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#give me some context
beif0ngs · 2 months
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alright look, i just wanna know who is the writer that came up with the dumbass idea of replacing the line “Ever since I lost my son, I think of you as my own” with “Lu Ten would have been proud to have you as his father” in this scene for the Netflix live action series???
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bamsara · 3 months
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made these while i took a writing break real quick, going back now bye
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freckleslikestars · 4 months
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FARSCAPE | 1.06 Thank God It's Friday, Again.
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pbnmj · 9 months
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i deserve a spider-woman nepal..... miles doesn't have to be the only teen spider with a terrible bisexual mentor (enter my own sketches of the world's most annoying spiderperson, who i fling towards pavitr, complete with a design that's subject to change)
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sophfandoms53 · 10 months
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Nothing else matters except seeing Loona starting to embrace Blitz as a her dad🥹
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totally-not-kawaii · 6 months
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can we talk about that last shot of loki and mobius standing together, alone, at the end of it all? at the end of time? can we talk about that?
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hopeswriting · 5 months
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was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.
and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.
because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"
and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.
and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.
and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.
so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.
and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?
and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3
#katekyo hitman reborn#khr#khr meta#can i even call this one?? well i'm going to anyway lol#yamamoto takeshi#sawada tsunayoshi#i've never been normal about devotion in stories and characters and won't ever be so sorry if this doesn't make sense#also this is not to say the 10th gen loves tsuna any less unconditionally this isn't a competition#it's just me saying the particularities and specificities of the way takeshi specifically does it appeal to me the most#which is one of the reasons why i have such a big soft spot for 8027#and it's not a problem in their relationship either btw that's also not what i'm saying#like tsuna doesn't mind it and absolutely /does/ reciprocate it 100%#he's just careful to keep an eye out so none of them will lose themselves along the way#also this is within the context of me shifting canon slightly to the left in the way where the 10th gen loves tsuna /so much/#they could just as well actually and properly worship him as a god and it still wouldn't make a single difference#and me liking to lean into that fully and taking it to extremes and it inevitably becoming some extent of dark#because considering the environment canon makes them express it (the mafia) it's like. well how else are they meant to keep it alive#and make sure it survives through it without giving it sharp teeth and claws and jagged edges of its own you know?#so if you feel like this is some kind of ooc-ness you're not wrong#but also consider: i'm not wrong either <3#anyway consider also: unconditional devotion running /so/ deep down to your marrow and to your very essence#even in the face of the whole world telling you how wrong it is and how insane and unhinged you are for it and condemning you for it#it still wouldn't so much as make you consider the thought they might have a point#and i genuinely EAT that shit up every time i love to see it <3
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jessepinwheel · 1 year
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my very serious writing advice for people who are trying to write more morally complex characters is to stop caring about their morality and focus instead on their individual motivations
it’s hard to articulate exactly what I mean, but the essence of it is basically: when a character does a murder, not only do I not care about whether they’re justified in doing so, it’s straight-up irrelevant. a character’s moral standing from some nebulous universal standard has no bearing on the plot or their interactions with other characters and has no use in the story for me as a writer. what does matter is why the character thought they were justified and then if it comes up to other characters, what they think about it.
you can obviously think about your characters’ morality but it’s not your job as a writer to interpret your stories for your readers and tell them how to judge your characters. your readers can see the evidence for themselves and draw their own conclusions. your job is just to understand why a character is motivated to act in a certain way and have it make sense
focusing on character motivations is a much more versatile framework than trying to give them specific personality traits or moral alignments, and frankly more useful to understand why a character would do a certain thing instead of just what they do. that way when something fucked up happens and your character starts acting differently, there’s an actual logical reason for it that isn’t you forcing characters to do things because it’s what’s required to make the plot go
when you write your characters with the understanding that people are not static and they act differently under different circumstances, complexity in character and morality follows naturally.
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geminison · 8 months
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Hello :D I'd love to see a late teens Daud for the drawing request if you're still doing those. Thank you very very much ❤️
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a man's lying on the ground, his eyes are already glassy and unseeing (he can't make you do anything anymore). blood is dripping from the knife in your hand, and you can hear how heavy droplets hit the pavement's stone. you need to go, you need to run before someone sees you and calls the guards. from far away wind brings the sounds of celebration – blade verbena is over.
wouldn't it be fun if the lives of both Daud and Corvo changed the same day? Daud kills a man who stole him from the streets and runs while Corvo wins Blade Verbena, first steps that will define them years ahead.
thank you for the request, I really enjoyed drawing this little piece and also thinking about Daud's younger years (I'm going to say that I'm no longer sure about which parts of his biography are canon and which are just nice and fitting widely spread headcanons and at this point I'm not going to check which is which, oops)
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sodafrog13 · 1 month
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*announcer voice* IN COMES MYSTERY SKULLS ANIMATED WITH THE STEEL CHAIR!!
missed these guys. take some doodles + a silly hlm au that i'm not gonna do anything with <3
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coffee-bat · 3 months
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oh right. peepaw doodles from the ward bc i just realized i forgor to post them
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spooksicl-e · 1 year
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he stabs it.
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ourflagmeansgayrights · 7 months
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hey guys remember like a few days ago when a good chunk of this fandom thought ed and stede weren't going to reunite until like the very end of the season, or at least that they were going to spend a big chunk of the season separated? and then the full trailer dropped and suddenly we got all this footage of them in the same frame interacting and everyone realized how unlikely those predictions are??? and how literally just a tiny bit more detail changed everyone's perspective on things?????
anyway yeah maybe we need to all think abt that for a minute and like. rethink the way we're treating certain theoretical s2 plot points as if they're a given.
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sysig · 3 months
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How far did you get? (Patreon)
#My art#Handplates#UT#Gaster#Frisk#A DBZA incorrect quote technically - it's just such a raw line#Even what it's in reply to kinda works in this context! ''What exactly changed between you in the future and now?'' Time travel nonsense#It feels real weird to have a piece fully finished in black and white and have that be Correct lol#I am So pleased with the composition of this ♥#Gaster vertical and the human horizonal! Gaster confined and the human-#Hint: He's not looking at Frisk#Gaster being able to see Zarfox consistently is very interesting to me#Or rather - that bit makes sense lol he got as far as he could within the confines of his world and understanding#It's still cool how much he can actually see tho - understand? Interpret? Hard to pin down and define haha#What Sans is able to see doubly interests me - he got some but just glimpses! Different from - I assume - Gaster's consistent sight#Poor Papyrus being left out haha#It's been a while since I've drawn a Vessel - weird to think about Frisk in that context haha#It's accurate! Just weird ♪#I am so in love with Gaster's post-Void design <3 The fact that his lineart is ''canon'' - however you want to phrase it just ughgjkdslafd#Any instance of The Medium being drawn attention to down to its format and details gives me the zoomies lol#Visual representation of the unfathomable! It's so cool!!#And the fact that at the Very least Gaster suspects just how limited his viewpoint is - is phased in and out of it - what he assumes is real#He knows that even with everything that makes him up now - the threads of the multiverse! - it's still so much bigger than he can understand#''More than I thought'' - and then actually getting to talk with some/thing/one(s) that make up at least a sliver of that Bigger#''Less than you'd think'' - like moving a grain of sand that contains a universe on the beach of infinity#Hghhh it's cool <3
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fictionadventurer · 3 months
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The BBC lady blowing my mind by pointing out the parallels between the endings of North and South and Jane Eyre (man brought low after losing his fortune, woman has gained wealth and comes to his rescue so they're now on equal footing).
She also pointed out that North and South is a continuation of issues Bronte explored in Shirley (to the point that Helstone is named after a character there), so I guess I may have to read that book one day.
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rawliverandgoronspice · 9 months
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behold: my least favorite string of words in the entirety of Tears of the Kingdom.
#totk critical#totk#tloz#gerudos#when will my brain return from the imprisoning war....#I just stumbled upon it again doing research yesterday and....#there's so many layers as to why it aggravates me#that it's spoken from the perspective of a masked woman as to embody all gerudos while removing her own identity#in the context of her loyalty to rauru as well#that giving birth to a bad man makes you responsible for his actions (he's not a toddler anymore he's an adult ok)#or more metaphorically that your initial conflict with hyrule makes you Sinful and cursed and you must Feel Bad Now *shame shame*#that she's passing on that ageless guilt with no expiration date onto the shoulders of *a teenager* and it's considered GOOD???#(wind waker shaking crying right now)#ALL OF THAT to prop her up to swear her loyalty to the people planning to go murder their ancient king (sure he's a Bad but still???)#using some sort of weird ass original sin scenario that is arguably not any gerudo's fault but Ganondorf's#(or if it is then it's not shown so ???)#the vibes are so so so off I just really !!!!! don't like#this is stuff like this that makes me reject that it's a good story about alliances being formed in good faith#because this is just manipulative#maybe the alliance angle everyone's stronger together was the intention but the execution is another story entirely#gerudos never benefited from ganondorf's actions also#so it's not even a case of making reparations for the way you benefit from systemic oppression due to your ancestor's actions#gerudos won literally nothing in ganondorf's war#apparently he even subjugated them if they weren't on his side (like.... a king would.... not to excuse it but the double standard here)#so it just instrumentalizes the ageless sin of motherhood + suffering under a bad monarch billion of years ago for war#so uhhh.... yeah that's not... that's pretty bad imo#the gerudo girl could have went “hey girl this man used us and still hurt us to this day let's kick his ass once and for all”#and this would have been a different story entirely#a little cheap but not.... That Bad
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