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2023 - Covering up fascist propaganda in Gateshead, UK. [video]
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ajadedlens · 1 month
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𝙀𝙢𝙗𝙧𝙖𝙘𝙞𝙣𝙜 𝙩𝙝𝙚 𝙖𝙧𝙩𝙞𝙨𝙩𝙞𝙘 𝙖𝙡𝙡𝙪𝙧𝙚 𝙤𝙛 𝙉𝙚𝙬𝙘𝙖𝙨𝙩𝙡𝙚’𝙨 𝙧𝙞𝙫𝙚𝙧𝙨𝙞𝙙𝙚, 𝙬𝙝𝙚𝙧𝙚 𝙚𝙫𝙚𝙧𝙮 𝙨𝙩𝙚𝙥 𝙩𝙚𝙡𝙡𝙨 𝙖 𝙨𝙩𝙤𝙧𝙮 𝙞𝙣 𝙩𝙞𝙢𝙚𝙡𝙚𝙨𝙨 𝙢𝙤𝙣𝙤𝙘𝙝𝙧𝙤𝙢𝙚. 📷✨🚶‍♂️🎨
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yhrite · 1 year
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Pretty thick fog out this afternoon
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zou-san · 7 months
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Sage Gateshead, England
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totallyhussein-blog · 6 months
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Michael Rakowitz exhibition takes the North East by storm
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'The Waiting Gardens of the North' is centred around a relief panel from the North Palace of Ashurbanipal (668–631 BCE) in Nineveh depicting the Assyrian gardens, believed to have preceded what is now known as the Hanging Gardens of Babylon.
Reader's will also be interested to know, 'The Waiting Gardens of the North' has been created by Iraqi-American artist Michael Rakowitz and has been commissioned by Baltic Arts in partnership with the Imperial War Museums 14-18 NOW Legacy Fund.
The Baltic Centre is open Wednesday-Sunday 10am-6pm. It's situated on the Quayside in Gateshead, a 10-15 minute walk from Gateshead Town Centre. Baltic is accessible for pedestrians from the Newcastle Quayside over the Gateshead Millennium Bridge.
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longlistshort · 1 year
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For Hew Locke’s exhibition, Listening to the Land, at P.P.O.W. he has created intricate sculptures and paintings that are fascinating in person.
From the press release-
Locke is known for exploring the languages of colonial and post-colonial power, and the symbols through which different cultures assume and assert identity. Furthering the themes explored in his celebrated commission The Procession at Tate Britain, and his concurrent installation Gilt on the façade of The Metropolitan Museum of Art, this exhibit engages with contemporary and historical inequities while reflecting on the landscape and history of the Caribbean. The exhibition draws its title from a poem by Guyanese political activist and poet Martin Carter which situates itself between two opposing forces of the landscape – sea and forest. Locke’s show features new sculptures and wall works with recurring motifs of stilt-houses, boats, memento mori, and share certificates referencing tensions between the land, the sea, and economic power. Reflecting on these links, Locke notes, “The land was created to generate money for colonial power, now the sea wants it back.”
Translating to ‘land of many waters,’ Guyana and its physical, economic, and political landscape serve as one of the primary sources for Locke’s work. Having spent his childhood in this newly independent nation, the artist witnessed first-hand an era of radical transformation. Now, the country teeters on the precipice of an oil boom and is one of the world’s fastest growing economies. Juxtaposing personal meditations on the climate crisis with political commentary on the history of a globalized world, Locke contemplates the ways in which colonies were exploited to accumulate capital, and observes how Guyana’s economic future lies in the exploitation of its waters. Locke’s new boat sculptures The Relic and The Survivor embody this broad worldview as the two battered wrecks drift through time and history. Evoking the fragmented and diverse legacies of the global diaspora, the boats’ patchwork sails are interspersed with photo transfers of 19th Century cane cutters and banana boat loaders, while their decks are loaded with cargo that could allude to colonial plunder, trade goods or personal belongings.
Based on an abandoned plantation house, Locke’s newest sculpture Jumbie House 2 features layered images that unveil the spirits that haunt this colonial vestige. Presented alongside are a series of painted photographs of dilapidated vernacular architecture across Georgetown and rural Guyana. Constantly under threat of being washed away by storms or rising sea levels, these crumbling structures echo anxieties surrounding climate change and historical erasure. A new series of mixed media wall works, Raw Materials, is derived from antique share certificates and bonds. Locke richly decorates the appliques with acrylic, beads, and patchwork to draw attention to the complex ways in which the past shapes the present. The image of an 1898 Chinese Imperial Gold Loan behind painted Congolese figures connects the global economy at the height of Empire to current Sino-African trade networks. In another work, a painted representation of a Nigerian Ife mask, alongside an image of David Livingstone, is layered on a French-African Mortgage Bond from 1923, connecting exploration and exploitation of African land, to current conversations surrounding the repatriation of artifacts. Taken together, the works in Locke’s Listening to the Land echo William Faulkner’s adage “The past is never dead. It’s not even past.”
This exhibition closes 4/1/23.
The Procession, mentioned above, can now be seen at Baltic Centre for Contemporary Art, in Gateshead, England until June 11th, 2023.
Gilt, also mentioned above, is on view at The Metropolitan Museum of Art until May 30th, 2023.
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weshallc · 1 year
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Happy 25th Birthday Angel of the North
Gateshead
Sir Antony Gormley
“Men worked beneath the surface in the dark. Now, in the light, there is a celebration of this industry.”
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supertrainstationh · 1 year
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Snowbound Tramway
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Snowbound Tramway by Terry Pinnegar Via Flickr:
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Gateshead 🌇 #gateshead #tyneandwear #northeastengland #rivertyne #tyneside #dji #djiphotography #djimini2 #aerialphotography #photographer #photography #sunset #landscape #northeastcaptures #snaphappylassesnortheast (at Gateshead) https://www.instagram.com/p/Cp2-_uZog7I/?igshid=NGJjMDIxMWI=
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eriksownphotography · 2 years
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Memory from my trip to Newcastle in February 2018. Can’t believe it was over 4 years ago. #newcastle #quayside #quay #qauysidenewcastle #newcastleupontyne #tyne #sun #february #feb #feb2018 #bridge #river #rivertyne #gateshead #sky #riverphotography #photo (at Quayside, Newcastle upon Tyne) https://www.instagram.com/p/CjKt9MHu5_J/?igshid=NGJjMDIxMWI=
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faradaysketches · 2 years
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Bridges. Newcastle/Gateshead. March 2022
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azeene · 1 year
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Can’t really say what was catching my eye on these! Ha 👀🤭 - but I was all smiles this day! 😹 it was a good day! 🥹 - - - 📸 by @bri.focals / Tee by @homage_tees - - #brifocals #sailormoon #sailormoon1994 #homage #homagetees #payhomage #bytheriverbrewco #bytheriver #quayside #ne1 #newcastle #gateshead #tshirtlife #anime #japan #japaneseanime #kawaii #kawaiiaesthetic #aesthetic (at By The River Brew Co) https://www.instagram.com/p/ClcLR10r3RK/?igshid=NGJjMDIxMWI=
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yhrite · 4 months
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Dreary day made for a pretty cool mood to capture as I was walking back from work
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zou-san · 7 months
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Gateshead, England
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amazing-bridges · 2 years
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Photo from: Beautiful Bridges All Over the World
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icfootballnews · 3 months
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OFFICIAL Chelsea announcement made - big man is delighted to have sealed January move!
Young Chelsea stopper Eddie Beach has revealed that he is delighted to have joined Gateshead on loan for the season. As reported in the summer, CHELSEA had a plan to keep Beach in and around the senior squad for the first part of the season and would then re-evaluate his options in the January transfer window. With the form of Djordje Petrovic since Robert Sanchez picked up a knee injury, it has…
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