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#getting attention for being gnc
jojotichakorn · 10 months
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cis people shut up about trans gnc people challenge
level: (apparently) impossible
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z0mbiefrank · 1 year
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i love kristoph so much but youd never guess because my headcanons about him are all like . he's a conservative. he's a respectability politics-loving hypocrite (it's okay for him to be gay and gnc but not anybody else). he hates klavier's music and is constantly making jibes at him about how it's just noise. he's extremely snobby about classical music. he snaps his fingers to get service workers' attention. he has two main emotions: passive-aggression and active-aggression. he's all the negative things that people seem to think edgeworth is. he's faking being french+italian in the same way that klavier fakes being german, just slightly more subtle about it (which isnt hard). he doesnt wear socks with his loafers. he's a truly intolerable man. just rotten to the core. i love him.
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fandomsandfeminism · 2 years
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Every time I sit down to read about queer history, I'm always struck by how deeply sexuality and gender and gender expression used to be interwoven. (And for many of us still are.)
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These days, I see people arguing that straight cis drag queens and GNC folks aren't "actually lgbt+" (one of the limits of using lgbt+ rather than queer), and acting like trans/nonbinary/genderqueer folks are a wholly separate group than lesbian/gay/bi/etc folks. People, lgbt+ people, talking bad about xenogenders and neopronouns because they are too weird, just for attention, giving us all a bad name, etc.
But this separation between gender, sexuality, and presentation is *new*
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Looking back at history, especially within US and Western Europe, and either you were a heterosexual man/woman who presented accordingly, or you *werent.* That was the divide. If you transgressed on any 1 of those things- you were transgressing on ALL of them.
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Being gay/bi inherently called your gender into question. Being gender nonconforming immediately reflected upon your sexuality. There wasn't a divide between these concepts. They were one and the same. You were *normal* or you were queer. And of course, not all gay/bi/lesbian folks were crossdressing (how else did one stay in the closet?) , and not all people in gender nonconforming clothing had a sexual interest in the same sex. But these ideas were constantly melding together. To be a man was to be straight and dress "like a man." To be a woman was to be straight and "dress like a woman." They defined each other.
In much of the country, you could be arrested if you weren't wearing at least 3 pieces of "correctly gendered" clothing. That's the rule that got a lot of folks arrested in gay bars- regardless of sex or gender. Even after same sex dancing was technically legalized, crossdressing would get you beaten and arrested by the cops. Cops would "inspect" bar patrons to ensure they were dressed in the "correct" clothes when raids occurred.
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And that's not to say that the community was ever fully free of assimilationist/exclusionist factions. There have always been groups, generally of cis/gender-confirming gay, lesbian, and bisexuals who argued in favor of respectability and fitting in and showing a willingness to leave the crossdressers and drag queens and butches behind if it meant they could keep their white collar jobs. If it meant social tolerance and safety for *them.*
But we should be able to recognize that the heart and soul of queer Liberation is in unity and embracing the weird, not shunning it. That we are strongest when we stand together.
I don't think it's WRONG for us today to distinguish gender, sexuality, and presentation as different aspects of identity. But I think we should be very very careful to not let that nuance lead to exclusionary or over-compartmentalized thinking about queer issues.
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strozzaprete · 3 months
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when the instagram algorithm leads me to "POV: the pick me girl" videos there is always some woman with "natural" makeup wearing a hoodie who plays the part of some tomboy who puts other women down for being feminine and pretends to like stereotypically masculine things like gaming to get male attention. and it's always so obvious that they were the ones who would bully their classmates for being gnc
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slaket-and-sprash · 1 year
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Ya'll I am fucking tired of conservative homophobes and transphobes acting like the Mario movie is some marvel of "anti-wokeness" or whatever even though there's been LGBT charecters in Mario such as Birdo and Vivian being both trans women and in superstar saga Luigi is heavily implied to have a crush with Prince Peasly.
Also like all the LGBT rep in Zelda, Fire Emblem, Pokemon and Xenoblade? Litterally Animal Crossing has a canon Drag Queen, Litterally the creator of Metroid Said that Samus Aran was a trans woman? (To be Honest though it was in the context of a transphobic joke but still) there's even a creature in Pikmin that changes it's sex and Olimar actively denounces transphobia? You can have the option to dress Mario and Link in drag in both their recent mainline games, they removed gender from Splatoon, Pokemon and Animal Crossing instead calling it "style". Kirby Star Allies has a canon fucking lesbian couple in it and Kirby is nonbinary in Japan?
Like I'm sorry but Nintendo games and their rep helped me come out and even though they're a terrible conglomerate I still enjoy their work. Like how come when they get mainstream attention from the public they're called a beacon of homophobia and transphobia for conservatives to take refuge in when they're games have actively advocated for LGBT inclusion since Super Mario Bros 2? Like yes alot of their inclusion is hit or miss I won't deny that but I still appreciate that they tried to normalize being LGBT and GNC so early on.
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comradekatara · 6 days
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I saw your toph+katara gender post and honestly... thank you for being one of few ppl i've seen who actually do a deeper analysis of toph? Most people tend to just go "i love toph she's cool <3" and while that's fine, its so nice to actually see someone Get Her. Esp wrt her gender expression and relationship to femininity. She's always been v imporant to me, like when i was like 12 i used to watch youtube clips of the toph+katara spa day scene on repeat and have Feelings abt it (still think its a super interesting scene??). Imo, while a lot of her expression is def rebelling (+overcompensating) and doing the oposite of her feminine upbringing, a lot of it is also a genuine JOY at being covered in dirt/burping/being loud and crass and tough? Idk i just feel like a lot of her contemporary "tomboy" characters were more defined as "ugh i hate Skirts and Dresses", but tophs brand of gnc joy and complex relationship w femininity always hit closer For Me? Like. She's loud and crass and rude and badass and cool, she does find it fun to dress girly but as like an Activity with a buddy, she's overjoyed at being portrayed as a big buff dude ("that's exactly how i would cast it!"), she's actually very spiritual and perceptive when not in Loud Mode, she keeps her fancy hairstyle but adds messy bangs, idk she's just. Character of all time. I'd love to hear if you have more thoughts on toph+gender (or just toph in general), and thank you for actually Understanding Her <33
YES!!!!! i have so many thoughts and feelings on toph. she is one of my absolute favorite characters i truly love her so much, and like you said, i hate when people dismiss her even as they claim to love her. "she's so badass" like okay, and?
toph is also just very important to me as her disability informs so much of her arc. and that disability is also inextricable from her gender and her family and all the factors that shape who she is, her strengths and her insecurities. you cannot separate her parents' abuse from her gender, class, or blindness. it's the combination of being an aristocratic blind girl that informs who she is and how she's perceived, especially by her family. she's an only child in a family that would clearly desire at least one son, and you cannot help but wonder whether they stopped at one for eugenicist purposes, whether they couldn't bear the "pain" of risking having another disabled child. and also because they clearly consider having a blind child such a handful that any other child would draw their attention away from her dire, pressing needs. so they completely smother her, but they also dismiss her, trivialize her desires and ignore her feelings and treat her more like a fragile porcelain doll than a person.
it's why, by the time of "the chase," she gets inordinately defensive over katara's suggestion that she pitch in when setting up camp. i see a lot of people claim that toph in this episode is acting like a spoiled brat who refuses to do manual labor because she's too wealthy to understand, but that's not actually the case. toph is fine with doing manual labor (she literally spent who knows how long working in an underground wrestling ring, she's not unaccustomed to work), but she's averse to helping others. as she says, "i carry my own weight." she's establishing, erroneously but understandably, that her idea of affording others respect is assuming that everyone behaves on an individual basis. she's never had friends before, by her own admission, and so in her mind, the only model she's ever seen for "helping others" is smothering them, denying their agency, and deciding everything for them.
toph thinks that katara is a bitch because katara is suggesting that toph meddle in other people's affairs, instead of respecting their own business. and katara thinks that toph is a bitch because she does just straight up assume that toph is a spoiled brat who doesn't understand the value of community. and while toph isn't a spoiled brat, learning the value of community is indeed integral to her arc. and more than simply communal values of helping and sharing with others, she also learns to rely on them in turn. she learns how to embrace her vulnerability, and let others carry her weight for her. her apotheosis in the finale is literally hanging onto sokka, who is holding her entire weight with one hand, for dear life. putting her complete faith in him to carry her and protect her as he always does.
that ability to embrace her vulnerability among the people she actually trusts to not only love and support her, but also to recognize her as a human being and care about her as a a peer, is so crucial to her identity as someone who has learned from years of ableist stigma to put walls up and present herself as someone uniquely powerful and invulnerable. and it's not that she isn't uniquely powerful, but her strength is also largely a projection. it's why she's so delighted to be portrayed by a big buff man, because that's the kind of person she wishes she could be, so that she wouldn't have to be underestimated and belittled and oppressed by people who dismiss her and coddle her and disrespect her and, quite literally, put her in a box.
so if toph's experience with disability is informed by her class and her upbringing, then let's now turn to her experience with gender, which is equally informed by her background. katara often balks at toph's less feminine presentation, because despite her incredibly righteous crusade against limiting patriarchal standards, she nonetheless has her own hangups when it comes to gender. but then again, so does toph. just as katara disdains toph's masculinity, toph finds katara's femininity offensive because her only real model for femininity in her experience is that of aristocratic wifehood. poppy beifong, to be exact, who is not exactly a girlboss (let alone a revolutionary, like katara is). and when katara tries to shove toph back into a box, toph resists because of course she does, that's who she is. she's not going take what she experiences as violent repression lying down.
toph is wrong in "the runaway" to exclude katara from their fun, and she is wrong to call compare her to a mother, but it's not out of nowhere. there is an obvious precedent to these actions. katara is a genuinely feminine girl who loves to boss people around and dictate how they should live their lives. to toph, this is the most egregious sin imaginable. katara, through her femininity and authoritative attitude, is positioning herself, in toph's eyes, as her mother. and toph calls her out for being overbearing and claims that katara hates fun and wants to boss everyone around for this reason, even though sokka is obviously the primary fun-hating, overbearing member of the group.
however, sokka never dictates how toph should act or dress, sokka never made fun of toph for being blind (which is a thing that really deserves its own post, if we're being honest). sokka makes them spend their vacation time at the library and enforces his color-coded schedules on them and generally brings down the vibe what with his neuroticism and severity, but he also laughs at toph's jokes and banters with her in a way that treats her as a friend and not as a rival. and unlike katara, whose desires and commands seem completely arbitrary to toph, sokka's commands are grounded in a logic that toph can understand. so even if from an outside perspective, toph's claim that a revolutionary teenage girl who loves to cause trouble and seeks adventure and joy around every corner is trying to be the overbearing mom of the group makes no sense, it makes perfect sense to toph, based on her history with femininity, overbearing mothers, and feminine overbearing mothers.
toph presents masculinely as compensation, as a way to make herself seem strong and tough instead of dainty and submissive as she was always made out to be. she associates masculinity with strength and femininity with weakness because that's the paradigm she grew up in. it's why she's always teasing aang about his supposed femininity and calling him "twinkle toes" (which, as sokka points out, isn't manly). in their first interaction, aang beat her in a fight and humiliated her in front of all her adoring fans, and avatar or not, toph's gonna make him pay for that by undermining him in turn, by using his presentation as a monk to mock him. even if aang isn't gay or even gender non-conforming (within the assumptions of his own culture), toph is still employing the logic of sexism/homophobia to undermine aang when she makes jokes about him being "more in touch with [his] feminine side than most guys." and of course, the nickname "twinkle toes" is also deeply affectionate, and aang (bless his heart) never actually takes offense to it. but toph is trying to establish herself as more powerful than him due to the humiliating knowledge that he could beat her in a fight, easily.
toph's masculinity is inextricably tied to her invulnerability. she wants to be taken seriously and treated as a human being, which is respect that has been denied to her due to her status as a blind girl, save for her blind bandit persona, which superficially empowered her and made her feel strong. it's not coincidence that her rival earthbender is a guy who is essentially a parody of masculinity. toph wants to position herself as equivalent, if not directly superior, to the Most Masculine Man, because that's how she'll be afforded respect, in her mind. but she is a girl. and there's a part of her that likes being a girl, and wishes she could explore her femininity more than she's allowed herself to, beyond the confines of the beifong mansion. she keeps her hair long because she still loves her family and holds out hope that maybe one day they can accept her (she comes from a culture modeled off of tang dynasty china, so her long hair is likely a product of her adherence to confucian values). and once she embraces it, she genuinely does get into being made over at the fancy lady day spa.
femininity has been a genuinely harmful and repressive agent in toph's life, and it's understandable that she would internalize some misogynistic notions surrounding girl/womanhood as they were foisted onto her her entire childhood. but femininity isn't ontologically harmful. femininity isn't ontological, period. i think as toph gets older, and her friendship with katara grows deeper as they both come to be more honest with each other, she would grow to embrace her masculinity in a more organic and less compensatory way. less of a "i'm not like other girls" complex (which itself is not something that girls should be mocked and punished for, but rather a product of a patriarchal system that oppresses and alienates women, thus leading many less gender-conforming girls to attempt to assert their agency and individuality in any way they can, even if it means putting down others in the process), and more so genuinely coming to embrace her butchness. (you don't necessarily have to read her as a baby butch, of course, but considering that being a masculine girl is important to her, i think that's a really lovely and beautiful synthesis of her relationship to gender as a character.)
i think toph would learn stop pitting masculinity and femininity against each other, and instead embrace whatever aspects of either (or neither) she desires, while nonetheless respecting everyone else's deal in turn. i think she would also, in a key turning point, realize that even if she loves her parents, she doesn't have any obligation to be the daughter they expect her to be, and cuts her hair. and as she grows more secure in herself (which comes with age, no twelve year old is truly confident in their own skin), she would stop feeling the need to put other people down to feel big, and be comfortable embracing her desires. and, credit to her, she's clearly already on her way. the progress she makes being vulnerable, especially around sokka, even in what is chronologically a matter of months, is huge.
toph isn't just "badass" because she's strong and powerful. but rather, what makes her so powerful, at least to disabled viewers who see their struggles reflected in hers, is her ability to grow with her environment, allowing herself to admit help, and letting herself be loved. if you couldn't already tell, toph is incredibly important to me.
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locuas642 · 4 months
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I am beating a dead horse I know. but I thought of something else about James Somerton.
Because it recently came to my attention that, right around when the video that destroyed his career came out, Somerton had been fishing for Neil Gaiman to like his Good Omens video.
Now, this in an of itself is nothing weird. youtubers fish for people to share their stuff all the time, sometimes it is reasonable, other times it is rude. and other times is like "Please dont force creators to interact with you". but it is nothing weird or uncommon for what is Youtubers.
Neil Gaiman being associated with Queer content is also nothing weird. The guy was the "Thor god of Lesbians" before Thor was a thing. He is such an ally there is a whole section of the community ready to explain to people the context of Wanda in the Sandman comic. So Somerton trying (excuse the expression) "to get Gaiman-Senpai to notice him" (Yes, go ahead shoot me i deserve it) is also not weird.
but I cant help but see it as part of a certain pattern.
Because we all saw the video, and how Hbomberguy points out the inherent misogyny in a lot of Somerton's views and how he erase people's gender and orientation in order to shit on women (and how that also ties him to transphobia, biphobia, and a lot of other things). And also how he will dismiss criticisms by claiming it is white straight women harassing him.
Except between that video and Todd in the shadows, I did find one particular instance of him talking positively of a woman. Jo Rowling. A Cis Straight Woman who nowadays is defined by the transphobia she constantly tries to rules-lawyer deny she ever expressed.
Obviously, the video wasnt about him Defending Rowling, but it was a weird video in which he tried to claim Rowling was more progressive than she actually was, at one point even claiming when the books were written she was pro-trans folk. Which is a lie. There was this need of him trying to sell Rowling as this tragic figure, this person who changed for the worse. And this was from the guy who was quick to dismiss the intentions of any woman or GNC person.
And then I remembered his weird claims about Bob Iger. This... honestly revisionism of the fight of Gay Marriage (the thing he also dismisses in importance in a different video) as Iger pressuring Obama into making it law among other things that tried to elevate Iger, a Cis Straight Man, into an important role in queer history.
And then there is the "Stupid Sexy Nazi" stuff I wont even go into detail.
My point is, there was this weird trend in his videos that I noticed. That he would rather elevate straight and their participation in queer history at the same time he dismissed plenty of non-cis gay men. Sometimes even doing revisionism to describe a version of history that did not happen, but which weirdly feels like the version of history he would want.
And again, Neil Gaiman is an ally and there is nothing weird in and of itself for him to want Gaiman to like his stuff. But when taken into context with everything else, both his antagonism with actual queer people, and his elevation of non-queer people, I feel that says something.
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mewsmagic · 2 days
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Alright I did say I’d bring my infodumps and fantheying here to tumblr instead so lemme actually do this for once!!
Spoiler warning for Alrecchino’s animated short!
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If you haven’t watched it yet, here’s the link!
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Alright first things first! It looks like Clervie and Bulle Fruit girl were Alrecchino’s closest friends/sisters, which’s just so cute 🥺
From the visual storytelling and just how we saw Arle and Clervie together much more often than with Bulle Fruit girl, it also appears like Clervie was much much closer to Arlecchino, which’s so interesting!!
I love how Arlecchino is all about blacks, whites and occasional reds, she was always quiet and doing her own thing, and SHE HAD ACTUAL SHORT HAIR UNTIL RECENTLY ACTUALLY!!!! Gnc nation won!!!!
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Anyway ahemmm LOL and Clervie was the opposite. A pink, outgoing girl, full of life and wonder for the world she lives in. Also, she was “girly” and wears dresses, while Arlecchino doesn’t seem fond of them (like me omggg)
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Like, they’re literally opposites in everything, yet they were so close and so important to each other. Thinking about what comes next hurts my heart like nothing else just because of this.
Another thing I wanna bring up before we move on is: in this part, we learn that Arle’s deal with the black hand is indeed some kind of curse. And that’s probably why she was able to tell Furina’s also cursed, she had experience with one since birth after all
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I LOVE THAT THEY HAD THEIR OWN PLUSHIES MADE IN THEIR IMAGE!!!! Arlecchino’s plushie is so cute!!! I wonder if she kept Clervie’s after all these years 🥺
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In this part we also learn that their “mother” usually “argues” with her daughters, and for some reason Clervie has quite some injuries. From this, it’s not hard to assume she’s literally beating them up, which’s nasty.
A full grown woman beating up literal kids who cannot defend themselves? As a survivor of parental abuse, I felt this so hard, and I hate that hag so fucking much already.
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This part I didn’t get at first, probably bc I didn’t pay attention to the beginning; when I watched it again, I caught it however. Their “mother” not only physically abused them but also made them battle each other to death.
Resulting in Arlecchino being the very one that killed Clervie, and potentially Bulle Fruit girl too.
Naturally, she was full of rage. I would be too, if I were in her shoes.
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And that’s why I love her battle against “mother”. I didn’t take many screenshots because it’s a fast moving scene, but “mother”’s dialogue seems to hint that she’s the kind of mother that pretends to be caring and gentle but is actually cruel and ruthless in her actions. Which’s tbh the worst kind of mother probably.
Another detail that caught my eye was that Arlecchino was no match for her without her curse. But as soon as she released and embraced her curse, she not only defeated her “mother”, she blew up the entire building. Which’s epic as hell and I love that for her LOL
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I find it interesting that Arlecchino was actually pretty close to becoming a criminal because of killing “mother”. Which’s so tragic when you think that she had already killed Fatui members before (Clervie and Bulle Fruit girl), but they weren’t ranked enough for it to be a big deal, like their deaths didn’t mean anything. But to Arlecchino they did… Aaaaanywayyyy.
For some reason I thought the Arlecchino title succession was much more automatic, like 1. Kill your parent 2. You’re now king. I think it’s because I’ve seen this in other shows before, but here she was taken to Snezhnaya to be judged by the Tsaritsa herself.
Luckily, the Tsaritsa not only pardoned her crimes but also promoted her to Arlecchino. Also I gotta say, her words… “My poor, mad, cursed Knave” hit me so hard. The Tsaritsa does seem to not be that cold and to empathize with her. Based of her tbh.
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And at the end, we see a seemingly orphan child. At first I thought this was Freminet, but he has a more yellowish tone of eye color, so maybe this is a random kid?
Anyway, the thing that matters here is that Arlecchino says that she’ll be his strict and unfeeling “father”, which immediately stood out to me against her “mother”’s “kind and caring” approach.
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Looks like she decided to be a “strict and unfeeling father” to not become like her own “mother”. This is so real of her tbh. I already knew the previous Knave was nasty, but with this animation it really hit home to me, as a survivor too.
I wanna pull her even more now LOL may all Arlecchino wanters become Arlecchino havers!!!!! I’m so excited!!!!
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meatychunks · 2 months
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Conan the Barbarian and how it correlates to Mike's inner struggles
I know the topic of Mike's bedroom has been talked to death, whether it's the one-way sign or the buff dragon with nipples poster. However, rarely do I ever see talks on the Conan the Barbarian poster or even on the film itself, which is properly due to the film being somewhat notorious for its terrible treatment of women.
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Whenever I do see it, people usually stick it up to being a part of his gay sexual awaking, which was sprinkled throughout his introduction in this season. And while I agree that's a part of it, I believe that they choose this film specifically rather than its sequel (which was only two years old in 86') for its depictions of minorities and masculinity to perfectly sum up his struggles with not only conformity but also toxic masculinity of the 1980s.
A HEADS-UP WITH TALKS OF SEXISM, RAPE, HOMOPHOBIA PLUS BREIF NUDITY.
Let's start with how it portrays sensitivity among men. Right off the bat, we see the film favours traditional masculine values with a conversation between Conan and his father shortly before the massacre of his tribe by the doom cult, with him telling Conan not to trust anyone and allow himself to be vulnerable, only trusting the steel of his sword which, in the film's own words, was founded by men.
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Rather than this being a critique on how men are often been forced out of emotional availability by generations before them, it's taken as words of wisdom that Conan takes to heart as we see him from a scrawny kid that lost everything to a muscular killing machine, stripped from sensitivity and is seen by other characters as the prime specimen of man.
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Male sensitivity is often depicted as a weakness and is unsurprisingly lumped with homosexuality as something to be ridiculed. We see this as Conan tries to sneak into the temple of the cult by pretending to be a shy and nervous bystander while wearing flowers (to which he says "for a girl" when being asked the purpose of them the scene prior), this attracts the attention of a priest who makes suggestive comments about his body all while caressing his chest. He asks to continue their discussion in private, an obvious implication of a hookup, and ends up getting killed by Conan.
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Not only it's presented as something antagonistic with the act of desiring another man seen as something perverse, but also, the implications of GNC men shouldn't be taken seriously and only seen as a target for sexual assault.
Traditional masculinity carries into how women are represented. With it not only their screen time is few and far between but also only serve as sexual reward to male characters or to show off their power, women who don't fall into this category are usually ridiculed by our main protagonist, often being called sluts or hoes. They are disregarded shortly after their introduction by being killed and/or raped (including a woman being raped by Conan during his montage to power).
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The only recurring female character is Valeria (we only find that's her name in the film's credits, so take that what you will) who gives the illusion of a strong character with being able to fight aside the male characters and her snarky attribute during her introduction, but ultimately ends up being a tool for Conan by falling into the wife role with her never being able to have true goals of her own. She disappears from narrative, only to show up towards the end for a tiny bit to meet her demise.
The poster reflects her role in the narrative with its composition, with her kneeling down so the viewers' eyes lead up to the main piece Conan, just an add-on to show his power.
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Now that's not to say it doesn't cater to female viewers (and unknowingly to queer men) by taking full advantage of the female gaze with multiple lingering close-up shots of Conan, some framed in suggestive angles and even scenes only exiting just to show off Arnold Schwarzenegger's muscular frame (take the random sex scene with the witch for example). And while there is female nudity, like women in this film, it's treated with a lot less care with being in wide shots and going just as quickly as it appears.
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Which finally brings us to this film's queer coding. It's common for macho action films to fall into homoerotic undertones due to their misogynistic tendencies, this film being no different with it being parodied in other media, even during its initial release, particularly in underground comics.
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An example I like to bring up is Conan's "first time" in a fight. He's confused and nervous as he's thrust into battle bare apart from a loin cloth and is attacked by his opponent, but as the fight progresses, he gets more confident and begins to relish in it.
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Overall, the film does serve escapism for it's male audience with its power fantasy elements, but rather of it being done through our main protagonist, it's done through the world where the narrative inhabits with it taking pride that worth is achieved through physical strength, wealth and sexual conquest. And while the narrative is the classic trope of the underdog going against a figure of high power, even they can't help finding his lifestyle appealing.
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Now....
What does this tell us about Mike?
Well, we know that his family often emotionally neglect him and encourage him to give up vulnerability (i.e., making him give up his childhood toys that have emotional value and viewing his outbursts as just "delinquent behaviour").
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His poor treatment towards El starting when they are together at the start of season 3. Starting off somewhat small with implicitly being disinterested in her when they are actually alone, take their conversation during his bike ride to the mall during his introduction or him jumping on the first chance he got on reducing their time together when Hopper stepped in (despite going against his wishes when it came to looking for Will in season 1).
However, when she starts to gain some independence through Max and stops being "his pet", rather than admit his mistakes and apologise like how Lucas does with Max or how he does to Will shortly after upsetting him, he starts using sexist language and starts to get controlling when said independence is applied to her use of powers.
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His implicit homophobia during his projection, when Will (Who is canonically considered GNC during this time) implies his changed in behaviour as something negative.
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And this might be a stretch, but maybe him tying his self-worth to whether or not he is able to provide and protect is also due to the societal pressures of gender roles and him feeling inferior to El could possibly be a hint of jealousy due to her being able to fulfil said roles despite her gender.
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And we all know he has a certain type when it comes to men.
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lavender-jukebox · 8 months
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Could you do gnc vet!Human reader showing Shockwave the various kinds of animals in their care (pictures from their phone)? He's intrigued at the diversity in characteristics and why they behave the way they do (like birds being able to talk, dogs being energetic, cats being stoic)
Ofc! Shockwave my bbg-
Anywhoo, enjoy!
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You've just came back from your work and walked into his lab, giggling and smiling at your phone
He turns his head towards you and tilts it
"What are you smiling about?"
You look up at him and show him a video of a cute little parakeet that bounced up and down
This made him curious
"It was a patient of mine today! He's finished treatment and look how happy he is!"
Shockwave curiosity grows as he gently scoops you up, sits down at a desk, and gently places you onto the table
"Do birds always jump up and down like that? I've never seen those...crows...do it." He asked
"Mostly pet birds do it for attention or cause they're enjoying something"
You kept scrolling through your phone, showing him the different animals
This included dogs, cats, fish, another bird, and a snake
As you went through photos, Shockwave asked questions about every animal, and his interest only grew
"What animal is this?" "What is different about this breed?" "Why are Huskys so vocal?", etc
He's eager to learn more about animals and expects you to tell him more new information a day
He'll secretly research random animal facts to impress you and when you ask where he heard that he just says he's known it forever
"Let's get a dog"
"Wait really?!"
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bughugz · 2 months
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DNI minors, zoos, pedos, transphobes, homophobes, racists, detrans, eating disorder blogs, self harm blogs, cishet men, 'men dni' blogs, ableists, blank and ageless accounts there's probably more if any of these things are you or you give off a not good vibe or whatever i'll block you
my name is rory but you can also call me bug, bun, or worm! it doesn't much matter to me which of these you use for me i'm a 20 year old 2spirit gnc trans man i only use he/it pronouns please perceive as like effeminate boyish and creaturelike with some sprinkling of cultural and spiritual context to confuse the masses i'm also neurodivergent and chronically ill please be patient with me and maybe use tone tags
i'm very non monogamous and don't really label my sexuality i'm simply attracted to gender fuckery usually very t4t and i love woman and nonbinary people in a boyish way i have a big masc lean on here it's very faggy i mostly post transmasc for transmasc content
feel free to flirt with me and be like gross and horny i love attention my dms and asks are open i love interacting with y'all but consent is valued i have a life and i will not tolerate disrespect you can also send pics if you ask nicely and i might send back i may however also choose not to respond to your advances please do not act entitled i don't make a habit of creating close personal relationships on the internet and i don't owe you anything if you really want my attention or just like my content ... tip me! my venmo and cashapp are both $bughugz
i'm basically a subby bottom bitch boy the vast majority of the time i would not feel comfortable domming most people i'm just occasionally feral and sadistic will dom bottom if i feel like it i find more power in being the one receiving and i'm much more shy and inexperienced when it comes to topping but love to service sooo do with that what you will
kinks & limits + terminology and names you can use for me + some stuff to get to know me outside of kink below cut:
key to my heart as a sub is petplay (mostly bunny sometimes puppy) but here is a way too long list of other things i like and may also post about in no particular order:
intox (420!)
cnc (might include uncensored use of the word rape)
overstimulation / edging
bondage / restraints
praise / degradation (not of looks)
crying
sadomasochist
dumbification
manhandling
impact play
spanking
breeding (not pregnancy)
biting / scratching
marking / bruising
free use / public play / anonymous sex etc
group sex / gangbangs / spit roasting etc
objectification !!!!
limits ie things i won't be posting about and might block if your account has in excess for my comfort
ageplay (abdl / ddlg / other variants)
incest / fauxcest
scat
beastiality
piss
vomit
race play
detrans / misgendering
body mods ie play piercing
any sorta of burning or just open flame
if you're curious to know more of my thoughts on something that is or is not here send me an ask or dm!!!
terminology and names you can use for me include:
chest, tits, t/dick, cunt, hole (bunny, puppy, or boy prefixes are fine ie puppycunt, boytits, bunny hole)
bunny, puppy, mutt, bitch, angel, baby, good boy, love, slut, whore, (fuck)toy, pretty boy, sweetheart etc
i also like masc compliments and being called pretty!you can definitely ask if you wanna call me a particular pet name i love them and most are fine but i do not like little one, the word girl, or princess !!!
get to know me outside of kink:
i'm an herbalist and i love plants and ethnobotany especially
i'm in college slowly working towards an environmental science degree
i love bugs and crystals and anything miniature
i like cozy games and fashion and books
i'm a fiber artist and like to experiment with lots of different mediums and styles
i like to roller skate badly
exploring in nature is one of my favorite pastimes whether it's tide pooling or admiring all the little things in a small stretch of forest
this is 100% a horny blog and i will be spamming my silly horny and sometimes non horny thoughts so often that you might hate me not great with words mostly rambling. but please don't hesitate to try and befriend and get to know me and ask me about any of this stuff i like dms just so long as you're respectful i do have social anxiety so i may not dm first!
pics of me are tagged #wormy pics
audios of me are tagged #wormy audios
original text nsfw and sfw is all mostly lumped into #bun ramblings
asks are #wormyasks
anons: 🌸, 🦊, 👾,🪼,💀
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Interesting question re: the f! versus m! versions of the LIs. This is just personal taste, I don't think any of them are more or less loveable based on gender!, but I do think f!Rayyan is more attractive to me than her male counterpart, while for G & Sam it's the opposite - I exclusively romance their male counterparts. Tobin is the same for me in both versions, but I still prefer f!Tobin simply because I prefer playing as a woman hehe. For context, I am a bisexual woman leaning more towards women, buuut I'm really into gnc women and I guess G and Sam both just feel like they fall outside a category I am attracted to :'o f!G feels more femme fatale as a woman, and f!Sam is very cute.
This is supremely intriguing, thank you so much for answering!! I absolutely live for interactions like this!
My answer became a goddamn ESSAY (holy shit I'm sorry) but I'd definitely love to hear more of you guy's thoughts on this, cause this is super interesting to me!
For G, I totally agree. I feel the pivotal traits that shape them (cynicism, stoicism about life and what life throws at them, adapting to circumstance, instead of stubbornly sticking to 'what they want', their parents' divorce, being caught between worlds and used to living in multiple places at once—Canadian-French from their mom and French-French from their dad, their intense commitment to their belief that things don't last, and you can't expect them to) feel more... attractive to me in a woman than a man (because lord knows we have enough flaky non-committal men in this world), but I think that's probably a subjective opinion.
For Tobin, I think it's inevitable that their softness/gentleness AND their queerness is influenced by their gender, and I love that idea, and I hope to explore more of that later on. For M!Tobin, I feel like they've always had to deal with the fact that they're a little "too" soft for what the world expects from them (a black american in the ultimately super-machismo world of sports), and they've always at least "fit in" with the rest of their team because of their athletic prowess AND how much attention they get from the ladies. Now, exploring their sexuality, having to come to terms with the fact that they are attracted to men as well (and what to do with that information)... I think it adds an extra layer of vulnerability.
As for F!Tobin, I think there's similar tensions—but in different ways. E.g. maybe they're the way they are, so gentle and considerate and kind because, in some ways, they're compensating (subconsciously or consciously) with the stereotype that black women athletes are "too powerful", "too fierce", and they've only ever wanted to be accepted, respected, loved, hence they've always been softer than they have to be, kinder than they have to be, more considerate etc. etc. But then they met MC, and perhaps they're learning to put that all away, and just... be. Without fear of being "too much"—with MC reassuring them that they're OK just the way they are, and that their strength and courage does not need to be tempered for anyone else's benefit.
And finally, for Rayyan, again, I absolutely agree—there's something about F!Rayyan and how, coming from a conservative immigrant Muslim family (e.g. there was that scene with a brief mention of how their dad never even thought they should be serious about turning pro, becoming a professional athlete especially because she's a girl), she's probably had to fight for absolutely everything she's wanted in this world, and that's why she's so steely on the outside, why she's so unapologetic about pursuing the things she wants because god knows the amount of sacrifice she's already put in. There's still that dimension in M!Rayyan, being an immigrant, threading that line between wanting to do their family proud, wanting to pursue their own dreams, ambition—so much ambition—but also fierce loyalty, and uncompromising, unyielding courage.
Sam feels the most... unchanged whether or not I imagine them as female or male, the experiences that made them the way they are (and how they interact with MC) are the same (e.g. being in love with your best friend, being extremely open about experimenting with literally any type of human romantically except the ONE person they actually love and trust with all their heart, scattered loveable goofball tennis nerd that they are).
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shakespearean-snape · 9 months
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I’m rereading OOTP right now and I find that scene between Severus and Sirius in the kitchen to be highly relevant in the context of Severus as a feminine-coded character (and Sirius as a representation of toxic masculinity). Sirius is very outwardly aggressive in this scene in a conventionally masculine way, while Severus weaponizes his sarcasm and wit in a way that could be thought of as a more “feminine” form of defence. While Harry describes Sirius’s voice as getting progressively louder and angrier, he describes Severus’s voice as “soft” in contrast (as he usually does, which is also interesting in the context of Severus as a feminine man/GNC character). Sirius gets up and tries to intimidate Severus physically, and Severus grips his wand inside his pocket in a way that reminded me of a victim of domestic violence preparing to defend herself against her abuser.
I’m not sure how much of this was intentional considering how rigid JKR’s views on gender have unfortunately turned out to be, but I can’t help but read Severus as a feminine character, especially since he’s meant to act as a stand in for Lily in the same way as Sirius acts as a stand in for James. It’s very easy to read Sev as gender non conforming and/or LGBTQ, although given JKR’s own views it’s doubtful she meant for us to read him that way (but fuck her, she’s a massive transphobe, the characters are ours now, we can do what we like with them).
Note to self, start checking your inbox regularly. These changes to Tumblr are killing me because the notifications when I get messages or asks are hit-or-miss at best.
Anyways, this is such a great observation! I'm only just learning about coding and that that is even the term for it from reading about it from other Snape bloggers like @idealistic-realism00, @raptured-night, and @professormcguire since I only took the required English courses both my undergraduate years and beyond that my major was in sociology.
So, I'm not really any kind of expert but I do have a lot of personal experience from being biracial and queer myself just with learning to read between the lines and find representation for myself where I can and I think that is the case for a lot of people from less represented, marginalized backgrounds. We have a certain instinct for these things so even without any kind of formal study we sort of know the "codes" (for better or worse depending on what the author's intent is and if it's a negative dog-whistle or something more positive to get around censorships of the time) if that makes any kind of sense.
For me, I always saw Sirius and Snape as two sides of a coin. There were some very obvious parallels and contrasts between them and this really goes to that in a lot of ways for me. Both Sirius and Snape are two men who made pivotal choices in their youths that very much define them and have led to a great deal of internalized guilt and impacted their behaviors as adults. Both Sirius and Snape find themselves confined to their childhood homes at different points, Sirius at Grimmauld Place with Kreacher and Snape at Spinner's End with Peter Pettigrew (both Kreacher and Peter are characters that also are known for betraying Harry and costing him someone he loves at different points and making a turn around in regards to Harry because of kindness or mercy he showed to them).
Where Sirius made the choice to make Peter the Secret Keeper with only James, Lily, and Peter knowing and it ultimately led to the death of the Potters and him being sentenced to twelve years in Azkaban, Snape also unwittingly delivered part of the fated prophecy that led to Voldemort targeting the Potters. Most interesting for me is that Snape's friendship with Lily and Sirius's friendship with James could be read as either platonic or a case of unrequited romantic feelings. There is the observation in SWM made by Harry that while Sirius was clearly a looker who attracted the attention of girls, his attention was fully on James and not on those admiring glances. So, when looking at Sirius's relationship with James through a comparative lens to Snape's with Lily they could be platonic friends or both Sirius and Snape could have had romantic feelings for their best friends while, ironically enough, Sirius had to watch James fall for and succeed in winning over Lily just as Snape had to do the same.
In the case of Snape and Sirius there is also a degree of regression and arrested development stemming from trauma (and both men at different points make the clear mistake of seeing Harry as a stand-in for James as a result of said trauma). Where Sirius spent twelve years in Azkaban able to hold onto his sanity against the Dementors in part because he knew he was innocent and the truth of what happened was a deeply unhappy thing for him, Snape spent decades in Dumbledore's service at Hogwarts (a place with its own unhappy associations for him having found it was not a refuge from life at Spinner's End with Tobias as he had hoped but another place where he would be bullied relentlessly, overlooked by his Head of House and housemates for being a poor half-blood with no status, subject to institutional failures resulting from yet more adult authority figures in his life not protecting him, groomed by Voldemort's followers and responsible for alienating his closest friend as a result) teaching children when clearly he does not have the temperament and, courtesy of his role as a spy, concealing his own truths and intentionally not allowing people to know the best of him. In a sense, both men had a negative public image that ran counter to the full truth about them and both of them died without being able to see those misconceptions vindicated (Sirius died still presumed by the Ministry and general public to have been the traitor who turned his friends over to Voldemort and murdered innocent people and Snape died knowing he had delivered information to Harry that would lead to his death and unsure of the outcome of the war with everyone thinking him a coward and murderer).
There's just, a LOT of parallels there between the two when you start to unpack them as characters. Even the fact that they both came from domestic dysfunction and unhappy home lives. It makes their mutual antagonism all the more of a tragedy because if not for Sirius's prejudice (which is arguably more understandable given his family and their long tradition of being sorted into Slytherin) against Slytherins and antagonism of young Snape on the train and the years of bullying and bad blood that followed, these two men had the most potential to understand each other. Alas, they do not, but it is their likenesses that makes their differences in how they clash all the more interesting because, as you noted, there are stark differences there. Sirius is all overt masculine energy; hot-headed and physically imposing while Snape is more strained, the ice to his fire.
Most striking to me was always the difference in how little respect Sirius showed to Snape's body while he was unconscious (further demonstrating how little Sirius has changed from the teenage boy who once stood with James and exposed Snape to laughing schoolmates) versus how Snape conjured a stretcher while still under the impression he was the one responsible for betraying the Potters (and the death of Lily). In that way, we get to see how Snape has developed as a person away from his past choices and learned from them. He may still regress, as he does quite plainly when forced to return to the Shrieking Shack and is confronted by Sirius and Remus there, but he isn't quite in the full state of arrested development as Sirius (but given his circumstances in Azkaban that isn't entirely surprising either; there is a tragedy to Sirius's character for all that there is as much of a darkness as there was in Snape during his time as a Death Eater and the fact so many Marauder apologists who double as "Snaters" refuse to acknowledge that outside of romanticizing the angst of it all while vilifying Snape is quite possibly an even greater tragedy, imo) which is why Sirius's death came in part due to his inability to move beyond his past and find it within himself to treat Kreacher with a modicum of understanding or empathy (in addition to his desire to be part of the action again and recapture his lost youth when it was him and James in the Order together) while Snape's death came only after he had to reconcile with the fact his original raison d'être for becoming a spy (to protect Harry for Lily as penance) ran counter to what was needed to defeat Voldemort for good and he still chose to stay the course instead of pursue his own agenda and act on his own self-interests.
In short, Sirius's death was partly due to the fact he couldn't move beyond the past. While Snape's death came as a result of the fact he had grown enough as a character to set aside his past motivations and see things through because he had become someone who conjured stretchers even for hated enemies and risked his life to save all those who he could save (including Sirius and Remus).
Thanks for the ask and I'm so sorry it took so long to respond but it gave me even more to think about. The masculine vs. feminine coding just adds an extra element to Snape and Sirius's dynamic when it was already interesting to me and I've always had a lot of thoughts about how those two were written with so many parallels and points of contrast. Love this ask!
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relatableblorbopoll · 4 months
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Round 1 of preliminaries, group 14
Tumblr media
The first two places get a place on the bracket
Little reminder: there will be 2 more rounds of preliminaries, the losing blorbos of this poll still have 2 chances of getting in the official bracket
Propaganda under the cut
Oz Vessalius (Pandora Hearts)
"Struggles with self-worth, adores books, ADHD (though that’s not canon—but he fits the diagnostic criteria), his strongest/most important relationships are platonic"
Sound (My School President)
"Lonely gay teenager who tries to be cool and sauve but gets adopted against his will by a group of losers and then falls for one of the losers who gets on his nerves a lot because he was nice to him once and then he gets all awkward and flustered around the boy and tries to avoid him and antagonize him but the boy sees through it and they eventually end up together and he becomes the most annoying person in love ever"
Luz Noceda (The Owl House)
"adhd. possibly some autism too. a weird girl who got outcasted by being herself and sure has some WACK coping mechanisms to deal with it. self worth is IN THE DRAIN. gnc and not straight. writes fanfic. artist. goes through a depression era when at her moms house. loves her mom also. this is canon stuff i'm saying"
"AAAAAAAAAAAAAAAAAAAAAA she is so ASDHSUJD. Okay I started watching the owl house because I knew there was a WLW couple, so obviously I had to check it out. But upon watching the show, I got so emotionally connected to it, or moreso the protagonist, Luz, that it could go beyond some people's understandings... I remember that almost any scene showing her neurodivergent traits would hit SO. CLOSE. HOME. It would be unbelievable. I literally rewatched the show more than seventeen times one summer. She is just so goshdarn relatable man. She's the weird kid, has no friends, loves making anime edits, is OBSESSED with a book series, loves witches and magic and stuff, has ADHD, an attention span that is so high when she's engaging with something she likes doing and so low when she's bored. She's just so lovely. I know a lot of people found her annoying in season one but she hit close home to me. Season two was amazing as well and she started getting even MORE relatable!! She started showing her people pleasing, how much she blames herself, it was so sad but I was glad to see a character I could relate to so much on screen. I mean i personally didn't experience the loss of my father and I personally do have one friend whom I'm able to share my life with, but she's still super relatable. She can be so silly and so cool. And her impulsivity and the way she realized she doesn't know what she wants to do when she grows up also hit close home. Mwah"
Gundham Tanaka (Super Danganronpa 2)
"Goth autistic theater kid"
Saiki Kusuo (Saiki Kusuo no Psi Nan/The Disastrous Life of Saiki K)
"He's very dead inside, especially in the English Dub, and introverted. But even so, he cares a lot for his friends, even if he never says it to them and he finds them annoying most of the times. He also be nosey and just insert himself into others' situations that don't involve him (obviously, he makes it so that nobody knows he's there and, obviously, he's also complaining about this all the time). He's canonically aroace, or at least aroace spec He's canonically trans. He was born as a girl but he didn't like it so he immediately turned himself into a boy with his psychic powers. An argument could be made about him being on the autism spectrum."
Drew (The Music Freaks)
"I don't like him actually I hate him and love him st the same time in fact but. This man is so real and such a horrible jerkwad to everyone around him. I mean I can't relate to THAT but I should mention he also gets jelous easily, he is in love with his best friend who does not like him back, he's all moody and grouchy and bratty. And so am I and I hate it lol."
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cherry-pralind · 4 days
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Come to the Byler tag. You’ll get:
- Voting on a poll that Henry was born evil, proving they only understand the show on a surface level and don’t pay attention to it, they only care about Byler, please don’t speak on Henry ever ever again, have empathy for him as a child like you have for Will and El which too were victims of abuse. Children can’t be born evil, literally just shut up, that’s not the route the series is going
- Scenarios that utilize characters with their own plotlines like Robin or Lucas to help Byler get together instead of letting them, I don’t know, work it out themselves? Why do you want fucking Murray of all people interfering
- Treating leaks made by randoms as gospel and the truth
- Acting as if this is a Byler-centred show
- Lack of understanding of the ship and characters involved. For example Will that got called homophobic slurs for being gnc and too girly is now a buff, manly badass shooting a gun because he was forced to pick it up that one time while trembling to defend himself and Bylers won’t let it go. The classic 'babygirlification' of Michael Wheeler. Will cries easily, looks frail, is sensitive, is an artist, doesn’t express interest in girls - the stereotypical queer. Mike is supposed to represent the guy that isn’t incredibly manly but basic enough nobody pins him as gay. He rarely cries, has a girlfriend, etc. Instead he is made out to be far more feminine than he is because people confuse Will with Noah, Mike with Finn. This is just the tip of the iceberg
- 30 year olds talking about the intimate details of Will and Mike’s sex life because why not, right? No, talking about which is the top and which is the bottom is totally not weird, they are talking about them aged up! Haha….. 💀
- "Guys!!! I found something! I may be looking too much into it, but.." *proceeds to post piece of evidence or Byler proof that has been pointed out millions of times and discussed to death* - soon we will have fans popping in to say they discovered blue meets yellow in the west from that Russian code represents Byler…
- Post screenshots of Tumblr posts or tweets made by other Bylers like unoriginal losers because fuck actually posting your own stuff and insights 😁
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