would be in character. His biggest story arc all series has been learning to accept his status as Avatar, but between his talks with the Guru and opening his last Chakra in the finale, I think he's done it. So all that's left is the main plot and goofiness.
Katara has the same problem she had going into S2 - she's mastered waterbending, so she needs a new conflict/arc. S2 answered this demand by... having her hang around? What did Katara do this season? Bend a bunch, set up camps, tear down camps, wreck Jet, support Aang, be nice to Toph that one time, yell at people. I hope she gets something meatier in S3. I still think she should meet some good FN citizens that challenge her morals.
Sokka was also kind of just there this season, although if I'm being mean I'll say that he was also kind of just there for S1 too, which is why it doesn't feel as odd as Katara's lack of purpose. I loved his stuff with Suki. Suki is officially the glow up of the season. I loved their interactions together, and I love the growth she poked him into doing. I'd like to see more of that. So less a prediction and more of a hope: S3 Sokka develops the ability to rely on/trust others (or maybe realises others can be relied upon/trusted is more accurate), hopefully with Suki somehow involved. And I loved his dad too. I want to see more of that guy, but since a cardinal rule of kids' stories is getting rid of the authority figures asap, it won't happen.
Toph. Honestly I'm stumped. She already broke the universe. Where can she go from there? Unless she's going to devolve into an antagonist, which I absolutely don't want, I don't see how she can top her S2 plot. And Aang's got earthbending down, so I guess she'll be like Katara was this season: tagging along. Not that I'm complaining; I love me some Toph in any form. We have seen that she wants to make peace with her parents, sort of, probably? Or at least give them another shot? But I kind of don't want her within 100 miles of her parents. So I don't know.
Appa & Momo will hopefully be tagalongs in S3 too. I learned my lesson this season about wanting the animals to have character arcs.
I guess the antagonist in S3 will be the Fire Lord, finally. Who else is left? Zhao tried, he died. Azula tried, she won. Unless S3 has an Azula rematch. But would she want that? She's already proven that she won. She can go home and enjoy the spoils of her victory (which may or may not include Zuko - I'm kind of unclear on exactly how much agency Zuko is going to have in the FN, especially since I'm not actually sure that he has permission to be there as a free man - didn't the arrest warrant Azula was executing in episode 1 list both Zuko and Iroh?)
There's nothing left for the Gaang in Ba Sing Se, so I doubt they'll go back there. Frankly it's the FN characters who have roots there. I wonder what will happen to Iroh's tea shop? I wonder if his investors will find out who he is? I wonder if money talks louder than national loyalty? (It's the Earth Kingdom - the answer is yes) Wouldn't it be funny if Iroh busted out of imprisonment and went right back to serving tea? And everyone sent to find him would be thinking "this is the famed tactician the Dragon of the West - he's probably travelling the FN plotting a coup as we speak. That devilish mind of his must have safe houses set up all over the nation." When actually he's right back where he got caught, doing exactly what he was doing when he got caught, to great and not-very-quiet acclaim?
I think S3 might have an overall darker tone too, within the bounds of a kids' show. I don't know what place Ba Sing Se occupied in the mind of the average person in the Avatar universe (although refugees seemed to revere it), but the city's fall to the FN represents a very big FN victory. The Gaang will probably be the most underdoglike in S3. S1 was mostly stalemate, then a big FN defeat. S2 was opened with the FN taking Omashu and closed with them taking Ba Sing Se. The FN have never been in a better position, and I bet the NWT is safe from further invasion only until the FN have built their fleet back up. So even the few free areas could have an expiry date on their freedom.
This is rapidly devolving into rambles, so I'll conclude by saying I have no clue what's going to happen next season, and that's exciting.
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drpoisonoaky · 4 months
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Are they really your friends if they haven’t threatened your partner? Yes they are, but where’s the fun in that.
This is the Gaang threatening Azula for “Katara’s sake”.
— Sokka
Sokka: Katara out!
Katara, raising an eyebrow: Excuse me?
Sokka: Can you please get out so I can speak with Azula?
Katara: Whatever you want to say to her I’m sure I can be in here.
Sokka: No. And don’t ask.
Katara:
Sokka: Pretty please?
Azula: I’m honestly intrigued.
Katara: Ugh. Fine.
Sokka: Thanks sister. Luv ya.
*Katara out of the picture*
Sokka: Listen up snooty princess. *Put his boomerang on the table*. I’m here to talk about how I will punish you if you hurt my sister in any kind of way.
Azula: Sure, I’m all ears.
Sokka: Wait what?
Azula: But I must advise you I experienced a lot of forms of torture already. Father used to say “It’s war Azula, they will do this to you if you’re weak and they catch you. It’s for you own good”
Azula: So what do you have in mind? Father favored the traditional practices of the Earth Nation.
Sokka: I- Damn. Spirits.
Azula: Look I never would hurt your sister on purpose. Ever. You have my word and honor.
Sokka: I’m going to hug you. So be ready. Here I go.
Azula: This is certainly a technique that my father didn’t use.
Sokka: NOW.
— Suki
Suki: Let’s talk.
Azula: Last time I checked you weren’t my friend in the kyoshi warriors. Did something happen to Ty lee?
Suki: I want to talk to you as Katara’s friend.
Azula: Ugh.
Suki: Listen asshole If you consider for a fraction of sec-
Azula: I am not going to hurt her on purpose. I’m a bitch. I know. I’m mean. Believe I know. But-
Azula: Wait why am I explaining anything to you?
Suki: Because I’m going to kill you if you don’t treat her as she deserves?
Azula: She’d do it first, don’t you think?
Suki: ..Well yeah, but it’s mandatory. They give Sokka the warning talk when we started dating.
Azula: They give it to Sokka and not you?
Suki: In Katara’s words “You could do way better than him so we’re going to remind him that”
— Toph
Toph: Princess purple platypus.
Azula: Living creature who doesn’t know what a bath is.
Toph: I’m here to give you a talk captain firebitch.
Azula: About how you are going to murder me if I lost my mind again and hurt my girlfriend on purpose?
Toph: Yeah I guess.
Azula: Message received.
Toph: Good. Another thing.
Azula: What?
Toph: Is it true that you know several torture techniques from the Earth Kingdom?
Azula: *sighs* He cannot shut up. Yes.
Toph: Good so start to talk princess snooty-pants. I want details.
— Zuko
Azula: Is your turn in that madness that they’re doing?
Zuko: Has everyone talked to you?
Azula: I think the avatar didn’t but I’m not sure. But I don’t think he knows how to threat someone.
Zuko: Who knows. So can you help me to figure out how to distribute all of the income from-
Azula: Thank Agni. No talk from you?
Zuko: Of course not. If you hurt her she will beat the shit out of you. Well, maybe you will have an awesome battle like I would pick popcorn and watch. So no, I’ve started learning when I don’t need to talk.
Azula: Oh I wasn’t expecting that. Good job Zuzu.
Zuko: So can you help me?
Azula: Gladly.
— Aang
Aang: Hey Azula. Mind if I sit here?
Azula: Do as you please Avatar.
Aang: Oh thanks.
Aang: By the way I came here to say you something.
Azula: So I was right you were the one left-
Aang: Listen Azula I’m only going to say this once. *Avatar State on* Hurt Katara in any kind of way and I will forget everything I know about peace. I’ll bring Kyoshi and let her do whatever she wants. Your past will look like a fairy tale compared to what will happen to you. Understood?
Azula, pale as a piece of paper: Sure.
Aang: It was nice to see you. Let’s grab some tea someday. Bye!
Azula:
Azula: Who would have thought that the air monk which I already kill once would be the most sadistic. My respects Avatar.
— Katara
Katara: I assume they give you the talk, right?
Azula: You have assumed correctly.
Katara: Poor thing.
Azula: I know you don’t feel bad for me, quit the show.
Katara: Don’t be such a baby. Now I need to know, who was the weakest?
Azula: Your brother by far. He spent more time trying to hug me than threatening me.
Katara: No surprised. Who was the “scariest”?
Azula: The Avatar. But don’t you dare to tell a soul.
Katara: Aang? The pacifist monk? Aang who cries if he eats a piece of meat?
Azula: Yes sweetie, that one.
Katara: *barely holding her laughter*
Azula: One more laugh and I’m done with you.
Katara: No you don’t.
Azula: I hate you.
Katara: I hate you too babe.
Toph, from afar: WHIPPED.
— Ty lee & Mai
Azula: Did you give Katara the talk
Ty lee: What talk?
Mai: I don’t think we need to tell her where the babies come from.
Azula: The one of If Katara hurt me you will hurt her etc.
Mai: No?
Ty lee: Why would we ever do that? We like Katara. She’s way nicer than you.
Mai: Being honest she could do better than you.
Azula: And I’m betrayed once aga-
Azula: Oh no. I’m the Sokka. Somebody kill me.
Mai: I think she lost it. Again.
Ty lee: Suki could also do better than Sokka.
Azula: I’m a sinner in the eyes of the fire nation. SOMEBODY KILL ME.
Ty lee: NO YOU ARE NOT ANYMORE NOW IT’S LEGAL.
Mai: Ugh. She’s so dramatic.
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kataraslove · 10 months
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I was just told a few days ago that they love momtara becauses it tragic that she has to do all the workd for people until of couse Zuko comes along to help out making it less tragic and that logic made zero sense. katara is not cinderella im not sure why her so called fans want her to be cinderella.. or a damsel in distress until zuko comes along its not very pro katara to me it feels the exact opposite.
there’s this really great thread made by my friend @rukihimehive on kataangthinker on twitter debunking momtara with evidence from the series. i highly suggest giving that a read if you’re as tired of the fandom adultifying katara as i am.
I’ve seen momtara enthusiasts say that anyone who is critical of the fandom trope is “taking away her maternal nature, which is associated with her trauma of having lost her mother from a young age.” in other words, “if you don’t support fandom’s insistence that katara is the gaang’s literal mother figure and interpret all her interactions with the gaang as motherly, you’re erasing her trauma.”
which is so ridiculous to me. in the episode the runaway, katara herself dislikes the label of motherly. she takes personal offence over the idea that the gaang would view her as their mother instead of their peer, and demands to know if it’s true that her behaviour comes across as too motherly, especially because “motherly” is associated with negative connotations such as “bossy,” and “overbearing.”
I’ve seen people state that the gaang’s treatment towards katara is unhealthy, that katara is forced to do all the emotional work and emotional labour and none of the gaang ever supports her in anything. which just isn’t even remotely true.
episodes like the desert - in which the gaang are under extenuating circumstances that forces katara to step up and take care of them - are the exception, not the standard. in bitter work, katara explains to toph on how they divide the chores amongst themselves. katara takes personal issue (and for good reason) when toph only wants to do her share.
there’s multiple episodes in which the gaang help pitch the tent and perform campsite duties. there’s a whole episode dedicated to how katara and sokka are both sick, resulting in aang having to run across the world to retrieve them medicine. there’s an entire episode dedicated to how the gaang cannot get anything done without sokka, who usually manages their schedules and itineraries and helps ensure that they’re on track. there’s plenty of moments in which aang and katara are goofing off, and sokka gets mad at them for not sticking to his carefully curated and meticulous schedule and for putting a wedge in their plans to save communities (see: imprisoned and the painted lady). there’s moments when toph assumes responsibility; there’s moments when aang assumes responsibility. and then there’s moments when none of them have any clue on what to do, when they literally act like children navigating a world that’s constantly trying to kill them.
and what about in katara-centric episodes? what about in the episodes dedicated to developing her character? surely the selfish gaang couldn’t possibly support and understand her goals and desires?
1. imprisoned - sokka and aang aide in katara’s plan to immediately get captured and free haru. aang takes her side when katara suggests to free the prisoners. aang and sokka aide katara in freeing the imprisoned earthbenders.
2. the waterbending master - aang rejects learning from a sexist because pakku refuses to teach katara. aang agrees to train katara everything he learns in the middle of the night. aang and sokka cheer katara on as she goes head-to-head with master pakku.
3. the puppetmaster - the gaang allows katara the opportunity to learn waterbending from hama, a southern water tribe bender, until they discover what hama’s been doing all along. sokka and aang rush to confront hama and to protect katara. later, they provide katara comfort after she breakdowns over learning how to bloodbend.
4. the painted lady - aang calls katara a secret hero for helping people in need, even though katara lied to the gaang and pretended that appa was sick. he later helps katara destroy the factory, and then aides in her plan to confront the fire nation soldiers as the painted lady.
sokka defends his sister’s actions:
“Maybe she is a waterbender, but she was just trying to help you. Because of her, that factory won't be polluting your river, and the army is gone. You should be down on your knees thanking her!”
the southern raiders - this episode is so misconstrued by fandom that every reading of it has become so far detached by canon. no, sokka and aang were not demonizing katara for believing that revenge was the suitable option for her (we find out in the episode that it wasn’t). yes, katara wanted far more than just confrontation (she said it herself - maybe revenge was what he deserved). no, aang was not demonizing katara for stating that her words reminded him of jet’s, who had died a noble death and who katara had personally mourned for. no, jet is not a terrorist and/or a psychopath - he was a child indoctrinated by propaganda and motivated by the death of his parents at the hands of the fire nation. aang and sokka do not interfere in katara’s decision to pursue the man who killed her mother, even if they felt that katara might end up killing that man. no, if katara had killed that man, aang and sokka would not shut her out or ignore her or make her feel subhuman. aang himself had several instances in which he would have taken several lives (sandbenders) if katara hadn’t stopped him. that’s why he says, “I’m proud of you,” because katara arrived at that moral decision on her own, without the influence of external sources (reminder that in the desert, katara had to physically stop aang). at the end of the episode, katara discusses with aang that forgiveness was not the approach she would take towards yon rha, but it was the approach that she would take towards zuko, who had earned her forgiveness.
in each of the above katara-centric episodes (with the sole exception of tsr, which I had described in great detail) the gaang understands katara’s goals and desires and helps her accomplish them, and protects and defends her. to me, that does not come across as a dynamic in which katara is overwhelmingly at risk and treated like absolute dirt. it’s actually quite telling on the quality of a fictional ship (or lack thereof) when fans must demonize katara’s friends and family in order to prop up her fanon love interest.
and when her fanon love interest DOES join the group, nothing… really changes in terms of the dynamics. he serves them tea occasionally? he tells sokka to get out of a bison’s mouth? katara still performs the cooking duties. katara still asks if zuko’s okay and makes sure that he’s included in group activities. the gaang turn to zuko because he is sufficient at hunting down aang, but they all formulate a plan for the comet together. one throwaway line informing someone to get out of the bison’s mouth and him being a strict teacher towards aang does not make him a dad. especially when none of the gaang truly see him as a dad and would probably die of laughing before even considering him as such.
that’s not to even mention the point of zuko’s arc when joining the gaang is not for him to assume an authority, paternal role over a group of kids younger than him (but around his age). it’s for him to finally realize that he belongs to a group of children as traumatized as him, to a family for once in his life. so why should fandom enforce him into a pseudo dad role that isn’t even canon nor would his character even want?
going back to katara, at her core katara is a young, fourteen year old child who has been forced to assume a motherly role to compensate for the loss of her mother. episodes like the runaway delve into how this trauma has forced her to grow up and act older than her age, but at the end of the day, she is still a child and does not wants to be viewed by her peers as some form of motherly figure. which is why it’s so important that characters like aang and toph remind her that she still is a kid, like them.
dark-skinned female characters like katara suffer from the phenomenon of adultification and hypersexualization in fandom spaces. their characters are treated as pseudo mother figures, irregardless of what the narrative could or could not outline for the audience. momtara is a problematic trope because it erases the nuanced dynamics in katara’s relationship with her friends and family, assuming that all interactions with the gaang are of her being their mother. and that canonically, that’s all katara can be towards them. especially in the interest of a ship.
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peanutbutterwrites · 28 days
Text
My Good Looking Boy - Part Two
warnings for series: angst, struggles with self worth and self esteem, issues with appearance, childhood trauma, and mentions of death and murder.
summary: taking place after the southern raiders, zuko and katara finally learn to understand each other a bit more and long held on to feelings come to the surface. the gaang go and watch the ember island play and chaos ensues with katara's feelings.
part one - part two - part three
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authors note: in part two here we're gonna start to explore katara's insecurities and how they have an effect on her. i tried to bring some uncle iroh wisdom because i believe there are a lot of lessons that iroh taught zuko that he maybe just didn't recognize later and this chapter has one of them. as always, let me know what you think and if there are any errors feel free to bring them up. enjoy!
word count: 1.9k
Not too much later, Katara and Zuko brought the now clean clothing and blankets back to camp with limited finds for meals today. The group was finally all awake with Toph and Aang working on earthbending exercises and Suki and Sokka chatting as Sokka sharpened his boomerang. 
“You’re back! I missed you this morning.” Suki said fondly, wrapping Katara in a warm embrace. 
“Yeah, you have housework to do?” Sokka joked making Toph snort as she gave a brief wave and good morning to Katara and Zuko. With a roll of her eyes Katara snapped,
“You think that’s all I’m good for? Don’t take me for granted or precious prince Zuko is gonna have to start doing everything, and trust me, you don't want that.” Zuko frowned, slightly embarrassed, but said nothing as he passed out the clothing to their rightful owners. 
“Hey, maybe I didn’t know how to do laundry this morning, but I do now.” he mumbled, retreating into himself, but he didn’t snap back at her. Placing the basket down, Katara felt guilt pool in her gut and it made her feel sickly.
“I’m sorry, yes, thank you for your help Zuko.” He perked up, and a small smile made its way onto his face. Katara felt herself easing up and had a smile to match. 
“So, I wanted to bring up that there’s a play in town nearby!” Sokka announced, getting everyone’s attention. “Maybe we could take a break from saving the world one of these days and watch it. It's about us you know.” He announced, wiggling his eyebrows. The group looked mostly enthused at the idea, but Toph took her turn to speak.
“That's all fine and dandy snoozles, but those plays tend to be way too long and I don’t feel like trekking all the way back here at midnight or having to find a new campsite.” The group seemed to actually agree with Toph on this one, especially the early risers not wanting to be out late and sacrifice precious hours of sleep. 
“Oh come on guys, one night won’t kill ya.” 
“Actually,” Zuko interjected quietly, “I might have a solution”. 
His brilliant idea is how the group decided to pack everything they had on Appa and make their way to the royal family’s vacation home with Zuko’s guidance. Apparently, Zuko was aware of the small town they were near and it just so happened to be extra close to the abandoned royal family’s vacation home. It has been unused for quite some time now, so he was sure they wouldn’t be found or bothered. The breeze on Appa helped alleviate the summer heat and Katara actually found herself closing her eyes and relaxing again. That is, until a flying pair of pants found their way to her torso.
“What the-” “I need you to sew them.” Sokka said, point blank rubbing his boomerang between his fingers. Katara felt herself grind her teeth in frustration, but quickly reeled herself back in and breathed deep while she reached for her sewing kit. 
“Sure, Sokka. No worries.” Speaking the latter under her breath with a roll of her eyes. Shifting the fabric around in her hand, she found the guilty hole and got to work. And while the breeze was still refreshing and the thought of an actual bed enticed her, the frustration never completely left. From across the bison, Zuko eyed her with concern. He knew she was frustrated, it was simply palpable when she was. Fighting an internal war with himself to offer his help again, he found himself shutting his mouth seeing her furrowed brow and focused expression. He would only frustrate her more, he decided. The saddle was quiet until Toph began with her questioning. She had practically interrogated him before asking about the home itself. 
“So sparky, how come you didn’t tell us about this beautiful abandoned home earlier? You tryin to make us sleep on rocks for forever?” 
“Uh no,” he stuttered, “I just honestly didn’t think about it until Sokka mentioned that town. I watched many plays at the theater growing up. With my mom I mean.” At the mention of his mother, the saddle fell quiet again. “But you guys will love it I’m sure. There’s enough space for us all to have our own rooms and a courtyard for bending practice. I’m sure the kitchen still works great too.” Everyone lightened up a bit after that and the group fell into friendly chatter. 
“Hey Zuko!” Aang's voice rang from the front of Appa. “Is that it?” And everyone peeked over the saddle to make out a large, traditional fire national style home at the very top of a mountain on the island. 
“Yeah, it is.” A nostalgic smile found its way to his face, and Katara paused her sewing long enough to admire it. Landing was calm enough, and Katara threw Sokka’s finished pants right back at him causing him to sputter and fumble for the fabric. Working together, Appa was unloaded and the group rushed inside to pick rooms. The first thing Katara noticed was how big the home was, and then how red. The walls, ceilings and floors were all red with ornate gold accents, though she knew the palace must be ten times what this was. Rooms were plentiful and so were their size, so she was in no rush seizing one like the others. Venturing upstairs, she walked to the end of the hallway until a room caught her eye. Strolling in, it was nothing special. Like all the other rooms it was red and very large, but a balcony at the opposite end of the room stole her attention. Walking out, she gripped the railing as a breeze ran through her. From this balcony, almost the entirety of the island and most of the sea could be seen. The water stretched on and on until the horizon kissed its now calm edge and the island was lush and green. Turning her head to the right, she was surprised to see Zuko hanging out of the only other balcony. He looked peaceful, far more serene than his normal awkward, brooding self. And she found herself staring at him more than the scenery, that unfamiliar fluttering feeling returning to her gut. Then his head turned, and she found the fluttering doubling in intensity and the heat of the sun growing uncomfortably hot. But he simply smiled back at her and she got to see a hint of the golden twinkle in his eyes once again before he retreated back into his chosen room. 
The group watched in legitimate horror. This play was horrible. Filled with fallacies at best and harmful lies at worst, their story couldn’t have been depicted in a more inaccurate way. Everyone was either arguing in outrage or grumbling in a mopey silence the entire way back to the vacation house, with Toph’s boisterous laughter the only exception; and Katara couldn’t even blame them. Angered at the way she was portrayed was on the forefront of her mind for the past couple of hours. Is that really how people see me? Some hope obsessed fangirl?! She stomped her feet even harder, pushing herself to get to the vacation home quicker. Her thoughts and doubts were slowly getting to her, was she really that useless? All the housekeeping and motivational speeches, did that make her weak? She was spiraling and tears were forcing their way out of her eyes despite her desperation to hold them back. No, she would not be seen crying. 
“Good night!” She called out as soon as she reached the house, most of the others too busy still arguing to notice. She couldn’t hold the tears back as she raced up the stairs and slammed the door to her chosen bedroom, allowing herself to collapse onto the floor in a heap. Folding her legs under she ripped off the golden bangles and rings, a foolish attempt to at least look somewhat presentable, and ripped the half top knot from her head. Tears were pouring down her face and sobs and hiccups made her break down quite loud, once again she was grateful for the privacy this room offered her knowing a campsite would be far less forgiving. She was so busy breaking down that the creak of the old wooden door was the only thing alarming her to another's presence. “Just go away, I’m fine!” she roared. The intruder paused, hesitant, but after a beat the door simply shut quietly and soft footsteps made their way to her before strong arms wrapped themselves around her. She assumed Aang would be the one to follow her, but this person was larger and the hug warmer. She tensed up at the initial contact, but quickly melted into the embrace as the smell of cumin, sandalwood, and smoke engulfed her senses. 
“Shh, it's okay.” came Zuko’s raspy voice as he gently rocked her in his arms and she sobbed into his robes. The back and forth rocking calmed her, and the warmth finally made her feel at home, safe. When was the last time in all of this that she actually felt safe? She couldn’t remember. This went on until no tears came out and the hiccuping had come to a minimum. Resting his chin on her head, he spoke again very softly, “Do you want to talk about it?”. He felt the rustle of her shaking her head into his chest and he sighed. “You know, I always felt like I was kind of useless.” He began, and Katara stilled. She let out a forced sort of chuckle and croaked out, 
“You’re a prince, how could you feel useless?” 
“My life wasn’t always so royal Katara. I was the oldest, it was my responsibility to learn how to lead, to rule. But I was always left behind. I couldn’t firebend as well as my little sister, I could never make my own father happy, spirits, I couldn’t even make friends. I have felt like a total failure my whole life. And yet, when I took time to think about things, about what my purpose actually is and where I belong, I find that I succeed a lot more now. Maybe sometimes, we feel like we’re failing simply because we’re in the wrong place. Maybe, if we look at things from a different perspective and reconsider where we stand, we can find the spirits are letting us fail to learn. To learn where we truly belong and are needed.” The crying had stopped, only leaving the occasional sniffle. “I am not needed in the fire nation, not now. That’s why I always find disappointment and failure there. But here, here Aang needs me. It's my purpose to teach him firebending and now, maybe you need me so I can teach you. Just like my uncle taught me, that really, no one is useless, they’re just in the wrong place.” Zuko finally looked down and found himself staring into two round, gemlike eyes. 
“How did you know?” she mumbled, barely a whisper. 
“When we see others going through feelings we’ve already experienced, it’s very easy to spot.” She leaned into his arms a little more, and he tilted his head to rest his unscared cheek softly on her head. 
“Thank you.”
“Of course, Katara. You can always talk to me.”
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starfinss · 5 months
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We're sharing zuko thoughts?? Bc I have platonic zuko thoughts??
* you were a skilled fighter who worked for zuko in season one. Zuko was, the worst (tm) but as he warmed up to the crew he warmed up to you. He was impressed by your skills, it started w asking how you learned and the you started talking regularly
* you were funny! Once, ONCE zuko even laughed at your joke! He never allowed himself to do that before. He didn't admit it, but you were a rare light spot in his days aside from Iroh
* you got injured badly once during a fight w the gaang, and Zuko helped you back to the ship himself, making sure to check up on you later. He blamed himself for your injury. While he thinks you're asleep, he talks to you about his past.
* then, he gets banished. He expects you to go back to the fire nation, work for another admiral, your skills could take you places, but you don't. You insist you're coming with him. He fights, he yells, he tries to tell you he doesn't even like you, when that doesn't work he says you get caught eventually.
* "I'm not leaving you, zuko."
* Zuko.exe has stopped working.
* Why do you care about him? Why do you care about him enough to leave your whole country behind?
* he tries to be cold to you in the hopes that you'll leave, you'll be safer without the traitor to the fire nation alongside you. But you stick around.
* and by the time You, Zuko, and Iron make it to Ba Sing Se, it's worth it. You and Zuko go on walks and grocery trips and laugh together, and Zuko almost feels like he could do this for a lifetime
These are so sweet!!! Thank you for sending these to me. Made my day a little brighter. :)
I don’t have much to add, my brain is alphabet soup, but I do have this.
Zuko telling you about things that bother him, because you make him feel safe.
Making you a cup of tea just because, and Iroh criticizing his technique the entire time.
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sokkastyles · 8 months
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What do you think it's the in-universe explanation for them portraying Zuko and Katara as a couple on that Ember Islands play? I mean I think they wanted to show Aaang as a child who couldn't get a a girl and Zuko as traitor for liking a watertribe girl but also is kinda funny to imagine that people who met the gaang don't think of Katara and Aang as a couple and assumed there was something going on between Zuko and Katara (like that bounty hunt lady thought)
My own personal headcanon is that Azula knew something went on between Zuko and Katara in the caves. She was the one who imprisoned them together and she realizes that Zuko must have learned from Katara about the spirit water. She might even have guessed that Katara offered to heal him with it. She also saw Katara tell Zuko she "thought he had changed," and she and Katara shared a glare over Zuko's head at the beginning of "The Southern Raoders" when Katara saves him.
After Zuko's deflection, especially since he tells Ozai when he leaves that he knows Aang is still alive, it would not be that hard for Azula, and perhaps Ozai, and perhaps others, to put two and two together to create a narrative.
And, of course, since this is a narrative meant to show Zuko in a negative light, they might assume that Zuko is a faithless fool who betrayed his family and country for some foreign seductress who he had a tryst with in the caves. It's not surprising that the FN would twist the real connection between Zuko and Katara this way, especially after Zuko leaves and reveals that he knew about the spirit water. Why else would they want to believe their prince betrayed them, left the greatest country in the world? Especially since Aang is portrayed in the play as so impotent. Surely Zuko must have deflected for a girl and not out of any real belief in ideals that would question the narrative of Fire Nation supremacy.
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redrikki · 2 months
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Avatar-Fic Masterpost
Gather Up Every Wayward Lock - The girls do their hair, now with 100% more character development. (Katara, Azula, Toph)
Seven Stories of Uncles and Nephews - Zuko couldn’t ask for a better father than his uncle and Iroh loves the boy like a second son.  7 very short stories written for Irko Week 2009. (Zuko, Iroh)
The Last Cheese Bender - It was amazing just how much of Air Nomad cuisine had survived, but none of the other nations ate cheese. Aang was going to change that. (Aang, the Gaang)
Playing With Fire (The Dubiously Consensual Remix) - People didn’t tell Azula no. (Azula/Ty Lee)
The Thing With Wings -  Aang had a son.  He would teach him airbending and never be alone again. (Aang, Bumi II)
Chips and Blocks - Lin called Toph ‘Chif’ for years before some well-meaning busybody taught her to say 'Mom’ instead.  Toph isn’t sure what kind of mom she is, but she knows which kind she doesn’t want to be. (Toph, Lin)
Half a Phoenix (The Out of the Past and Into the Future Remix) - Everyone has a lesson to teach.  Ozai and his granddaughter learn a lot from each other. (Ozai, Zuko, Zuko’s daughter)
Conversations on the Road to Splitsville - Tenzin and Lin were never going to work, it just took him a long time to realize that. (Lin/Tenzin, Pema/Tenzin)
Sweep, Stir, Sew - When your daughter is the Avatar, motherhood is an exercise in letting go. (Senna/Tonraq, Korra)
Ten-Thousand Words (Which Wont See The Light of Day) - A series of short stories about the ladies of the Legend of Korra. (Asami, Pema, Ikki, Lin, Ginger, Senna, Katara)
People Skills - Bolin’s not too smart but he’s good with people and he’s okay with that. (Bolin)
Element of Freedom - Opal knows what she wants, she just needs to be convinced to go for it. (Opal, Korra)
Girl, Gotten (The Heroine After Remix) - As long as Asami’s the hero, Korra’s okay being the love interest. (Korra/Asami)
Leaves on the Wind - What comes next? Two short stories about the next Avatar. (Korra, Asami, OCs)
Crossovers
Tales of Albuquerque - A car bombing in San Francisco lands Marshall Mary Shannon in a whole lot of hot tea or Zuko and Iroh hide out from the Flame Triad in witness protection. AtLA/In Plain Sight (Zuko, Iroh, Mary Shannon)
The Start of a Long Summer - Azula steps through a wardrobe to find a kidnapping faun and a wintry kingdom ripe for regime change. AtLA/Chronicles of Narnia (Azula, Tumnus)
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fanfic-lover-girl · 6 months
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Zutara Thoughts
First, I want to thank the Zutara fandom for their participation in my poll! I knew the fandom was active and huge but I never realized how much. Definitely the best fandom I have ever been a part of :).
Anyway, I want to talk about an aspect of Zutara that I struggled with when I was younger and sometimes still do. I HATED how Katara treated Zuko when he joined the group. I hated how nasty her character became. I hated her. I could not stand her. Back then, I liked Katara of course. Maybe I liked Azula a tad more because I subconsciously saw Katara as just a lame love interest in the grand scheme of things. I find love interest characters usually not worth my time. And I was in an Azula angst phase. Zuko is my favourite character. Always was and always will be. Even though I appreciate her more now, Katara will never outshine Zuko. So I hated her.
And it affected the types of Zutara stories I read. I read the type of stories where Katara nearly murdered him. Tortured him. Starved him. Injured him. Basically where she was an outright menacing bitch to Zuko. The kinds of fics where Toph and Aang, and sometimes Sokka and Hakoda, had to play referee to prevent things from turning ugly.
Or I would read the fics where Katara's anger and hatred were resolved by the 'gaang learns about the scar' plot. Or the 'Zuko is Roku's grandkid' plot. Anything to cleanly resolve the tension. Because I did not care about Katara's anger. I just hated that she was treating my baby Zuko badly.
But both these types of stories do Katara a huge disservice. Sure, Katara teased Zuko and showed no appreciation when he helped her. But she would not let him fall to his death after the Zuko vs Azula fight at the air temple (read a fic where Katara did that, pretty sure it was discontinued). Sure, Katara has compassion for people. But people's sob stories should not automatically make their hurtful actions forgiven. It invalidates her suffering.
Part of me still thinks that she had no right to be angry on a rare occasion. Zuko never promised her anything in the catacombs. They were basically still enemies. They were down there for a while, but they could not be called anything resembling friends. So how could Zuko betray her? There was hardly a relationship to betray...
I think about how she would have left him to die in the tundra at the North Pole without a backwards glance if not for Aang. Without Aang stepping in, Zuko would be dead. Stiff, stone dead. And I doubt she would have shed a tear. I don't see Zuko holding that against her. And I honestly would have liked some kind of apology for her threatening to kill him. It's a miracle Zuko was able to function so well with that threat looming over him.
I struggle with that part sometimes because I love Zuko a lot. But I love Zutara and the beauty of the ship. How it compliments the story of ATLA and how it makes both Zuko and Katara better characters. The development of Zutara is part of what makes it special for me. All of the peaks and valleys. It's a shame it's not canon. But considering Bryke are completely blind to the treasure the ship holds, it's better off far away from those hack clowns.
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the-chaotic-christian · 2 months
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Disclaimer; these are just my opinions. I'm not looking to start a fight.
I'm getting concerned about Katara's character in Netflix's show.
In almost every trailer, advertisement, interview-at least the ones I've seen-they've been really trying to drive home the point that she's a warrior. Which she is; there's no disputing that. By the second half of the first season she's a force to be reckoned with.
But that's not what I think of when I think about her.
It's not her defining character trait. Her main goal isn't to become a warrior; at least, she doesn't want to be a warrior just because. It happens out of necessity, because she has talents and abilities that are huge assets when fighting.
But at her core, she's a caretaker. She's a girl who sacrificed her dreams and own desires for people who needed her at the age of eleven.
Having her openly pursue and argue with Sokka over the whole 'warrior' business almost seems to discount that. It adds a touch of immaturity and naivety to her character that just feels shallow. Katara has always understood sacrifice; what it means to give up your own wants for another's-she does this all the time.
It's one of the things I find most admirable about her character.
From episode one it's established that she's the person that makes sure everyone has everything together; she's not, primarily, a fighter. She can fight-and she does-but she's more than that. Katara holds the gaang together, both physically-cooking, repairing clothes, making sure everyone's healthy-and emotionally-calming Aang out of the Avatar State, encouraging Sokka, attempting, albeit unsuccessfully and overbearingly, to curb Toph's reckless antics. Even in season 3, when Zuko shows up, her mistrust and dislike of him is because she's trying to protect everyone else.
When I think of Katara, the first word I think of is 'motherly'. I don't want Netflix to box her into the Marvel-girlboss-power stereotype, scrubbing her of any depth and femininity in the name of making her a warrior. Being motherly doesn't make her weak; being the one who cooks, cleans, and makes sure people are, i don't know, sleeping, doesn't make her weak.
It makes her incredibly strong.
She's a warrior, but that's not her first characteristic. She's one of the few people in the series who truly understands how consequential their actions are. She understands that sacrifices need to be made; she's seen them made first hand. Katara's motherliness is an outward sign of the way that she sacrifices for others; she gives them her time, her energy, and her love. That's different than how her brother sacrifices, how Aang sacrifices, how everyone else in the series sacrifices; but that's okay.
I don't want Katara to be just a warrior. I don't want her arc to be purely about 'fighting sexism' or whatever. She's deeper than that. I'm sick of these copy-and-past boss girls hollywood keeps churning out. A;tla is full of so many complex female characters, they don't need to be changed to be 'strong' or something along those lines.
The greatest thing about Katara is that she was a strong female character before she had the ability to throw grown men across the battlefield; and her arc in the first season was so much more about her growing into her abilities than all oh 'woe is me, a female in a patriarchal society!' and I love that. She didn't just complain; she changed the status quo and proved that the Northerners were just plain wrong.
Her magic abilities aren't what make her strong; her ability to fight isn't what makes her strong; her proving that women can and will fight if necessary isn't what makes her strong;
Her passion, hope, love, motherliness, compassion, desire to impact the world in a positive way, and arc about learning to let go and forgive are the things that make her strong.
C'mon Netflix, don't scrub that for some Marvel copy-and-past.
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